New Documentary “Overturned,” with photography by Gallery photographer Ashley Gilbertson and edited by Julie Winokur of Talking Eyes Media

 Via Health Care Un-Covered

December 16, 2024

Watch the New Mini Documentary "Overturned" by Wendell Potter

"Health insurance is the biggest scam in the history of the United States of America."

Read on Substack

HEALTH CARE un-covered published previously, for eight grueling months, Jennifer Braunagel endured debilitating pain from rheumatoid arthritis while her insurance company, Aetna, denied coverage for Actemra, the only medication that offered hope. Her struggles were both emotional and physical – confronting endless roadblocks like prior authorization and step therapy, tactics big health insurers like Aetna, Cigna and UnitedHealth use to cut costs at patients’ expense.



Braunagel’s breakthrough came through a startup called Claimable, which uses AI to streamline and supercharge the appeals process. By leveraging data from similar cases and highlighting violations of insurance guidelines, Claimable crafted an appeal that succeeded where traditional methods failed. Within days Braunagel’s insurer was forced to cover her medicine. The results were life-changing — Braunagel experienced dramatic relief after her first infusion.

This mini documentary, “Overturned,” with photography by Ashley Gilbertson and edited by Julie Winokur of Talking Eyes Media, features Braunagel’s story, her arthritis clinic’s tireless advocacy, and interviews with other patients, who are navigating systemic health care barriers and denials by big health insurers.

Gallery Photographers Mark Peterson and Ashley Gilbertson Featured In NY Times "The Photos That Defined 2024"

 Via The New York Times

December 18, 2024

The Year In Pictures 2024

West Palm Beach, Fla., Nov. 5

Waiting for election results at a Trump watch party at the Palm Beach Convention Center. They came faster than expected, with former President Donald J. Trump declared the winner early the next morning.

Mark Peterson for The New York Times

“It was before people knew Trump was going to win. It was shortly after they let a lot of the public in. They could have been waiting hours in line. They kept filing in and filling up the chairs until all of them were full. They were all dressed so alike. I took five frames and that was that.” — Mark Peterson

From the project “Watching the Total Eclipse Across North America,” April 8

As darkness raced across the sky during the total solar eclipse, people in Niagra Falls gathered outside to look up for a moment of reverence.

 Ashley Gilbertson for The New York Times

Monroe Gallery – A Photography Show for the Winter

 Via Joe McNally

December 9, 2024

Alone in the Woods, Mikhail Gorbachev, Moscow, 1998

The new Monroe Gallery show is called Frozen In Time, which is the business we are in as photographers, no matter the temperature. But as painful as it can be to expose our fingers and cameras to the occasionally brutal ministrations of winter, those cold times of the calendar, and the resultant ice and snow make for truly memorable imagery. Hence the power of this show. A must see if you are in Santa Fe, and also important viewing online. Monroe’s archive of historically important imagery is so telling, and reverberates so deeply, that a perusal of their archives is basically a tour through our history.

Everything is harder to do in the cold, and so many of these images reflect the struggle of humankind to overcome the piercing blasts of deeply cold environments. In this show are the desperate attempts to fight off winter’s hold on the land, as well as the beautifully lyrical snow scenes of mountains, and the American West. And pictures of joy, as people enjoy the snow and ice, gliding and sliding and skating. But also seen are searing pictures from the front lines of war, as if war itself wasn’t enough utter misery.

I’m fortunate to be included in the show, with a hard won picture of the former president of the Soviet Union, Mikhail Gorbachev. He was a pivotal figure in Russian history, presiding over the dissolution of the Soviet bloc in Eastern Europe, and guiding Russia, despite threats and opposition to a place of more openness to the West, and within its own politics. At once hailed and reviled, he won the Nobel Peace Prize, and became one of the most significant figures in history. At the same time, the reforms he tried to initiate earned him the enmity and disapproval of many Russians, particularly those in positions of power.

Hence the head shot in his office was insufficient in terms of storytelling. I wanted to bring him to the woods, where I could photograph him alone, in a stark environment indicating his isolation. It took some doing. I had to wrangle and push in the best persistent, annoying photographer mode I could. He wasn’t happy about it, but he came to the woods about three days after the office shoot, and stepped into the snow with his fancy shoes. He posed for about five minutes. And then, he shook my hand and spoke the only English word he said to me while we were together: “Goodbye.”

And he meant it.

Gallery Photographer Nina Berman Named 2025 World Press Photo Contest North and Central America Jury Chair

 Via World Press Photo

November 25, 2024

In each of the six regions of our contest model, a selection of entries per category will first be made by a regional jury, chaired by the regional jury chair.

The juries are made up of professionals from and/or working in the region they are judging, who are well-equipped to place the stories into a cultural, political and social context.

Once the regional juries have made their selection of entries, the global jury, composed of the six regional jury chairs and one additional member, the global jury chair, decides on the 2025 World Press Photo Contest winners. From those, they will then choose the World Press Photo of the Year and the two runners-up. 

The global jury is assisted by a secretary. The secretary is responsible for all procedural matters and ensures the rules and procedures are fairly and properly applied. The secretary does not contribute to debate on the merits of any entry, and has no vote in the balloting.

Nina Berman is an American documentary photographer, filmmaker, author and professor at Columbia University Graduate School of Journalism in New York City.

World Press Photo Involvement:
2025 World Press Photo Contest jury member
2011 World Press Photo Contest jury member
2005 World Press Photo Contest winner
2007 World Press Photo Contest winner

Nina Berman on Social Media:
Instagram: @nina_berman

Nina Berman fine art prints at Monroe Gallery of Photography

Depths of winter: 'Frozen in Time' brings images of joy, despair to Monroe Gallery

 Via The Albuquerque Journal

By Kathaleen Roberts

November 24, 2024

Winter brings both beauty and brutality.

Open at Santa Fe’s Monroe Gallery of Photography, “Frozen in Time” brings images of both joy and despair by some of the most renowned American photojournalists. The photographs cover the 2016 protests during the Standing Rock pipeline construction, a skating waiter at St. Moritz, Switzerland, in the early 1900s, and images of the grim winter conditions during World War II.

Several of the photojournalists worked for Life magazine.

"It always makes for a beautiful, serene, contemplative experience,” said Michelle Monroe, gallery co-owner, of the frosty season. “We know it’s cold, we know it’s quiet, we know there is a veil of light.”

Alfred Eisenstaedt/Life Picture Collection: Ice Skating Waiter, St. Moritz, 1932

Alfred Eisenstaedt’s “Ice Skating Waiter” encapsulates the grace of skating while balancing a tray of glasses and liquor.

“He had a very rudimentary camera with glass plates,” Monroe said. “He said the whole thing was a technical challenge.”

The photographer focused on the chair until the waiter swanned by.

Tony Vaccaro: Battle of Hurtgen Forest, Germany, 1944

Tony Vaccaro’s photograph of soldiers partially buried in snow during the 88-day Battle of Hürtgen Forest captures the longest fight on German ground of World War II. An estimated 24,000 were killed, wounded or captured.

“There was no one more uncomfortable than the other,” Monroe said. “You couldn’t even find any comfort being together. (Vaccaro) said there was a lot of dark humor.”

In 2023, Navajo photographer Eugene Tapahe took “Ancestral Strength” in Wyoming’s Grand Teton National Park.

Eugene Tapahe

Ancestral Strength, Teton National Park, WY, Cayuse, Umatilla, Newe Sogobia and Tséstho’e, 2023

Tapahe was studying at Utah’s Brigham Young University when the pandemic hit. He decided to take four Native jingle dancers (two of whom were his daughters) across the country.

“The jingle dress has always been used for healing,” Monroe said. “Since the schools were closed, perhaps he could heal the country. They went all over performing. It had a tremendous effect on people.”

Those stops included Mount Rushmore, Yosemite and New York’s Central Park.

Ryan Vizzions photographed the protests over the Standing Rock pipeline in 2017, including a portrait of a medicine man.

Ryan Vizzions: Standing Rock, Winter, 2016

“He was a spiritual counselor and guide for everything there to keep people in focus,” Monroe said.

“(For) a lot of the older photographers, in order to be put on the front page, it was to get out there and get a shot of this latest snowstorm,” Monroe said. “She was part of the Photo League (cooperative.) They were shut down by the Red Scare movement for being subversive.”

Ida Wyman: Wrought Iron Design in Snow, New York City, 1945

The photographs also include images of the 1939 Russo-Finnish War, harsh winter conditions in the northern Soviet Union taken during its collapse in the 1990s and several ice skating scenes, including Truman Capote at New York’s famed Rockefeller Plaza in 1959, as well as tranquil snow scenes of the American West.

Carl Mydans/Life Picture Collection: The newly created 'Japanese Police Force' moves out of camp for winter training, Hokkaido, Japan, 1951

Monroe Gallery specializes in photojournalism. It was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.

'FROZEN IN TIME'

WHEN: Opening Reception on Friday, Nov. 29, 4-6 pm; exhibition continues through Jan. 19, 2025

WHERE: Monroe Gallery, 112 Don Gaspar Ave., Santa Fe

MORE INFO: monroegallery.com, 505-992-0800

WITNESS: Nate Gowdy’s Lens on January 6, 2021

 WITNESS: Nate Gowdy’s Lens on January 6th, 2021

January 9 - February 15, 2025

 

On January 20, 2017, Nate Gowdy stood at the U.S. Capitol, camera in hand, as Donald J. Trump—with right hand raised and left atop the Lincoln Bible—took the oath of office, vowing to end “American carnage.” It was an ominous prelude to a presidency that would redefine American political expression.

 Four years later, on January 6, 2021, Gowdy returned to Washington, DC, prepared to document Trump’s “Save America” rally at the Ellipse. Instead, he witnessed surreal scenes unfold: militants marching, kneeling in prayer, posing for group photos, breaking for hotdogs, rampaging against the Capitol’s sworn protectors, and leading thousands to defile the Inauguration Day stage.

 This fine art exhibition, WITNESS: Nate Gowdy’s Lens on January 6th, 2021, examines that day as a theater of chaos and conviction. Gowdy's stark, unflinching images depict the U.S. Capitol, one of democracy’s most sacred symbols, as it becomes a haunting set piece in a dystopian tableau of domestic terror—an inside job.

 Twice assaulted for being deemed "fake news," Gowdy persisted in exposing the truth. Shot on assignment for Rolling Stone, his images transcend traditional photojournalism, revealing the kinetic energy and raw emotions of insurrection: vulnerability, rage, fear, and euphoria. These are not just photographs of an event but intimate portraits of the humanity—and inhumanity—that defined it.

 Through this collection, Gowdy challenges viewers to confront the complexities of identity, power, and the fragility of democratic ideals. WITNESS invites us to reflect on the contradictions of that day, presenting the Capitol not only as a battleground but as a mirror to the nation itself. What do these images reveal about us—and what do they demand we reckon with?

 On January 20, 2017, Nate Gowdy stood at the U.S. Capitol, camera in hand, as Donald J. Trump—with right hand raised and left atop the Lincoln Bible—took the oath of office, vowing to end “American carnage.” It was an ominous prelude to a presidency that would redefine American political expression.

 Four years later, on January 6, 2021, Gowdy returned to Washington, DC, prepared to document Trump’s “Save America” rally at the Ellipse. Instead, he witnessed surreal scenes unfold: militants marching, kneeling in prayer, posing for group photos, breaking for hotdogs, rampaging against the Capitol’s sworn protectors, and leading thousands to defile the Inauguration Day stage.

 This fine art exhibition, WITNESS: Nate Gowdy’s Lens on January 6th, 2021, examines that day as a theater of chaos and conviction. Gowdy's stark, unflinching images depict the U.S. Capitol, one of democracy’s most sacred symbols, as it becomes a haunting set piece in a dystopian tableau of domestic terror—an inside job.

 Twice assaulted for being deemed "fake news," Gowdy persisted in exposing the truth. Shot on assignment for Rolling Stone, his images transcend traditional photojournalism, revealing the kinetic energy and raw emotions of insurrection: vulnerability, rage, fear, and euphoria. These are not just photographs of an event but intimate portraits of the humanity—and inhumanity—that defined it.

 Through this collection, Gowdy challenges viewers to confront the complexities of identity, power, and the fragility of democratic ideals. WITNESS invites us to reflect on the contradictions of that day, presenting the Capitol not only as a battleground but as a mirror to the nation itself. What do these images reveal about us—and what do they demand we reckon with?

Reflections On An Exhibition

 

Grey Villet

Coma and Compassion, Nurse Judy Strickland, New York, 1977

November 17, 2024

Today is the final day for the exhibition "The Best Of Us". 

At the conclusion of every exhibit, we find ourselves discussing our impressions, thoughts, and the feedback we received from gallery visitors and collectors. This time, our reflections are deeply meaningful. 

"The Best Of Us" was an exhibition depicting the ideals and diversity of the human experience; through nearly 50 photographs which explored the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals. People who exemplified the best traits of humanity:  kindness, empathy, compassion, consideration, patience, generosity, resilience, and the willingness to make a difference.

Opening on October 4, as America headed into the final stage of a Presidential election, the images in the exhibit emphasized the necessity of understanding and appreciating photojournalism.

There have been many exhibits that we wish could have run longer, and this another; it will be difficult to see it come to an end. Since the opening on October 4, the exhibit has been seen by many hundreds of viewers: young, old, tours, school groups, veterans, politicians, museum curators, collectors, the "famous", and even a few homeless. We have seen parents quietly explaining the situation behind a photograph to their children, we have seen people softly weeping, and the quiet of the gallery has occasionally been startled by someone gasping "Oh my God!" 

This exhibition has affirmed our steadfast belief in the power of a photograph. The introductory wall text included this quote from Maya Angelou: "Be sure you do not die without having done something wonderful for humanity”. 

We are so grateful for all of the participating photographers, so many of whom we have been privileged to have known know personally. For those who are no longer living with us, we thank their families for preserving their archives. For those still working, we honor your commitment and service to humanity.

 Thank you to all who visited the exhibit and thank you for your kind words and shared emotions. It has been deeply moving to see "The Best Of Us" personified in visitors to the exhibit.

“I cannot tell you where our history is leading us, or through what suffering, or into what era of war or peace. But wherever it is, I know people of good heart will be passing there.” -Carl Mydans, Life photojournalist

View "The Best of Us" and other past exhibits archived here.

Gabriela Campos Receives Awards At New Mexico Press Association’s 2024 Better Newspapers contest

Via The Santa Fe New Mexican

October 27, 2024

Photographer Gabriela Campos took first place in the feature photo category for “Storm over Ghost Ranch"

Online photo gallery: 2nd, Gabriela Campos, “New Mexico State Police Officer Justin Hare honored at Albuquerque funeral.”

 

Review: "hope and fighting for improvement are central features of The Best of Us "

 Via Pastiempo

The Santa Fe New Mexican

October 18, 2024

Gabriela E. Campos

A nursing station in the Frost 19 unit, Christus St. Vincent Regional Medical Center, Santa Fe, NM, December, 2020

Here's your weekly roundup of some of the must-see, must-do, must-know things that need to be on your radar this week.

PICTURE THIS

‘Best’ Practices

In one image, three masked, exhausted-looking medical professionals slump at a desk, one’s head leaning on another’s shoulder. Two others show American societal matriarchs Rosa Parks and Eleanor Roosevelt — the former serious, the latter smiling. Yet another shows a Black man with “Vote” painted on his face during a march in Selma, Alabama, in 1965.

All are part of The Best of Us, running through mid-November at Monroe Gallery of Photography. The gallery describes the featured images as “depicting the ideals and diversity of the human experience which explore the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals.”

In other words, hope and fighting for improvement are central features of The Best of Us — distinguishing it from some previous Monroe Gallery exhibitions. Photojournalism is the gallery’s bread and butter, and the fruits of that craft can be compelling but challenging.

The Best of Us hangs on the gallery’s walls, while the virtual project The Campaign can be viewed at monroegallery.com/VirtualProjects. It coincides with the election season, ending November 24. Images include a rapturously smiling woman wearing an “Obama, You’re Fired” shirt meeting then-presidential candidate Donald Trump; former President Barack Obama talking and gesturing as rain falls; and former President George W. Bush and Vice President Dick Cheney gazing at their watches simultaneously, a painting of Abraham Lincoln behind them. — B.S.

details

9 a.m.-5 p.m. weekdays, through November 17

Monroe Gallery of Photography

112 Don Gaspar Avenue

505-992-0800; monroegallery.com

Ed Kashi EXPOSES How Photography Shapes Our View of the World

 Via Planet of One

October 12, 2024

In this insightful interview, award-winning photojournalist and filmmaker Ed Kashi dives deep into his journey from a first-generation American with Iraqi roots to becoming a globally renowned storyteller through photography. He reflects on the pivotal moments that shaped his career, from discovering his passion for photography at Syracuse University to capturing the raw realities of global conflicts and social issues. Kashi shares his thoughts on the challenges of photojournalism, the emotional toll of documenting human suffering, and the importance of empathy in his work. He also discusses his commitment to highlighting the positive stories that often go untold, particularly in underrepresented communities. This conversation is a powerful look into the life of a photographer who has dedicated his career to chasing narratives, both profound and personal.

Nina Berman Guided Tour Through Her Exhibition "We The People" At The Capa Space

Via The Capa Space

October 10, 2024

 

ARTIST TALK - Photographer Nina Berman will do a guided tour through her We The People exhibition for an inside look at the protest photographs she has been taking for over thirty years.  She will talk about what inspired her to turn her lens on protest in America and what she has learned about the people who organize and assert their right to protest. Sunday, October 20th 2024 @ 4pm. Suggested donation $10. 

 Click here to RSVP

WE THE PEOPLE: PHOTOGRAPHS BY NINA BERMAN

We the People brings together more than three decades of work by photographer Nina Berman who has tenaciously documented the public outrages, injustices, protestations and longings of a deeply dissatisfied and increasingly polarized society. What the United States should be, and for whom, are questions at the heart of Nina’s work and the 2024 election. September 8th - November 24th, 2024

At protests, police are increasingly arresting members of the press—especially those with cameras.

 

Via Columbia Journalism Review

October 7, 2024

Since the violence of last October 7—as the conflict between Israel and Palestine has grown deadlier, and spread more widely in the Middle East—it has also been, according to the US Press Freedom Tracker, a nonpartisan database of press freedom violations, a “protest year.” The visual journalists who cover demonstrations across America—photographers, videographers—are at the center of the action. “We have to get creative, go on the floor, shoot through cops’ legs, just to get that visual,” Madison Swart—a photojournalist in New York whose work has been published in Out and Cosmopolitan, among other places—told me. In May, while covering a pro-Palestinian protest, Swart was briefly detained by police officers—one of forty-three journalists who have been arrested in the past year, triple the previous number. According to Stephanie Sugars, a reporter for the US Press Freedom Tracker, “it has felt that the predominant number of incidents, at least since the protests started, are against people who are documenting visually in some capacity.”

--full article here.

Oklahoma State University Museum of Art Exhibit “How We Rebuild” Includes Gallery Photographer Nina Berman

 Via Oklahoma State University Museum of Art

September 23, 2024

The Oklahoma State University Museum of Art presents “How We Rebuild,” opening Sept. 24, 2024. This selection of photographs examines the aftermath of conflict, focusing on what it takes to recover the heartbeat of humanity.

The exhibition draws from 12 years of work created by grant winners and finalists from The Aftermath Project, a nonprofit organization committed to telling the other half of war stories after the conflicts have ended — what it takes for individuals to rebuild destroyed lives and homes, to restore civil societies, and to address the lingering wounds of war while struggling to create new avenues for peace.

Documentary photographer Sara Terry founded The Aftermath Project to impart the importance of “aftermath photography,” yearning for a society that doesn’t forget the people and places that conflict photography covers.

“The end of war does not mean peace. It is simply the end of death and destruction. Every story of war includes a chapter that almost always goes untold — the story of the aftermath, which day by day becomes a prologue of the future,” Terry said.

The photos selected for “How We Rebuild” center and reflect on the human stories and memories that define us. The assembly of images features moments of hope, agency and resilience.

“These photographs serve as a powerful reminder that rebuilding isn’t just physical — it’s emotional and communal, requiring empathy, patience, and shared understanding,” said Liz Roth, OSU Museum of Art interim director.

This exhibition invites audiences to engage with the visual narratives and reflect on the role of the photographs in helping communities heal. “How We Rebuild” is organized by ExhibitsUSA, a program of Mid-America Arts Alliance.

Artists included in the exhibition are Rodrigo Abd, Juan Arredond, Fatemeh Behboudi, Nina Berman, Pep Bonet, Andrea Bruce, Monika Bulaj, Kathryn Cook, Jeremy Dennis, Gwenn Dubourthoumieu, Michelle Frankfurter, Alessandro Gandolfi, Glenna Gordon, Ron Haviv, Jessica Hines, Olga Ingurazova, Andrew Lichtenstein, Luca Locatelli, Davide Monteleone, Saiful Huq Omi, Javad Parsa, Adam Patterson, Joseph Sywenkyj, Sara Terry and Donald Weber.

“How We Rebuild” is on view Sept. 24 through Dec. 20 at the OSU Museum of Art. Learn more at the website.

For more information about The Aftermath Project, visit theaftermathproject.org.

The Age of Rage: Protest, Camera, Action

 

Via The Nation

September 21, 2024

"Photography radically acts as a language that speaks for the world’s oppressed and critically functions as a vital visual voice of resistance."

"Photography helps us understand what we are and imagine what we might become...

The fight for equality across the human condition radically evolves out of protest. Beyond the jackboots, the batons, the water cannon, the tear gas, the bullets, the tanks, the fences, the walls, the concentration camps and all means of surveillance, history teaches that what power fears more than anything is a people on the move against injustice. Looking at the history of photography, we can understand that progress across the political terrain of human rights has been difficult. Marginalized bodies, when divided, are vulnerable to capture, control and genocide. Thinking through our past in photographs and decentering the knowledge formations of imperial lenses means that we can critically join or remake the politics of the left intersectional, aligned in mission, and truly inclusive. This will create waves of solidarity and supportive modes of resistance that strategically enable people to embrace the different ecologies of freedom and resist imperialist politics that divide and rule" -- click for full article

Pressing Matters - A Conversation with Ed Kashi/Photojournalist and Filmmaker

 Via Stony Brook University

September 16, 2024

Ed Kashi/photojournalist and filmmaker. He will discuss his experiences photographing vulnerable communities, center on seeking solutions and driving policy change, Sept 26, 2024 from 3:30-4:50pm in the Wang Center Lecture Hall 2. Part of the “Pressing Matters” lecture series.


Ed Kashi is a photojournalist and filmmaker renowned for his compelling storytelling and intimate portrayal of global issues through photography. A native of New York City, Kashi has used the power of images to communicate complex narratives about conflict, social issues, and environmental concerns in the past decades, and his work has been published in prominent media outlets such as National Geographic, The New York Times, and Time Magazine. He has received numerous awards for his photography, including the 2023 President's Medal of the American Society of Nephrology, for his recent series of work documenting chronic kidney disease from undetermined causes around the world. His research implicates climate change as an important contributor to its rise because repeated dehydration, severe heat, and environmental toxins are the likely factors in the rising death toll among young people from hot, rural, resource- limited parts globally. Kashi has been recognized as a major advocate for raising awareness of this disease through his works showing patients suffering and dying in Sri Lanka, Nicaragua, Peru, and India.

Thursday, September 26, 2024

3:30 PM - 4:50 PM (ET)

West Campus - Wang Center - Lecture Hall 2

100 Nicolls Road

Stony Brook NY 11794

Pennsylvania man, brother charged with assaulting New York Times photographer on January 6

 

Via ABC20 WHTM

September 13, 2024




Two brothers were arrested Thursday on charges that they assaulted a New York Times photographer inside the U.S. Capitol during a mob’s attack on the building more than three years ago.

David Walker, 49, of Delran, New Jersey, and Philip Walker, 52, of Upper Chichester, Pennsylvania, also are charged with stealing a camera from the photographer during the Jan. 6, 2021, attack.

Philip Walker told investigators that he tossed a camera into a body of water on his way home from Washington, D.C., according to an FBI agent’s affidavit.

Court records don’t name the photographer or identify her employer, but New York Times spokesperson Danielle Rhoades Ha confirmed that the affidavit refers to staff photographer Erin Schaff, who wrote about her experience at the Capitol.

“We are grateful to the U.S. Attorney’s Office for the District of Columbia and the FBI for their persistence in pursuing justice in this case,” Rhodes Ha said in a statement. “Independent, fact-based journalism is a cornerstone of democracy and attacks against reporters should be a grave concern to anyone who cares about an informed citizenry.”

Philip Walker told the FBI that he believed the photographer was a member of “antifa,” a term for anti-fascist activists who often clash with far-right extremists at political protests.

A livestream video posted on social media showed the photographer standing at the top of the East Rotunda Stairs just before the Walkers assaulted her and then ran down the staircase.

Schaff recalled that two or three men in black surrounded her, demanded to know her employer and became angry when they grabbed her press pass and saw that she worked for The New York Times.

“They threw me to the floor, trying to take my cameras,” she wrote. “I started screaming for help as loudly as I could. No one came. People just watched. At this point, I thought I could be killed and no one would stop them.”

Schaff said police found her but didn’t believe that she was a journalist because her press pass was stolen.

“They drew their guns, pointed them and yelled at me to get down on my hands and knees,” she wrote. “As I lay on the ground, two other photojournalists came into the hall and started shouting ‘She’s a journalist!’”

Philip Walker was carrying what appeared to be Schaff’s photographic equipment as he fled, the FBI said. David Walker pushed the photographer again when she tried to pursue his brother and retrieve her equipment, according to the affidavit.

A magistrate judge ordered David Walker to be released on $50,000 bail after his initial court appearance in New Jersey on Thursday, court records show. An attorney who represented Walker at the hearing didn’t immediately respond to an email seeking comment.

The Walkers were arrested on complaints charging them with robbery, assault and other charges.

Other rioters were charged with assaulting an Associated Press photographer outside the Capitol during the riot. One of them, Alan Byerly, was sentenced in October 2022 to nearly three years in prison.

Nearly 1,500 people have been charged with Capitol riot-related federal crimes. Approximately 140 police officers were injured in the attack.

WE THE PEOPLE, Photographs by Nina Berman

 Via The Capa Space

September 2, 2024

Nina Berman

The Fight for 15 protest in Long Island, NY 2016. 

We the People brings together more than three decades of work by photographer Nina Berman who has tenaciously documented the public outrages, injustices, protestations and longings of a deeply dissatisfied and increasingly polarized society. What the United States should be, and for whom, are questions at the heart of Nina’s work and the 2024 election. 

September 8th - November 24th, 2024

Opening Reception, Sunday September 8th, 4-6pm

THE CAPA SPACE

2467 Quaker Church Road

 Yorktown Heights, NY 10598

Gallery photographer Ed Kashi photographs for Smithsonian Magazine feature

 Via Smithsonian Magazine

August 30, 2024

Kids cool down at an animal-themed splash pad at Zoo Miami. Mist stations also help visitors avoid overheating on sweltering days.

Ed Kashi / VII / Redux Pictures

Gallery photographer Ed Kashi photographs for Smithsonian Magazine feature "In Miami, the Nation’s First Chief Heat Officer Charts a Course for Surviving on a Warming Planet".

Gallery Photographer Mark Peterson: Scenes from Chicago For New York Magazine

Via NY Magazine 

August 23, 2024

The 2024 Democratic National Convention showcased a party in transition — looking toward the future while sending off President Joe Biden as he officially passed the torch to Vice-President Kamala Harris. Below are scenes from the convention from Mark Peterson for New York Magazine. --Click for full coverage and photographs.

George Eastman Museum Acquires David Butow's "Landscape of Destruction" Photograph From 2023 Lahaina Fire

 

David Butow: The landscape of destruction, Lahaina, Maui, seen on August 24, 2023

The George Eastman Museum in Rochester, NY, has recently added a print by David Butow taken while on assignment for TIME magazine documenting the aftermath of the August, 2023 fires in Lahaina, Maui. David Butow is a freelance photojournalist whose projects and assignments have taken him to over two dozen countries including Afghanistan, Burma, Iraq, Peru, Yemen and Zimbabwe. His work in covering politics in Washington, D.C. resulted in the monograph BRINK, published in late 2021 by Punctum Press.

Born in New York and raised in Dallas, he has a degree in Government from the University of Texas at Austin. After college he moved to Los Angeles and worked in newspapers before beginning a freelance career for magazines in the 1990's.

From the mid-90's through the late-2000's he worked as a contract photographer for US News and World Report magazine covering social issues and news events such as post- 9/11 in New York, the Palestinian/Israeli Intifada, the 2003 U.S. invasion of Iraq and the death of Pope John Paul II at the Vatican. From 2017-2021, he was based in Washington, D.C., doing primarily political assignments at the White House and US Capitol for TIME, CNN, Politico, NBC, the Los Angeles Times, The Guardian, Rolling Stone and other clients. His photographs of events such as the China earthquake in 2008, the funeral of Nelson Mandela, Hong Kong protests of 2019 and various projects in the U.S. have won awards from Pictures of the Year International, Photo District News, American Photography and others.

In early 2022, the new book BRINK was published by Rome-based Punctum Press, 104 photographs over 152 pages, printed in Italy on heavyweight paper with text by Mark McKinnon and Cecilia Emma Sottilotta. BRINK chronicles politics in the United States from the 2016 presidential election through the chaos of the Trump presidency, the turmoil of 2020 and concludes with the insurrection and its aftermath at the U.S, Capitol in January 2021.

Most recently, Butow's photographs from Ukraine, Ulvalde, Texas, and Lahaina, Maui have been published in Politico, Time, and The New York Times. 

The George Eastman Museum is located in Rochester, New York, on the estate of George Eastman, the pioneer of popular photography and motion picture film. Founded in 1947 as an independent nonprofit institution, it is the world’s oldest photography museum and one of the oldest film archives. The museum holds unparalleled collections—encompassing several million objects—in the fields of photography, cinema, and photographic and cinematographic technology, and photographically illustrated books. The institution is also a longtime leader in film preservation and photographic conservation.