Showing posts with label classic photography. Show all posts
Showing posts with label classic photography. Show all posts

Friday, October 25, 2024

"As A.I. Becomes Harder to Detect, Photography Is Having a Renaissance"

 Via The New York Times

October 25, 2024


"After at least a decade of focusing almost exclusively on painting, many of the largest and most powerful art dealers are dedicating significant attention and real estate to photography.

It is part of a broader renaissance for the medium that is arriving, perhaps counterintuitively, just as images produced by artificial intelligence become virtually indistinguishable from real documentation."

Click for full article

Saturday, February 15, 2020

Ida Wyman at Monroe Gallery of Photography



The Santa Fe New Mexican
Friday, February 14, 2020

       Ida Wyman, Boy with Inner Tube, Santa Monica, California (1949), gelatin silver print



Monroe Gallery of Photography, 112 Don Gaspar Ave., 505-992-0800, monroegallery.com


Although her evocative images of everyday life have graced the pages of magazines such as Life, Business Week, Parade, and Fortune, Ida Wyman never achieved the fame afforded to her contemporaries. Now recognized for the quality of her street art, Wyman, who died in July, gets the recognition she deserves with her first posthumous retrospective at Monroe. The daughter of Jewish immigrants, she grew up in Massachusetts and New York and, at 16, was determined to become a photographer. At a time when there were few opportunities for female photographers in the United States, Wyman worked as a freelancer, garnering hundreds of assignments. Her work is known for its humanism and slice-of-life depictions of America at mid-century. The show, Ida Wyman: Life with a Camera, opens with a 5 p.m. reception on Friday, Feb. 14 (through April 12).

Wednesday, July 17, 2019

IDA WYMAN, AMERICAN PHOTOGRAPHER, 1926 - 2019




Ida Wyman at Burbank Airport, Los Angeles, 1950.
Photograph by Simon Nathan.


Ida Wyman, an American photographer and member of the Photo League, passed away in Fitchburg, Wisconsin, Saturday, July 13, 2019. Read The New York Times obituary here.

The Forward: Ida Wyman, Trailblazing Street And Magazine Photographer, Dies At 93






View a selection of  Ida's photography here.



The daughter of Jewish immigrants from Riga, Latvia, Ida Wyman was born March 7, 1926, in Malden, Massachusetts. She soon moved to New York, where her parents ran a small grocery store in the Bronx.

Always curious about people and how things work, she obtained her first camera at age fourteen and joined the Walton High School Camera Club. There she met Life magazine photographer Bernard Hoffman, who encouraged her to pursue a career in photography. She credits Hoffman for helping her become a nationally published photographer in a time when few women did this work.

She became ACME Newspictures first "girl mailroom boy." She soon was promoted to the position of printer and joined the all-male printing staff. She soon decided not to pursue work as a news photographer and instead pursued picture magazine photography. She would assign herself photographic narratives and soon sold her first story to Look magazine. When men returned from military service in 1945, Wyman lost her ACME job and started her career as a professional photographer.

In 1946, Wyman married Simon Nathan, an ACME photographer. Through the suggestion of Nathan's friend, Photo Magazine photographer Morris Engel, Wyman joined the Photo League, an influential cooperative of New York photographers who believed, in Wyman’s words, “photos could be used to effect change.”

"I considered myself a documentary photographer, and the league's philosophy of honest photography appealed to me," Wyman wrote.

Melanie Herzog, author of "Ida Wyman: Chords of Memory," stated in 2014 that Wyman’s photography is "eloquently composed and visually compelling.” She writes: “While people within their social environment are most often the focus of Wyman's photographs, she attended as well to details — architectural embellishments, commercial signs, utilitarian objects — that balance a composition, provide visual interest, and ground these images in their time and place."

In 1948, Wyman travelled across the United States and Mexico by bus. She planned the trip around assignments and places she wanted to visit. Traveling alone, she went from New York City to Mexico City, stopping at places because she liked the name and was curious to explore them.

She was selling work to Business Week, Fortune, Colliers, the Saturday Evening Post, and others but wanted work for Life. Under the advice of Life editor Ruth Lester, 23-year-old Ida traveled alone to Los Angeles, where fewer photographers were competing for assignments.

In Los Angeles, she became known as "the girl photographer who worked for Life magazine." She photographed a range of subjects from tea parties to rummage sales along with movies stars such as James Cagney, Elizabeth Taylor, Montgomery Clift, Ronald Reagan, and Bonzo the chimpanzee. In 1950, she covered the famous Senate race between Helen Gahagan Douglas and Richard Nixon. From 1947 through 1951, Wyman completed nearly 100 assignments for Life.

With the absence of affordable healthcare and the birth of her first child, her career was put on hold while her husband's continued. After a decade of homemaking —- "I was a good mother...but I also was a good photographer" —- she worked as a photographer of scientific research projects at Haskins Laboratories in New York and later as chief photographer for the Department of Pathology at Columbia until 1983. She continued to work as a freelance photographer until the 1990s, when the years of carrying heavy equipment took its toll on her back, and she turned to stock photography.

In 2006, Wyman moved to Madison to be near family. In 2008, the Madison Museum of Contemporary Art ran an exhibition "Individual Experience: The Photographs of Ida Wyman." This September, the Crossman Gallery at University of Wisconsin - Whitewater will present a collection of her work.

"Details of the daily life of children and adults, at work, at play, have always gripped me,” she wrote. “My lively curiosity to see and know was a strong motivator in my shooting a well as for assignments. The camera has been the door through which I entered the lives of people I met. Despite the technical wonders of photography, I believe that a single camera, coupled to heart and mind, can still reveal the beauty of our fellow humans on their daily rounds."

Wyman's work is in the Museum of Modern Art, the New York Public Library Photography Collection and the Madison Museum of Contemporary Art. The Monroe Gallery of Photography in Santa Fe, New Mexico, represents Ms. Wyman.

She is survived by brother Ira (Judy) Wyman of Livingston, MT; son David (Patricia) Nathan of Birmingham, AL; daughter Nancy Nathan of Madison, WI; granddaughter Heather (Potter) Garrison and great-grandchildren Noah and Caleb Garrison of Fitchburg, WI; as well as additional family and friends lucky to know her independent, honest, inquisitive, and creative spirit. Ida is preceded in death by her parents, Rebecca and Joseph Wyman, and brother Morris Wyman. 

A graveside service was held on Tuesday, July 16th am with Rabbi Betsy Forester. In lieu of flowers memorial contributions may be sent to Beth Israel Center, 1406 Mound Street, Madison, WI 53711.




©Ida Wyman
Men of the Garment District Read of President Roosevelt's Death, NYC, 1945


The New York Times: Ida Wyman, Whose Camera Captured Ordinary People, Dies at 93

Wisconsin State Journal: 'Indomitable' photojournalist Ida Wyman dies at 93

The UK Guardian: The pioneering female photographer Ida Wyman – in pictures

Photo District News: Obituary: Ida Wyman, Photographer for Life, Chronicler of America, 93

Art Daily: Monroe Gallery of Photography announced the death of photographer Ida Wyman


View a selection of Ida's photography here.

Monday, December 4, 2017

Friday, September 22, 2017

A Tribute To Art Shay: October 6 - November 19 at Monroe Gallery


           Image © Richard Shay




Santa Fe--Monroe Gallery of Photography, 112 Don Gaspar, is pleased to present a major exhibition of photographs from one of America’s most accomplished photographers, Art Shay. The exhibit of 50 photographs opens Friday, October 6 with a public reception from 5 – 7 PM, and continues through November 19.

For over 70 years, Art Shay has documented life, combining his gifts of storytelling, humor and empathy. The Lucie Awards is the premiere annual event honoring the greatest achievements in photography. Art Shay will be honored with the Lucie statue for Lifetime Achievement during the Lucie Awards gala ceremony at Carnegie Hall in New York October 29, 2017.  Below is the announcement from the Lucie Foundation.


ART SHAY
2017 Honoree, Lifetime Achievement

 “Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.” Roger Ebert

 Art Shay was born in the Bronx, New York, in 1922. During World War II, he was lead navigator on 30 missions in the Eighth Air Force. His service, which also include 23 combat supplies missions, earned him five Air Medals, the Distinguished Flying Cross and the French Croix de Guerre. He is credited with shooting down one Focke Wulf 190, a German fighter plane.

Shay has pursued photography since his teens, and he took his first Leica to war with him. His first published photographs—documenting a mid air collision over his English Air Base—were printed in a September 1944 issue of Look magazine. Upon returning to civilian life, Shay wrote Sunday features for the Washington Post before becoming a staff reporter for Life magazine. In San Francisco at age 26, he became Life’s youngest bureau chief. His specialty was story ideas and he wrote text and captions for photographers such as Alfred Eisenstaedt, Peter Stackpole, Wallace Kirkland and Francis Miller.

Shay moved to Chicago in late 1948. A longtime fan of literature, he befriended novelist Nelson Algren, the winner of the first National Book Award for Fiction. Throughout the 1950s, they wandered Chicago documenting Algren’s “rusty heart” neighborhoods. In 1951, Shay left his staff position at Life magazine and became a freelance photographer. He found success shooting for major magazines including Life, Time, Fortune, Ebony, Sports Illustrated, The Saturday Evening Post and The New York Times Magazine. Shay earned a reputation for getting the shots editors wanted. As former editor of Lifeand Fortune Roy Rowan put it, “Art Shay’s extraordinary talent lies in capturing the human spirit of all those who come before his lens.”


© Art Shay

Shay’s images range from photographs of nine US Presidents, to the early 1960s Post cereal box baseball card photographs, to a forty-year ongoing essay of a local shopping mall. He is the author of nearly 70 books, including several dozen nonfiction children’s books. He has also written five plays, two of which had professional stage runs: “A Clock for Nikita” in 1963 and “Where have you gone, Jimmy Stewart?” in 2002. Shay is also a member of the U.S. Racquetball Hall of Fame (having been a state and national champion) and has been the official photographer of the racquetball association.

Since 1958, Shay has lived in Deerfield, Illinois, where he and his wife Florence raised their five children. Florence Shay, an esteemed rare book dealer and his wife of 67 years, died in 2012. Art has since published “My Florence: A 70-year Love Story” which honors her as his intellectual and loving partner.

Shay’s photographs reside in major permanent collections including the Art Institute of Chicago, the Museum of Contemporary Art – Chicago and the National Portrait Gallery (Washington D.C.). He is currently involved in several photographic and literary projects including an expansive book of his civil rights photographs and a documentary on his life and work.






















Sunday, July 2, 2017

Photographer Tony Vaccaro in Santa Fe



57 years later, Tony Vaccaro returned to the location near Georgia O'Keeffe's home where he made his iconic photograph of Georgia holding " "Pelvic Series, Red with Yellow".
Photo courtesy of Tony Vaccaro Studio

"I took this photo 1960 of Georgia she told me not to take color photo and not to take her art of her studio. Well am sorry Georgia I did the opposite. " - Tony Vaccaro





Exhibit reviews and articles

The Santa Fe New Mexican: Monroe Gallery to showcase trove of varied work by photojournalist Tony Vaccaro

The Albuquerque Journal: "The things we live with"

The Santa Fe New Mexican Pasatiempo: Tony Vaccaro's "War and Peace" at Monroe    

The Santa Fe Reporter: Not even a world war stopped this artist



Richard Stolley (left), former Time magazine bureau chief, senior editor and managing editor, and Assistant Managing Editor and Managing Editor of Life magazine, led a Q & A with photographer Tony Vaccaro (right) following the screening of the film "Underfire: The Untold Story of Pfc. Tony Vaccaro" at the Center for Contemporary Arts in Santa Fe.




Tony Vaccaro at Monroe Gallery
Photo by R. David Marks


Tony Vaccaro receiving the City of Santa Fe's Veteran's Service medal from
Santa Fe City Commissioner Signe Lindell, June 30, 201
(photo courtesy Tom Blog)


Tony Vaccaro: "War and Peace" remains on view through September 17, 2017



Sunday, April 30, 2017

O'Keeffe on Camera: Capturing an American Icon




Via the Brooklyn Museum of Art




Get insider views of Georgia O’Keeffe. Join us for a conversation with a filmmaker and three photographers who worked closely with the artist and made images of her. Participants include filmmaker Perry Miller Adato and photographers Christopher Makos, Tony Vaccaro, and Malcolm Varon. Moderated by Wanda Corn, guest curator of Georgia O'Keeffe: Living Modern.

Monroe Gallery of Photography is honored to represent the photography of Tony Vaccaro. The gallery will present a major retrospective exhibition of Tony's work June 30 - September 17, 2017. Tony Vaccaro, now 94, will be present at the opening Friday, June 30, from 5 to 7 pm.

Friday, March 31, 2017

HAPPY 95th BIRTHDAY ART SHAY!


"I took this street montage near 26th and California Ave. in Chicago. It’s a lovely accident, created by a mis-wound Super Ikonta B. The Super Ikonta B's main feature was an 80mm lens that focused through a range finder and you focused it by turning around one element.  I was playing around with the camera because I thought it was peculiar that it took 11 shots on a roll.  I shot this, essentially four frame, montage while shooting out my 1949 Pontiac car window. “ Art Shay, March 30, 2017

We are extremely proud to wish Art Shay a very Happy 95th birthday! Visit us in booth # 534 during the AIPAD Photography Show this week in New York to see his acclaimed photographs!


Art Shay is an American photographer and writer. Born March 31,1922, he grew up in the Bronx and then served as a navigator in the U.S. Army Air Forces in World War II, during which he flew 52 bomber missions. Shay joined the staff of Life magazine as a writer, and quickly became a Chicago-based freelance photographer for Life, Time, Sports Illustrated, and other national publications. He photographed seven US Presidents and many major figures of the 20th century. Shay also wrote weekly columns for various newspapers, several plays, children's books, sports instruction books and several photo essay books. Shay's photography is in permanent collections of major museums including the National Portrait Gallery and The Art Institute of Chicago.


Saturday, January 14, 2017

Selections from Photo LA 2017

Monroe Gallery of Photography is exhibiting in booths #205/302 this weekend at the Photo la fair being held at The Reef/LA Mart, through Sunday, January 15


Partial view of the "Loving" photographs by Grey Villet.


Partial view of the Tony Vaccaro exhibit. Tony was the subject of the recent
HBO documentary film "Underfire".


Carrie Fisher, "Star Wars", 1982 by Mario Cassilli
Debbie Reynolds. "JOY", for FLAIR Magazine c. 1950 by Tony Vaccaro




We are honored that our exhibition at the 2017 edition of photo la has attracted the attention of the following press:

The Creators Project: LA’s Longest Running Art Fair Nails Another Year of Stunning Photography

Crave:  Kick Off a New Year in Art with “photo l.a.”

LA Times: 1960s Life magazine photos of the 'Loving' couple, on view at Photo L.A.

Los Angeles Magazine: Preview the Stunning Images from the Massive Photo L.A. Exhibition

LA Taco: Preview: 26th Annual Photo L.A




Thursday, January 5, 2017

Monroe Gallery of Photography at photo la 2017




Monroe Gallery of Photography is proud to exhibit at the 26th edition of photo la, held at The REEF, located in the historic LA Mart building in Downtown Los Angeles January 12-15, 2017. Monroe Gallery will occupy two large adjoining booths, #205/302, just to the right of the main fair entrance.

Among the many significant photographs being exhibited in our booth are Life Magazine photographer Grey Villet's intimate images of Richard and Mildred Loving, an interracial couple who married and then spent the next nine years fighting for the right to live as a family in their hometown, will be on exhibit. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. On November 4, the feature film “Loving” opened, from acclaimed writer/director Jeff Nichols and starring Joel Edgerton and Ruth Negga in the roles of Richard and Mildred Loving.

Monroe Gallery of Photography will also feature Tony Vaccaro's incredible images..  In November, HBO films premiered the documentary film “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. It is now available for viewing on-demand from HBO.
Already these two specially curated exhibits have generated excitement from the LA Times and Los Angeles Magazine.
Rounding out the exhibition in our booth will be historic examples of civil rights photojournalism, 1960's  cultural icons, and several of Stephen Wilkes' Day To Nigh and China photographs.
Fair hours are  Friday, January 13, 11am - 7pm, Saturday, January 14, 11am - 7pm, Sunday, January 15, 11am - 6pm; with a special VIP preview on Thursday, January 12 from 7 - 10. Ticket information here.

We look forward to welcoming you to our booth during photo la 2017.

Thursday, November 24, 2016

History Seer: Art Shay’s America



Marlon Brando and family dog, Libertyville, Illinois, 1950
Art Shay


Via The Santa Fe Reporter
Image result for sf reporter


November 23, 2016

Lifelong photojournalist Art Shay says that his favorite photo shoot was with the legendary Marlon Brando. He tells SFR—during a phone interview from his home in Chicago—that the superstar asked Shay for lady tips. “We were both the same age, about 27. He said, ‘Well, you’ve been around Life magazine a long time. Can you tell me how you know if a young woman is coming after you—is she really hot for you, or is she trying to advance her career?’”
Shay says he answered with age-old, sage advice: “I advanced the same argument that had been historically advanced, which is, ‘You have to figure some things out for yourself.’”

Now 94, Shay helped cultivate the iconography of American history throughout his 70-year career working for publications such as Life and Time magazines. He’s captured nine presidents and countless celebrities, and his work is in the permanent collections of major institutions like the Museum of Contemporary Photography in Chicago and the National Portrait Gallery in London.


Muddy Waters and his wife, Geneva, 1950
Art Shay

Shay’s portfolio has, in fact, shaped the public experience of modern history. Viewers can see a representative sampling at an upcoming exhibit of his photography opening Friday at Monroe Gallery of Photography. “As you really study his work, it’s almost like the work of multiple different photographers,” says Sid Monroe, who co-owns and curates the gallery with Michelle Monroe. “There is an element of street photography, there is photojournalism and documentary photography, there are some elements that are autobiographical. He photographed his wife over the entire course of his marriage and made really beautiful photographs—if the viewer didn’t know it was his wife, it wouldn’t matter.”

Shay’s photographs may feature many different subjects, but each portrays a mood and a story. “I think there are a couple of components to that,” Monroe continues. “The first criteria for a photographer is that a single image conveys a story, captures the time and the emotion; the second part is less under the control of the photographer, and that is the window of history, being present in a moment. And I think what Art did was recognize that he was in the presence of history.”
The exhibit features about 50 of Shay’s photographs, representing multiple periods throughout his career. “What we found so astounding was the enormous range of his work. We tried to present and illustrate that and, at the same time, show off what we feel is a really unique approach to how he made photographs,” Monroe tells SFR.

Shay’s approach, eye and technique produced everyday images just as striking as his portraits of American elites. “There is something so uniquely American about his experience and his perspective and it translates into his images,” says Monroe. “You have these wonderful pictures of children playing in essentially the ghetto of Chicago, and they are just as iconic as pictures of President Kennedy.”

Shay is a bit of a comedian, too. “There’s a place for humor and most photographers don’t handle it too well, [but] I’d like to think that a lot of my pictures are funny,” he says, referring to a particularly humorous photo he snapped as he witnessed three delivery trucks marooned in snow drifts on an empty street in the Bronx, each emblazoned with the words “co-op.” As the drivers assisted each other in escaping their snowy tombs, Shay’s shutter opened and closed. “So I have one picture in which I show the street trucks cooperating and getting each other out of the snow. I thought that was pretty funny,” he says. “I was only 17. I still think it’s funny.”
Many of the events Shay photographed—especially on magazine assignments—were captured in the presence of a slew of other photographers, yet it is his work that stands out among the crowd and that we still see today. These assignments didn’t always include glamorous celebrities. “What makes one photographer’s image stand that test of time?” Monroe posits. “Again, it’s that ability to really capture it,” he says.

And yet, Shay isn’t quite the famed artist he probably should be. Considering he has photographed everyone from Liz Taylor to Mohammad Ali and many of our nation’s most important protest movements, he’s supremely humble. “Art has been a very gentle soul,” Monroe says of the photographer. “He has worked hard and had great success—he hasn’t promoted himself, he hasn’t really reached for recognition. We feel so fortunate because we feel like we’re almost bringing an undiscovered genius to light. We want to be on the rooftops and say, ‘Hey, everybody look at this guy!”


Art Shay: Storyteller Opening reception
5-7 pm Friday Nov. 25. Free.
Monroe Gallery of Photography,
112 Don Gaspar Ave.,
505-992-0800

Monday, September 26, 2016

History in a Moment


Joe Rosenthal/©AP
Marines of the 28th Regiment of the 5th Division Raise the American Flag Atop Mt. Suribachi, Iwo Jima, 1945

A major exhibition of iconic moments in history as captured by the leading photojournalists of the time. September 30 - November 20, 2016


"History In A Moment" mines the depth and breadth of Monroe Gallery's archives and is combined with new, never-before exhibited photojournalism masterpieces, from the early 1900's to the present day. The photographs in this exhibition are as much a history of American photojournalism as they are a history of the changing face of the latter part of the Twentieth Century. Through the images captured in these photographs, the eyes of a nation were opened as never before to a changing world.

Historic images featured in the exhibition include the Wright Brothers’ first flight, scenes of migrant workers in the 1930’s and the Great Depression, searing war and conflict photography from World War II, Vietnam, 9/11, and the Iraq War. Historic political campaigns are represented, as are key moments in the civil rights struggle from the 1960’s to the present day.

The exhibit includes several photographs by 93-year old Tony Vaccaro. This Fall, the documentary film “Under Fire: The Untold Story of Private First Class Tony Vaccaro” will premiere at film festivals nation-wide, and debut nation-wide on HBO on November 14, 2016. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. Monroe Gallery is the exclusive representative for Tony’s work and “History in a Moment” presents Tony’s historic photographs to the gallery public for the first time.

The unforgettable images in this exhibition are imbedded in our collective consciousness; they form a sort of shared visual heritage for the human race, a treasury of significant memories. Many of the photographs featured in this exhibition not only moved the public at the time of their publication, and continue to have an impact today, but set social and political changes in motion, transforming the way we live and think. Looking at the pictorial documentation of such extraordinary events we often get the impression that we are feeling the pulse of history more intensively than at other times.

Tuesday, August 2, 2016

Monroe Gallery of Photography At Art Aspen August 4 - 7





August 4-7, 2016
Aspen Ice Garden
Opening Night, Aug. 4

Art Aspen Press Release CHICAGO (July 28, 2016) – The seventh edition of Art Aspen will showcase the very best in modern and contemporary art with artwork presented by galleries from around the country. Located at the Aspen Ice Garden from August 4-7, guests will find a myriad of works from 1950-present, displayed in an intimate, boutique-style setting with the spectacular Ajax Mountain as the backdrop. While planning a visit to Art Aspen, attendees should add these “must-do’s” to their list:

A Spectacular Opening Night Preview: Art Aspen will kick-off on Thursday, August 4 with an exciting Opening Night Preview that art lovers will not want to miss. Guests will have the opportunity to be among the first to explore and acquire the amazing works from established and emerging artists. Patrons, collectors and curators, FIRST LOOK and VIP Preview ticketholders have the opportunity to speak with the gallery owners and artists as well as acquire artwork before the fair opens to the general public. The Opening Night Preview is open to First Look Black Card ticket holders 5-6:30pm and opens to VIP Preview ticketholders from 6:30-9pm. Tickets are available at art-aspen.com/tickets or at the door.

Exhibiting Works from Renowned Galleries: The art world will converge at Art Aspen with amazing galleries displaying the works of renowned and up-and-coming artists from throughout the country. Pieces from artists such as Pablo Picasso, Lino Tagliapietra, Howard Schatz, Bernar Venet, Catherine Howe, and many more, will be on display. Art Aspen’s 2016 line-up includes: Addison Rowe Fine Art (Santa Fe, NM), ART|BASTION (Miami, FL), Axiom Contemporary (Santa Monica. CA), Bonner David Galleries (Scottsdale, AZ), Casterline|Goodman Gallery (Aspen, CO), Charon Kransen Arts (New York, NY), Christopher Martin Gallery (Aspen, CO + Dallas, TX + Santa Fe, NM), Duane Reed Gallery (St. Louis, MO), Evan Lurie Gallery (Carmel, IN), Galerie Maximillian (Aspen, CO), Gallery M (Denver CO), Gerald Peters Gallery (Santa Fe, NM), The Hue (Miami Beach, FL), IKON Ltd. Contemporary Art (Santa Monica, CA), Monroe Gallery of Photography (Santa Fe, NM), Opera Gallery (Aspen, CO; Miami, FL; New York, NY;), Tansey Contemporary (Santa Fe, NM), ten|Contemporary (Grass Valley, CA), Timothy Yarger Fine Art (Beverly Hills, CA), Walter Wickiser Gallery (New York, NY), William Shearburn Gallery (St Louis, MO), Yares Art Projects (New York, NY + Palm Springs, CA + Santa Fe, NM)and Zener Schon Contemporary Art (Mill Valley, CA).

More information here.

Friday, July 15, 2016

NEIL LEIFER: RELENTLESS


Monroe Gallery of Photography, 112 Don Gaspar, Santa Fe, NM, in conjunction with the Briscoe Center for American History, is pleased to host a special exhibition and book signing celebrating Neil Leifer's most recent book, "Relentless”. The exhibition opens with a reception and book signing with the photographer on Friday, July 29, 5 – 7:30 PM.

Neil Leifer is the best-known sports photographer of the past half century.  Now, in Relentless, a collaborative publication of the Dolph Briscoe Center and the University of Texas Press, Leifer takes us behind the scenes of some fifty of his most iconic pictures. Starting with his shot of Baltimore Colt Alan Ameche scoring the game-winning touchdown against the New York Giants during sudden death overtime in the 1958 NFL Championship game at Yankee Stadium—taken on Leifer’s sixteenth birthday—he tells enthralling, often hilarious stories of getting to the right place at the right time to capture many of the legendary athletes of the twentieth century, including Mickey Mantle, Arthur Ashe, Willie Mays, Sugar Ray Robinson, Joe Namath, and Arnold Palmer, as well as shooting presidential and celebrity portraits and covering a variety of subjects for Time. Recapping both an incredibly successful career and the transformation of photojournalism since the era of the great photo magazines, Relentless effectively chronicles fifty years of American popular culture

Relentless:  400 pages with 276 black & white and color photos, $45, is available from the Gallery.



1963 world series final game - sandy koufax (jumping/celebrating), maury wills, dodger stadium, los angeles, ca by neil leifer

Neil Leifer: 1963 World Series Final Game - Sandy Koufax celebrating with Maury Wills, Dodger Stadium, Los Angeles, CA

Saturday, July 9, 2016

Brooklyn Museum: Who Shot Sports: A Photographic History, 1843 to the Present



George Silk
Kathy Flicker's perfect 10 point dive at Princeton University's Dillon Gym Pool
©Time Inc.


Via The Brooklyn Museum

July 15, 2016–January 8, 2017
Morris A. and Meyer Schapiro Wing, 4th Floor

Who Shot Sports: A Photographic History, 1843 to the Present is one of the first museum exhibitions to put sports photographers in the forefront and is the most comprehensive presentation of sports photography ever organized. It encompasses approximately 230 works—from daguerreotypes and salted paper prints to digital images—that capture the universal appeal of sports, highlighting unforgettable moments of drama and excitement from around the globe.

The 170 photographers represented in Who Shot Sports include Richard Avedon, Al Bello, David Burnett, Rich Clarkson, Georges Demeny, John Dominis, Dr. Harold Edgerton, Rineke Dijkstra, Brian Finke, Toni Frissell, Ken Geiger, LeRoy Grannis, David Guttenfelder, Ernst Haas, Charles "Teenie" Harris, Walter Iooss, Jr., Heinz Kleutmeier, Stanley Kubrick, Jacques Henri Lartigue, Neil Leifer, Étienne-Jules Marey, Bob Martin, Martin Munkacsi, Edward Muybridge, Catherine Opie, Leni Reifenstahl, Robert Riger, Alexander Rodchenko, Howard Schatz, Flip Schulke, George Silk, Barton Silverman,  Andy Warhol, and Stephen Wilkes.

"Today, it is the photographers who give sports its indelible image," says Gail Buckland, who returns as guest curator after the 2009 exhibition Who Shot Rock & Roll: A Photographic History, 1955 to the Present. "Seeing athletic greatness, we both recognize our personal physical limitations and delight in bodies and minds taken to new heights. To play and to watch sports is to be in the moment. Still photographers are masters of moments."

Who Shot Sports: A Photographic History, 1843 to the Present is organized by guest curator Gail Buckland. The Brooklyn presentation is coordinated by Lisa Small, Curator of Exhibitions, Brooklyn Museum.
A companion book of the same title, published by Alfred A. Knopf, accompanies the exhibition.


Monroe Gallery of Photography, in conjunction with the Briscoe Center for American History, is pleased to host a special exhibition and book signing celebrating Neil Leifer's most recent book, "Relentless”. The exhibition opens with a reception and book signing with the photographer on Friday, July 29, 5 – 7:30 PM.

Thursday, May 5, 2016

Famed Life photographer Alfred Eisenstaedt

Girl in surf, Jones Beach, New York, 1951
Alfred Eisenstaedt/©Time Inc.  Girl in surf, Jones Beach, New York, 1951


We are very pleased to share the recent CBS News feature on the gallery’s current Alfred Eisenstaedt exhibit:

"Famed Life magazine photographer Alfred Eisenstaedt's classic images are an indelible part of history. His iconic portraits of the biggest figures of the 20th century -- including Adolf Hitler, Albert Einstein, Marilyn Monroe and Winston Churchill -- along with his beautiful, poignant images of daily life made him one of the most published photojournalists in the world. He was the quintessential Life photographer with the unfailing ability to capture the defining moment."

The full feature may be viewed here.

 The exhibit continues through June 26.

 

Friday, January 22, 2016

Visit us during Photo LA 2016 this weekend


photo l.a. celebrates super snapshots at The Reef from Jan. 22-24. (Photo: Stephen Wilkes, Serengeti, Tanzania, Day To Night, 2015, Courtesy of the Monroe Gallery of Photography)


January 21, 2016

Weekend: photo l.a.
Celebrated shutterbugs, collectors, galleries, and fans converge to buy, admire, discuss.


photo l.a.: The yearly gathering of galleries, fans, buyers, and lauded photographers who capture elaborate stories with one click has a big name for the bigness it encompasses. The Reef downtown is the setting for The 25th Annual International Los Angeles Photographic Exposition will be flush with photos and tours and panels and everything that has anything to do with the camera, the lens, and the eye. You don't have to buy or attend one of the programs to enjoy a day; a one-day ticket to the Jan 22-24 snapshot spectacular is twenty bucks.


Monroe Gallery is located in booth #205 /302, just to the right of the main fair entrance.
Friday, January 22, 11am - 7pm
Saturday, January 23, 11am - 7pm
Sunday, January 24, 11am - 6pm

More information here

Tuesday, January 19, 2016

Exhibit | They Broke the Mold



Via CraveOnline
January 19, 2016
By Miss Rosen

Janis and Tina, Madison Square Garden, November 27, 1969
©Amalie R. Rothschild: Janis and Tina at Madison Square Garden, November 27, 1969.
“Wrong is right,” observed Thelonious Monk. “I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing? even if it does take them fifteen, twenty years.”

Musicians of the past were not only artists—they were visionaries. Before video killed the radio star and digital replaced the analogue world, musicians like Chuck Berry, Jimi Hendrix, and David Bowie were changing the cultural landscape. “They Broke the Mold”, a collection of classic music photographs, is currently on view at the Monroe Gallery of Photography, Santa Fe, NM, through January 30, 2016.


The Supremes, Hitsville, Detroit, 1965
















©Art Shay: The Supremes, Hitsville, Detroit, 1965


Featuring photographs taken between 1931-1974, the exhibition begins with a work by Alfred Eisenstaedt, “Violinist Nathan Milstein, pianist Vladimir Horowitz & cellist Gregor Piatigorsky after a concert, Berlin, Germany.” The early formality of live performance is evident in other works, images of Louis Armstrong, Frank Sinatra, and Sammy Davis Jr. wearing tuxedos, Eartha Kitt and Judy Garland draped in evening gowns.

As time goes by, we witness a radical cultural shift, perhaps beautifully exemplified by a photograph of the Beatles taken by Bob Gomel in Miami in 1964. Lying out on sun chairs, fully or partially dressed, the Beatles look like nothing so much as British lads unfamiliar with the idea of catching a tan. With this image, we see the British invasion in its most self-conscious form.


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©Eddie Adams: Louis Armstrong, Opening Night, Las Vegas, 1970

The times turn as a new, more radical era emerges, one beautifully rendered in Steve Schapiro’s 1965 photograph of Andy Warhol, Nico and the Velvet Underground in Los Angeles. Here we enter the age of the rock star and the freedom that is unleashed as the rise of pop culture dominates the world.

As the 1960s transform into the early ‘70s, a new kind of artist arrives in the form of Tina Turner, Janis Joplin, and Freddie Mercury. The diva incarnate returns to the stage, capturing our imagination. “I won’t be a rock star. I will be a legend,” Freddie Mercury said, playing the part to the hilt. He knew his time here would be brief, and like many others in “They Broke the Mold”, he lived it to the fullest. To one interviewer, Mercury replied, “What will I be doing in twenty years’ time? I’ll be dead, darling! Are you crazy?”

Such as it is with so many of the greats who live fast, die young, and leave a beautiful corpse. But others live long and full lives, and it is here in the photographs that we can remember the very best of times.
They Broke the Mold” is currently on view at the Monroe Gallery of Photography, Santa Fe, NM, through January 30, 2016.
All photos courtesy Monroe Gallery of Photography.

Miss Rosen is a New York-based writer, curator, and brand strategist. There is nothing she adores so much as photography and books. A small part of her wishes she had a proper library, like in the game of Clue. Then she could blaze and write soliloquies to her in and out of print loves.