Showing posts with label new exhibit. Show all posts
Showing posts with label new exhibit. Show all posts

Monday, December 9, 2024

Monroe Gallery – A Photography Show for the Winter

 Via Joe McNally

December 9, 2024

black and white photograph of Mikhail Gorbachov standing in black coat and hat in a forest with snow



The new Monroe Gallery show is called Frozen In Time, which is the business we are in as photographers, no matter the temperature. But as painful as it can be to expose our fingers and cameras to the occasionally brutal ministrations of winter, those cold times of the calendar, and the resultant ice and snow make for truly memorable imagery. Hence the power of this show. A must see if you are in Santa Fe, and also important viewing online. Monroe’s archive of historically important imagery is so telling, and reverberates so deeply, that a perusal of their archives is basically a tour through our history.

Everything is harder to do in the cold, and so many of these images reflect the struggle of humankind to overcome the piercing blasts of deeply cold environments. In this show are the desperate attempts to fight off winter’s hold on the land, as well as the beautifully lyrical snow scenes of mountains, and the American West. And pictures of joy, as people enjoy the snow and ice, gliding and sliding and skating. But also seen are searing pictures from the front lines of war, as if war itself wasn’t enough utter misery.

I’m fortunate to be included in the show, with a hard won picture of the former president of the Soviet Union, Mikhail Gorbachev. He was a pivotal figure in Russian history, presiding over the dissolution of the Soviet bloc in Eastern Europe, and guiding Russia, despite threats and opposition to a place of more openness to the West, and within its own politics. At once hailed and reviled, he won the Nobel Peace Prize, and became one of the most significant figures in history. At the same time, the reforms he tried to initiate earned him the enmity and disapproval of many Russians, particularly those in positions of power.

Hence the head shot in his office was insufficient in terms of storytelling. I wanted to bring him to the woods, where I could photograph him alone, in a stark environment indicating his isolation. It took some doing. I had to wrangle and push in the best persistent, annoying photographer mode I could. He wasn’t happy about it, but he came to the woods about three days after the office shoot, and stepped into the snow with his fancy shoes. He posed for about five minutes. And then, he shook my hand and spoke the only English word he said to me while we were together: “Goodbye.”

And he meant it.

Friday, November 29, 2024

Images of Winter Are Frozen in Time

 Via Pasatiempo

November 29, 2024

black and white photograph of a design formed by snow in a wrought iron banister in New York in 1947

In the 2023 photograph Ancestral Strength by Eugene Tapahe, four Indigenous women — Cayuse, Umatilla, Newe Sogobia, and Tséstho’e — stand side by side wearing brightly colored traditional garb, staring toward the sky behind the photographer. The stark winter beauty of the background in Wyoming’s Teton National Park further highlights the women’s projected power.

In the 1949 photograph Southern Pacific Steam Engine by John Dominis, a steam engine plows through a snowy landscape at Donner Pass, California.

Both images showcase forms of strength, but that’s not the tie that binds them. Both are part of Frozen in Time, an exhibition that Monroe Gallery of Photography describes as an “imaginative survey of compelling images.” It covers a range of human experiences, from the joy of exploration in George Silk’s 1946 shot Tourists Climb Fox Glacier in Tasman National Park, taken in New Zealand, to the ugly brutality of war in Tony Vaccaro’s White Death, Pvt. Henry Irving Tannebaum Ottre, taken in Belgium in 1945. 

It opens with a reception from 4-6 p.m. Friday, November 29. — Brian Sandford


details

Through January 19

Monroe Gallery of Photography

112 Don Gaspar Avenue

505-992-0800, monroegallery.com

Wednesday, November 27, 2024

New Exhibition "Frozen In Time" Opening and Plaza Holiday Lighting Will be Held Nov. 29

 The new exhibition "Frozen In Time", an imaginative survey of compelling images that reveal moments in history and the unseen and unexpected layers of our world in winter, opens with a public reception on Friday, November 29, from 4-6 pm. 






The City of Santa Fe’s annual Holiday Plaza Lighting ceremony will be held from 4:15-8 p.m. Nov. 29 on The Plaza.

Santa and Mrs. Claus will arrive by vintage fire truck at 5:45 p.m. City officials will switch on the lights at 6:30 p.m., and Santa Fe’s holiday season will officially begin.

Live Music will begin at 4:15 p.m.
Hot Cocoa & Cookies
Food Trucks
Countdown to Lighting


City of Santa Fe Flyer with information about annual Holiday Plaza Lighting ceremony will be held from 4:15-8 p.m. Nov. 29 on The Plaza.



Sunday, November 24, 2024

Depths of winter: 'Frozen in Time' brings images of joy, despair to Monroe Gallery

 Via The Albuquerque Journal

By Kathaleen Roberts

November 24, 2024

sreenshot of Albuquerque Journal article on Monroe Gallery exhibition "Frozen In Time"


Winter brings both beauty and brutality.

Open at Santa Fe’s Monroe Gallery of Photography, “Frozen in Time” brings images of both joy and despair by some of the most renowned American photojournalists. The photographs cover the 2016 protests during the Standing Rock pipeline construction, a skating waiter at St. Moritz, Switzerland, in the early 1900s, and images of the grim winter conditions during World War II.

Several of the photojournalists worked for Life magazine.

"It always makes for a beautiful, serene, contemplative experience,” said Michelle Monroe, gallery co-owner, of the frosty season. “We know it’s cold, we know it’s quiet, we know there is a veil of light.”


black and white photograph of a waiter on ice skate and wearing a tuxedul skating with serving tray and drinks in St. Moritz, 1934

Alfred Eisenstaedt/Life Picture Collection: Ice Skating Waiter, St. Moritz, 1932


Alfred Eisenstaedt’s “Ice Skating Waiter” encapsulates the grace of skating while balancing a tray of glasses and liquor.

“He had a very rudimentary camera with glass plates,” Monroe said. “He said the whole thing was a technical challenge.”

The photographer focused on the chair until the waiter swanned by.


black and white photograph of 3 US soldiers in snow covered forest with guns aimed during the Battke of Hurtgen Forest, 1944
Tony Vaccaro: Battle of Hurtgen Forest, Germany, 1944


Tony Vaccaro’s photograph of soldiers partially buried in snow during the 88-day Battle of Hürtgen Forest captures the longest fight on German ground of World War II. An estimated 24,000 were killed, wounded or captured.

“There was no one more uncomfortable than the other,” Monroe said. “You couldn’t even find any comfort being together. (Vaccaro) said there was a lot of dark humor.”

In 2023, Navajo photographer Eugene Tapahe took “Ancestral Strength” in Wyoming’s Grand Teton National Park.


color photograph of 4 Native women with colorful blankets wearing Jingle Dresses" in front of the Teton mountains, Wyomig
Eugene Tapahe
Ancestral Strength, Teton National Park, WY, Cayuse, Umatilla, Newe Sogobia and Tséstho’e, 2023

Tapahe was studying at Utah’s Brigham Young University when the pandemic hit. He decided to take four Native jingle dancers (two of whom were his daughters) across the country.

“The jingle dress has always been used for healing,” Monroe said. “Since the schools were closed, perhaps he could heal the country. They went all over performing. It had a tremendous effect on people.”

Those stops included Mount Rushmore, Yosemite and New York’s Central Park.

Ryan Vizzions photographed the protests over the Standing Rock pipeline in 2017, including a portrait of a medicine man.


Native American wrapped in colorful blanket with tipis behind him durng a snwo storm at the Standing Rock protestes in North Dakota in 2016
Ryan Vizzions: Standing Rock, Winter, 2016

“He was a spiritual counselor and guide for everything there to keep people in focus,” Monroe said.

“(For) a lot of the older photographers, in order to be put on the front page, it was to get out there and get a shot of this latest snowstorm,” Monroe said. “She was part of the Photo League (cooperative.) They were shut down by the Red Scare movement for being subversive.”

black and white photo of design made from snow in a wrought iron railing in New York, 194556
Ida Wyman: Wrought Iron Design in Snow, New York City, 1945

The photographs also include images of the 1939 Russo-Finnish War, harsh winter conditions in the northern Soviet Union taken during its collapse in the 1990s and several ice skating scenes, including Truman Capote at New York’s famed Rockefeller Plaza in 1959, as well as tranquil snow scenes of the American West.

long line of Japanese soldiers in training snaking through deep snow in Hokkaido, Japan, 1951
Carl Mydans/Life Picture Collection: The newly created 'Japanese Police Force' moves out of camp for winter training, Hokkaido, Japan, 1951

Monroe Gallery specializes in photojournalism. It was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.


'FROZEN IN TIME'

WHEN: Opening Reception on Friday, Nov. 29, 4-6 pm; exhibition continues through Jan. 19, 2025

WHERE: Monroe Gallery, 112 Don Gaspar Ave., Santa Fe

MORE INFO: monroegallery.com, 505-992-0800

Saturday, June 22, 2024

Save The Date: July 6, Free screening of Underfire: The Untold Story of Pfc. Tony Vaccaro

black and white photograph of Tony Vaccaro  holding his camera whle seated on an airplane wing during WWII

 

Monroe Gallery of Photography is honored to announce a major exhibition of more than 45 photographs celebrating the life and career of Tony Vaccaro. “Tony Vaccaro: The Pursuit of Beauty” The exhibit opens on Friday, July 5, with a public reception and Gallery conversation with Frank Vaccaro, son of the photographer, 5 – 7 pm.  

Monroe Gallery will sponsor a free screening of the HBO Documentary Film “Underfire: The Untold Story of Pfc Tony Vaccaro” on Saturday, July 6, 4 pm at the Jean Cocteau Theater. 

Free tickets here.

The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone.

 In 1943, with the Allied invasion of Europe imminent, a newly drafted 21-year-old Tony Vaccaro applied to the U.S. Army Signal Corps. He had developed a passion for photography and knew he wanted to photograph the war. “They said I was too young to do this,” Tony says, holding his finger as if taking a photo, “but not too young to do this,” turning his finger forward, pulling a gun trigger. Not one to be denied, Tony went out and purchased a $47.00 Argus C3, and carried the camera into the war with him. He would fight with the 83rd Infantry Division for the next 272 days, playing two roles – a combat infantryman on the front lines and a photographer who would take roughly 8,000 photographs of the war.

 In the decades that followed the war, Tony would go on to become a renowned commercial photographer for magazines such as Look, Life, and Flair, but it is his collection of war photos, images that capture the rarely seen day-to-day reality of life as a soldier, that is his true legacy. Tony kept these photos locked away for decades in an effort to put the war behind him, and it wasn’t until the mid-1990s that this extraordinary body of work was first discovered and celebrated in Europe. In the United States, however, Tony has yet to receive his due and few people have heard of him.

 Though the narrative spine of the film is a physical journey in which Tony brings us to the places in Europe where many of his most powerful photos were taken, over the course of the film we also trace Tony’s emotional journey from a young GI eager to record the war to an elderly man who, at 93, has become a pacifist, increasingly horrified at man’s ability to wage war. Tony believed fiercely that the Allied forces in WWII were engaged in a just war, but he vowed never to take another war photo the day the war ended, and he didn’t.

 In addition to numerous interviews with Tony, the film includes interviews with a number of other people, including Tyler Hicks, a Pulitzer Prize-winning photographer for the New York Times; Lynsey Addario, a Pulitzer Prize-winner who has covered conflict for 30 years for the New York Times, Time, National Geographic, and other major publications; Anne Wilkes Tucker, a photography curator and curator of the comprehensive exhibition WAR/PHOTOGRAPHY; James Estrin, a Senior Photographer for the New York Times and editor of the Times’ Lens blog; and John G. Morris, who was the photo editor of Life Magazine during World War II and was Robert Capa’s editor.

 Concurrently, Monroe Gallery is featuring a major exhibition of photographs by Tony Vaccaro. The exhibit continues through September 15, 2024.

 

Tony Vaccaro died on December 28, 2022, eight days after celebrating his 100th birthday. Orphaned at age 6, he immersed himself in studying classic European art and by age 10 had a box camera. He photographed WWII from a soldier’s perspective, documenting his personal witness to the brutality of war.  After carrying a camera across battlefields, he become one the most sought-after photographers of his day, eventually working for virtually every major publication: Flair, Look, Life, Venture, Harper’s Bazaar, Town and Country, Quick, Newsweek, and many more. Vaccaro turned the trauma of his youth into a career seeking beauty. This exhibit explores the extraordinary depth of his archive and features several new discoveries being exhibited for the very first time.

 

Wednesday, January 24, 2024

New Exhibition: The Movies - and Flying With Michelle Yeoh

 

The opening image in the new exhibition "The Movies" is Joe McNally's stunning photograph of actress Michelle Yeoh suspended from a helicopter over the iconic Hollywood sign.


actress Michelle Yeoh suspended from a helicopter over the famous Hollywood sign, California, 1998


On a 2002 Jimmy Kimmel interview session, Michelle spoke about "flying" with Joe McNally as a stunt over the Hollywood sign, for a story in the National Geographic.






Joe McNally wrote about the making of this photograph on his blog, here.
"Jimmy Kimmel dryly observed that I should have been arrested for doing this to her. She recalls being very cold. I recall her being absolutely magnificent, hanging off those wires, just across from me, as I hung from the other skid."




Photographer Joe McNally and actress Michelle Yeoh suspended from a helcopter over the Hollywood sign in Californaia, 1998


The Movies is on exhibit through April 14, 2024. Join us for a public reception open house on Saturday, February 17, 4-6 pm.