Via Cowboys and Indians Magazine
December 21, 2024
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
Via Cowboys and Indians Magazine
December 21, 2024
December 9, 2024
November 29, 2024
In the 2023 photograph Ancestral Strength by Eugene Tapahe, four Indigenous women — Cayuse, Umatilla, Newe Sogobia, and Tséstho’e — stand side by side wearing brightly colored traditional garb, staring toward the sky behind the photographer. The stark winter beauty of the background in Wyoming’s Teton National Park further highlights the women’s projected power.
In the 1949 photograph Southern Pacific Steam Engine by John Dominis, a steam engine plows through a snowy landscape at Donner Pass, California.
Both images showcase forms of strength, but that’s not the tie that binds them. Both are part of Frozen in Time, an exhibition that Monroe Gallery of Photography describes as an “imaginative survey of compelling images.” It covers a range of human experiences, from the joy of exploration in George Silk’s 1946 shot Tourists Climb Fox Glacier in Tasman National Park, taken in New Zealand, to the ugly brutality of war in Tony Vaccaro’s White Death, Pvt. Henry Irving Tannebaum Ottre, taken in Belgium in 1945.
It opens with a reception from 4-6 p.m. Friday, November 29. — Brian Sandford
details
Through January 19
Monroe Gallery of Photography
112 Don Gaspar Avenue
505-992-0800, monroegallery.com
Via Patrick Witty, Field of View
Private First Class Tony Vaccaro, carrying an M-1 rifle and an Argus C3 brick camera, photographed this scene January 11, 1945, during the Battle of the Bulge. At first glance, it looks like a painting - spartan and stark, the composition as cold as the day.
“I saw the soldier that was lying down so peacefully, so beautiful as if an artist had drawn it.” Vaccaro recollected in the excellent 2016 documentary Underfire: The Untold Story of Pfc. Tony Vaccaro. “Death, that is beautiful. It’s a contradiction. You want the ugliest aspect of mankind, death, to be beautiful. Otherwise it can not be a monument.”
Vaccaro died in 2022 at the age of 100. The photo, titled “White Death, Requiem for a Dead Soldier,” was published alongside Vaccaro’s obit in The New York Times.