Joe McNally receives Professional Photographer Achievement Award at IPC Hall of Fame and Professional Photographer Achievement Awards on May 14th

 Via International Photographic Council (IPC)

May 18, 2025

The International Photographic Council (IPC) is a non-profit organization committed to promoting the power of photography as a universal means of communication. IPC is a Civil Society Organization formally associated with the United Nations Department of Global Communications. Through our global community of photographers, educators, and industry experts, we strive to foster intercultural understanding and collaboration through visual storytelling.

View a selection of Joe McNally's photographs here.

High County News: An intimate look at New Mexico’s lowrider culture features photographs by Gabriela Campos

 Via High County News

May 1, 2025

Photographer Gabriela Campos takes you on a ride showing the scene as poetry in motion.

"Her lens cruises like the cars, a magic carpet ride with a kick-ass orgullo."

Read the full article here.

Gabriela Campos

Gabriela Campos, born and raised in Santa Fe, New Mexico, is a photojournalist who documents the people and traditions of the Southwest. She’s on staff at the Santa Fe New Mexican, and her work is held in several collections and has been published widely.

10 FPS Podcast: Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York

 Via 10 FPS Podcast

April 23, 2025

  

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Photojournalism uniquely bridges the worlds of art and storytelling, capturing moments that resonate deeply with audiences. The Monroe Gallery, a leader in this field, has dedicated itself to showcasing the transformative power of images. In this episode our hosts explored this fascinating realm with Sydney and Michelle Monroe, founders of the Monroe Gallery. Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York.

The Birth of Monroe Gallery

The Monroe Gallery’s journey began with a pivotal meeting with Alfred Eisenstadt, a founding photographer of Life Magazine. This encounter sparked Sydney and Michelle Monroe’s passion for photojournalism, leading them to recognize its potential within the gallery system. Their mission became to elevate photojournalistic images from magazine pages to gallery walls, transforming them into enduring pieces of art and historical evidence.
The Impact of Photojournalism

Photojournalism, as the Monroes describe, is about more than capturing moments; it’s about documenting history and inspiring change. The images they curate are visually striking and carry deep social and political relevance. From war scenes to tender moments of love, these photographs tell timeless stories. The Monroes emphasize the importance of context, ensuring viewers understand the historical and emotional backdrop of each image.
Handling Sensitive Subjects

Presenting sensitive subjects is a challenge the Monroe Gallery navigates with care. The Monroes provide context to balance human suffering with stories of heroism and hope, offering a comprehensive view of the human experience. This thoughtful curation is evident in exhibitions like Grey Villet’s work on the Loving family, highlighting photojournalism’s societal impact. It is also seen in their latest special exhibit titled “WWII – Eighty Years”, which will be presented at APAD this year. The exhibit highlights the historic triumphs and devastating losses of the war that were captured by thousands of wartime photographers. It is a reminder that we must learn from our history so that these same actions may never be repeated.

Supporting Modern Photojournalists

In today’s evolving media landscape, the Monroe Gallery supports contemporary photojournalists, many of whom rely on print sales to fund their work. The Monroes represent a diverse range of voices, from legends to emerging talents like Eugene Tapahe, whose “Jingle Dress Project” beautifully combines art and journalism. This dedication ensures the gallery remains a vibrant platform for storytelling.

The Monroe Gallery’s journey underscores the enduring power of photojournalism. Through thoughtful curation and commitment, Sydney and Michelle Monroe have created a space where images challenge perceptions and inspire change. As they prepare for the APAD show, the Monroes continue to champion photojournalism as both art and historical record, inviting all to explore the profound impact of these stories.

#photojournalism #photogallery #exibits #APAD

Previous Episode: Ron Haviv

Guggenheim Foundation Announces 100th Class of Fellows: 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography

 Via The Guggenheim Foundation

April 15, 2025

The Guggenheim Foundation’s 100th Class of Fellows Taps 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography, Columbia University in the City of New York, New York, NY. Berman's Fellowship will allow her to continue her important series "Acknowledgment of Danger ", examining the toxic legacy and continued environmental impact of US military activities on the American landscape from native lands to national forests, from major rivers to the skies above. 

(New York, NY--April 15, 2025) -- The Board of Trustees of the John Simon Guggenheim Memorial Foundation announced today their appointment of the 100th class of Guggenheim Fellows, including 198 distinguished individuals working across 53 disciplines. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, the Class of 2025 Guggenheim Fellows was tapped based on both prior career achievement and exceptional promise. As established in 1925 by founder Senator Simon Guggenheim, each Fellow receives a monetary stipend to pursue independent work at the highest level under “the freest possible conditions.”

The 100th class of Fellows is part of the Guggenheim Foundation’s yearlong celebration marking a century of transformative impact on American intellectual and cultural life. In addition to appointing its newest class, the Foundation also launches a refreshed brand identity and website this month and will present a special exhibit later this year in collaboration with The New York Historical, highlighting rarely-seen treasures from its vast archive.

“At a time when intellectual life is under attack, the Guggenheim Fellowship celebrates a century of support for the lives and work of visionary scientists, scholars, writers, and artists,” said Edward Hirsch, award-winning poet and President of the Guggenheim Foundation. “We believe that these creative thinkers can take on the challenges we all face today and guide our society towards a better and more hopeful future.”

In all, 53 scholarly disciplines and artistic fields, 83 academic institutions, 32 US states and the District of Columbia, and two Canadian provinces are represented in the 2025 class, who range in age from 32 to 79. More than a third of the 100th class of Fellows do not hold a full-time affiliation with a college or university. Many Fellows’ projects directly respond to timely themes and issues such as climate change, Indigenous studies, identity, democracy and politics, incarceration, and the evolving purpose of community. Since its founding in 1925, the Guggenheim Foundation has awarded over $400 million in fellowships to more than 19,000 Fellows.

A selection of Nina Berman's work will be included in our presentation at the 2025 Photography Show Presented by AIPAD at the Park Avenue Armory, April 23-27, 2025

Eugene Tapahe's Art Heals: The Jingle Dress Project Featured on Cover of The Photograph Collector AIPAD Show Preview

Via The Photograph Collector

April 2025 edition

"Monroe Gallery of Photography will be located at Booth C8 and will present distinctly curated exhibits, with a central focus on Diné (Navajo) photographer Eugene Tapahe’s “Art Heals: Jingle Dress Project”.

“The Jingle Dress Project” originated from Tapahe’s dream inspiring him to bring global attention to Native American issues in these uncertain times of social differences through the healing power of the Ojibwe jingle dress dance. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has received national and international recognition

for its unifying effect on communities. Monroe Gallery is the exclusive representative for

Tapahe’s “Jingle Dress” fine art prints.

Also on exhibit will be a selection of important contemporary photojournalism with a focus on American politics, climate issues, and refugee migration. Three newly represented independent photojournalists will be featured: Ron Haviv, Tracy Barbutes, and Bing Guan. Haviv is an Emmy nominated filmmaker and an award-winning photojournalist. He co-founded VII Photo Agency and The VII Foundation and has produced an unflinching record of the injustices of war covering over 25 conflicts. Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite National Park whose recent photograph of an inverted American flag — historically used as a sign of distress — off the side of El Capitan, the towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service became a viral sensation. Guan is a full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. "

Monroe Gallery at The Photography Show Presented by AIPAD.

The Photograph Collector is a monthly newsletter established in 1980. It is published and copyright ©2025 by The Photo Review, 340 East Maple Avenue, Suite 200, Langhorne, PA 19047, (215) 891-0214 - Fax (215) 891-9358

- Email info@photoreview.org - Editor: Stephen Perloff - ISSN 0271-0838 - An Annual Subscription is $149.95.

American Express, MasterCard, and Visa cards welcomed.

Monroe Gallery Announces Representation of Bing Guan

 March 31, 2025

Civil Human Rights Front Rally in Causeway Bay, Hong Kong, December 8, 2019

Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of photographer Bing Guan for fine art print sales.

Guan is a Chinese American full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. Born in Australia and raised in the United States, Bing attended Dartmouth College and holds a BA cum laude in history from Columbia University. He has reported from across the U.S., and from places including Antigua, Burma, Mexico, Rwanda, and Hong Kong.

Bing is a regular contributor to Reuters, Bloomberg, and The New York Times. He has been awarded grants from the Parsons School of Design, the Ucross Foundation, and the Virginia Center for the Creative Arts.

Bing speaks fluent Mandarin Chinese, and is certified in HEFAT and as a FAA Part 107 drone pilot. 

Monroe Gallery will exhibit examples of Guan’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

Letter from FIRE, NCAC, and ACLU of Texas to Fort Worth Police Department, February 19, 2025 Regarding Seized Sally Mann Photos

 Via Foundation for Individual Rights and Expression

February 19, 2025

Dear Chief Noakes:

The Foundation for Individual Rights and Expression (FIRE), the National Coalition Against
Censorship (NCAC), and the American Civil Liberties Union (ACLU) of Texas are deeply
concerned by the Fort Worth Police Department’s unconstitutional seizure and investigation
of artist Sally Mann’s photographs, which were on view at the Modern Art Museum of Fort
Worth.1 While some may find the images inappropriate, that does not strip them of the First
Amendment protection afforded to artistic expression. We therefore call on the Fort Worth
Police Department to uphold its binding obligations to defend the Constitution by ceasing its
investigation and returning the photographs.

--Click for full letter

Opening Reception | Reclaiming Red at Northlight Gallery

Via Northlight Gallery/Arizona State University

Colors hold symbolism and meanings already established by Western societies. However, for Native and Indigenous people, the symbolisms are diverse and hold different meanings. The color red carries great significance for Indigenous and Native communities. It is a sacred color used to describe our origin stories, sacred land, and blessings of fire for warmth, cooking, and protection. Reclaiming Red explores the colonial implications of the color red and demonstrates how Indigenous people use it for healing, peace, sacredness, unity, and Hózhó (a Diné Bizaad word for balance and harmony). 

Participating artists: Tedra Begay (Diné), Jaida Grey Eagle (Oglala Lakota), Tailyr Irvine (Confederated Salish and Kootenai Tribes), Cara Romero (Chemehuevi), Eugene Tapahe (Diné), and Maya Tinhitiyas Attean, (Wabanaki, Penobscot Nation). 

Curated by Erin Tapahe (Diné)

Exhibition Dates: Jan. 24–Feb. 22

Reception: Friday, Feb.7, 6 p.m.–8 p.m. 

Gallery Hours: Thursday–Saturday, noon–5 p.m. and every first and third Friday 6 p.m.–9 p.m. 

more info here

Monroe Gallery Photographs In Feature On Martin Luther King Day Celebrations Across New Mexico

 Via Pasatiempo

January 17, 2025

Come together: MLK celebrations across New Mexico

Martin Luther King Jr at a rally in Detroit, 1963 Photo by Francis Miller Courtesy ©LIFE Picture Collection/Monroe Gallery of Photography

©Grey Villet: Martin Luther King at Police Headquarters, as he argued to reject bail and serve his sentence for disturbing the peace in Montgomery, Alabama, 1958  Courtesy of Monroe Gallery of Photography

As we enter a new era in American history on Monday, we would be wise to remember the following two sentences that the Rev. Martin Luther King Jr. spoke in the auditorium of the University of Oslo, Norway, upon receiving his Nobel Peace Prize on December 10, 1964:

“I believe that unarmed truth and unconditional love will have the final word in reality. This is why right, temporarily defeated, is stronger than evil triumphant.”

The New Mexico Martin Luther King Jr. State Commission and other related or affiliated organizations invite everyone to come together this weekend to reflect and celebrate Rev. King’s legacy of nonviolent protest and resistance, of love and unity, and to help further build on Rev. King’s dream of a “Beloved Community.” Full article here.

©Steve Schapiro: Martin Luther King, Selma March, Alabama, 1965 Courtesy of Monroe Gallery of Photography

©Grey Villet: Martin Luther King, Dexter Avenue Baptist Church in Montgomery, Alabama, 1955 Courtesy of Monroe Gallery of Photography

details

Statewide MLK events, coordinated by the New Mexico MLK State Commission

Various times, Friday, January 17, through Monday, January 20

Albuquerque, Clovis, Santa Fe, Grants, Las Cruces, Farmington, Rio Rancho, Hobbs

Many events are free while some are ticketed and require registration

nmmlksc.org

Toledo Museum of Art in Ohio acquires two large-format prints by photographer Eugene Tapahe from his series "Art Heals: The Jingle Dress Project"

 

Santa Fe, NM - Monroe Gallery of Photography is pleased to announce that the Toledo Museum of Art in Ohio has recently acquired two large-format prints by photographer Eugene Tapahe from his series "Art Heals: The Jingle Dress Project." The prints are titled, “Solidarity, Sisterhood,” Monument Valley, Arizona, Diné, 2020, and “Four Worlds,” Grand Teton National Park, Wyoming, Cayuse, Umatilla, Newe Sogobia, and Tséstho'e, 2020. 

"Solidarity, Sisterhood,” Monument Valley, Arizona, Diné, 2020

"Four Worlds,” Grand Teton National Park, Wyoming, Cayuse, Umatilla, Newe Sogobia, and Tséstho'e, 2020

Eugene Tapahe is a Diné (Navajo) contemporary artist and fine art photographer from Window Rock, Arizona, currently living in Provo, Utah. From an early age, Tapahe learned the significance of respecting, preserving, and protecting what is sacred—the land, water, and nature. He combines his passion for nature and culture with his educational background in graphic design, journalism, fine arts, and landscape and portrait photography to create stunning imagery. Tapahe fell in love with photography the moment he picked up a camera and discovered his unique talent for storytelling through his art. He has a deep desire to continue photographing the lands his ancestors once walked.

“Art Heals: The Jingle Dress Project” originated from Tapahe's dream during the COVID-19 pandemic, inspiring him to unite the land and people through the Ojibwe jingle dress dance in these uncertain times of sickness and social differences. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has healed Tapahe’s family and ancestors and received national and international recognition for its unifying effect on other communities.

This month, “Kéyah: Our Home” by Eugene Tapahe will be exhibited at the BYU Museum of Art from January 24 to April 26, 2025. In the spring, selections from “Art Heals: The Jingle Dress Project” will be displayed by Monroe Gallery during The Photography Show presented by AIPAD at the Park Avenue Armory in New York City from April 23 to 27, 2025.

The Toledo Museum of Art was established in 1901 to share the transformative power of art with the community. Its 37-acre campus houses more than 30,000 artworks in architecturally significant buildings. Over the past several years, the museum has been working to expand its collection of Native American works of art, both historical and contemporary.

Monroe Gallery of Photography specializes in photography at the singular intersectionality of art and journalism.

Images of Winter Are Frozen in Time

 Via Pasatiempo

November 29, 2024

Ida Wyman: Wrought Iron Design in Snow, New York City, 1947

In the 2023 photograph Ancestral Strength by Eugene Tapahe, four Indigenous women — Cayuse, Umatilla, Newe Sogobia, and Tséstho’e — stand side by side wearing brightly colored traditional garb, staring toward the sky behind the photographer. The stark winter beauty of the background in Wyoming’s Teton National Park further highlights the women’s projected power.

In the 1949 photograph Southern Pacific Steam Engine by John Dominis, a steam engine plows through a snowy landscape at Donner Pass, California.

Both images showcase forms of strength, but that’s not the tie that binds them. Both are part of Frozen in Time, an exhibition that Monroe Gallery of Photography describes as an “imaginative survey of compelling images.” It covers a range of human experiences, from the joy of exploration in George Silk’s 1946 shot Tourists Climb Fox Glacier in Tasman National Park, taken in New Zealand, to the ugly brutality of war in Tony Vaccaro’s White Death, Pvt. Henry Irving Tannebaum Ottre, taken in Belgium in 1945. 

It opens with a reception from 4-6 p.m. Friday, November 29. — Brian Sandford

details

Through January 19

Monroe Gallery of Photography

112 Don Gaspar Avenue

505-992-0800, monroegallery.com

Depths of winter: 'Frozen in Time' brings images of joy, despair to Monroe Gallery

 Via The Albuquerque Journal

By Kathaleen Roberts

November 24, 2024

Winter brings both beauty and brutality.

Open at Santa Fe’s Monroe Gallery of Photography, “Frozen in Time” brings images of both joy and despair by some of the most renowned American photojournalists. The photographs cover the 2016 protests during the Standing Rock pipeline construction, a skating waiter at St. Moritz, Switzerland, in the early 1900s, and images of the grim winter conditions during World War II.

Several of the photojournalists worked for Life magazine.

"It always makes for a beautiful, serene, contemplative experience,” said Michelle Monroe, gallery co-owner, of the frosty season. “We know it’s cold, we know it’s quiet, we know there is a veil of light.”

Alfred Eisenstaedt/Life Picture Collection: Ice Skating Waiter, St. Moritz, 1932

Alfred Eisenstaedt’s “Ice Skating Waiter” encapsulates the grace of skating while balancing a tray of glasses and liquor.

“He had a very rudimentary camera with glass plates,” Monroe said. “He said the whole thing was a technical challenge.”

The photographer focused on the chair until the waiter swanned by.

Tony Vaccaro: Battle of Hurtgen Forest, Germany, 1944

Tony Vaccaro’s photograph of soldiers partially buried in snow during the 88-day Battle of Hürtgen Forest captures the longest fight on German ground of World War II. An estimated 24,000 were killed, wounded or captured.

“There was no one more uncomfortable than the other,” Monroe said. “You couldn’t even find any comfort being together. (Vaccaro) said there was a lot of dark humor.”

In 2023, Navajo photographer Eugene Tapahe took “Ancestral Strength” in Wyoming’s Grand Teton National Park.

Eugene Tapahe

Ancestral Strength, Teton National Park, WY, Cayuse, Umatilla, Newe Sogobia and Tséstho’e, 2023

Tapahe was studying at Utah’s Brigham Young University when the pandemic hit. He decided to take four Native jingle dancers (two of whom were his daughters) across the country.

“The jingle dress has always been used for healing,” Monroe said. “Since the schools were closed, perhaps he could heal the country. They went all over performing. It had a tremendous effect on people.”

Those stops included Mount Rushmore, Yosemite and New York’s Central Park.

Ryan Vizzions photographed the protests over the Standing Rock pipeline in 2017, including a portrait of a medicine man.

Ryan Vizzions: Standing Rock, Winter, 2016

“He was a spiritual counselor and guide for everything there to keep people in focus,” Monroe said.

“(For) a lot of the older photographers, in order to be put on the front page, it was to get out there and get a shot of this latest snowstorm,” Monroe said. “She was part of the Photo League (cooperative.) They were shut down by the Red Scare movement for being subversive.”

Ida Wyman: Wrought Iron Design in Snow, New York City, 1945

The photographs also include images of the 1939 Russo-Finnish War, harsh winter conditions in the northern Soviet Union taken during its collapse in the 1990s and several ice skating scenes, including Truman Capote at New York’s famed Rockefeller Plaza in 1959, as well as tranquil snow scenes of the American West.

Carl Mydans/Life Picture Collection: The newly created 'Japanese Police Force' moves out of camp for winter training, Hokkaido, Japan, 1951

Monroe Gallery specializes in photojournalism. It was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.

'FROZEN IN TIME'

WHEN: Opening Reception on Friday, Nov. 29, 4-6 pm; exhibition continues through Jan. 19, 2025

WHERE: Monroe Gallery, 112 Don Gaspar Ave., Santa Fe

MORE INFO: monroegallery.com, 505-992-0800

"As A.I. Becomes Harder to Detect, Photography Is Having a Renaissance"

 Via The New York Times

October 25, 2024

"After at least a decade of focusing almost exclusively on painting, many of the largest and most powerful art dealers are dedicating significant attention and real estate to photography.

It is part of a broader renaissance for the medium that is arriving, perhaps counterintuitively, just as images produced by artificial intelligence become virtually indistinguishable from real documentation."

Click for full article

New Exhibition: The Best Of Us

 Santa Fe, NM

October 2, 2024

“The Best Of Us" is an exhibition of compelling and provocative photographs depicting the ideals and diversity of the human experience which explore the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals.

The phrase “the best of us” is often used idiomatically to refer to brave, courageous, selfless, and audacious people that celebrate the human spirit of drive and determination to make a difference.

“Be certain that you do not die without having done something wonderful for humanity.”

— Maya Angelou

View the exhibition on-line here.

 Via Musee Magazine

July 16, 2024

An exhibition of more than 40 photographs celebrates the extraordinary life and career of photographer Tony Vaccaro.

Monroe Gallery of Photography honors the late Tony Vaccaro with Tony Vaccaro: The Pursuit of Beauty, an exhibition continuing through September 15. On display are photographs from 1944 to 1979 which depict a wide range of subjects, from the battlefields of Europe to the rooftops of Manhattan. Vaccaro, who died on December 28, 2022 at 100 years old, had seen it all. --full review here.

Travel + Leisure readers selected Santa Fe as the #2 U.S. destination; "a photographer's dream"

 Via Travel & Leisure

July 9, 2024

Travel + Leisure readers selected Santa Fe as the #2 U.S. destination on the 2024 World’s Best Awards’ list of the, “15 Best Cities in the U.S.” for the second consecutive year! 

"This artsy Southwestern destination has ranked high on our list for nearly 20 years, and it’s not just because of the 320 days of sunshine it receives each year, though it certainly doesn’t hurt. “Santa Fe is like its own country within a country,” gushed one reader. “It’s such a unique blend of culture and history that you don’t see in the rest of the USA.” Another visitor called its downtown, with Pueblo-style buildings and independent galleries, “a photographer's dream and a shopper's delight.”

Big Idea: The Power of Imagery and the Civil Rights Experience

 

Via Humanities Kansas Big Idea series.

May 7, 2024

Note: Due to copyright restrictions, the images are accessible by clicking on the corresponding links.

Margaret Bourke-White, World’s Highest Standard of Living (1937)

Great photographs open your eyes to the world around you, raise awareness, and make you feel emotion. They are powerful reminders of our history and allow us to bear witness to our collective past. Perhaps some of the most powerful early images are of activist, orator, and formerly enslaved man Frederick Douglass. (More by Margaret Bourke-White)

Various Artists, Photos of Frederick Douglass.

Douglass escaped slavery in 1838, the same year that Louis Daguerre took the first photograph of a person in Paris. Douglass recognized that photography could be a powerful tool, and he constantly sat for the camera to communicate to the world a serious, intelligent, engaged, good-looking, and dignified man. This made him the most photographed American in the 19th century. Douglass said, “When you look at a photograph of me you will never deny that I am a man worthy of freedom and citizenship. You will look me in the eye and see my humanity.”

Just as Douglass recognized the power of photography as a tool to help put an end to slavery and injustice, photographers during the Civil Rights era turned their cameras toward the fight for equality and human rights. Their business was to tell the truth about the lives of African Americans.

Dr. Ernest C. Withers, Sanitation Workers assemble in front of Clayborn Temple for a solidarity march, Memphis, TN (1968)

These photographers were brave, steadfast, and determined to shed light on our behavior as a nation. They used the power of the still image to expose the atrocities that were occurring in this country on a daily basis.

Their work was tireless and dangerous, done out of duty and honor. The price of liberty is eternal vigilance, and part of that vigilance comes from a visual way of understanding what we are experiencing and what needs to be confronted.

One of the most famous photographers of this era was a Kansan: Gordon Parks was born in Fort Scott in 1912, the youngest of 15 children in a family deeply affected by the racial terror used to enforce Jim Crow segregation. As his memoir of the same title explains, he saw the camera as his “choice of weapons” against all the things he disliked about living in America as a Black man.

Gordon Parks, Doll Test, Harlem, New York, 1947

Parks became the first Black photographer for Life Magazine, giving a voice to the marginalized, downtrodden, and underrepresented. In 1947 he photographed the Doll Test for Ebony magazine. This famous psychological test by Drs. Kenneth and Mamie Clark presented young children with a white doll and a Black doll. They were asked to identify which doll they preferred, which one was good, and which one was bad. Most children chose the white doll. When asked which doll was most like them, some children became upset when they had to identify with the Black doll. The study revealed the psychological damage of segregation and influenced the Supreme Court’s monumental Brown v. Board of Education decision that separate was not equal.

Will Counts, Elizabeth Eckford and Hazel Bryan (or “The Scream Image”), 1957

Will Counts was born and raised in Little Rock, Arkansas, and took one of the most iconic images of the Civil Rights movement: Elizabeth Eckford trying to enter high school surrounded by a white mob; Hazel Bryan is yelling at her from behind, her face contorted with anger. This image has become a notorious symbol of white hatred and followed both Eckford and Bryan throughout their lives. In 1963 Bryan apologized to Eckford for her behavior. Counts photographed them again in 1997; they struck up an unlikely friendship and spoke at schools about tolerance, but the friendship eventually ended.

Charles Moore, Alabama Fire Department Aims High-Pressure Water Hoses at Civil Rights Demonstrators, Birmingham Protests, May 3, 1963

Photographer Charles Moore was born in Hackleburg, Alabama, in 1931. He credited his parents for giving him strength, faith, and acceptance of all people. He said, “Pictures can absolutely make a difference and have an impact on society, that’s what photojournalism is. They allow white people to see the violence and cruelty that Black Americans must endure.” The protests in Birmingham were a turning point for Civil Rights as Moore captured the violence and brutality that peaceful protesters endured. Moore said that “they seemed to enjoy beating on these people, and had such hatred in their faces as they committed these atrocities and spewed their anger and venom.”

McPherson & Oliver, Escaped slave Gordon, also known as "Whipped Peter," showing his scarred back at a medical examination, Baton Rouge, Louisiana (1863)

Spider Martin, Alabama God-Damn (1965)

In 1965, James “Spider” Martin captured this image from the Selma Voting Rights March. It’s a powerful message and one that calls back to the infamous photograph of the formerly enslaved man named Peter, taken 102 years earlier. Peter (also known as Gordon) endured a harrowing 10-day journey while barefoot and chased by bloodhounds. He found safety among Union soldiers encamped at Baton Rogue; when he was examined by military doctors, they discovered the horrific scars on his back from beatings. The image, which came to be known as “Whipped Peter,” is one of the strongest testaments of the brutality of slavery and helped to fuel the abolitionist movement. Fast forward to 1965; this unidentified man is fed up and defiant. Rev. Martin Luther King once said to Spider Martin, “Spider, we could have marched and protested forever, but if it weren’t for guys like you it would have been for nothing. The whole world saw your pictures, and that’s why the Voting Rights Act passed.”

Bob Gomel, Black Muslim Leader Malcolm X photographing then Cassius Clay, Miami, 1964

Bob Gomel was a photographer for Life Magazine and was known for his iconic images of world leaders and popular culture. He took this image of Malcolm X photographing Cassius Clay in Miami. Gomel said, “The atmosphere was celebratory and jubilant, and it was very easy to be around these men and capture their true essence.” Both men would make sure to carefully craft their public images, assuring they were taken seriously and knowing that controlling the narrative was a source of power for Black people. The site—a diner lunch counter, itself a symbol of resistance—was certainly no accident. Clay would change his name later that same year, abandoning his “slave name” and adopting Muhammad Ali, which filled him with pride and power. Tragically, Malcolm X would be assassinated early the following year.  (See more at the exhibition 1964)

 .

Devin Allen, Time Magazine covers, 2015 and 2020

Today, a new generation of Civil Rights photographers stand on the shoulders of trailblazers like Douglass and Parks: Devin Allen, LaToya Ruby Frazier, Sheila Pree Wright, Patience Salanga, and Daewoud Bey among many others continue the work of showing us the struggle for equality. We need these important images and voices to make sure the stories are told and not brushed under the rug. Through photos, we feel these incidents and can see a mirror of ourselves. They show us that this is our burden as Americans: that united we stand, but divided we fall.

Ann Dean is an artist and freelance photographer who teaches photography at the Lawrence Arts Center.

Photojournalism in the Occupied West Bank - Moderated by Nina Berman

 Via eventbrite

April 15, 2024

Three photographers with deep experience in the region will present recent work and discuss the challenges of reporting in the region, moderated by Nina Berman.

Palestinians living in the occupied West Bank have faced increased violence, detentions and land seizures by Israeli forces and settlers since October 7. Three photographers with deep experience in the region will present recent work and discuss the deteriorating situation for Palestinians in the West Bank and the challenges of reporting in the region.

Join us April 26 in the World Room for a panel with:

Salwan Georges/The Washington Post

Tanya Habjouqa/The New Yorker

Maen Hammad/Caravan Magazine

Moderated by Prof. Nina Berman, sponsored by The Delacorte Center for Magazine Journalism and The Li Center for Global Journalism.

Friday, April 26 · 6 - 8pm EDT

Location: Columbia Journalism School

World Room 2950 Broadway New York, NY 10027

Tickets here

Limited Edition of Lowrider Magazine Dedicated to the Women Shaping the Culture Features Photographs By Gabriela E. Campos

 

Limited Edition of Lowrider Magazine Dedicated to the Women Shaping the Culture 

Special issue was completely written and designed by women.  

Gabriela E. Campos

Known for their hopping hydraulics, custom upholstery, and intricate paint jobs, lowrider cars are symbols of empowerment and freedom, and a celebration of the broader lowrider culture. To honor Women's History Month and celebrate women who have played integral roles in lowriding culture, Mexican beer manufacturer Modelo partnered with MotorTrend Group (the parent company of MotorTrend and Lowrider magazine) to produce a limited edition of Lowrider.

The special, one-time reissue of Lowrider (which you can read in digital format here) champions the women of lowriding. It's made by women, for women—from the editorial direction led by Dr. Denise Sandoval, a professor of Chicana/o studies, to the photographers, creative directors, writers, and more. Modelo donated advertising space in the publication to women-owned businesses to further support and spotlight entrepreneurs driving the lowrider industry.

The roots of lowriding trace back to the 1940s when car culture was beginning to take hold across post-WWII America. As the hot rod trend swept the country, Mexican Americans began to alter their cars as a means of distinguishing themselves on and off the road. Eventually, the concept of lowriders and the broader lowriding culture stretched far beyond customizations and the Mexican American community.

Historically, depictions of women in Lowrider magazine were often limited to models on the hoods of cars. This limited-edition revival highlights the women behind the wheel who have fought for their place as drivers, builders, mechanics, painters, and welders in a male-dominated world.

Lowrider magazine ceased regular print publication in 2019. Fans in the Los Angeles area can be the first to get a copy of the magazine at the Lowrider Long Beach Super Show at the Long Beach Convention Center on Saturday, March 9, from 11 a.m. to 6 p.m. Pacific time. Fans nationwide can access the digital version of the issue here.

'A walk back in time': Monroe Gallery of Photography takes viewers back to classic Hollywood

Via The Albuquerque Journal

March 11, 2024

By Kathaleen Roberts

Francis Ford Coppola directing Marlon Brando.

Jimmy Stewart working on “Harvey.”

James Dean taking a nap in his truck.

Santa Fe’s Monroe Gallery of Photography is taking viewers back to old movie glamour with photographs from classic Hollywood.

“We wanted to take a little break from some of our more serious exhibitions,” said Sidney Monroe, gallery co-owner. “And this being awards season with the Academy Awards coming up, there’s a great range of materials with the photographers we represent.”

The 45 images feature such Hollywood icons as Marilyn Monroe, Clark Gable, Steven McQueen, Robert Redford, Rock Hudson, Audrey Hepburn and more. The photographs depict them both on and off the set and in studio portraits.

“It’ll be a little bit of a walk back in time,” Monroe said.

Steve Schapiro was the on-set photographer for “The Godfather” (1972).

Marlon Brando and Francis Ford Coppola, “The Godfather,” Steve Schapiro.

Courtesy of Monroe Gallery

“I remember him telling us they were collaborating,” Monroe said. “Coppola’s telling Brando where the camera’s going to come in. It’s an interesting behind-the-scenes moment with an actor and director.”

Photographer Richard Miller captured James Dean sleeping during a break in the filming of “Giant” (1956).

“He’s napping in his truck with his feet up in the window,” Monroe said. “That James Dean was killed shortly after contributed to that icon. (Miller’s) got another one of Elizabeth Taylor and James Dean taking a break.

James Dean takes a break from filming “Giant,” Richard C. Miller, Texas.

Courtesy of Monroe Gallery

“It’s photography that creates images of these bigger than life characters,” he added.

In “Harvey” (1950), James Stewart played a man dubbed crazy due to his insistence that he has an invisible six foot-tall rabbit for a best friend. Life magazine’s Ida Wyman, best known for her images of New York street life, shot Stewart during the filming. Wyman was one of the early female photographers. The field was almost exclusively male when she started during the 1940s.

“She found a lot of work for Life in Los Angeles,” Monroe said.

Sonia Handelman Meyer’s striking 1948 image of the Paramount Theater encapsulates the glitz and glamour of the movies.

“We’ve got a beautiful photograph of the marquee.” Monroe said. “The movies (functioned) as an escape from hard times.”

Tony Vaccaro’s on-set shot of Federico Fellini directing 1960s “La Dolce Vita” reveals the old school cameras used in the production.

Fellini on the set of “La Dolce Vita,” Tony Vaccaro, Italy.

Courtesy of Monroe Gallery

“The director’s stepping in,” Monroe said. “To me, it looks like he’s telling the actress how to pose.”

Ocean’s Eleven” cast, Sid Avery/mptv images

Courtesy of Monroe Gallery

Sid Avery’s photograph of the 1960 “Ocean’s 11” cast features Joey Bishop, Sammy Davis Jr., Frank Sinatra, Dean Martin and Peter Lawford, among others.

“Now there’s been I don’t know how many remakes or new versions have been made,” Monroe said. “We actually had that picture in the gallery in New York when the first remake was being made. Julia Roberts came in and bought it as a gift for the director (Steven Soderbergh.)”

'THE MOVIES'

WHEN: Through April 14

WHERE: Monroe Gallery of Photography, 112 Don Gaspar Ave., Santa Fe

MORE INFO: monroegallery.com, 505-992-0800