Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Monday, May 5, 2025

Panel: "Today we are testing whether this nation can long endure. The photographers in this panel will present to us a heartfelt and critical view of what America looks and feels like today." with Nina Berman and Ed Kashi

Via Social Documentary Network

May 5, 2025 


This America

Tuesday, May 13, 1:30 pm ET via Zoom

Watch on YouTube here

 


Ed Kashi and Julie Winokur: American Sketches: People of a Place at This Time

Nina Berman, Photographer & Professor of Journalism, Columbia University Graduate School of Journalism

Richard Sharum, Spina America

Dudley Brooks, Moderator

GIF showing fans in stands at a baseball game, farmworkers picking crops, and back of a young boys head framed by l;arge American flags


In 2025, America finds itself in a very confused and divided place. 250 years ago, it embarked on the greatest experiment in human history to overthrow the old norms of monarchies and despotic rule. America thrived, evolved, and conflicted during those two-and-a-half centuries. 

Today, Abraham Lincoln’s Gettysburg Address penned 161 years ago is more relevant than at any other time since it was first spoken.

Four score and seven years ago, our forefathers brought forth upon this continent a new nation conceived in liberty and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war testing whether that nation, or any nation, so conceived and so dedicated, can long endure. 

Today we are testing whether this nation can long endure. The photographers in this panel will present to us a heartfelt and critical view of what America looks and feels like today.

 

Dudley Brooks

Originally from Baltimore, Maryland, Dudley M. Brooks was the Deputy Director of Photography for The Washington Post, where he managed the creative strategy and production of photo-oriented content for the Features, Local and Sports departments. He was also the Photo Editor for The Washington Post Magazine before it was discontinued in 2022. From 2007-2014 he was the Director of Photography and Senior Photo Editor for the monthly magazine Ebony and its weekly sister periodical Jet. These iconic publications chronicled the African American experience for nearly eight decades and Brooks was a key member of the senior staff responsible for redefining the visual prominence and editorial relevance to their international readerships. Brooks was also the Assistant Managing Editor of Photography at The Baltimore Sun newspaper (2005-2007) and the co-creator/director of the landmark 1990 photography book and exhibition Songs of My People: African Americans – A Self-Portrait. This was an international project sponsored by Time-Warner and the Smithsonian Institute Traveling Exhibition Service (SITES). In 2003 he created and co-directed Imagenes Havana. This event was a five-day exhibition in Havana, Cuba that displayed the work of twenty-five international storytelling photographers. It was supplemented by three days of roundtable forums that addressed the difficulties of documenting the international community, opportunities in photo book publishing, and ethical issues facing the working photographer from a global perspective. Brooks retired from The Washington Post in late 2024.

Nina Berman

Nina Berman is a documentary photographer, filmmaker, journalist and educator.  Her work explores American politics, militarism, environmental issues and post violence trauma.  She is the author of Purple Hearts – Back from Iraq, (Trolley, 2004) portraits and interviews with wounded American veterans, Homeland, (Trolley, 2008) an examination of the militarization of American life post September 11, and An autobiography of Miss Wish (Kehrer, 2017) a story told with a survivor of sexual violence which was shortlisted for both the Aperture and Arles book prizes. Additional fellowships, awards and grants include: the World Press Photo Foundation, Pictures of the Year International, the Open Society Foundation, the Center for Documentary Studies at Duke University, the MIT Knight Science Journalism Fellowship and the Aftermath Project. She started her photographic career in 1988 as an independent photographer working on assignment for the world’s major magazines including Time, Newsweek, Life, the New York Times Magazine, New York Magazine, German Geo, and the Sunday Times Magazine. Her work has been exhibited at more than 100 international. Public collections include the Smithsonian National Museum of American History; the Museum of Fine Arts, Houston; the Museum of the City of New York; the Harvard Art Museums; and the Bibliothèque nationale de France among others. She is a tenured Professor of Journalism at Columbia University Graduate School of Journalism where she directs the photojournalism/documentary photography program.

Ed Kashi

Ed Kashi is a renowned photojournalist, filmmaker, speaker and educator who has been making images and telling stories for 40 years. His restless creativity has continually placed him at the forefront of new approaches to visual storytelling. Dedicated to documenting the social and political issues that define our times, a sensitive eye and an intimate and compassionate relationship to his subjects are signatures of his intense and unsparing work. As a member of VII Photo, Kashi has been recognized for his complex imagery and its compelling rendering of the human condition. 

Kashi’s innovative approach to photography and filmmaking has produced a number of influential short films and earned recognition by the POYi Awards as 2015’s Multimedia Photographer of the Year. Kashi’s embrace of technology has led to creative social media projects for clients including National Geographic, The New Yorker, and MSNBC. From implementing a unique approach to photography and filmmaking in his 2006 Iraqi Kurdistan Flipbook, to paradigm shifting coverage of Hurricane Sandy for TIME in 2012, Kashi continues to create compelling imagery and engage with the world in new ways.

Along with numerous awards from World Press Photo, POYi, CommArts and American Photography, Kashi’s images have been published and exhibited worldwide. His editorial assignments and personal projects have generated fourteen books.

Richard Sharum

Richard Sharum is an editorial and documentary photographer based in upstate New York. Mainly focusing on socio-economic or social justice dilemmas concerning the human condition, his work has been regarded as in-depth, up-close and personal.

Selected exhibitions include Kyoto, Japan; Sao Paulo, Brazil; Reggio Emilia, Italy; New York, Boston, Chicago’ and Dallas.  His work is in the permanent collection of the Witliff Center for Documentary Studies, Amon Carter Museum, Cleveland Museum of Art, and others.

Commissions include The Meadows Foundation, Centers for Community Cooperation, Harvard Law School, Student Conservation Association, Children's Medical Center (Oncology), Children's Cancer Fund. 

Publications include those by LFI (Leica International), British Journal of Photography, LensCulture, The Atlantic, Texas Monthly, Publico (Portugal), El Pais (Spain), Observer (UK), The Wall Street Journal, The Guardian (UK), B+W Photo Magazine, Huck Magazine, Glasstire, PATRON, Creative Review, among others.

Richard Sharum's debut monograph Campesino Cuba was published in 2021 (GOST) and his latest, Spina Americana, was just released in November 2024 (GOST). Richard Sharum is represented by The Hulett Collection, Tulsa, Oklahoma.

 

Julie Winokur

Executive Director, Talking Eyes Media

Julie WinokurJulie Winokur, Executive Director of Talking Eyes Media, has been a storyteller for over two decades, first as a magazine writer and then as a documentary filmmaker. She launched Talking Eyes Media in 2002 as a way to create visual media that catalyzes positive social change. Her work has appeared on PBS, The New York Times, The Washington Post, Time, and National Geographic. Beyond broadcast and publication, Winokur works extensively with nonprofit organizations to develop their messages and put Talking Eyes' films to work at the grassroots level. She is the co-founder of Newest Americans, a storytelling project about immigration and identity based in Newark, New Jersey, that was named Best Online Storytelling Project in 2020 by Pictures of the Year International. She is also the producer/director of The Sacrifice Zone and Bring It to The Table, both documentary films with extensive impact campaigns. Winokur is a National Geographic Explorer and has been on the faculty of Rutgers University-Newark and the International Center of Photography in New York.


 

Monday, January 20, 2025

The Images That Led to This Inauguration Features David Butow

 Via Columbia Journalism Review

January 20, 2025

Photojournalists on how the stories they captured reflect the American political story.



color cover of TIME magazine with Donald Trump at podium surrounded by American flags and text overlay "TIME"  "President Elect Donal Trump"



"I asked Butow about the significance of a Time cover in the broad media landscape we exist in now. “The influence of podcasters, social media influencers, people doing their own shows—I think that has really diminished the impact of legacy journalism,” he replied. “But in some ways it was a full-circle moment for me, because this is the kind of thing that got me interested in photojournalism when I was in high school.”' --full article here


David Butow's fine art prints here.


Sunday, October 27, 2024

Journalists must be allowed to do their jobs safely in Lancaster County and across the US [editorial]

 Via Lancaster Online

October 27, 2024


3 frames from video footage shows a Lancaster city police officer pushing a photojournalist to the ground during protests Sunday, Oct. 20, in Penn Square, near the Lancaster County Convention Center, where Donald Trump was speaking.
Lancaster Safety Coalition footage shows a Lancaster city police officer pushing a photojournalist to the ground during protests Sunday, Oct. 20, in Penn Square, near the Lancaster County Convention Center, where Donald Trump was speaking.

Lancaster Safety Coalition



THE ISSUE

“A Lancaster city police officer pushed a photojournalist to the ground (last) Sunday afternoon, causing her to hit her head on the street during a protest of former President Donald Trump’s town hall event at Lancaster County Convention Center,” LNP | LancasterOnline reported. Susan Stava, a New York City-based freelance photographer, was working to capture the scene in Lancaster city’s Penn Square, where local Democrats were protesting Trump’s visit. Video shows a Lancaster city police officer firmly pushing Stava, causing her to fall backward onto the road. Stava said she landed on her camera bag, and a lens was broken.

It took the Lancaster City Bureau of Police all of three days to “investigate” the incident in which a freelance photojournalist was pushed to the ground by a city police officer. Its conclusion: The officer “followed the law including the Bureau’s training, policies, and procedures.”


"Journalists see journalism not merely as a job, but as a calling that’s critical to the health of a democracy. Elected officials should not actively undermine their safety — or stay silent about an incident in which a journalist faced harm."

Saturday, September 28, 2024

Field of View: The Politic Aesthetic

 Via Field of View    (disclaimer: author's past)

September 28, 2024


Excerpted from "The Politic Aesthetic   Access is gone. Moments are dead. Long live the flash"

(see also the virtual exhibition "The Campaign"


"Few photos exemplify access like this gem by LIFE magazine photographer Hank Walker: Kennedy and his brother Robert deep in conversation in a hotel room during that same convention in 1960. It’s one of my all-time favorite political photographs. Access to an authentic moment like this is a photojournalist’s dream.



“The brothers talked very quietly, and Jack told Bobby who he was going to choose as Vice President,” Walker said in a 1994 interview. “I only made one picture in there, and then I waited outside for Bobby to come out. When he did, he was furious.”2

Walker’s contact sheet proves he made way more than just one picture—he wasn’t escorted in and hurried out in 30 seconds. Walker was allowed to work it. Notice how at first he’s shooting horizontally (frame 23), then rotates his camera and makes the one (frame 24).




Henri Cartier-Bresson once said that using a flash was “monstrous” and “impolite, like coming to a concert with a pistol in your hand.” Some of the photos from the 2024 conventions were definitely monstrous.

blurry black and white photograph of Presidential candidate Donal Trump with bandage on his era, 2024

Photograph by Mark Peterson

Mark Peterson has been temporarily blinding politicians with his strobe for years. “The flash is like crack to them,” he once said.

color photograph of Nancy Peloisi with eyes closed at the 2024 Democratic Convention holding a "Coack" sign and a cut-out picture of Tim Walz's face

Photograph by Mark Peterson



A regular contributor to The New York Times Opinion section (mostly b&w) and New York magazine (mostly color), Peterson’s flash does more than light the scene—it defines it. It’s his signature look, one he’s refined and mastered. And it’s contagious."  full article here.

Wednesday, September 25, 2024

Jimmy Carter at 100

 September 25, 2024


Jimmy Carter holds a newspaper with the eadline "Carter Wins!", 1977
Ken Harkins

Monroe Gallery of Photography is honored to offer a special selection of photographs by Ken Hawkins of Jimmy Carter to commemorate his 100th birthday on October 1, 2024.

Ken Hawkins is a photojournalist who has covered politics, disasters, and conflict zones—including Vietnam, Nicaragua, and El Salvador—since 1970, working globally for publications and agencies such as TIME, Sports Illustrated, Fortune, Forbes, Paris Match, Stern, the New York Times, Newsweek, Wired, and the British Broadcasting Corporation. For over two decades, his work was represented by the premier photo agency SYGMA Paris/New York. In 2016, Hawkins authored "Jimmy Carter – Photographs 1970 – 2010", a photographic memoir of his time as a TIME photographer working the Carter campaign and White House.  

Please contact the Gallery for print details.

The Carter Center has invited members of the public to contribute photos of themselves alongside birthday messages for the country's oldest living former president. The images make up a mosaic marking the centennial.


Ken Hawkins




Monday, September 2, 2024

WE THE PEOPLE, Photographs by Nina Berman

 Via The Capa Space

September 2, 2024


color photograph of African Americans at the Fight for 15 protest for a living wage in Long Island, NY 2016

The Fight for 15 protest in Long Island, NY 2016. 


We the People brings together more than three decades of work by photographer Nina Berman who has tenaciously documented the public outrages, injustices, protestations and longings of a deeply dissatisfied and increasingly polarized society. What the United States should be, and for whom, are questions at the heart of Nina’s work and the 2024 election. 


September 8th - November 24th, 2024

Opening Reception, Sunday September 8th, 4-6pm

THE CAPA SPACE

2467 Quaker Church Road

 Yorktown Heights, NY 10598

Tuesday, August 20, 2024

The Vibe-Shifted Democratic Convention in Photos by Gallery Photographer Mark Peterson

 Via New York Magazine

August 20, 2024

color photograph of Nancy Pelosi holding a "Thank you Joe" sign while seated at the 2024 Democratic Convention
Nancy Pelosi, who worked to convince Joe Biden to drop his re-election bid, nevertheless thanks him for his service on Day One. Photo: Mark Peterson/(C) Mark Peterson/Redux Pictures 2024


The first night of the 2024 Democratic National Convention was the scene of a party in transition, looking toward the future while simultaneously providing a final send-off for President Joe Biden as he officially passed the torch to Vice-President Kamala Harris. Attendees in Chicago greeted still-rising stars such as New York representative Alexandria Ocasio-Cortez and Georgia senator Raphael Warnock with the same fervor as they gave party veterans such as Hillary Clinton, the last woman to be the party’s presidential nominee, who rousted Democrats to “keep going.” Scenes of the convention so far from Mark Peterson for New York Magazine. Full post here.


color photograph of Kamala Harris on stage at the 2024 Democratic Conventions, with backdrop graphic of red stars and an American flag

Kamala Harris takes the stage during a surprise day-one appearance. 
Photo: Mark Peterson/(C) Mark Peterson/Redux Pictures 2024


Gallery Photographer Nate Gowdy is covering the ins and outs of the Democratic National Convention in Chicago for Mother Jones

 Via Mother Jones

August 20, 2024


screen shot of African American couple in Cowboy hats at the 2024 Democratic Convention with text overlay  "Inside the DNC, Day One: Photos From Chicago From the barricades to the convention floor and everything in between. Photographs by Nate Gowdy"


Photographer Nate Gowdy is covering the ins and outs of the Democratic National Convention in Chicago for Mother Jones. Here is a taste of what he saw: protests outside and an electrified delegation inside.


black and white photograph of crowd on the floor of the 20243 Democratic Convention

Inside the DNC, Day One: Photos From Chicago
From the barricades to the convention floor and everything in between.
Photographs by Nate Gowdy



Saturday, July 20, 2024

"A long history of 'amazing photojournalism''"

 Via NBC News

July 19, 2024



Four photographers shot iconic images when gunfire rang out at Trump rally
"All of a sudden history is unfolding. You just have to keep making pictures"

"Their images will join others that captured some of the darkest days in U.S. history, such as the famous photo by Bill Eppridge showing a busboy helping Robert F. Kennedy moments after the presidential candidate was assassinated in 1968, and the images by Associated Press photographer Ron Edmonds of President Ronald Reagan being rushed to his motorcade after being shot in 1981."'


Bill Eppridge covered Robert F. Kennedy's 1968 Presidential campaign, see his work here.

Monday, March 18, 2024

Monroe Gallery Announces Representation of Mark Peterson

 Monday, March 18, 2024


black and white photograph of the US Capitol and American flag reflected in a puddle of water on the ground, Washington, DC, January 3, 2021
Mark Peterson: The Capitol's reflection, January 3, Washington, DC, 2021


Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of acclaimed photographer Mark Peterson for fine art print sales.

Mark Peterson is a photographer based in New York City. His work has been published in the New York Times Magazine, New York Magazine, The New Yorker, Time, Fortune, National Geographic, Geo Magazine and other national and international publications. In 2018 he was awarded the W. Eugene Smith grant for his work on White Nationalism. His many awards include a first place Feature Picture Story in the Pictures of the Year International Competition. Peterson’s work has been featured in numerous exhibitions including his pictures of lowriders shown in “Museums Are Worlds” at the Louvre in 2012.

He is the author of two books: Acts Of Charity published by Powerhouse in 2004 and Political Theatre, published by Steidl in the fall of 2016. His work is collected in several museums including The National Gallery of Art in Washington DC and the Museum Of Fine Arts, Houston. In 2024 Steidl will publish his book The Fourth Wall.

Although often not beautiful, or easy, Peterson’s images shake and disquiet us; and once seen are etched in our memories forever.  “I like a lot of chaos in my pictures. I do like to be close to the action. It gives me a feeling of what is happening. I want to pull back the curtain and show these politicians as they really are.”

Monroe Gallery will exhibit several examples of Peterson’s work at the 2024 Photography Show presented by AIPAD in booth #A52, April 25 – 28, 2024 at The Park Avenue Armory in New York City. On Thursday, March 21st at 7pm Eastern, The Griffin Museum hosts Mark Peterson for an on-line conversation about his creative path, his pull to politics and what it takes to frame his vision as part of the museum’s current focus on power and perception, democracy and how we see and envision our elected leaders.


Sunday, March 17, 2024

Mark Peterson | Political Theatre Artist Talk

 Via The Griffin Museum


"Over the past ten years I have been photographing the presidential candidates as they lead rallies, meet with voters and plead for their votes. I started just before the government shutdown in 2013 at a tea party rally at the U.S. Capitol. Politicians railed against the president and the Affordable Care Act — a show to get a sound bite into the next news cycle."--Mark Peterson

March 21 @ 7:00 pm – 8:30 pm

As part of our current focus on power and perception, democracy and how we see and envision our elected leaders, we are pleased to present the work of Mark Peterson. His stark portrayal of the power players in Washington DC is unique in its vision and we can’t wait to see and hear more about how he gets the images that his lens finds and holds in our collective memory.


Join us ONLINE on Thursday March 21st at 7pm Eastern / 4pm Pacific in the Griffin Zoom Room for a conversation with Mark about his creative path, his pull to politics and what it takes to frame his vision.

This conversation is FREE to Members / $10 for General Admission. Interested in the benefits of Membership? Take a look here for Member Levels and Benefits.

About Mark Peterson –

Mark Peterson is a photographer based in New York City. His work has been published in New York Times Magazine, New York Magazine, The New Yorker, Geo Magazine and other national and international publications. In 2018 he was awarded the W. Eugene Smith grant for his work on White Nationalism. He is the author of two books Acts Of Charity published by Powerhouse in 2004 and Political Theatre which was published by Steidl in the fall of 2016.His work is collected in several museums including The National Gallery of Art in Washington DC. In 2024 Steidl will published his book The Fourth Wall.
 
$10.00


Griffin Zoom Room
67 Shore Rd
Winchester, 01890



Mark Peterson’s monograph Political Theatre, published in 2016 by Steidl Verlag Publishing can be found on their website alongside his upcoming book The Past is Never Dead. Find him on Instagram @markpetersonpixs

Sunday, February 25, 2024

60 Years Ago Today, February 25, 1964: Muhammad Ali (Cassius Clay) Shocked the World

 


Forthcoming exhibition: 1964

April 19 - June 23, 2024

The most pivotal year of the 1960s, arguably, is 1964. That’s the year American culture fractured and eventually split along ideological lines — old vs. young; hip vs. square; poor vs. rich; liberal vs. conservative — establishing the poles of societal debate that are still raging today.


Saturday, February 10, 2024

Refractions: A Conversation with Mark Peterson

 Via B & H Photo

Tuesday, Feb. 13, 2024 1:00pm - 2:00pm ET


On this episode of Refractions, Stephen Mallon is joined by photographer, Mark Peterson.



Refractions are live videocasts hosted by award-winning photographer and filmmaker Stephen Mallon. Conversations will be with a select group of guests discussing creativity, imagery, business, fine art, and light! Curators discuss working with new and established artists. Photographers talking about their careers. Festival directors sharing what challenges face them. Directors will talk about all aspects of filmmaking. Photo editors will discuss the changing world of editorial and what they need from today’s assignment shooters. The mostly one-on-one conversations will have a diverse group of image makers and the people that work with them.





Mark Peterson is a photographer based in New York City. His work has been published in New York Times Magazine, New York Magazine, Fortune Magazine, Time Magazine, Geo Magazine and other national and international publications. In 2018 he was awarded the W. Eugene Smith grant for his work on White Nationalism. He is the author of Acts Of Charity published by Powerhouse in 2004 and Political Theatre which was published by Steidl in the fall of 2016. In the Fall of 2023 Steidl will publish his new book The Fourth Wall. The National Gallery Of Art in Washington DC has collected one of his images from the January 6th insurrection. See his guest opinion essay in today's NY Times: 


Stephen Mallon
Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. 

Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including Smithsonian Magazine, The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, PBS, GQ, CBS, the London Times and Vanity Fair. Mallon has exhibited in cities including Miami, Los Angeles, Philadelphia, St. Louis and New York, as well as in England and Italy. 

Stephen’s project following the MTA’a artificial reef project where over 2000 subway cars were placed in the Atlantic was shown at The New York Transit Museum’s Grand Central Terminal Gallery. Over 60,000 people experienced the exhibition and was featured by Gothamist, Artnet, Yahoo, Fox News, and numerous other outlets. 

As David Schonauer wrote in Pro Photo Daily, “Mallon’s word harkens back to the heroic industrial landscapes of Margaret Bourke-White and Charles Sheeler, who glorified American steel and found art in its industrial muscle and smoke during the Great Depression.” He has also been compared to photographers including Edward Burtynsky, Thomas Struth and Chris Jordan. 

Mallon served as a board member of the New York chapter of the American Society of Media Photographers from 2002 until 2020 and served as president from 2006 to 2009. He is represented by Front Room Gallery in New York.

Saturday, January 14, 2023

Ashley Gilbertson Photographs in January 15, 2023 NY Times

 Via The New York Times

January 14, 2023


How Montana Took a Hard Right Turn Toward Christian Nationalism

What happened to a state known for its political independence?

Photographs by Ashley Gilbertson for The New York Times


screen shot of black and white photo from a car window in Montana of white cross near roadsie
“If you want to live here,” a chapter president of the Montana Federation of Republican Women said, “be a Christian.” 
Credit Ashley Gilbertson


a black and white photo of a  flag near Red Lodge, Montana that says "God, Guns, Trump" Credit  Ashley Gilbertson
A flag near Red Lodge, Montana
Credit Ashley Gilbertson

black and white photo of Montana Republican Convention with large signs "Protect Our Children" and "Protect our Guns)
The party convention in Billings last summer. Montana was one of the most politically independent states, but Republicans have recently managed to secure an ironclad grip over state politics.
Credit. Ashley Gilbertson

black and white photo of a sign near Red Lodge, Montana that says "welcome to God Country..Home of Carbond Counry Republicans"  Cdrefit  Ashley Gilbertson
A sign advertising the Republican Party near Red Lodge, a city in southern Montana. In 2021, the Legislature passed a bill banning transgender athletes on sports teams at public schools and universities, an increased tax credit benefiting private Christian schools and numerous anti-abortion laws.
Credit Ashley Gilbertson





Ashley Gilbertson is an Australian photographer and writer living in New York. His photograph from the Jan. 6 attack was part of the Times entry that was a finalist in the breaking-news-reporting category of the Pulitzer Prizes in 2022.

Thursday, July 7, 2022

David Butow, Author of the new book "Brink", on panel discussion at Monroe Gallery July 22

 

Monroe Gallery of Photography

Friday, July 22, 5:30 PM (MDT)

In Person and Online

112 Don Gaspar, Santa Fe, NM 87501


A Panel Discussion with David Butow and Nina Berman:

Threats to Photojournalism

Zoom RSVP here.


On Occasion of Monroe's Gallery 20th Anniversary

For more information go here.


color photograph of supporters of President Donald Trump with American Flag retreating from tear gas at the Capitol, January 6, 2021
January 6, 2021. Supporters of President Donald Trump retreat from tear gas during a battle with Law Enforcement officers on the west steps of the Capitol in Washington during the attack on the day of Joe Biden’s election certification by Congress



From a dingy motel room in the swing state of Michigan, to the Oval Office, BRINK chronicles the dynamics that unfolded during the 2016 presidential election and led, finally, to the insurrection at the U.S. Capitol in January 2021. Photographer David Butow moved from the San Francisco Bay Area to Washington, D.C. in 2017 to document what he knew would be a chaotic time in U.S. politics. “While I expected the incompetence, I underestimated the treachery,” he says in the book’s Endnotes.

“Why make a book of photographs from events that overwhelmed many of us in the last four years? We lived through history minute by minute, so much so that the gravitas of what transpired is apparent only when you step back and see how the whole saga unfolded. As revisionists seek to trivialize or downplay the events of 2016-21, it's critical to maintain a record of just how close the presidency of Donald Trump brought U.S. democracy to the brink of collapse.” 

To buy the book, go to: https://www.davidbutow.com/BRINK/1

image of cover of book "Brink"

Thursday, February 10, 2022

"David Butow was working in D.C. during some of the most historic moments of the last five years"

 


Via Spectrum News 1

BY Andrew Freeman

 February. 09, 2022

screen shot of article page

Video link here

ROCHESTER, N.Y. — Some of the most historic moments of the last five years are now on display in Rochester.

It's the work of a photojournalist in Washington, D.C. who describes what the pictures say that the written word can not.

David Butow sees coaching aspiring students as an absolute privilege.

"I see the enthusiasm these 20-year-olds have right now," said Butow. "I shared that exact same feeling and that sense of excitement when I was that age."

He was at the Rochester Institute of Technology helping to review student portfolios. His own photography has taken him all over the world.

"No matter where you’re from, you can look at a picture of another human being and have a certain, perhaps, empathy for them, and relate to them on a very basic, human level," he said.

In downtown Rochester, RIT’s City Art Space is hosting a gallery of some of his most recent work. It's a collection from his new book "BRINK," which chronicles the presidency of Donald Trump.

"I just thought this is going to be a very unusual time in American politics and maybe American history, and I just wanted to see it up close," said Butow. "That’s kind of the instinct of a journalist."

RIT Assistant Professor Jenn Poggi served as a key editor of the project.

The two used to work together at U.S. News & World Report in the early 2000s.  

"The beautiful work always pops out, the amazing work," said Poggi. "I think the challenge comes from… what’s the narrative you’re trying to construct. And sometimes that means losing an image that could be a favorite, but doesn’t quite match with the direction the book is trying to take."

David was working in D.C. during some of the most historic moments of the last five years.

"I’m really curious what happens outside the frame of the TV camera," Butow said. "So it’s sort of like, what’s it actually like to be there? What are the things you see that you can’t see when you’re watching this big hearing on TV?"

His work concluded with the January 6 insurrection where hundreds stormed the U.S. Capitol.

"The scale of this, and the amount of violence and energy pushing up into the Capitol, took me completely by surprise," he said.

The event gave him the name of his book: "Brink."  

"And that’s when really the gravitas of what has transpired became apparent to me," Butow said. "That there was no denying how serious of a period in American history it was, and how close our democracy came to not functioning."

But whether people buy his book or come view the exhibit downtown, Jenn and David hope it helps people experience history in a different way.

"I think that the book and exhibit seek to ask a lot of questions, more than give answers," Poggi said. "And I hope people think about that."

"There were so many small things that happened every day, day after day, that you sort of forget what it all added up to," Butow said. "And how significant of a moment in U.S. history it was. And it’s still continuing, a lot of these dynamics are still very much in place."

The exhibit and gallery are located near the Liberty Pole in downtown Rochester. It's free and open to the public through Feb. 20.


BRINK is also on exhibit through February at Monroe Gallery of Photography