Exhibit | They Broke the Mold

Via CraveOnline
January 19, 2016
By Miss Rosen

©Amalie R. Rothschild: Janis and Tina at Madison Square Garden, November 27, 1969.

“Wrong is right,” observed Thelonious Monk. “I say, play your own way. Don’t play what the public wants. You play what you want and let the public pick up on what you’re doing? even if it does take them fifteen, twenty years.”

Musicians of the past were not only artists—they were visionaries. Before video killed the radio star and digital replaced the analogue world, musicians like Chuck Berry, Jimi Hendrix, and David Bowie were changing the cultural landscape. “They Broke the Mold”, a collection of classic music photographs, is currently on view at the Monroe Gallery of Photography, Santa Fe, NM, through January 30, 2016.

©Art Shay: The Supremes, Hitsville, Detroit, 1965

Featuring photographs taken between 1931-1974, the exhibition begins with a work by Alfred Eisenstaedt, “Violinist Nathan Milstein, pianist Vladimir Horowitz & cellist Gregor Piatigorsky after a concert, Berlin, Germany.” The early formality of live performance is evident in other works, images of Louis Armstrong, Frank Sinatra, and Sammy Davis Jr. wearing tuxedos, Eartha Kitt and Judy Garland draped in evening gowns.

As time goes by, we witness a radical cultural shift, perhaps beautifully exemplified by a photograph of the Beatles taken by Bob Gomel in Miami in 1964. Lying out on sun chairs, fully or partially dressed, the Beatles look like nothing so much as British lads unfamiliar with the idea of catching a tan. With this image, we see the British invasion in its most self-conscious form.

©Eddie Adams: Louis Armstrong, Opening Night, Las Vegas, 1970

The times turn as a new, more radical era emerges, one beautifully rendered in Steve Schapiro’s 1965 photograph of Andy Warhol, Nico and the Velvet Underground in Los Angeles. Here we enter the age of the rock star and the freedom that is unleashed as the rise of pop culture dominates the world.

As the 1960s transform into the early ‘70s, a new kind of artist arrives in the form of Tina Turner, Janis Joplin, and Freddie Mercury. The diva incarnate returns to the stage, capturing our imagination. “I won’t be a rock star. I will be a legend,” Freddie Mercury said, playing the part to the hilt. He knew his time here would be brief, and like many others in “They Broke the Mold”, he lived it to the fullest. To one interviewer, Mercury replied, “What will I be doing in twenty years’ time? I’ll be dead, darling! Are you crazy?”

Such as it is with so many of the greats who live fast, die young, and leave a beautiful corpse. But others live long and full lives, and it is here in the photographs that we can remember the very best of times.

“They Broke the Mold” is currently on view at the Monroe Gallery of Photography, Santa Fe, NM, through January 30, 2016.

All photos courtesy Monroe Gallery of Photography.

---

Miss Rosen is a New York-based writer, curator, and brand strategist. There is nothing she adores so much as photography and books. A small part of her wishes she had a proper library, like in the game of Clue. Then she could blaze and write soliloquies to her in and out of print loves.

Steve Shapiro: Sixties icons depicting a time of change in the United States

Steve Schapiro: The Whisper I, Marlon Brando in "The Godfather"

Steve Schapiro 16 March - 27 May 2012
Swedish Museum of Photography ( Fotografiska)

                   

The American photographer Steve Schapiro was present during the political and cultural changes in the US in the 1960s. As a young photojournalist, Schapiro received commissions for Life magazine, which, among other things, included following Martin Luther King until the day he was murdered. Schapiro played Monopoly with the then unknown boxer Muhammad Ali and hung out with Andy Warhol and the Velvet Underground in The Factory in Manhattan. At the time, Schapiro had no inkling that his photographs depicted people who were to become some of the icons of the Sixties. In his unique images, Schapiro captured the character and charisma of his subjects. He calls his series of photographs of the icons of the Sixties Heroes, a photojournalistic term denoting the picture chosen by a picture editor for a cover of a magazine. In the exhibition, the Sixties icons are presented side by side, depicting a time of change in the United States.

Steve Schapiro’s perhaps best known pictorial series include his unique stills from the classic movies The Godfather (1972) and Taxi Driver (1976). In the 1970s, Schapiro was hired to take exclusive photographs during the filming of Francis Ford Coppola’s and Martin Scorsese’s archetypal movies. As a still photographer, Schapiro depicted the shoots from unique angles and his photographs portray the drama, the scenes and the actors, all at the same time. The photographs capture and freeze classic film scenes, such as the whisper into Marlon Brando’s ear, the kiss with Al Pacino, Robert De Niro, gun in hand, talking to his reflection in the mirror, and a young Jodie Foster walking the streets of New York. The photographs balance between fiction and reality and are today regarded as legendary in film history.

Steve Schapiro (b. 1934 in Brooklyn) began taking photographs at the age of ten. Trained by the renowned photojournalist W Eugene Smith, Schapiro received commissions for magazines such as Life, Time, Rolling Stone, People and Newsweek. Schapiro has worked on over 200 feature films, including TheGodfather, Taxi Driver and Midnight Cowboy, and has exhibited widely internationally and now lives in Chicago.