Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism.
— Sidney and Michelle Monroe
In this episode, Michael talks with Nina Berman, a documentary photographer, filmmaker, and professor whose work interrogates the relationship between power, militarization, and the American experience. Over a career spanning three decades, Nina has consistently focused her lens on systems of violence and their aftermath, from war zones to police training grounds to the staged patriotism of political spectacle.
A Guggenheim Fellow, two-time World Press Photo winner, and professor at Columbia Journalism School, Nina is also the author of three major books: Purple Hearts – Back from Iraq, Homeland, and An Autobiography of Miss Wish. Her photographs have been exhibited in venues such as the Whitney Museum, the Brooklyn Museum, and the Museum of Fine Arts, Houston.
In this conversation, she discusses how her work has evolved from portraits of wounded veterans to broader investigations into how militarized thinking permeates everyday American life. She reflects on the ethics of long-term documentary work, the emotional cost of sustained witnessing, and why photography remains a vital civic act.
This is a powerful episode with one of the most uncompromising voices in American documentary photography — a conversation about courage, clarity, and using your camera to look directly at the systems that define our time.
Ed Kashi and Julie Winokur: American Sketches: People of a Place at This Time
Nina Berman, Photographer & Professor of Journalism, Columbia University Graduate School of Journalism
Richard Sharum, Spina America
Dudley Brooks, Moderator
In 2025, America finds itself in a very confused and divided place. 250 years ago, it embarked on the greatest experiment in human history to overthrow the old norms of monarchies and despotic rule. America thrived, evolved, and conflicted during those two-and-a-half centuries.
Today, Abraham Lincoln’s Gettysburg Address penned 161 years ago is more relevant than at any other time since it was first spoken.
Four score and seven years ago, our forefathers brought forth upon this continent a new nation conceived in liberty and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war testing whether that nation, or any nation, so conceived and so dedicated, can long endure.
Today we are testing whether this nation can long endure. The photographers in this panel will present to us a heartfelt and critical view of what America looks and feels like today.
Dudley Brooks
Originally from Baltimore, Maryland, Dudley M. Brooks was the Deputy Director of Photography for The Washington Post, where he managed the creative strategy and production of photo-oriented content for the Features, Local and Sports departments. He was also the Photo Editor for The Washington Post Magazine before it was discontinued in 2022. From 2007-2014 he was the Director of Photography and Senior Photo Editor for the monthly magazine Ebony and its weekly sister periodical Jet. These iconic publications chronicled the African American experience for nearly eight decades and Brooks was a key member of the senior staff responsible for redefining the visual prominence and editorial relevance to their international readerships. Brooks was also the Assistant Managing Editor of Photography at The Baltimore Sun newspaper (2005-2007) and the co-creator/director of the landmark 1990 photography book and exhibition Songs of My People: African Americans – A Self-Portrait. This was an international project sponsored by Time-Warner and the Smithsonian Institute Traveling Exhibition Service (SITES). In 2003 he created and co-directed Imagenes Havana. This event was a five-day exhibition in Havana, Cuba that displayed the work of twenty-five international storytelling photographers. It was supplemented by three days of roundtable forums that addressed the difficulties of documenting the international community, opportunities in photo book publishing, and ethical issues facing the working photographer from a global perspective. Brooks retired from The Washington Post in late 2024.
Nina Berman
Nina Berman is a documentary photographer, filmmaker, journalist and educator. Her work explores American politics, militarism, environmental issues and post violence trauma. She is the author of Purple Hearts – Back from Iraq, (Trolley, 2004) portraits and interviews with wounded American veterans, Homeland, (Trolley, 2008) an examination of the militarization of American life post September 11, and An autobiography of Miss Wish (Kehrer, 2017) a story told with a survivor of sexual violence which was shortlisted for both the Aperture and Arles book prizes. Additional fellowships, awards and grants include: the World Press Photo Foundation, Pictures of the Year International, the Open Society Foundation, the Center for Documentary Studies at Duke University, the MIT Knight Science Journalism Fellowship and the Aftermath Project. She started her photographic career in 1988 as an independent photographer working on assignment for the world’s major magazines including Time, Newsweek, Life, the New York Times Magazine, New York Magazine, German Geo, and the Sunday Times Magazine. Her work has been exhibited at more than 100 international. Public collections include the Smithsonian National Museum of American History; the Museum of Fine Arts, Houston; the Museum of the City of New York; the Harvard Art Museums; and the Bibliothèque nationale de France among others. She is a tenured Professor of Journalism at Columbia University Graduate School of Journalism where she directs the photojournalism/documentary photography program.
Ed Kashi
Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.
Kashi’s innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015’s Multimedia Photographer of the Year. Kashi’s embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Kashi continues to create compelling imagery and engage with the world in new ways.
Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Kashi’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.
Richard Sharum
Richard Sharum is an editorial and documentary photographer based in upstate New York. Mainly focusing on socio-economic or social justice dilemmas concerning the human condition, his work has been regarded as in-depth, up-close and personal.
Selected exhibitions include Kyoto, Japan; Sao Paulo, Brazil; Reggio Emilia, Italy; New York, Boston, Chicago’ and Dallas. His work is in the permanent collection of the Witliff Center for Documentary Studies, Amon Carter Museum, Cleveland Museum of Art, and others.
Commissions include The Meadows Foundation, Centers for Community Cooperation, Harvard Law School, Student Conservation Association, Children's Medical Center (Oncology), Children's Cancer Fund.
Publications include those by LFI (Leica International), British Journal of Photography, LensCulture, The Atlantic, Texas Monthly, Publico (Portugal), El Pais (Spain), Observer (UK), The Wall Street Journal, The Guardian (UK), B+W Photo Magazine, Huck Magazine, Glasstire, PATRON, Creative Review, among others.
Richard Sharum's debut monograph Campesino Cuba was published in 2021 (GOST) and his latest, Spina Americana, was just released in November 2024 (GOST). Richard Sharum is represented by The Hulett Collection, Tulsa, Oklahoma.
Julie Winokur
Executive Director, Talking Eyes Media
Julie WinokurJulie Winokur, Executive Director of Talking Eyes Media, has been a storyteller for over two decades, first as a magazine writer and then as a documentary filmmaker. She launched Talking Eyes Media in 2002 as a way to create visual media that catalyzes positive social change. Her work has appeared on PBS, The New York Times, The Washington Post, Time, and National Geographic. Beyond broadcast and publication, Winokur works extensively with nonprofit organizations to develop their messages and put Talking Eyes' films to work at the grassroots level. She is the co-founder of Newest Americans, a storytelling project about immigration and identity based in Newark, New Jersey, that was named Best Online Storytelling Project in 2020 by Pictures of the Year International. She is also the producer/director of The Sacrifice Zone and Bring It to The Table, both documentary films with extensive impact campaigns. Winokur is a National Geographic Explorer and has been on the faculty of Rutgers University-Newark and the International Center of Photography in New York.
Best known for documenting the aftermath of the Iraq War and the militarization of American life, Nina Berman tells us about the most important photograph she's ever made.
The exhibit is a collection of Schapiro’s "personally selected iconic images from his encounters with artists, writers, actors, athletes, and politicians throughout the second half of the 20th Century." Schapiro’s work ranges from dramatic images of Dr. Martin Luther King Jr. and the Civil Rights Movement, to portraits of Robert F. Kennedy, Jackie Onassis, Muhammad Ali, Truman Capote and Andy Warhol. His groundbreaking images of influential personalities, newsmakers, and cultural and political leaders display a modest yet remarkable presentation of his extraordinary life in photography.
Born and raised in New York City, Schapiro’s career as a notable photographer began in 1960, when he documented Arkansas migrant workers who were fighting for electricity in their camps. His photographs were published as a cover story for The New York Times Magazine, and ultimately forced the workers’ management to provide the utility, according to Schapiro’s website.
Throughout the 1960s and 1970s, he traveled throughout the U.S. as a documentary photographer, recording the changing culture and politics. During the 1970s and 1980s, besides continuing his photographic works, he created iconic movie stills for such movies as Francis Ford Coppola’s The Godfather, Martin Scorsese’s Taxi Driver, and John Schlesinger’s Midnight Cowboy. Later, Schapiro worked for such musical greats as Barbra Streisand and David Bowie, creating photography for album covers.
"As a young photographer on assignment for Life, my only ambition was that the pictures I took each day would be published in the following week’s magazine; I never thought beyond that. I could not imagine that 40 years later, so many of my subjects would remain strong, iconic figures in the world. However, as I photographed each of these ten individuals, I was aware of the life-changing effect they were having on me," Schapiro says.
His photos have been displayed on the covers of some of the world’s most well-known and well-read magazines, including: TIME, Newsweek, LIFE, Look, Sports Illustrated, Rolling Stone, People, Vanity Fair, and The New York Times Magazine.
Having to help shape an iconic American culture, Schapiro’s works are represented in many private and public collections, including: the Smithsonian Museum, Washington, D.C.; High Museum of Art, Atlanta, GA; Metropolitan Museum of Art, New York, NY; Galerie Wouter van Leeuwen, Amsterdam, Netherlands; Hamiltons Gallery, London, England; Galerie Thierry Marlat, Paris, France; Monroe Gallery of Photography, Santa Fe, NM; Fahey/Klein Gallery, Los Angeles, CA; and Jackson Fine Art, Atlanta, GA.
Gallery hours are Mondays 1–5 p.m.; Tuesday–Saturday 9 a.m.–5 p.m.; closed on Sundays. Please note the Lamont Gallery will be closed from December 18, 2010 until January 4, 2011. For more information, contact the Lamont Gallery at 603-777-3461. For information on upcoming events, visit the Academy’s community calendar. To learn more about the Academy and its events and programs, visit our website. You may also call the PEA public events line at 603-777-4309.
Related: Steve Schapiro Exhibition review in ArtNews
