Inside NPPA’s fight for the future of photojournalism

 Via Editor and Publisher

November 1, 2025

For decades, visual journalism has been at the heart of storytelling — shaping how audiences understand, connect with, and remember the world around them. Yet as newsroom budgets tighten, the visual side of journalism has become one of the first casualties. The National Press Photographers Association (NPPA) is trying to change that. --Click for full article

"The loss to history from the purging of photo morgues is unquantifiable”

Via Columbia Journalism Review

October 28, 2025 

Who’s Going to Save Local Newspaper Archives?

Archivists worry in particular about photographs that have never been digitized

"Frank LoMonte, a University of Georgia law professor who has studied the loss of photo archives from local newspapers, estimates that only a small minority of papers have the financial resources and foresight to proactively safeguard their archives. LoMonte especially worries about unpublished photographs, because they provide an unfiltered perspective on what life was like—and offer a window into how editors at the time chose to portray major news events, and what they chose not to include. “The loss to history from the purging of photo morgues is unquantifiable,” he said. " - click for full article

Images from Sanjay Suchak's work documenting the removal of Confederate iconography across the South have been selected to be part of the major new exhibit "Monuments" at the Museum of Contemporary Art Los Angeles (MOCA)

 Via MOCA

Sanjay Suchak

The seated statue of Matthew Fontaine Maury from behind 

MONUMENTS

Co-organized and co-presented by MOCA and The Brick, MONUMENTS marks the recent wave of monument removals as a historic moment. The exhibition reflects on the histories and legacies of post-Civil War America as they continue to resonate today, bringing together a selection of decommissioned monuments, many of which are Confederate, with contemporary artworks borrowed and newly created for the occasion. Removed from their original outdoor public context, the monuments in the exhibition will be shown in their varying states of transformation, from unmarred to heavily vandalized.

Co-curated by Hamza Walker, Director of The Brick; Bennett Simpson, Senior Curator at MOCA; and Kara Walker, artist; with Hannah Burstein, Curatorial Associate at The Brick; and Paula Kroll, Curatorial Assistant at MOCA, MONUMENTS considers the ways public monuments have shaped national identity, historical memory, and current events.   

Following the racially motivated mass shooting at Mother Emanuel AME Church in Charleston, SC (2015) and the deadly 'Unite the Right' rally organized by white nationalists in Charlottesville, VA (2017), alongside Bree Newsome’s powerful removal of the Confederate flag at the South Carolina Statehouse (2015), the United States witnessed the decommissioning of nearly 200 monuments. These removals prompted a national debate that remains ongoing. MONUMENTS aims to historicize these discussions in our current moment and provide a space for crucial discourse and active engagements about challenging topics.  

MONUMENTS features newly commissioned artworks by contemporary artists Bethany Collins, Abigail DeVille, Karon Davis, Stan Douglas, Kahlil Robert Irving, Cauleen Smith, Kevin Jerome Everson, Walter Price, Monument Lab, Davóne Tines and Julie Dash, and Kara Walker. Additional artworks by Leonardo Drew, Torkwase Dyson, Nona Faustine, Jon Henry, Hugh Mangum, Martin Puryear, Andres Serrano, and Hank Willis Thomas, are borrowed from private collectors and institutions. 

The exhibition presents decommissioned monuments borrowed from the City of Baltimore, Maryland; the City of Montgomery, Alabama; The Jefferson School for African American Heritage, Charlottesville, Virginia; the Black History Museum & Cultural Center of Virginia, Richmond; the Valentine, Richmond, Virginia; and The Daniels Family Charitable Foundation, Raleigh, North Carolina. By juxtaposing these objects with contemporary works, the exhibition expands the context in which they are understood and highlights the gaps and omissions in popular narratives of American history.  

MONUMENTS will be accompanied by a scholarly publication and a robust slate of public and educational programming.

MONUMENTS is co-organized by The Museum of Contemporary Art, Los Angeles (MOCA) and The Brick. MONUMENTS is co-curated by Hamza Walker, Director, The Brick; artist Kara Walker; and Bennett Simpson, Senior Curator, MOCA; with Hannah Burstein, Curatorial Associate, The Brick; and Paula Kroll, Assistant Curator, MOCA.

Presenting support is provided by the Mellon Foundation.

Images from Sanjay Suchak's work documenting the removal of Confederate iconography across the South have been selected to be part of the major new exhibit "Monuments" at the Museum of Contemporary Art Los Angeles (MOCA) which is co-curated by The Brick. In addition to being a part of the exhibit, Suchak's photo featuring the seated statue of Matthew Fontaine Maury from behind was selected to be the exhibition poster and the cover of the exhibition catalog book.

NY Times: "The year’s most audacious and contentious new show brings out — after years of wrangling, and with heightened security — nearly a dozen Confederate memorials removed from view in the last decade."

NY Times: Kara Walker Deconstructs a Statue, and a Myth

As part of the group exhibition “Monuments,” the artist took a Stonewall Jackson bronze and transformed it into a radically new, unsettled thing.

The Guardian: Breathtaking, unsettling, healing: how US artist Kara Walker transformed a Confederate monument; The sweeping exhibition Monuments, which features 19 contemporary artists, opens in LA on 23 October

Sanjay Suchak

A worker stands with downed statue of Stonewall Jackson

Ed Kashi Discusses Three Of His Most Significant Photographs

 Via The Crit House

October 5, 2025

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.  "A Period In Time" is now on exhibit at Monroe Gallery of Photography

Trump Orders National Park to Remove Famed Photograph of Formerly Enslaved Man

 Via ArtNews

September 16, 2025

The Scourged Back, 1863

Photo Smith Collection/Gado/Getty Images

Following a threatened crackdown on what he his administration called “corrosive ideology” in American museums, Donald Trump has ordered a national park to remove a famous photograph of a formerly enslaved man baring his scarred back.

The Washington Post, which first reported the news on Monday night, did not specify which park would be impacted by the removal of the photograph and cited anonymous sources. But the article said it was one of “multiple” parks impacted by the orders, which target “signs and exhibits related to slavery at multiple national parks,” per the article.

Taken in 1863, the photograph shows a man who may have been named Peter who escaped a plantation in Louisiana and was subsequently examined by doctors who discovered the web of scars on his back that resulted from repeated, brutal whipping. The image was reprinted widely at the time as proof of the horrors of enslavement that some Americans could not personally witness firsthand. Informally, the picture is known as The Scourged Back.

It remains a key image of its era. Artist Arthur Jafa, for example, has included versions of it in recent installations. The National Portrait Gallery, the National Museum of African American History and Culture, the National Gallery of Art, and many other museum own prints of it.

According to the Washington Post, Trump’s order called for the removal of information and signage at the Harpers Ferry National Historic Park in West Virginia. The President’s House Site in Philadelphia may also be impacted, staffers told the Post.

In March, in an executive order that targeted Smithsonian-run museums, Trump singled out Independence National Historical Park, whose displays, he claimed, put forward the notion that “America is purportedly racist.”

A Parks Service spokesperson confirmed to the Post that exhibits under the organization’s aegis were under review, saying, “Interpretive materials that disproportionately emphasize negative aspects of U.S. history or historical figures, without acknowledging broader context or national progress, can unintentionally distort understanding rather than enrich it.”

It is not the first time Trump’s administration has gone after displays related to enslavement. In August, Trump claimed that the Smithsonian’s museums emphasize “how bad Slavery was,” a further sign that they were “OUT OF CONTROL.”

Art Heals: The Jingle Dress Project, an exhibition coinciding with Santa Fe Indian Market

 Via Pasatiempo

August 8, 2025

Eugene Tapahe: Four Worlds, Teton National Park, Wyoming, the native land of the Shoshone, Bannock, Gros Ventre, and Nez Perce people, 2020

Dress Dream

The inspiration for Art Heals: The Jingle Dress Project, an exhibition coinciding with Santa Fe Indian Market that’s showing at Monroe Gallery of Photography, can be traced to a dream that artist Eugene Tapahe (Diné) experienced during the pandemic.

The dream featured the Ojibwe jingle dress dance, an Indigenous dance with roots in healing and spiritual practices — which resonated with Tapahe during a time of widespread illness and social upheaval. Tapahe since has traveled thousands of miles photographing or taking videos of family members and friends performing the dance, documenting a striking combination of brightly colored dance garb and sweeping natural backdrops at national parks and monuments.

A reception is 5-7 p.m. Thursday, August 14, and at 5:30 p.m. Tapahe will discuss the work and preview a documentary he’s developing. Originally from Window Rock, Arizona, he has won awards including best of show in 2018 at the Cherokee Indian Market in Tulsa, Oklahoma. — B.S.

Note: Tapahe talk will be available on Zoom, register here.

Santa Fe July 4: Pancakes On The Plaza

 

Via Santa Fe Rotary Club

Pancakes on the Plaza is flipping back into action. Every Fourth of July, the heart of downtown fills with the smell of sizzling pancakes, the sparkle of classic cars, rows of amazing local art, and thousands of smiling faces. It is not just a breakfast — it is the way Northern New Mexico celebrates Independence Day. We are proud to announce that Pancakes on the Plaza will help deliver $200,000 in grants over the next two years to support Santa Fe nonprofits making a real difference.

When you buy a ticket, you are not just enjoying a plate of fluffy goodness — you are helping local families thrive, students succeed, and our whole community shine a little brighter. Pancakes on the Plaza is brought to you by the Rotary Club of Santa Fe — 80 Rotarians, over 300 volunteers, and a whole lot of heart. Thanks to your support and your big appetite, we are making a real impact. Eat pancakes. Have fun. Make a difference.

Take a short walk to Monroe Gallery to see a preview of an important new exhibition featuring a photography series by artist Eugene Tapahe titled Art Heals: The Jingle Dress Project. The exhibit opens July 5, 2025, with an artist’s talk at 5:30 p.m, and the Gallery will be open July 4 from 10 - 2.

Joe McNally receives Professional Photographer Achievement Award at IPC Hall of Fame and Professional Photographer Achievement Awards on May 14th

 Via International Photographic Council (IPC)

May 18, 2025

The International Photographic Council (IPC) is a non-profit organization committed to promoting the power of photography as a universal means of communication. IPC is a Civil Society Organization formally associated with the United Nations Department of Global Communications. Through our global community of photographers, educators, and industry experts, we strive to foster intercultural understanding and collaboration through visual storytelling.

View a selection of Joe McNally's photographs here.

High County News: An intimate look at New Mexico’s lowrider culture features photographs by Gabriela Campos

 Via High County News

May 1, 2025

Photographer Gabriela Campos takes you on a ride showing the scene as poetry in motion.

"Her lens cruises like the cars, a magic carpet ride with a kick-ass orgullo."

Read the full article here.

Gabriela Campos

Gabriela Campos, born and raised in Santa Fe, New Mexico, is a photojournalist who documents the people and traditions of the Southwest. She’s on staff at the Santa Fe New Mexican, and her work is held in several collections and has been published widely.

10 FPS Podcast: Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York

 Via 10 FPS Podcast

April 23, 2025

  

 Apple Podcasts | Spotify | Amazon Music | Pandora | Podchaser | TuneIn | Deezer | Anghami | Youtube Music | RSS

Photojournalism uniquely bridges the worlds of art and storytelling, capturing moments that resonate deeply with audiences. The Monroe Gallery, a leader in this field, has dedicated itself to showcasing the transformative power of images. In this episode our hosts explored this fascinating realm with Sydney and Michelle Monroe, founders of the Monroe Gallery. Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York.

The Birth of Monroe Gallery

The Monroe Gallery’s journey began with a pivotal meeting with Alfred Eisenstadt, a founding photographer of Life Magazine. This encounter sparked Sydney and Michelle Monroe’s passion for photojournalism, leading them to recognize its potential within the gallery system. Their mission became to elevate photojournalistic images from magazine pages to gallery walls, transforming them into enduring pieces of art and historical evidence.
The Impact of Photojournalism

Photojournalism, as the Monroes describe, is about more than capturing moments; it’s about documenting history and inspiring change. The images they curate are visually striking and carry deep social and political relevance. From war scenes to tender moments of love, these photographs tell timeless stories. The Monroes emphasize the importance of context, ensuring viewers understand the historical and emotional backdrop of each image.
Handling Sensitive Subjects

Presenting sensitive subjects is a challenge the Monroe Gallery navigates with care. The Monroes provide context to balance human suffering with stories of heroism and hope, offering a comprehensive view of the human experience. This thoughtful curation is evident in exhibitions like Grey Villet’s work on the Loving family, highlighting photojournalism’s societal impact. It is also seen in their latest special exhibit titled “WWII – Eighty Years”, which will be presented at APAD this year. The exhibit highlights the historic triumphs and devastating losses of the war that were captured by thousands of wartime photographers. It is a reminder that we must learn from our history so that these same actions may never be repeated.

Supporting Modern Photojournalists

In today’s evolving media landscape, the Monroe Gallery supports contemporary photojournalists, many of whom rely on print sales to fund their work. The Monroes represent a diverse range of voices, from legends to emerging talents like Eugene Tapahe, whose “Jingle Dress Project” beautifully combines art and journalism. This dedication ensures the gallery remains a vibrant platform for storytelling.

The Monroe Gallery’s journey underscores the enduring power of photojournalism. Through thoughtful curation and commitment, Sydney and Michelle Monroe have created a space where images challenge perceptions and inspire change. As they prepare for the APAD show, the Monroes continue to champion photojournalism as both art and historical record, inviting all to explore the profound impact of these stories.

#photojournalism #photogallery #exibits #APAD

Previous Episode: Ron Haviv

Guggenheim Foundation Announces 100th Class of Fellows: 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography

 Via The Guggenheim Foundation

April 15, 2025

The Guggenheim Foundation’s 100th Class of Fellows Taps 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography, Columbia University in the City of New York, New York, NY. Berman's Fellowship will allow her to continue her important series "Acknowledgment of Danger ", examining the toxic legacy and continued environmental impact of US military activities on the American landscape from native lands to national forests, from major rivers to the skies above. 

(New York, NY--April 15, 2025) -- The Board of Trustees of the John Simon Guggenheim Memorial Foundation announced today their appointment of the 100th class of Guggenheim Fellows, including 198 distinguished individuals working across 53 disciplines. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, the Class of 2025 Guggenheim Fellows was tapped based on both prior career achievement and exceptional promise. As established in 1925 by founder Senator Simon Guggenheim, each Fellow receives a monetary stipend to pursue independent work at the highest level under “the freest possible conditions.”

The 100th class of Fellows is part of the Guggenheim Foundation’s yearlong celebration marking a century of transformative impact on American intellectual and cultural life. In addition to appointing its newest class, the Foundation also launches a refreshed brand identity and website this month and will present a special exhibit later this year in collaboration with The New York Historical, highlighting rarely-seen treasures from its vast archive.

“At a time when intellectual life is under attack, the Guggenheim Fellowship celebrates a century of support for the lives and work of visionary scientists, scholars, writers, and artists,” said Edward Hirsch, award-winning poet and President of the Guggenheim Foundation. “We believe that these creative thinkers can take on the challenges we all face today and guide our society towards a better and more hopeful future.”

In all, 53 scholarly disciplines and artistic fields, 83 academic institutions, 32 US states and the District of Columbia, and two Canadian provinces are represented in the 2025 class, who range in age from 32 to 79. More than a third of the 100th class of Fellows do not hold a full-time affiliation with a college or university. Many Fellows’ projects directly respond to timely themes and issues such as climate change, Indigenous studies, identity, democracy and politics, incarceration, and the evolving purpose of community. Since its founding in 1925, the Guggenheim Foundation has awarded over $400 million in fellowships to more than 19,000 Fellows.

A selection of Nina Berman's work will be included in our presentation at the 2025 Photography Show Presented by AIPAD at the Park Avenue Armory, April 23-27, 2025

Eugene Tapahe's Art Heals: The Jingle Dress Project Featured on Cover of The Photograph Collector AIPAD Show Preview

Via The Photograph Collector

April 2025 edition

"Monroe Gallery of Photography will be located at Booth C8 and will present distinctly curated exhibits, with a central focus on Diné (Navajo) photographer Eugene Tapahe’s “Art Heals: Jingle Dress Project”.

“The Jingle Dress Project” originated from Tapahe’s dream inspiring him to bring global attention to Native American issues in these uncertain times of social differences through the healing power of the Ojibwe jingle dress dance. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has received national and international recognition

for its unifying effect on communities. Monroe Gallery is the exclusive representative for

Tapahe’s “Jingle Dress” fine art prints.

Also on exhibit will be a selection of important contemporary photojournalism with a focus on American politics, climate issues, and refugee migration. Three newly represented independent photojournalists will be featured: Ron Haviv, Tracy Barbutes, and Bing Guan. Haviv is an Emmy nominated filmmaker and an award-winning photojournalist. He co-founded VII Photo Agency and The VII Foundation and has produced an unflinching record of the injustices of war covering over 25 conflicts. Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite National Park whose recent photograph of an inverted American flag — historically used as a sign of distress — off the side of El Capitan, the towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service became a viral sensation. Guan is a full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. "

Monroe Gallery at The Photography Show Presented by AIPAD.

The Photograph Collector is a monthly newsletter established in 1980. It is published and copyright ©2025 by The Photo Review, 340 East Maple Avenue, Suite 200, Langhorne, PA 19047, (215) 891-0214 - Fax (215) 891-9358

- Email info@photoreview.org - Editor: Stephen Perloff - ISSN 0271-0838 - An Annual Subscription is $149.95.

American Express, MasterCard, and Visa cards welcomed.

Monroe Gallery Announces Representation of Bing Guan

 March 31, 2025

Civil Human Rights Front Rally in Causeway Bay, Hong Kong, December 8, 2019

Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of photographer Bing Guan for fine art print sales.

Guan is a Chinese American full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. Born in Australia and raised in the United States, Bing attended Dartmouth College and holds a BA cum laude in history from Columbia University. He has reported from across the U.S., and from places including Antigua, Burma, Mexico, Rwanda, and Hong Kong.

Bing is a regular contributor to Reuters, Bloomberg, and The New York Times. He has been awarded grants from the Parsons School of Design, the Ucross Foundation, and the Virginia Center for the Creative Arts.

Bing speaks fluent Mandarin Chinese, and is certified in HEFAT and as a FAA Part 107 drone pilot. 

Monroe Gallery will exhibit examples of Guan’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

Letter from FIRE, NCAC, and ACLU of Texas to Fort Worth Police Department, February 19, 2025 Regarding Seized Sally Mann Photos

 Via Foundation for Individual Rights and Expression

February 19, 2025

Dear Chief Noakes:

The Foundation for Individual Rights and Expression (FIRE), the National Coalition Against
Censorship (NCAC), and the American Civil Liberties Union (ACLU) of Texas are deeply
concerned by the Fort Worth Police Department’s unconstitutional seizure and investigation
of artist Sally Mann’s photographs, which were on view at the Modern Art Museum of Fort
Worth.1 While some may find the images inappropriate, that does not strip them of the First
Amendment protection afforded to artistic expression. We therefore call on the Fort Worth
Police Department to uphold its binding obligations to defend the Constitution by ceasing its
investigation and returning the photographs.

--Click for full letter

Opening Reception | Reclaiming Red at Northlight Gallery

Via Northlight Gallery/Arizona State University

Colors hold symbolism and meanings already established by Western societies. However, for Native and Indigenous people, the symbolisms are diverse and hold different meanings. The color red carries great significance for Indigenous and Native communities. It is a sacred color used to describe our origin stories, sacred land, and blessings of fire for warmth, cooking, and protection. Reclaiming Red explores the colonial implications of the color red and demonstrates how Indigenous people use it for healing, peace, sacredness, unity, and Hózhó (a Diné Bizaad word for balance and harmony). 

Participating artists: Tedra Begay (Diné), Jaida Grey Eagle (Oglala Lakota), Tailyr Irvine (Confederated Salish and Kootenai Tribes), Cara Romero (Chemehuevi), Eugene Tapahe (Diné), and Maya Tinhitiyas Attean, (Wabanaki, Penobscot Nation). 

Curated by Erin Tapahe (Diné)

Exhibition Dates: Jan. 24–Feb. 22

Reception: Friday, Feb.7, 6 p.m.–8 p.m. 

Gallery Hours: Thursday–Saturday, noon–5 p.m. and every first and third Friday 6 p.m.–9 p.m. 

more info here

Monroe Gallery Photographs In Feature On Martin Luther King Day Celebrations Across New Mexico

 Via Pasatiempo

January 17, 2025

Come together: MLK celebrations across New Mexico

Martin Luther King Jr at a rally in Detroit, 1963 Photo by Francis Miller Courtesy ©LIFE Picture Collection/Monroe Gallery of Photography

©Grey Villet: Martin Luther King at Police Headquarters, as he argued to reject bail and serve his sentence for disturbing the peace in Montgomery, Alabama, 1958  Courtesy of Monroe Gallery of Photography

As we enter a new era in American history on Monday, we would be wise to remember the following two sentences that the Rev. Martin Luther King Jr. spoke in the auditorium of the University of Oslo, Norway, upon receiving his Nobel Peace Prize on December 10, 1964:

“I believe that unarmed truth and unconditional love will have the final word in reality. This is why right, temporarily defeated, is stronger than evil triumphant.”

The New Mexico Martin Luther King Jr. State Commission and other related or affiliated organizations invite everyone to come together this weekend to reflect and celebrate Rev. King’s legacy of nonviolent protest and resistance, of love and unity, and to help further build on Rev. King’s dream of a “Beloved Community.” Full article here.

©Steve Schapiro: Martin Luther King, Selma March, Alabama, 1965 Courtesy of Monroe Gallery of Photography

©Grey Villet: Martin Luther King, Dexter Avenue Baptist Church in Montgomery, Alabama, 1955 Courtesy of Monroe Gallery of Photography

details

Statewide MLK events, coordinated by the New Mexico MLK State Commission

Various times, Friday, January 17, through Monday, January 20

Albuquerque, Clovis, Santa Fe, Grants, Las Cruces, Farmington, Rio Rancho, Hobbs

Many events are free while some are ticketed and require registration

nmmlksc.org

Toledo Museum of Art in Ohio acquires two large-format prints by photographer Eugene Tapahe from his series "Art Heals: The Jingle Dress Project"

 

Santa Fe, NM - Monroe Gallery of Photography is pleased to announce that the Toledo Museum of Art in Ohio has recently acquired two large-format prints by photographer Eugene Tapahe from his series "Art Heals: The Jingle Dress Project." The prints are titled, “Solidarity, Sisterhood,” Monument Valley, Arizona, Diné, 2020, and “Four Worlds,” Grand Teton National Park, Wyoming, Cayuse, Umatilla, Newe Sogobia, and Tséstho'e, 2020. 

"Solidarity, Sisterhood,” Monument Valley, Arizona, Diné, 2020

"Four Worlds,” Grand Teton National Park, Wyoming, Cayuse, Umatilla, Newe Sogobia, and Tséstho'e, 2020

Eugene Tapahe is a Diné (Navajo) contemporary artist and fine art photographer from Window Rock, Arizona, currently living in Provo, Utah. From an early age, Tapahe learned the significance of respecting, preserving, and protecting what is sacred—the land, water, and nature. He combines his passion for nature and culture with his educational background in graphic design, journalism, fine arts, and landscape and portrait photography to create stunning imagery. Tapahe fell in love with photography the moment he picked up a camera and discovered his unique talent for storytelling through his art. He has a deep desire to continue photographing the lands his ancestors once walked.

“Art Heals: The Jingle Dress Project” originated from Tapahe's dream during the COVID-19 pandemic, inspiring him to unite the land and people through the Ojibwe jingle dress dance in these uncertain times of sickness and social differences. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has healed Tapahe’s family and ancestors and received national and international recognition for its unifying effect on other communities.

This month, “Kéyah: Our Home” by Eugene Tapahe will be exhibited at the BYU Museum of Art from January 24 to April 26, 2025. In the spring, selections from “Art Heals: The Jingle Dress Project” will be displayed by Monroe Gallery during The Photography Show presented by AIPAD at the Park Avenue Armory in New York City from April 23 to 27, 2025.

The Toledo Museum of Art was established in 1901 to share the transformative power of art with the community. Its 37-acre campus houses more than 30,000 artworks in architecturally significant buildings. Over the past several years, the museum has been working to expand its collection of Native American works of art, both historical and contemporary.

Monroe Gallery of Photography specializes in photography at the singular intersectionality of art and journalism.

Images of Winter Are Frozen in Time

 Via Pasatiempo

November 29, 2024

Ida Wyman: Wrought Iron Design in Snow, New York City, 1947

In the 2023 photograph Ancestral Strength by Eugene Tapahe, four Indigenous women — Cayuse, Umatilla, Newe Sogobia, and Tséstho’e — stand side by side wearing brightly colored traditional garb, staring toward the sky behind the photographer. The stark winter beauty of the background in Wyoming’s Teton National Park further highlights the women’s projected power.

In the 1949 photograph Southern Pacific Steam Engine by John Dominis, a steam engine plows through a snowy landscape at Donner Pass, California.

Both images showcase forms of strength, but that’s not the tie that binds them. Both are part of Frozen in Time, an exhibition that Monroe Gallery of Photography describes as an “imaginative survey of compelling images.” It covers a range of human experiences, from the joy of exploration in George Silk’s 1946 shot Tourists Climb Fox Glacier in Tasman National Park, taken in New Zealand, to the ugly brutality of war in Tony Vaccaro’s White Death, Pvt. Henry Irving Tannebaum Ottre, taken in Belgium in 1945. 

It opens with a reception from 4-6 p.m. Friday, November 29. — Brian Sandford

details

Through January 19

Monroe Gallery of Photography

112 Don Gaspar Avenue

505-992-0800, monroegallery.com

Depths of winter: 'Frozen in Time' brings images of joy, despair to Monroe Gallery

 Via The Albuquerque Journal

By Kathaleen Roberts

November 24, 2024

Winter brings both beauty and brutality.

Open at Santa Fe’s Monroe Gallery of Photography, “Frozen in Time” brings images of both joy and despair by some of the most renowned American photojournalists. The photographs cover the 2016 protests during the Standing Rock pipeline construction, a skating waiter at St. Moritz, Switzerland, in the early 1900s, and images of the grim winter conditions during World War II.

Several of the photojournalists worked for Life magazine.

"It always makes for a beautiful, serene, contemplative experience,” said Michelle Monroe, gallery co-owner, of the frosty season. “We know it’s cold, we know it’s quiet, we know there is a veil of light.”

Alfred Eisenstaedt/Life Picture Collection: Ice Skating Waiter, St. Moritz, 1932

Alfred Eisenstaedt’s “Ice Skating Waiter” encapsulates the grace of skating while balancing a tray of glasses and liquor.

“He had a very rudimentary camera with glass plates,” Monroe said. “He said the whole thing was a technical challenge.”

The photographer focused on the chair until the waiter swanned by.

Tony Vaccaro: Battle of Hurtgen Forest, Germany, 1944

Tony Vaccaro’s photograph of soldiers partially buried in snow during the 88-day Battle of Hürtgen Forest captures the longest fight on German ground of World War II. An estimated 24,000 were killed, wounded or captured.

“There was no one more uncomfortable than the other,” Monroe said. “You couldn’t even find any comfort being together. (Vaccaro) said there was a lot of dark humor.”

In 2023, Navajo photographer Eugene Tapahe took “Ancestral Strength” in Wyoming’s Grand Teton National Park.

Eugene Tapahe

Ancestral Strength, Teton National Park, WY, Cayuse, Umatilla, Newe Sogobia and Tséstho’e, 2023

Tapahe was studying at Utah’s Brigham Young University when the pandemic hit. He decided to take four Native jingle dancers (two of whom were his daughters) across the country.

“The jingle dress has always been used for healing,” Monroe said. “Since the schools were closed, perhaps he could heal the country. They went all over performing. It had a tremendous effect on people.”

Those stops included Mount Rushmore, Yosemite and New York’s Central Park.

Ryan Vizzions photographed the protests over the Standing Rock pipeline in 2017, including a portrait of a medicine man.

Ryan Vizzions: Standing Rock, Winter, 2016

“He was a spiritual counselor and guide for everything there to keep people in focus,” Monroe said.

“(For) a lot of the older photographers, in order to be put on the front page, it was to get out there and get a shot of this latest snowstorm,” Monroe said. “She was part of the Photo League (cooperative.) They were shut down by the Red Scare movement for being subversive.”

Ida Wyman: Wrought Iron Design in Snow, New York City, 1945

The photographs also include images of the 1939 Russo-Finnish War, harsh winter conditions in the northern Soviet Union taken during its collapse in the 1990s and several ice skating scenes, including Truman Capote at New York’s famed Rockefeller Plaza in 1959, as well as tranquil snow scenes of the American West.

Carl Mydans/Life Picture Collection: The newly created 'Japanese Police Force' moves out of camp for winter training, Hokkaido, Japan, 1951

Monroe Gallery specializes in photojournalism. It was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.

'FROZEN IN TIME'

WHEN: Opening Reception on Friday, Nov. 29, 4-6 pm; exhibition continues through Jan. 19, 2025

WHERE: Monroe Gallery, 112 Don Gaspar Ave., Santa Fe

MORE INFO: monroegallery.com, 505-992-0800

"As A.I. Becomes Harder to Detect, Photography Is Having a Renaissance"

 Via The New York Times

October 25, 2024

"After at least a decade of focusing almost exclusively on painting, many of the largest and most powerful art dealers are dedicating significant attention and real estate to photography.

It is part of a broader renaissance for the medium that is arriving, perhaps counterintuitively, just as images produced by artificial intelligence become virtually indistinguishable from real documentation."

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