Showing posts with label Photo LA. Show all posts
Showing posts with label Photo LA. Show all posts

Saturday, January 14, 2017

Selections from Photo LA 2017

Monroe Gallery of Photography is exhibiting in booths #205/302 this weekend at the Photo la fair being held at The Reef/LA Mart, through Sunday, January 15


Partial view of the "Loving" photographs by Grey Villet.


Partial view of the Tony Vaccaro exhibit. Tony was the subject of the recent
HBO documentary film "Underfire".


Carrie Fisher, "Star Wars", 1982 by Mario Cassilli
Debbie Reynolds. "JOY", for FLAIR Magazine c. 1950 by Tony Vaccaro




We are honored that our exhibition at the 2017 edition of photo la has attracted the attention of the following press:

The Creators Project: LA’s Longest Running Art Fair Nails Another Year of Stunning Photography

Crave:  Kick Off a New Year in Art with “photo l.a.”

LA Times: 1960s Life magazine photos of the 'Loving' couple, on view at Photo L.A.

Los Angeles Magazine: Preview the Stunning Images from the Massive Photo L.A. Exhibition

LA Taco: Preview: 26th Annual Photo L.A




Thursday, January 5, 2017

Monroe Gallery of Photography at photo la 2017




Monroe Gallery of Photography is proud to exhibit at the 26th edition of photo la, held at The REEF, located in the historic LA Mart building in Downtown Los Angeles January 12-15, 2017. Monroe Gallery will occupy two large adjoining booths, #205/302, just to the right of the main fair entrance.

Among the many significant photographs being exhibited in our booth are Life Magazine photographer Grey Villet's intimate images of Richard and Mildred Loving, an interracial couple who married and then spent the next nine years fighting for the right to live as a family in their hometown, will be on exhibit. Their civil rights case, Loving v. Virginia, went all the way to the Supreme Court, which in 1967 reaffirmed the very foundation of the right to marry. On November 4, the feature film “Loving” opened, from acclaimed writer/director Jeff Nichols and starring Joel Edgerton and Ruth Negga in the roles of Richard and Mildred Loving.

Monroe Gallery of Photography will also feature Tony Vaccaro's incredible images..  In November, HBO films premiered the documentary film “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. It is now available for viewing on-demand from HBO.
Already these two specially curated exhibits have generated excitement from the LA Times and Los Angeles Magazine.
Rounding out the exhibition in our booth will be historic examples of civil rights photojournalism, 1960's  cultural icons, and several of Stephen Wilkes' Day To Nigh and China photographs.
Fair hours are  Friday, January 13, 11am - 7pm, Saturday, January 14, 11am - 7pm, Sunday, January 15, 11am - 6pm; with a special VIP preview on Thursday, January 12 from 7 - 10. Ticket information here.

We look forward to welcoming you to our booth during photo la 2017.

Saturday, December 24, 2016

Peace, Love, and Happiness






Peace, love, and happiness

in the New  Year.



Thank you for your continued encouragement and support.




We look forward to seeing you in the gallery soon, or visit us

during the Photo LA Fair in Los Angeles January 12 - 15;

 at the AIPAD Photography Show in New York March 30 - April 2;

or on-line anytime.





 Art Shay: Harmony in Snow, Des Plaines, Illinois, 1955

Monday, December 19, 2016

HAPPY 94TH BIRTHDAY TONY VACCARO!


Newly liberated women in Nante, along the North bank of the Loire River, celebrate their freedom, Nante, France, July, 1944


We are very proud to wish Tony Vaccaro the happiest of birthdays on the 94th anniversary of his birth!

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. Both of his parents had died by the time he was eight years old and he was raised by an uncaring aunt. When World War II broke out, the American Ambassador in Rome ordered Tony to return to the States. He settled in with his sisters in New Rochelle, NY where he joined his high school camera club.

A year later, at the age of 21, Tony was drafted into the war, and by the spring of 1944 he was photographing war games in Wales. By June, now a combat infantryman in the 83rd Infantry Division, he was on a boat heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days, Tony fought on the front lines of the war. He entered Germany in December 1944, a private in the Intelligence Platoon, tasked with going behind enemy lines at night. In the years after the war, Tony remained in Germany to photograph the rebuilding of the country for Stars And Stripes magazine. Returning to the States in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Flair, Look, Life, Venture, Harper’s Bazaar, Town and Country, Quick, Newsweek, and many more. Tony went on to become one the most sought after photographers of his day.

On November 14. 2016 HBO Films premiered “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone. The film is available on demand from HBO.

Tony's remarkable oeuvre was exhibited in the Pop Up "War, Peace, Beauty" exhibit in New York November 14 - 21. Watch the official video of Tony's retrospective (courtesy of Astfilm.de).

Monroe Gallery will feature a selection of Tony Vaccaro's  photographs at the 26th annual Photo LA Fair, January 12 - 15, at the Reef/LA Mart. The Gallery will also exhibit Tony's photographs, including rare vintage prints, at the AIPAD Photography Show March 30 - April 2 at Pier 94 in New York.



Friday, January 22, 2016

Visit us during Photo LA 2016 this weekend


photo l.a. celebrates super snapshots at The Reef from Jan. 22-24. (Photo: Stephen Wilkes, Serengeti, Tanzania, Day To Night, 2015, Courtesy of the Monroe Gallery of Photography)


January 21, 2016

Weekend: photo l.a.
Celebrated shutterbugs, collectors, galleries, and fans converge to buy, admire, discuss.


photo l.a.: The yearly gathering of galleries, fans, buyers, and lauded photographers who capture elaborate stories with one click has a big name for the bigness it encompasses. The Reef downtown is the setting for The 25th Annual International Los Angeles Photographic Exposition will be flush with photos and tours and panels and everything that has anything to do with the camera, the lens, and the eye. You don't have to buy or attend one of the programs to enjoy a day; a one-day ticket to the Jan 22-24 snapshot spectacular is twenty bucks.


Monroe Gallery is located in booth #205 /302, just to the right of the main fair entrance.
Friday, January 22, 11am - 7pm
Saturday, January 23, 11am - 7pm
Sunday, January 24, 11am - 6pm

More information here

Tuesday, January 5, 2016

National Geographic PROOF Features Stephen Wilkes Day To Night Series


Grand Canyon National Park, Arizona, 2015
Photographing from the Desert View Watchtower, Wilkes made this image of the South Rim of the Grand Canyon in 27 hours. This vantage point allowed him to see the scale of the people along the overlook.


Via National Geographic PROOF Picture Stories
January 5, 2016

Piecing Together Time in the ‘Ultimate Brain Puzzle’

"A single image in Stephen Wilkes’s “Day to Night” series is composed of an average of 1,500 frames captured by manual shutter clicks over a period of anywhere from 16 to 30 hours. During this process, Wilkes must keep his horizon line straight and maintain continuity, which means keeping his camera perfectly still.

He then spends weeks in postproduction, piecing the best frames together into a final composite of layered images, essentially compressing time. For Wilkes, the excitement is in showing people something more than a photograph, something that provides a multidimensional experience, a window, as he describes it, into a world where the full spectrum of time, light, and experience plays across the frame. We’re treated to a view we’ve never seen before—one our eyes could never take in on their own." Full post here.

 Animals converge at a watering hole in Seronera National Park, Serengeti, Tanzania
Wilkes and his assistant spent 30 hours perched on a platform 18 feet in the air, behind a crocodile blind so the animals wouldn’t see them. The elephant family marched across the frame just as he and his assistant had resumed shooting after taking a break to backup their files (each shoot takes about 20 gigabytes of storage). Had they passed five minutes earlier, he would have missed them



Monroe Gallery will be exhibiting Stephen Wilkes’ "Day To Night" photographs featured in the January, 2016 issue of National Geographic during photo l.a. 2016, as well as selections from Wilkes' recent Remnants collection.



Related: Nationally recognized photographer Stephen Wilkes has turned his lens to our national parks, commemorating their 100th anniversary

             

Friday, January 16, 2015

Photojournalism and Its Role in the Fine Art World



Photojournalism and Its Role in the Fine Art World
Photo la 2015 panel, Sunday, January 18   11:30 - 1 PM

Once relegated to the front pages of newspapers, images created for photojournalistic purpose can now be found among collections belonging to prestigious institutions and discerning collectors throughout the world. Creative Consultant Debra Weiss leads a discussion that will explore the shift in perception of this incredible and important photographic genre. Join Debra and guests for what promises to be an informative and entertaining conversation.

Moderator: Debra Weiss, Creative Consultant

Panelists:

Sara Terry: Photographer, Founder and Director, The Aftermath Foundation
John Bailey: Collector, Cinematographer & Director
Sid Monroe: Gallerist, Owner Monroe Gallery, Santa Fe


Tickets - $10

All photo la programs

Thursday, January 15, 2015

SELMA: 50 YEARS







Monroe Gallery of Photography
Booth #203  Photo LA
January 15 - 18, 2015
 
Monroe Gallery of Photography will be exhibiting a specially selected collection of civil rights photographs from the 1956 Selma March to Ferguson, Missouri and present day in booth #119
during the AIPAD Photography Show April 16 - 19, 2015.






Onlookers watch the Selma-to-Montgomery march pass thru
Montgomery, 1965


On the Road, the Selma March, 1965
On the Road, the Selma March, 1965





"Vote", Selma March,1965


Boy with Flag, Selma March, 1965




Boy with Flag, Selma March, 1965






Flag, Selma March, 1965



Flag, Selma March, 1965



Martin Luther King Marching for Voting Rights with John Lewis, Reverend Jesse Douglas, James Forman and Ralph Abernathy, Selma, 1965


Martin Luther King Marching for Voting Rights with John Lewis, Reverend Jesse Douglas,
James Forman and Ralph Abernathy, Selma, 1965



Martin Luther King, Alabama, 1965




Martin Luther King, Selma, Alabama, 1965



Martin Luther King, Alabama, 1965


Martin Luther King, Selma, Alabama, 1965


Martin Luther King, Jr., (Megaphone), Selma, Alabama, 1965


Martin Luther King, Jr., (Megaphone), Selma, Alabama, 1965


Rosa Parks, Selma March, 1965




Rosa Parks, Selma March, 1965


Martin Luther King, Andrew Young, John Lewis, Selma, 1965

Entering Montgomery, Selma March, 1965


Entering Montgomery, Selma March, 1965

Entering Montgomery, Selma March, 1965
Entering Montgomery, Selma March, 1965



Girls Watching the Selma March, Alabama, 1965


Embedded image permalink
Selma Marchers Wrapped in Plastic to Protect Against the
 Rain, 1965


Related: The New Yorker: The Long Road From Selma to Montgomery

Thursday, January 1, 2015

PHOTO LA 2015




Winter has set in to Santa Fe, and we are looking forward to heading west and exhibiting again at this year's edition of photo la, January 15 - 19, 2015. Monroe Gallery of Photography will be in Booth #203, just to the right of the main entrance to the fair.

To mark the forthcoming 50th anniversary of the Selma March, the gallery will showcase a very special selection of photographs from the 1965 March, alongside other iconic images from the civil rights era. We will be also exhibiting a wide variety of important photojournalism; including Stephen Wilkes iconic photograph of the aftermath of Hurricane Sandy. Aditionally, we will show several of Wilkes acclaimed Day To Night collection; alongside many other classic photographs.

Be sure to attend the Photojournalism and Its Role in the Fine Art World panel discussion Sunday, Jan. 19, 11:30 - 1.



About photo la: The international photographic art exposition photo la returns for its 24th year at The REEF, located in the historic LA Mart building in downtown Los Angeles, January 15 - 18, 2015. Downtown LA has become an international destination for art patrons and enthusiasts. In addition to photo la and the LA Art Show, downtown LA will also welcome the highly anticipated opening of the new Broad Museum in 2015, along with the ongoing arrival of new cutting-edge and blue-chip galleries, such as Hauser Wirth & Schimmel. Inspired by downtown's growing vitality and creative energy, photo la relocated to The REEF for its 2014 edition, attracting an unprecedented attendance of 16,000 guests.

The 2015 edition of photo la will expand its uniquely diverse and far-reaching showcase of photographic art, ranging from 19th Century works to contemporary and innovative photography-based art. Alongside galleries, dealers, museums, and nonprofit organizations, photo la will also expand its acclaimed programming to include more lectures, roundtable discussions, special installations, and docent tours with distinguished members of the photographic/arts community. This year, photo la is pleased to honor Catherine Opie, and the fair's exclusive VIP opening gala will celebrate her lifelong contributions to the arts. Additionally, all proceeds from the opening gala will go towards photo la's 2015 beneficiary “ The United Way of Greater Los Angeles and The Painted Brain.

Buy Tickets

Concurrent events

Classic Photographs Los Angeles

The LA Art Show

Related: "I’m also glad Monroe Gallery of Photography (Booth #203) is returning this year."




Saturday, January 18, 2014

Sunday, January 12, 2014

Monroe Gallery at Photo LA 2014 January 16 - 19

 
 
 
Monroe Gallery of Photography will be exhibiting at the 23rd edition of photo l.a. January 16 - 19 in a new location: downtown at the L.A. Mart, 1933 Broadway. The exhibition opens Thursday with an opening Gala benefitting Inner-City Arts, tickets available here.
 
We'll be in booth #302 featuring an important selection of 20th and 21st Century photojournalism and classic black and white photography. We will be bringing significant photographs by the great LIFE magazine photographes Bill Eppridge and John Dominis.
 
Additionally, we we be exhibiting a rare oversize example of Ernst Haas' classic "Route 66, Albuquerque, New Mexico, 1969" and recent Day To Night photographs by Stephen Wilkes.

 
Over the weekend, the city's new cultural hub is celebrating the arts in a major way. As the LA Times calls it, January 15th-19th will be an absolute "Artapalooza."

In celebration of Arts Month Los Angeles, photo l.a., the LA Art Show, and a number of Downtown galleries and museums are coming together to celebrate the arts and culture not only of LA, but of the world at large.  Photograph magazine writes: Southern California not only has sunny skies, but a wealth of photography exhibits and fairs.  GQ agrees: Downtown LA has simply become the place to be - and don't miss the Classic Photographs show.
 
We look forward to seeing you during the fair. Further information here, or please contact the gallery.

 
 

Tuesday, December 3, 2013

Save The Dates: photo la January 16 - 19, 2014



LOS ANGELES PHOTOGRAPHIC ART EXPOSITION ANNOUNCES NEW LOCATION FOR 23rd ANNUAL EVENT JANUARY 16th – 19th, 2014 AT THE HISTORIC LA MART BUILDING IN DOWNTOWN LOS ANGELES
 

 
Los Angeles, CA, photo l.a. (www.photola.com), the longstanding photographic art exposition, is proud to announce its 23rd edition in a new location: downtown at one of the most distinctive venues in Los Angeles - the historic LA Mart (1933 Broadway, Los Angeles, CA 90007) built in 1958. photo l.a. is joining the massive celebration of the arts throughout the downtown area, where the L.A. Art Show and a large number of popular galleries will all be working in unison to drive a massive collaboration of the arts downtown precisely for the weekend of photo l.a.’s exposition.

photo l.a. was the first, and is the longest running photographic art fair in Los Angeles. Beginning at Butterfield’s Auction House, then moving to the Barker Hanger and the Santa Monica Civic Auditorium, photo l.a. has always been a destination event. Celebrating its 23rd year, photo l.a. 2014 is moving to the artistic hub that is now downtown Los Angeles, at the LA Mart building.

photo l.a. is excited to be a part of the growth of downtown L.A.’s artistic expansion along with major art establishments like the new Broad Museum, The Geffen Contemporary, MOCA, and the Japanese American National and Chinese American Museums, along with many new contemporary galleries. photo l.a. is connecting with this specific area to present a phenomenal art experience in 2014.

From January 16-19th, 2014, photo l.a. will present its widest collaboration of photography yet, exhibiting works dating from the 19th century, up through the most cutting edge contemporary photo-based art in LA Mart’s massive 60,000 square foot Exhibition Hall. photo l.a. 2014 will continue its celebration of the photographic arts, both through the exhibition of internationally renowned galleries and as a platform for education and discussion. Known for its excellent programing, photo l.a. will once again spearhead a unique series of lectures, roundtable discussions and docent tours as a valuable supplement to our exhibitions. 

photo l.a. 2014 will combine the photography and arts communities under one roof, truly raising the bar for both the cultural and collecting experiences in Los Angeles. This vast collection, along with a variety of outstanding programming and installations, promises an impressive 23rd edition of the fair.



Monroe Gallery of Photographjy will exhibitiong at photo la 2014.

Thursday, January 24, 2013

Photo LA 2013: Diary of Jeff Dunas



Med__mg_2736-edit-jpg
Bill Eppridge, Senator Robert F Kennedy Shot,
Ambassador Hotel Kitchen, Los Angeles, California, June 5, 1968

Via Le Journal de la Photographie

 Slide Show #1


Same venue. A generous group of galleries reconvened this past weekend, January 17 - 21 at the Santa Monica Civic Auditorium for the 21st annual PhotoLA print fair.

Stephen Cohen, PhotoLA's founder, was in good form and seemed happy with the turnout and the exhibitions. The opening night was a wonderful social occasion for the photography community who turned up to benefit the Inner City Arts organization.

The hands-down shining moment of the event was a one and half hour lecture by the great Bill Eppridge. There wasn't a dry eye in the house for the moderately attended talk. Monroe gallery artist Eppridge discussed and showed work from his spectacular career as a photojournalist centering on his assignments from the 1960s including the Beatle's first US tour and the Robert Kennedy assassination If there is a photo-book publisher reading this - here is an incredible opportunity to publish a phenomenal monograph.

It's hard to say if there were detectible new currents on show this year - there was a surprising number of contemporary female nudes evident in many of the exhibitor's spaces but in terms of one emerging star of the program, none surfaced. Ben Nixon, a young photographer working with 19th century wet-plate technology, had a strong show of his forest work as well as his exquisite new title from 21st Editions. A lot of pigment printing on view, with an exceptional piece by Michael Lang at the Cohen Gallery booth. While many tend to pump the colors of modern ink-jet prints, Lang's images displayed a remarkable restraint and mastery of his craft. Less early 20th century masters on display than in prior years, a greater emphasis on the work of contemporary photographers - a good direction for mid-career image-makers. Most were American although a collective booth showing the work of Czech photography was wonderful. Daniel Miller of the Verge and Duncan Miller galleries hosted a booth for a group of women, all emerging photographers which was a good development.

This year an expanded series of seminars, some even tech seminars were added to bring in more photographers who were everywhere this year - a great chance to catch up with friends.

All in all, worthwhile, to be sure. Will I attend the 22nd PhotoLA?
Absolutely.


Jeff Dunas, Los Angeles

Slide Show #2

Jerusalem, Western Wall, Day To Night, 2012

 Stephen Wilkes Day to Night Series



Hurricane Sandy, Seaside Heights, NJ, 2012
Digital C-print, signed, limited edition #1/20 $10,000

Links

http://www.photola.com

Monday, January 21, 2013

Photo LA Highlights New Frontiers In Photography



Stephen Wilkes Day To Night/Photo by Rebecca Joyce/LAist
By Rebecca Joyce/Special to LAist



Photo LA has once again returned to the Santa Monica Civic Center for a 4-day photography exhibition. Photo LA features the best iconic work, vernacular pieces—and also the new frontiers in fine art photography.
Classic pieces by Araki, Cartier-Bresson and Lange share space with the new and noteworthy. Garnering attention are Chris McCaw's sunburned negative series, never-before-seen images of Andy Warhol as a model, astonishing work by the Blind Photographers Guild, a new and iconic image of Roger Waters by Jerome Brunet and large lightjet prints by Stephen Wilkes of the Jersey Shore after Sandy.

New attendees can attend seminars and go on docent tours to get a guided introduction to the work featured.
After last year's success, Emerging Focus—which is open to amateurs—returns with 20 finalists from an international photography competition. There is also a full schedule of workshops and portfolio reviews geared toward student and emerging artists. A larger variety of seminars provides classes on portraiture, lighting, travel, black and white and many other facets of photography. The Emerging Focus programming noticeably changes the demographic of the crowd at Photo LA—there are more students, emerging and aspiring artists, and a new generation of photography lovers and collectors.

One of the most important fine art events in Los Angeles, the annual Photo LA gives us a panorama of the state of photography in the art world, as well as the changing face of those who are practicing, embracing and collecting the medium. Photo LA is on exhibit at the Santa Monica Civic Center until tomorrow. For more information about the event check out its website.


Sunday, January 20, 2013

Inaguration Day (to Night)


 © Stephen Wilkes Instagram "This will be my view for the Presidential Inauguration"


Today is a rare combination of the Presidential Inauguration and Martin Luther King Day. If you are attending the inauguration ceremonies, or watching them on tv, look for Stephen Wilkes on the platform between CBS and CNN as he creates an Inaugural "Day To Night" photograph.

Meanwhile, visitors to the final day of photo la 2013 are invited to view significant examples of 20th and 21st Century photojournalism at Monroe Gallery of Photography. The Gallery is exhibiting photographs spanning more than 85 years of history, including iconic civil rights images; Bill Eppridge's photographs of Robert F. Kennedy and The Beatles; work by Nina Berman, Yuri Kozyrev, and Stephen Wilkes Seaside Heights photograph after  Hurricane Sandy .


Wednesday, January 16, 2013

Stephen Wilkes: The 57th Presidential Inauguration, Day To Night



Stephen Wilkes announced today that he will be shooting a "Day to Night" of the 57th Presidential Inauguration on Monday January 21st in Washington, DC.

Read more about his Day to Night series, which was recently featured on the CBS Sunday Morning Show, here. And, if you are the in the greater Los Angeles area, be sure to visit us this weekend during Photo la 2013 to view a selection of Stephen's work, including the most recent location of the Day To Night series, Jerusalem, and his photograph of Seaside Heights, New Jersey following Hurricane Sandy.

Tuesday, January 15, 2013

Stephen Wilkes, The Power of the Still Image




Via X-Rite Photo Blog


"A new video has just been released today featuring Coloratti Stephen Wilkes talking about The Power of the Still Image, his own projects to document parts of American life and culture that are fading into memory, some of his disturbing and compelling images of the Gulf oil spill, and his latest project called Day to Night. In this video Stephen talks about the “subtext” beneath his photographs. “The power of what’s underneath is much greater than what’s on the surface,” he says. “And I want you to go underneath what I’m showing you but the only way I can get there is to draw you in with beauty.”

 


Wilkes is an amazing photographer. His passion for the still image is fueled by his ardent belief that it is the still image that “burns” into our minds. “I don’t think that, in terms of memory, things stay with us unless we have the image,” says Wilkes. “I think there is infinitely more power in a visual than there is in anything that is verbal or even written.”
 
Hurricane Sandy on the Jersey Shore by Stephen Wilkes
Seaside Heights, N.J
©2012 Stephen Wilkes

One of Stephen’s most recent projects was documenting Hurricane Sandy for Time. Stephen’s 22 image photo essay on the super-storm disaster is available on Time Lightbox. The aerial photos he captured are both beautiful and horrific. Here’s a quote from his words accompanying the photo essay: “On the Sunday after Sandy made landfall, I decided to rent a helicopter and fly over some of the most devastated areas, including the New Jersey shore, Breezy Point and Far Rockaway. It was a beautiful day to fly, but unfortunately that beauty quickly eroded into shock as we began to get close to the coasts. It was everything I’d heard about, but it was difficult to believe what I was actually seeing. Once we got above the shoreline, I really started to understand the scale of the destruction. The expanse of land it ruined, the totality of the devastation — it was like a giant mallet had swung in circles around the area. It was mind numbing.” Read more about the Hurricane Sandy project online and see all 22 photos in the essay at Time Lightbox."


Full post with links here.

See Stephen Wilkes Day To Night and Hurricane Sandy photographs during Photo la, January 17 - 21, at Monroe Gallery of Photograph, booth M-150.


Saturday, January 12, 2013

Photo la 2013 Opening Night Thursday, January 17





























































photo l.a. is honored to host the preview reception for the benefit of Inner-City Arts on January 17, 2013 from 6 – 9 pm. Please join us for an evening of art and charity. Tickets are $80 and can be purchased directly from Inner-City Arts


Thursday, January 3, 2013

Bill Eppridge: 50 Years of Photojournalism


June 5, 1968. Senator Robert F. Kennedy and his wife Ethel (Standing at the podium in the Ambassador Hotel Ballroom. Kennedy was just finishing his California primary victory speech and was moments away from walking into the kitchen where he was shot by Sirhan Sirhan.)
Photograph by Bill Eppridge/LIFE/©TimeInc.

 
Keynote Speaker Bill Eppridge
Friday, January 18, 2013  3:30 - 5 PM
Bill Eppridge, noted photojournalist, lectures on his experiences documenting the 1960s, specifically, Robert F. Kennedy's final campaign and the Beatles first US tour.

 
Museum Exhibit

FOTOmentor Exhibition
Bill Eppridge: 50 Years of Photojournalism
Opening Reception
January 25, 2013 from 6:00-8:00 pm
On View thru January 12 to February 28, 2013
 

One highlight of the upcoming FOTOfusion will be the presentation of the prestigious FOTOmentor Award to Bill Eppridge, a Life Magazine staff photographer during the golden era of photojournalism when the big picture publications supported numerous pages of great photography. In addition to the award, Mr. Eppridge’s work will be featured in this year’s FOTOmentor Exhibition.

Present at some of history’s most famous events, Eppridge’s photographs weave a visual narrative of our times. This exhibition will feature many of his most famous images from the Sixties including the Presidential campaign of Robert F. Kennedy, the Beatles first U.S. visit, the Woodstock Music festival, and his groundbreaking photo essay on heroin addiction in Needle Park.

A self-taught photographer, Bill Eppridge later graduated from the University of Missouri Journalism School. Winning first prize in the National Press Photographers competition earned him internships at Life magazine, where he was named a staff photographer in 1964 and stayed until the magazine folded in 1972. Following assignments with National Geographic, Mr. Eppridge spent 30 years traveling the world as a photographer for Sports Illustrated.

He has been awarded the Joseph A. Sprague Award, The Missouri Journalism Honor Medal and The Lucie Foundation Achievement in Photojournalism. In 2009, Mr. Eppridge was inducted into the Missouri Photojournalism Hall of Fame. He has published four books and his work is included in major collections and museums worldwide.

Bill Eppridge was a Life staff photographer during the golden era of photojournalism when the big picture magazines supported pages of great photography. Present at some of history’s most famous events, Eppridge’s photographs weave a visual narrative of our times. The exhibition features his most famous images from the Sixties including the Presidential campaign of Robert F. Kennedy, the Beatles first U.S. visit, the Woodstock Music festival, and his groundbreaking photo essay on heroin addiction in Needle Park.

Mr. Eppridge will present the Rising Star award at the FOTOfusion Awards Dinner on January 23 and will be present at the exhibition’s Opening Reception on January 25.

About the FOTOmentor Award:

Each year, the PBPC Awards Committee selects a photographer to receive the FOTOmentor Award in honor of his/her lifetime achievements in the world of photography. Previous recipients include distinguished photographers Ralph Gibson, Gordon Parks, Sebastiao Salgado, Arnold Newman, Ruth Bernhard, Duane MichaeIs, James Nachtwey, Michael Kenna, David Hume Kennerly and Robert Glenn Ketchum.