Metropolitan Transportation Authority Arts & Design presents a selection of works from photographer Stephen Wilkes’ “Day to Night” series at Grand Central

 Via Art Daily

December 30, 2023

Central Park, View from Essex House, NYC, Day To Night ™ © Stephen Wilkes. Courtesy MTA Arts & Design.

"Day to Night" explores the circadian rhythms of New York's iconic landmarks and vibrant city life

NEW YORK, NY.- The Metropolitan Transportation Authority Arts & Design is now presenting a selection of works from photographer Stephen Wilkes’ mesmerizing “Day to Night” series at Grand Central Madison. Iconic New York landmarks, including Coney Island, Central Park, Rockefeller Center, and Washington Square, are rendered anew thanks to the artist’s unique approach to photography, creating images of familiar destinations across the Big Apple that span the course of an entire day.

-"This Fragile Earth Day To Night", a special virtual exhibit, is on through January 21, 2024 at monroegallery.com -

“These fascinating photographs showcase New York City at its very finest, reminding residents and tourists alike of our spectacular city’s tremendous vitality and its unique ability to inspire awe, delight, and wonderment,” said Sandra Bloodworth, Director, MTA Arts & Design. “Those passing through Grand Central Madison will immediately recognize several renowned locations created in Stephen Wilkes’ unique image-making style, which captures the essence of a single place from dawn until dark.”

The ongoing “Day to Night” series explores the temporal and circadian rhythms of daily life in landmark locations from around the world. Working from a fixed camera angle, Wilkes takes up to 1,500 images over the course of a day then edits the best moments of the entire day, using time as his guide. These select moments are then digitally blended into a single photograph.

The photos on display at Grand Central Madison were chosen by MTA Arts & Design and the artist to reveal a range of New York City views, including the bustling landscapes of Rockefeller Center during the holidays, Central Park in its colorful fall glory, and Coney Island at the peak of summer. Together, these images serve as a lasting reminder of the energetic environs, both natural and human-made, that make New York City such a lively place to spend time. The exhibition is curated by MTA Arts & Design and generously sponsored by Duggal Visual Solutions with installation support by OUTFRONT Media. The photographs will be on view until Spring 2024.

“It is so special for me to share these New York ‘Day to Night’ images within the stunning Grand Central Madison cultural corridor. New York has always been a source of great inspiration and my ‘Day to Night’ project began as a love letter to New York City. I was drawn to photograph the most iconic locations within the city, views that are part of our collective memory, but seen in a totally different light. I photograph from locations and views that are part of our collective memory,” said Westport, Connecticut-based artist Stephen Wilkes. “I capture what I see, the fleeting moments of humanity and light as time passes. Photographing a single place for up to 36 hours becomes a meditation. It has informed me in a unique way, inspiring deep insights into the narrative story of life, and the fragile interaction of humanity within our natural world.”

Located at the south end of the concourse by the 42nd Street entrance, MTA Arts & Design Photography at Grand Central Madison was inaugurated in 2023. The curated exhibition series is installed in ten large-scale lightboxes and rotated periodically. The Photography initiative is part of the larger Grand Central Madison “cultural corridor,” a new venue for artistic expression curated by MTA Arts & Design. In addition to temporary photography exhibitions, the corridor includes lively permanent mosaic commissions by Yayoi Kusama and Kiki Smith and five large LED screens that display a widerange of temporary digital artworks from the MTA Arts & Design Digital Art Program, an annual open call initiative for digital artists. Taken together, these unique and publicly accessible artistic endeavors are a reminder of the enduring power of public art and its ability to connect people from all walks of life.

STEPHEN WILKES

Stephen Wilkes was born in 1957 in New York. He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980. Wilkes’ extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet, Consumption 2014. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated, and many others.

MTA ARTS & DESIGN MTA

Arts & Design encourages the use of public transportation by providing visual and performing arts in the metropolitan New York area. The Percent for Art program is one of the largest and most diverse collections of site-specific public art in the world, with more than 380 commissions by world-famous, midcareer and emerging artists. Arts & Design produces Graphic Arts, Digital Art, photographic Lightbox exhibitions, as well as live musical performances in stations through its Music Under New York (MUSIC) program, and the Poetry in Motion program in collaboration with the Poetry Society of America. It serves the millions of people who rely upon MTA subways and commuter trains and strives to create meaningful connections between sites, neighborhoods, and people.
MTA

Santa Fe New Mexican's Pasatiempo: Monroe Gallery of Photography’s This Fragile Earth

 Via Pasatiempo

December 29, 2023

By Brian Sanford

Ed Kashi

A worker subcontracted by Shell Oil Company cleans up an oil spill from a well owned by Shell that had been left abandoned for over 25 years, 2004

PHOTOGRAPHY

Documenting damage

In one of the more disturbing images in Monroe Gallery of Photography’s This Fragile Earth, a subcontractor for Shell Oil Company takes a break from cleaning up an oil spill at an abandoned well owned by Shell, holding out his hand. At first glance, it appears to be covered in human blood. Further examination reveals it’s actually covered in Earth’s blood: oil. The untitled image was captured by photographer Ed Kashi in 2004.

Equally troubling, but perhaps more resonant to New Mexicans, is Aftermath of Calf Creek/Hermits Peak Wildfire, taken near Mora in 2022 by Santa Fe New Mexican photographer Gabriela Campos. It features a panoramic view of the charred landscape left by the most damaging wildfire in the state’s history.

This Fragile Earth, which runs through January 21, juxtaposes images showing human-caused environmental devastation and the effects of climate change with others that highlight nature’s magnificence. Among the latter are Taos Gorge, taken by Henry Monroe in 2018, and an untitled image showing a giraffe beneath flying storks at Shaba Game Reserve in Kenya, taken by Bill Eppridge in 1978.

The exhibition’s goal is to motivate awareness and change, say gallery owners Michelle and Sid Monroe. It’s supplemented by a virtual exhibition, Stephen Wilkes: This Fragile Earth, Day to Night, showing that photographer’s images of nature’s splendor. Wilkes, of Connecticut, used a technique in the pieces that captures the passage of time from day to night.

Many of Wilkes’ images show details of locations relatively few humans have visited: Churchill, Manitoba, near Hudson Bay; Ilulissat, Greenland; and Chilko Lake, British Columbia. While humans are only visible in one of the images, others feature caribou, wood bison, polar and grizzly bears, zebras, and elephants. Wilkes gave a talk about the images, as well as his documentation of the aftermath of Hurricane Sandy, at the gallery on November 30. View it at monroegallery.com.  — Brian Sandford

Ed Kashi - PHOTO TALK - WTF-STOP PODCAST

 Via What the F-Stop Podcast - Life Through Photography

December 28, 2023

Ed Kashi is a renowned photojournalist, filmmaker, speaker, and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship with his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition.

Kashi’s innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015’s Multimedia Photographer of the Year. Kashi’s embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Kashi continues to create compelling imagery and engage with the world in new ways.

Along with numerous awards from World Press Photo, POYi, CommArts, and American Photography, Kashi’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.

In 2002, Kashi in partnership with his wife, writer + filmmaker Julie Winokur, founded Talking Eyes Media. The non-profit company has produced numerous award-winning short films, exhibits, books, and multimedia pieces that explore significant social issues.

In 2019, The Enigma Room, an immersive installation, premiered at NYC’s Photoville festival and has since been seen in Israel, the Netherlands, South Korea, and New Mexico, USA. The Enigma Room is an experimental multimedia projection created in collaboration with Brenda Bingham, Michael Curry, and Rachel Bolańos.

Kashi is represented by Monroe Gallery, located in Santa Fe, New Mexico. For print sale inquiries, contact info@monroegallery.com

Ed Kashi's photographs are included in the current This Fragile Earth exhibition, on view through January 21, 2024.

Through the lens 2023: Gabriela Campos

 Via The Santa Fe New Mexican

December 28, 2023

Gallery Photographer Gabriela Campos shares some of her favorite images from 2023.

Kelly Ludeking, a Minnesota ironmonger, spins molten iron while fellow artists throw liquid iron onto a plywood wall behind him during the biennial Iron Tribe gathering March 2 in Las Vegas, N.M. The gathering, started by Highlands University fine arts professor David Lobdell in 2001, has become a can’t-miss event, particularly for professors and students in the West and Great Plains.

Gabriela Campos/The New Mexican

Full gallery here.

TIME's Best Photos of 2023 Includes Gallery Photographer David Butow's Image From The Maui Willdfire

 

Via TIME

December 21, 2023

A girl who, unable to get an abortion, becomes a mother before starting 7th grade; a mass of twisted metal and ash, all that remains of a home in the wake of the Maui wildfires; Bad Bunny, one of the year’s most engaging entertainers, stepping out in a pink mohair coat adorned with a bow: These photographs, all featured in TIME during 2023, constitute a map of where we’ve been and what we’ve seen, connecting us with the greater world. Sometimes we may feel we live and work in isolation, but it’s never true: there are always those facing challenges as formidable as our own, or even more so, and there are joys to be had, too. These are just a few of the gifts great photographs can bring us, a collapsing of the distance between others and ourselves.

We’re reminded how our world is changing around us when we see a flutter of birds over Delhi, a city cloaked with smog that puts both animal health and that of humans at risk. A 14-year-old Georgia teenager named Malayah faces the camera resolutely, a reminder that paying attention to the mental health of young people will make for happier, more well-adjusted grownups tomorrow—the world will be in their hands someday. And a group of citizens light candles for Tyre Nichols, beaten and killed by Memphis police in January, at the community skate park he used to frequent as a youth in Sacramento, Calif. We need to remember our dead, especially those whose deaths fill us with anger—but it’s also important to recall the things that brought joy to their lives, because even for those whose lives aren’t cut down prematurely, time is fleeting.

David Butow: Ruins of a home in the small hillside town of Kula. "What Remains After the Flames: Scenes From the Ash-Colored Streets of Maui," September 4 issue.

David Butow's photograph "The landscape of destruction, Lahaina, Maui, seen on August 24, 2023" is featured in the current exhibition "This Fragile Earth", on view through January 21, 2024

Report Warns of Attempt to 'Criminalize' Newsgathering in the US

 Via VOA

December 20, 2023

WASHINGTON — At least a dozen journalists faced arrest or charges related to their newsgathering across the U.S. in 2023, with most working for local media outlets.

The incidents and their impact on the ability of journalists to cover the news are detailed in a report released Wednesday by the U.S. Press Freedom Tracker.

Based in New York, the Tracker has documented what it sees as press freedom violations inside the U.S. since 2017.

According to the Tracker, many of the cases this year involved attempts to prevent journalists from engaging in regular reporting practices — from asking questions to investigating public officials. It cited around 30 cases of journalists or media outlets being summoned and asked to identify a source or hand over reporting materials.

“What was interesting this year was an apparent criminalization of general newsgathering,” said Stephanie Sugars, the report’s author.

The number of cases of journalists arrested is lower than previous years, when the Tracker documented dozens of cases as media covered unrest and large-scale protests. Still, the findings are a concern, the nonpartisan group said.

In one case from October, police arrested a small-town Alabama newspaper publisher and a reporter for publishing an article that authorities said contained confidential grand jury evidence.

While leaking information may be illegal, it is not a crime for news outlets to publish that information, so long as the reporters are not involved in illegally obtaining the materials, press experts say.

In another case, a reporter at an Illinois newspaper was cited for asking city officials too many questions about flooding in October.

“That is normal newsgathering,” Sugars told VOA from New York.

In the Illinois case, the charges were dropped.

In a separate incident in Ohio, NewsNation correspondent Evan Lambert was ordered to stop a live broadcast while Governor Mike DeWine was giving a press briefing in February. Officers then forced Lambert to the ground and arrested him.

The governor expressed concern and said he was not aware of the incident at the time it occurred.

Lambert filed a lawsuit in November over the incident.

Meanwhile, an Arizona judge in April granted a restraining order against a local reporter after the journalist looked into a state senator’s residency claims. Another judge later rejected the restraining order. And in July, two California reporters were accused by a local police union of stalking for trying to contact a police officer at her home.

“Attempts to criminalize routine journalistic activities, such as contacting public officials or the subjects of stories, send a chill through the heart of newsgathering,” Sugars wrote in the report.

It’s unclear whether police and officials in these incidents were unaware of what constitutes normal newsgathering or whether they just didn’t care, Sugars said.

But, she added, that distinction also misses the point.

“Whether they know that it is general, basic newsgathering or not is less important than the fact that they just don’t like it and are using the tools at their disposal to retaliate,” Sugars said.

Another factor that links many of the cases in the Press Freedom Tracker’s report is that most incidents took place at the local level, affecting smaller or regional publications.

That’s likely a byproduct of the decline of local news coverage, according to Sugars.

The U.S. has lost more than one fourth of its newspapers since 2005 and is set to lose one third of all its roughly 6,000 remaining print newspapers — mostly weeklies — by 2025, according to a report by Northwestern University’s Local News Initiative.

“That lack of constant scrutiny has created an atmosphere where local officials feel like they are no longer responsible for answering questions,” Sugars said.

First Amendment experts say such violations make it harder for journalists to do their jobs.

“If you’ve got these instances of law enforcement overreach, again, it impairs the press’s watchdog role," said Gabe Rottman of the Reporters Committee for Freedom of the Press, or RCFP.

Rottman, who is director of the RCFP’s Technology and Press Freedom Project, said that it is important for government officials to understand the role journalists play in their community.

Fewer journalists were arrested or charged in the United States in 2023 than in the past few years, the Tracker report found.

Dare to Dissent with Photojournalist Jeff Widener, best known for his image of "The Tank Man"

 Via NPR

December 14, 2023

Sometimes, the most dangerous and powerful thing a person can do is to stand up not against their enemies, but against their friends. As the United States heads into what will likely be another bitter and divided election year, there will be more and more pressure to stand with our in-groups rather than our consciences.

So a group of us here at Throughline decided to tell some of the stories of people who have stood up to that kind of pressure. Some are names we know; others we likely never will. On today's episode: what those people did, what it cost them, and why they did it anyway.

Guests:

Alexandra Lloyd, author of Defying Hitler: the White Rose Pamphlets and fellow by special election in German at the University of Oxford.

Johnathan Eig, author of the biography King: A Life.

Jeff Widener, a photojournalist best known for his image of the Tank Man.

Listen here:

Behind the Headlines: Victims of Newsroom Raids in Marion and Tampa Tell Their Stories

Via Freedom of the Press Foundation

December 11, 2023 

Freedom of the Press Foundation Director of Advocacy Seth Stern is joined by special guests Eric Meyer from the Marion County Record and independent journalist Tim Burke to discuss updates on these troubling incidents and what's next in the fight to defend and foster a courageous press.

Limited Offer: Free streaming of documentary film "Under Fire: The Untold Story of Private First Class Tony Vaccaro"

Underfire The Untold Story of Tony Vaccaro from Passion River Films on Vimeo.

 

On November 14. 2016 HBO Films premiered “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone.

We are pleased to offer for a limited number free streaming of this important documentary. Contact the Gallery for details. The film is also available from Amazon and Apple TV+.

Tony Vaccaro passed away peacefully on December 28, 2022, eight days after celebrating his 100th birthday.

Throughout the month of December, we will be posting tributes and memories of Tony Vaccaro on our Instagram feed. The Frank Lloyd Wright Foundation's Taliesin West in Scottsdale, Arizona is currently featuring the exhibition American Icons: Wright and O'Keeffe, photographs by Tony Vaccaro; and his work is on display at Monroe Gallery in Santa Fe.

View a selection of available fine art prints from Tony Vaccaro here.

Fund for Nuclear Waste Exposure Victims in Limbo as Congress Balks at Cost

 The New York Times, Dec. 8, 2023:  “The members that worked on this policy once upon a time, they left out states like New Mexico — and not just the entire state,” Mr. Luján, who has pushed to expand eligibility to individuals in most western states, said in an interview. “They left out the entire county where the first bomb was tested. That alone shows the people have been left out.”

Nina Berman: Residents from Navajo communities gather on Uranium Remembrance Day, Church Rock, NM July 16, 2016

The biggest nuclear catastrophe in US history occurred July 16, 1979 when the dam at the United Nuclear Corporation's Church Rock uranium mill tailings disposal pond broke sending over 1,000 tons of solid radioactive mill waste and 93 million gallons of acidic, radioactive tailings solution into the Puerco River and contaminating Navajo land. The clean up is still on going. Mining was stopped on Navajo land but there are now calls to revive it. For the past few years, residents of the Church rock community march to the site to honor all those who died and were sickened by uranium mining and to demand a thorough clean up and compensation. This year, residents acknowledged the significant of July 16 as not only the day of the uranium spill, but also the day of the Trinity test, July 16, 1945, and expressed solidarity – through a sharing and reading of letters, with New Mexico residents impacted by the first nuclear test.

Remembering Tony Vaccaro on the anniversary of his 100th birthday and subsequent passing

 

Tony Vaccaro with Michelle and Sid Monroe at his Pop Up exhibition in New York, 2016

Beginning in 2016, Monroe Gallery of Photography presented annual exhibitions of photographs by Tony Vaccaro to honor his birthday, December 20. He travelled to Santa Fe to attend 3 exhibits and meet hundreds of collectors and enthusiastic admirers.

To celebrate his 100th birthday in December, 2022, Monroe Gallery of Photography hosted two exhibitions, in New York City and Santa Fe. Despite recently having been hospitalized for emergency surgery for complications from an ulcer, Tony recovered and attended the pop-up Tony Vaccaro Centennial Exhibition of his photographs in New York City. The City of New York officially proclaimed December 20, 2022 “Tony Vaccaro Day”, and Vaccaro was feted by friends at a surprise birthday party at his favorite local Italian restaurant that evening.

Tony at his Centennial Pop Up exhibition in New York, December, 2022

Tony Vaccaro passed away peacefully on December 28, eight days after celebrating his 100th birthday. 

 Throughout the month of December, we will be posting tributes and memories of Tony Vaccaro on our Instagram feed. The Frank Lloyd Wright Foundation's Taliesin West in Scottsdale, Arizona is currently featuring the exhibition American Icons: Wright and O'Keeffe, photographs by Tony Vaccaro; and his work is on display at Monroe Gallery in Santa Fe.

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Gallery photographer Sanjay Suchak reviews the new Sony a9 III for concerts as Dave Matthews Band’s Photographer

Via PetaPixel

Gallery photographer Sanjay Suchak reviews the new Sony a9 III for concerts as Dave Matthews Band’s Photographer

Like most photographers, I’ve never reviewed a piece of gear before. Also like most photographers, I tend to voraciously read reviews each time I consider upgrading. Many of these reviews parse through micro-level analysis of pixel detail, noise levels, and test charts but to me fail to answer the simple question: “will this help me get the shot?”  click for full article

Sanjay Suchak is an independent commercial and editorial photographer based in Virginia and Los Angeles. He serves as the photographer for the Dave Matthews Band and regularly works with a roster of national bands as well as music festivals around the country. 

When not on the road, he works with commercial and higher education clients to help tell their stories. He is also currently serving as a Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia, where he is working on a long term documentary project and helping to educate students on photojournalism and the importance of media and the free press. He’s mostly interested though in finding the best place in each city to get tacos.

This Spring, AIPAD’s Photography Show Returns in Full Force

 Via Surface Magazine

Dec. 1, 2023

It goes without saying that one of the pandemic’s effects has been a lingering disruption of the art world: over the past few years, galleries, artists, and even the industry’s flagship fairs have grappled with the challenges posed by the black swan event of the century. But slowly, the industry is righting itself, and for some, the quest is no longer just to make it through another year—or day—but to recommit to serving artists and collectors in impactful, future-facing ways. The Association for International Photography and Art Dealers’ (AIPAD) Photography Show is one such organization, led by executive director Lydia Melamed Johnson, cautiously emerged from the pandemic years with its 2022 edition.

Before returning to the ornate, Gothic Revival halls of its previous home at the Park Avenue Armory, the fair staged more intimate editions at Midtown’s Center 415. “We ensured the demand and supply was still present,” she told Surface of the decision to let the fair find its footing before returning uptown. “Following a fantastic edition in 2023, we knew the organization was ready to once again grow and inhabit such a distinct space.” From April 25-28, 2024, the fair will stage its first edition back in the Armory’s halls.

In the following interview, Melamed Johnson tells Surface about key themes shaping photography today, including championing women behind the lens, and the Black experience in America. She also shares how the Park Avenue Armory will impact the experiences of collectors and exhibiting galleries, and how fellow leaders at ADAA, the Winter Show, and Paris Photo have shaped the Photography Show’s renewed vision.

Tell us about the significance of the return of the show to the Park Avenue Armory. What drove the decision to return?

In Herzog & de Meuron’s book about the ongoing restoration project at the Park Avenue Armory, a quote by Jaques Herzog spoke to why this building has such an enduring legacy and why we are excited to juxtapose cutting-edge, contemporary photography within this Gothic Revival venue. “The foremost families of New York society celebrated themselves there. In the period rooms, you walk into sacred territory. The rooms are the creations of the best designers that were to be had in those days.”

AIPAD’s board of directors and I feel that it is in this space, with its renovations by some of the best designers of our age, like Herzog, that we can truly exhibit the power of photography through the ages and place our chosen art form alongside great design and scale.

How does the Armory better serve fair-goers and exhibitors?

Its location in the heart of New York City with close proximity to some of the world’s most important art institutions makes the Armory an ideal location for an art fair that celebrates the full and encyclopedic arc of photography. The scale is also great, as it’s not an overwhelming, unending space but an intimate, grand building that allows the viewer time to see everything inside without being swallowed by outsized rooms.

The Photography Show seems to see itself as being on the cusp of a new era. Tell us about some key exhibitors who encapsulate that.

AIPAD could not embark on a new era without the tremendous support and encouragement from our member galleries, many of which have been with us for decades. A great example is Edwynn Houk Gallery, who will be showing a self-portrait by Ilse Bing. Female portraiture and the evolution of women’s presence—both behind and in front of the camera—has been a big theme in photography recently, and we’re excited to have Houk further exploring this relationship in classic photography.

A direct correlation with our new management is the Associate Membership program that launched at the beginning of 2023. Next year’s edition will showcase four of our Associate Members, including The Hulett Collection of Tulsa and Assembly of Houston. We always welcome a few, select non-member galleries to the main sector, and are looking forward to seeing new presentations by galleries like RocioSantaCruz of Spain and Ellephant of Canada.

Tell me about some of the prevailing themes of this year’s fair, and the works, photographers, and exhibiting galleries that embody them.

The big themes in photography now are the female perspectives behind the camera and the interaction with both technology and the viewer. This is exemplified by the Domestic Demise and Anonymous Women series by Patty Carroll, the recent winner of the BBA Photography Prize. The series will be on view at Catherine Couturier’s booth, where the artist’s subjects melt into domestic spaces with an absurdity that calls out what’s expected of the feminine.

The Black experience in America continues to be a major arc in current scholarship and collecting. This will be exemplified with a presentation in Arnika Dawkins’ booth of works by Oye Diran, Ervin A. Johnson, Delphine Fawundu, Barbara DuMetz,, and Builder Levy that highlight Black beauty and its stark and moving evolution.

Socioeconomic and activist causes have also come to the fore. Marshall Gallery of Santa Monica, a first time AIPAD exhibitor, will feature Alex Turner’s Blind River series, looking at the U.S./Mexico border in Arizona and dissecting how contested spaces can influence the surrounding environment. This will be showcased alongside Cody Cobb, who utilizes artificial lighting and cutting-edge textured UV printing to create 3D topographic works of other-worldly and nocturnal landscapes.

It’s a really exciting time to see women leaders in photography, and, more broadly, art fairs right now. Were there any fellow leaders from across the industry whose feedback and advice has shaped your renewed vision for the Photography Show?

Absolutely! I’m privileged to have worked with and been able to turn to many industry-leading women for collaboration and advice, each of whom is a constant inspiration and motivation to continue improving our flagship fair and this organization. From Florence Bourgeois of Paris Photo to Maureen Bray at ADAA, who has been kind enough to share her counsel on sustainability at the venue and within her organization, and Helen Allen from The Winter Show, who has been a mentor and was instrumental in our move back. Within AIPAD itself, much of the propulsion for the evolution of the organization and the fair have been our deep well of female founders and gallerists, such as Yancey Richardson, Caroline Wall of Robert Mann, Arnika Dawkins, Andra Russek, Augusta Edwards, and Marina Pellegrini of Galeria Vasari

The Photography Show’s 2024 Exhibitors include:

°CLAIRbyKahn | Zurich, CH

19th Century Rare Book & Photograph Shop | New York, NY

Arnika Dawkins Gallery | Atlanta, GA

Assembly | Houston, TX

Augusta Edwards Fine Art | London, UK

Baudoin Lebon | Paris, FR

BILDHALLE | Zurich, CH | Amsterdam, NL

Bruce Silverstein Gallery | New York, NY

Candela Gallery | Richmond, VA

Catherine Couturier Gallery | Houston, TX

Cavalier Gallery | New York, NY | Greenwich, CT | Nantucket, MA | Palm Beach, FL 12. Charles Isaacs Photographs, Inc. | New York, NY

CLAMP | New York, NY

Contemporary Works/Vintage Works | Chalfont, PA

Daniel / Oliver Gallery | Brooklyn, NY

Danziger Gallery | New York, NY

Deborah Bell Photographs | New York, NY

Edwynn Houk Gallery | New York, NY

ELLEPHANT | Montreal, CAN

Etherton Gallery | Tucson, AZ

Fisheye Gallery | Paris, FR | Arles, FR

Foto Relevance | Houston, TX

Galerie Clémentine de la Féronnière | Paris, FR

Galerie Esther Woerdehoff | Paris, FR

Galerie Johannes Faber | Vienna, AT

Galerie Olivier Waltman | Paris, FR

Galerie SIT DOWN | Paris, FR

Galerie XII | Santa Monica, CA

Gallery 270 | Bergen, NJ

Gitterman Gallery | New York, NY

Grob Gallery | Geneva, CH

HackelBury Fine Art | London, UK

Hans P. Kraus, Jr. Inc. | New York, NY

Higher Pictures | Brooklyn, NY

Holden Luntz Gallery | Palm Beach, FL

Howard Greenberg Gallery | New York, NY

IBASHO | Antwerp, BE

Ilaria Quadrani Fine Arts | New York, NY

Ippodo Gallery | New York, NY

Jackson Fine Art | Atlanta, GA

jdc Fine Art | San Diego, CA42. Joseph Bellows Gallery | Santa Monica, CA

Keith de Lellis Gallery | New York, NY

La Galerie de l’Instant | Paris, FR

Laurence Miller Gallery | New York, NY

Les Douches la Galerie | Paris, FR

Magnum Photos Gallery | Paris, FR | London, UK

Marshall Gallery | Los Angeles, CA

Michael Hoppen Gallery | London, UK

Michael Shapiro Photographs | Westport, CT

MIYAKO YOSHINAGA | New York, NY

MOMENTUM | Miami, FL

Monroe Gallery of Photography | Santa Fe, NM

Nailya Alexander Gallery | New York, NY

Obscura Gallery | Santa Fe, NM

PACI contemporary | Brescia, IT

Paul M. Hertzmann, Inc. | San Francisco, CA

Peter Fetterman Gallery | Los Angeles, CA

Photo Discovery | Paris, FR

RocíoSantaCruz | Barcelona, ES

Robert Klein Gallery | Boston, MA

Robert Koch Gallery | San Francisco, CA

Robert Mann Gallery | New York, NY

Scheinbaum & Russek LTD | Santa Fe, NM

Scott Nichols Gallery | Sonoma, CA

Staley-Wise Gallery | New York, NY

Stephen Bulger Gallery | Toronto, CA

Stephen Daiter Gallery | Chicago, IL

The Hulett Collection | Tulsa, OK

The Third Gallery Aya | Osaka, JPN

Throckmorton Fine Art | New York, NY

Todd Webb Archive | Portland, ME

Toluca Fine Art | Paris, FR

Vasari | Buenos Aires, ARG

Von Lintel Gallery | Santa Monica, CA

Weinstein Hammons Gallery | Minneapolis, MN

Yancey Richardson Gallery | New York, NY

Monroe Gallery of Photography at the 2023 AIPAD Photography Show

Resilience: Stories of Women Inspiring Change Photo Exhibition & 16 Days of Activism at UWI

 Via Express Vibes

November 24, 2023

Title: Finding Freedom in the Water

© Anna Boyiazis

Kijini Primary School students learn to float, swim and perform rescues on Tuesday, October 25, 2016 in the Indian Ocean off of Mnyuni, Zanzibar.

The captivating ‘Resilience – Stories of Women Inspiring Change’ exhibition, presented by The World Press Photo Foundation and the Kingdom of the Netherlands is currently on display at The University of the West Indies (The UWI) St. Augustine Campus.

Echoing a global call for gender equality and justice, the exhibition unveils the successes and struggles of women, girls, and communities worldwide. Amidst persistent inequalities and the widespread prevalence of violence against women, these narratives captured by 17 photographers from 13 nations shed light on sexism, gender-based violence, reproductive rights, and the pursuit of equal opportunities. Each curated story signifies the evolving landscape of gender issues in the 21st century, underlining the deep impact of photojournalism.

Lecturer and Head of the Institute for Gender and Development Studies at The UWI, Dr. Sue Ann Barratt shared her thoughts on the significance of the exhibition, “Images carry multiple complex messages in a moment. It catches our eyes, minds, and hearts as we pass by. These images of RESILIENCE tell multiple stories about women’s lived experiences. And goes beyond the limit of time, space and place. These images, curated by the World Press Association and brought to us through the collaborative efforts of the IGDS, The Alma Jordan Library and our external partner, The Embassy of the Kingdom of the Netherlands, bring to our attention how women live their lives as resilient, moving resilience from the realm of the abstract to the real of the real in context.”

Aligned with the festival, the ‘Resilience’ exhibition stands as an essential part of the 16 Days of Activism, intertwining with IGDS’ IGNITE ChalkBack UWI event. This event marks the culmination of the semester’s Cat Calls of UWI Project, illuminating street harassment and gender-based violence. Further, a panel discussion – Narratives of Resilience: Women Speak their Truth will also be hosted on Friday 24 November.

To register please visit https://uwi.zoom.us/…/tJIqceGoqT8iHdbTAQHoT8nLhKGY68Z-G9VM

Amidst these events, the Alma Jordan Library will proudly exhibit 36 posters and 5 stories highlighting resilient women across diverse industries throughout the Research Festival.

This collective effort signifies a steadfast commitment to global gender equality, justice, and human rights, in solidarity with the 16 Days of Activism from November 20 to December 10, culminating on Human Rights Day.

Photojournalist Ed Kashi Discusses "City of the Dead" in Cairo

 Via Sada Elbalad English

November 22, 2023

Ed Kashi

Prominent American photojournalist Ed Kashi celebrated the 30th anniversary of his "City of the Dead" project in Cairo. He opened an exhibition in Cairo to celebrate the project, in addition to having a talk about the visual storyteller's journey.

During a round table with Egyptian journalists hosted by the US Embassy in Photobia, Kashi discussed various topics related to his "City of the Dead" project, upcoming projects, especially those linked to current sociopolitical challenges, and the current trends of journalism. (click for full article).

"Great photographs do not need words but this is photojournalism. The whole, structure, the point of it is to uses images and words to communicate, especially when it comes to journalism. In the time moment we're living in; it is so critically important that I contextualize my work so that when you look at this picture as best as I've humanly been able to do you can rely on the facts. You know that this is where it happened this is what's going on the name of that person is correct their age is correct all of the things you know the circumstances around their situation are presented in an accurate way because I still believe in facts can I say it in another order." -- Ed Kashi

Ed Kashi's photographs are included in the current exhibition This Fragile Earth.

New Exhibition: This Fragile Earth Opens Friday, Nov. 24

 

Our Fragile Earth simmered into worrisome new territory this year. Two new companion exhibits feature a wide range of photographs documenting the grandeur of nature and majestic landscapes alongside images illustrating devastation caused by environmental neglect and the effects of a changing climate across our Fragile Earth. Just as photographs illustrating the transformative experiences of nature have been instrumental in promoting the cause of environmental conservation, photographs from recent climate events can raise awareness about global warming, channeling it into hope and into collective action. This exhibit informs in the hope the images motivate awareness and change. 

Opening Reception: Friday, November 24, 2023 from 5-7 pm. Several photographers will be in attendance.



Special Companion Virtual Exhibition Stephen Wilkes: This Fragile Earth Day To Night

Over the last decade, Stephen Wilkes has observed endangered species and habitats around the world, using a photographic technique that captures the passage of time, from day to night, all within a single image.

Zoom talk with Stephen Wilkes, Thursday, November 30 4:30 PM MST. Contact the Gallery for Zoom registration. View Stephen Wilkes This Fragile Earth here.

New Project "The Missiles On Our Land" investigates the human and environmental risks of a new Air Force Nuclear Missile program

 

Nina Berman: 

"This is a project I’ve been working on the last year with colleagues at Princeton and Columbia about the US nuclear arsenal and our plans to spend nearly 2$ trillion building more weapons. It will be published as a package (video, podcast, print pieces) on Scientific American and on our website missilesonourland.org on Nov 14. Like most things that concern the US military, there has been almost no public engagement around these policies and so I hope you find it informative."

View the full project here

$700,000 Settlement With LAist Reporter Includes Re-Training Of LA Sheriff’s Deputies On Press Rights

 Via LAist

November 8, 2023

The L.A. County Board of Supervisors Tuesday approved a $700,000 settlement with LAist correspondent Josie Huang, who was arrested and injured by sheriff’s deputies while covering a 2020 protest in Lynwood. The settlement includes a requirement that the L.A. County Sheriff's Department re-train deputies on the rights of journalists.

In a legal claim against the county, Huang alleged deputies detained her without legal justification and used unjustified force because she was gathering news in a public place, according to the settlement.

Huang’s arrest drew widespread criticism from elected leaders and journalism organizations at the time. Deputies had claimed she interfered with their arrest of a protester. The district attorney’s office refused to file charges and a judge later found her factually innocent.

“This settlement upholds the rights of journalists and helps ensure that what happened to me won’t happen to other reporters,” Huang said in a statement. “My arrest was traumatic, but I hope that some good can still come of this experience.”  

Click to full article

"Huang, an award-winning journalist, was leaving a news conference by then-Sheriff Alex Villanueva when she started using her phone to film a group of deputies arresting a protester. A deputy ordered her to back away.

“Without giving her time to comply, deputies aggressively tackled Huang to the ground, causing her injury,” according to a statement from the Reporters Committee for Freedom of the Press. Huang suffered multiple injuries, including scrapes and bruises to her knees, ankle and face, as well as emotional distress.

In a draft complaint, her lawyers wrote that “the force used was wildly out of proportion to that needed to effectuate the arrest of Ms. Huang, who, at 5’5 and 122 lbs., was far smaller than the multiple deputies who tackled her, posed no physical threat, and had not committed any crime.”

Huang’s phone fell to the ground. Two deputies stepped on it. The phone survived and was recovered by a fellow journalist. It documented much of what happened.

“Law enforcement tried to destroy evidence rather than preserve it,” said Michael Dore of Gibson, Dunn and Crutcher. “And then the former sheriff made false claims about Ms. Huang’s reporting work that the evidence refuted.”

"We are deeply concerned by this violation of the First Amendment rights of these journalists"

 Via Associated Press: Newspaper publisher and reporter arrested and accused of revealing grand jury information

"In over 40 years of handling media law matters, Bailey said he had “never seen a reporter arrested for publishing truthful information about the existence of a grand jury subpoena.”

Committe To Protect Journalists: Alabama publisher, reporter arrested, charged with disclosing leaked information

“CPJ is outraged by the arrest of Atmore News publisher Sherry Digmon and reporter Don Fletcher and calls on local authorities to immediately drop all charges against them. They should not be prosecuted for simply doing their jobs and covering a matter of local interest, such as the allocation of school board funds,” said Katherine Jacobsen, CPJ’s U.S. and Canada program coordinator. “Journalists play a crucial role in their local communities. Arresting them creates a chilling effect and is a gross misuse of taxpayer funds.”

National Press Club: Press Club leaders condemn arrests of Alabama newspaper reporter and publisher

"Arresting journalists in response to the publication of a news article is contrary to democratic values. It should not happen anywhere in the world, and is especially concerning in the United States, where we have strong and well-established legal protections guaranteeing the freedom of the press."

Join Curator Niki Stewart on Nov. 9 for an in-depth look at the Tony Vaccaro photography exhibition American Icons: Wright & O’Keeffe

 

Via Taliesin West

American Icons: Wright & O’Keeffe

Taliesin West is the winter home and desert laboratory of Frank Lloyd Wright. The site in Scottsdale, Arizona, welcomes visitors year round through tours and programs for all ages. Since 2021, Taliesin West has offered changing exhibitions to explore during tours. From October 20, 2023 – June 3, 2024, American Icons: Wright & O’Keeffe is on display, featuring  photographs by Michael A. “Tony” Vaccaro.

In this course, exhibition curator Niki Stewart will take you on an in-depth journey into the similarities between Frank Lloyd Wright and Georgia O’Keeffe. Both legendary figures, they are typically seen in isolation. Through this exhibition, we compare and contrast the photographs, homes, and lives of these influential figures.

In these photographs — many of which have never been seen before — we see an intimate view of Wright and O’Keeffe in their homes and studios. Taken at Wright’s Wisconsin home, Taliesin, and O’Keeffe’s homes in New Mexico, Vaccaro casts an intimate lens on these well-known figures. By viewing the pictures in pairs, we begin to see all the ways Wright and O’Keeffe were similar, beyond the photographs themselves.

Thursday, November 9, 2023

10-11 am MST

Register here.

The exhibition is organized and presented at Taliesin West by the Frank Lloyd Wright Foundation. All photographs courtesy of the Tony Vaccaro Studio and Monroe Gallery of Photography.

About the Curator Niki Stewart:

Educator, Artist, and Museum Leader

Niki Stewart is passionate advocate for arts and education.  She serves as the Vice President and Chief Learning & Engagement Officer at The Frank Lloyd Wright Foundation. Based at Taliesin West, Wright’s winter home and desert laboratory, she oversees all public engagement programs, tours, and exhibitions at this UNESCO World Heritage site.  Her museum experience also includes leadership roles at the Academy of Natural Sciences of Drexel University (Philadelphia, PA), Crystal Bridges Museum of American Art (Bentonville, AR), and the John and Mable Ringling Museum of Art (Sarasota, FL).  Niki has also worked as an Art Educator in the public schools, as program administrator of Art Bridges, and with the Walt Disney Company. She’s a founding faculty member of the National Art Education Association’s School for Art Leaders, and a graduate of the Getty Museum Leadership Institute. She holds a BFA in Illustration from Ringling College of Art and Design in Sarasota, FL.

The Prix Bayeux Calvados-Normandie celebrates its 30th edition, honoring the contributions of photojournalists across the globe.

 Via Blind Magazine

October 27, 2023

This year holds special significance as it anticipates the 80th anniversary of the Normandy landings—witnessed by war correspondents who risked their lives to document it. (click for full article)

"The late Tony Vaccaro (1922 - 2022), one of the earliest photographers to be featured at the Baueux exhbitions, spoke with brutal honesty about his experience: "We felt like we were going someplace to die and never return. People have no idea what war is like, so I risked my life to capture the horror of it" 

Tony Vaccaro: Normandy, June, 1944

BYU Museum of Art debuts new exhibit ‘Life: Six Women Photographers’

Via The Daily Universe

Oct. 26, 2023

BYU’s Museum of Art debuted its new exhibit “Life: Six Women Photographers” earlier this month, highlighting six influential women photographers’ work from the 1930s to the 1970s.

The exhibit features the work of photojournalists Margaret Bourke-White, Hansel Mieth, Marie Hansen, Nina Leen, Martha Holmes and Lisa Larsen.

Featured within the new installation are a variety of photos, such as Marie Hansen’s photo essay showcasing the 20th century Women’s Army Auxiliary Corps, and Margaret Bourke-White’s photographs depicting the impact of the American economic depression on the people of the 1930s. Photographer Nina Leen highlights the work of women and mothers, while portraits of Hollywood personalities are featured in Martha Holmes’ photos of Billy Eckstine. Hansel Mieth’s photos focus on depicting the reality of labor forces and the experiences of the general public.

BYU students, local community members and visitors now have the opportunity to visit the Museum of Art’s new exhibit and appreciate the talent of these six female photojournalist pioneers.

“I think it’s cool that we’re honoring female photographers,” Sally Bradshaw, a BYU junior, said.

Bradshaw continued to describe the photos in the exhibit as “down to earth.”

“They capture very emotional moments, it seems. It’s pretty inspirational,” BYU student Logan Berry said.

Life Magazine, which ran weekly from 1883 to 1972 and monthly from 1978 to 2000, focused on showing “The Most Iconic Photographs of All Time,” according to Life Magazine‘s website.

The “Life: Six Women Photographers” exhibit at the BYU Museum of Art gives visitors the opportunity to witness for themselves the photographs of the six featured photographers. The exhibit displays photos both published and unpublished by Life.

“It’s like a crazy cool opportunity to be able to see these things that at one point were just in a magazine but are now really important,” BYU student Katy Turner said.

Turner continued to express interest in the past and future BYU Museum of Art photography shows because of the focus on important events.

“A lot of times we try to make it a focus and like a point to remember prominent women in history or maybe women in history who were amazing but we don’t really know about,” Bradshaw said. “I think it’s really cool that BYU wants to give a space to that because we’re all about honoring amazing people.”

“Life: Six Women Photographers” was organized by the New-York Historical Society and will be on display in the BYU Museum of Art until Feb. 3, 2024.

There will be a panel discussion discussing the exhibit and photography, art history and journalism on Thursday, Oct. 26 at the Museum of Art. BYU professors and faculty members Heather Belnap, Melissa Gibbs and Paul Adams will be presenting.

Museum of Art educator Liz Donakey will also host a gallery talk regarding the exhibit on Wednesday, Nov. 29.

Students can schedule a tour of the exhibit on the Museum of Art website.

Related exhibit: The LIFE Photographers

Creating Culture: An Architect, An Artist

 Via Front Doors

October 25, 2023

Images courtesy of Tony Vaccaro Studios/The Monroe Gallery of Photography

Georgia O’Keeffe once wrote, “Nobody sees a flower — really — it is so small it takes time — we haven’t time — and to see takes time, like to have a friend takes time.” Through the lens of O’Keeffe’s life, this notion is evident when considering her nearly three-decades-long friendship with Frank Lloyd Wright.

The two are champions in their field — O’Keeffe’s paintings earned her the title of “Mother of American Modernism,” and Wright is still one of the most celebrated architects in the world — yet, beneath the surface of their achievements lay similarities that run deeper than their success.

Taliesin West’s newest photography exhibition, “American Icons: Wright & O’Keeffe,” explores the pair in a way that’s never been seen before. Running from Oct. 20 through June 3, the exhibit features portraits of the two shot by Tony Vaccaro for “Life Magazine.” The exhibition explores the similarities between Wright and O’Keeffe not just as artists, but as people — and friends.

“They are people that we look very closely at, not just at the artwork they made, but their life,” said Niki Stewart, Taliesin West’s vice president and chief learning and engagement officer. “We as the public don’t always do that with every artist. We sometimes really just focus on their art, but there is a public fascination with both of these figures.”

Both born in rural Wisconsin, Wright and O’Keeffe were drawn to the American Southwest. Wright sought refuge in Arizona during winters, while O’Keeffe found her artistic sanctuary in the heart of New Mexico. The pair were fans of each other’s work, and as Stewart notes, “It’s no overstatement to call them friends.”

One of many similarities was that nature inspired much of their work. O’Keeffe famously painted flowers, landscapes and animal skulls, drawing inspiration from the environment around her. Wright had the same respect for nature, once stating, “No house should ever be on a hill or on anything. It should be of the hill. Belonging to it. Hill and house should live together, each the happier for the other.”

From the 1930s until Wright’s death in 1959, the pair wrote back and forth, sent books, pamphlets and artwork, and shared ideas with each other. Notably, they only met in person once in 1942 at Taliesin, Wright’s Wisconsin home.

“I feel like that’s a story that people can really relate to today with technology,” said Stewart. “We get so close to people who don’t live where we live. We use instant messaging, FaceTime and all these other tools to get close to folks, some of whom we’ve never met.”

In 2021, Taliesin West hosted an exhibit called “Chihuly in the Desert.” The exhibit paired works of glass artist Dale Chihuly with Wright’s architecture. Following the exhibition’s success, Taliesin West knew they wanted to pair Wright’s work with another artist, this time on a smaller, more intimate scale.

While looking for photos of Wright, Stewart discovered that Tony Vaccaro had photographed Wright and O’Keeffe for “Life Magazine” years apart, and that’s when the exhibit came to life.

Michael A. “Tony” Vaccaro rose to popularity through photos he took while fighting on the front lines of World War II. Vaccaro’s post-military career focused on fashion and celebrity photography for various magazines. Vaccaro would go on to photograph Wright and O’Keeffe, among other celebrities like Sophia Loren, John F. Kennedy and Eartha Kitt. He passed away in 2022, eight days after his 100th birthday.

“After the war, he came home to the United States and started working for magazines like ‘Look’ and ‘Life’ and other magazines that were celebrating what’s good and beautiful about life,” Stewart said. “Because after the war, he decided that’s what he wanted to focus on — what makes life wonderful.”

Visitors of the exhibit can select between an audio or an in-depth guided tour. The audio tour offers a unique experience by featuring recordings of Wright himself, accompanied by some of his favorite music. The in-depth guided tour provides visitors with a more interactive experience, allowing them to engage directly with tour guides who can offer deeper insights and answer questions about the exhibit and its subjects.

“I hope visitors walk out feeling interested in connecting with others and being with other people and being inspired by the people in their lives,” Stewart said. “I think we all run into people who inspire us every day, but what we do with that is up to us. So I hope this inspires you to get connected with others and do great things together.”

The exhibition is included in paid tour admission. To learn more, visit franklloydwright.org.

Frank Lloyd Wright Foundation Taliesin West | Tony Vaccaro: American Icons: Wright & O’Keeffe, October 20, 2023 – June 3, 2024

 Via Musee Art Out

October 20, 2023

Tony Vaccaro

 Frank Lloyd Wright, Wisconsin, 1957/Georgia O'Keeffe, Taos Pueblo, New Mexico, 1960

Frank Lloyd Wright Foundation Taliesin West | Tony Vaccaro: American Icons: Wright & O’Keeffe, October 20, 2023 – June 3, 2024

Following the massive success of the “Chihuly In The Desert” exhibition in 2022, the Frank Lloyd Wright Foundation continues to explore the ways that Wright connects with other iconic artists of his time through unique exhibitions at Taliesin West. As the latest iteration, the World Heritage Site will debut an exclusive “American Icons: Wright and O’Keeffe” exhibition this fall, offering guests the opportunity to view photographs of Frank Lloyd Wright and Georgia O’Keeffe – two legends of American art and architecture – taken by Michael A. “Tony” Vaccaro while on assignment for LOOK Magazine from 1957 to 1960, including some never-before-seen images.

“Wright and O’Keeffe are seen as giants in their fields but are rarely connected. Many are unaware that the pair met in 1942 and had a mutual admiration for one another’s work for many years, whilst sharing other similarities including their birthplace of rural Wisconsin; careers that took them to New York, Chicago and Japan; dwellings in the Southwest; and finding inspiration in nature for their creations of abstract versions of the world in their art. By sharing stories around their connections, the Foundation aims to contribute to a larger narrative about artists in America – they do not all work in isolation; rather, they inspire one another and find ways to connect through friendship.”




For more information visit Frank Lloyd Wright Foundation