IN CONVERSATION ONLINE – Frank Vaccaro on Tony Vaccaro

 Via Frank Lloyd Wright Foundation

 Taliesin West

October 5, 2023

Explore the Life and Lens of Legendary Photographer Tony Vaccaro!

Michael A. “Tony” Vaccaro (1922 – 2022), was an American photographer perhaps best known for his World War II photos. After the war, he became a fashion and lifestyle photographer for American magazines, capturing the joys and beauties of the world we live in. He lived to be 100 years old.

Join us on October 5, 2023, for an exclusive online conversation with Tony Vaccaro’s son, Frank. He will share invaluable insights into his father’s remarkable legacy and unveil his father’s captivating story. We’ll delve deep into Tony’s early career, the different chapters of his life, and get unique insights into his time with O’Keeffe and Wright ahead of the debut of American Icons: Wright & O’Keeffe at Taliesin West opening on October 20.

Details:

Links for virtual programs will be sent via email in advance.
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Time:
10:00 a.m. – 11:00 a.m.
Online

Price:
Adults $25
Students (13-25 with student ID) $17
Members $22.50

Frank Lloyd Wright Foundation Members receive discounts on Cultural Programs, have access to special Member-Only programs, and more. Learn about Membership here.

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Frank Vaccaro is the eldest child of photographer Michael A. “Tony” Vaccaro and Marimekko model Anja Kyllikki Lehto. He was born in Rome, Italy, in 1965 while his father was on assignment. Frank came of age surrounded by the stories and images that make up the Tony Vaccaro collection of photographs. After graduating Stony Brook University in 1988, Frank managed bars and restaurants in New York City before joining Pepsi Cola in 1994. For the last eighteen years, Frank has been the elected representative for over 150 unionized workers there.

At his father’s request, Frank and his wife Maria created and launched the Tony Vaccaro Studio in 2015. The studio organizes over 800,000 images, and partners with the Monroe Gallery of Photography in Santa Fe, New Mexico. Upon Tony Vaccaro’s passing last year, Frank and his wife created the Tony Vaccaro Archive in Long Island City, Queens.

American Icons: Wright & O’Keeffe, a new photography exhibition spotlighting Frank Lloyd Wright and Georgia O’Keeffe as photographed by Tony Vaccaro

 

Via Experience Scottsdale

The Frank Lloyd Wright Foundation continues to explore the ways that Wright connects with other iconic artists of his time through unique exhibitions at Taliesin West. As the latest iteration, the World Heritage Site will debut an exclusive “American Icons: Wright and O’Keeffe” exhibition this fall, offering guests the opportunity to view photographs of Frank Lloyd Wright and Georgia O’Keeffe – two legends of American art and architecture – taken by Michael A. “Tony” Vaccaro while on assignment for LOOK Magazine from 1957 to 1960, including some never-before-seen images.

The exhibition, curated by the Foundation in partnership with the Tony Vaccaro Studio in Long Island City, N.Y., and the Monroe Galleryin Santa Fe, N.M, renowned for its unrivaled vault of historic photography, will present a behind-the-scenes, intimate visual pairing of Wright and O’Keeffe in their homes and studios. Through Vaccaro’s images and excerpts from LOOK, the exhibition - on display in the Dining Room at Taliesin West - will offer a closer look into the similar lives of the two American geniuses, how they inspired one another and how their Modernist principles continue to inspire the public today. Tickets for the exhibition, which will run from Oct. 20, 2023, to June 3, 2024, will be included with an audio or guided tour purchase.

Wright and O’Keeffe are seen as giants in their fields but are rarely connected. Many are unaware that the pair met in 1942 and had a mutual admiration for one another’s work for many years, whilst sharing other similarities including their birthplace of rural Wisconsin; careers that took them to New York, Chicago and Japan; dwellings in the Southwest; and finding inspiration in nature for their creations of abstract versions of the world in their art. By sharing stories around their connections, the Foundation aims to contribute to a larger narrative about artists in America – they do not all work in isolation; rather, they inspire one another and find ways to connect through friendship.

“Frank Lloyd Wright and Georgia O’Keeffe are American Icons. Their legacies are larger-than-life, and their names are known worldwide. What’s lesser known is their connection; they met in person in the 1940s and corresponded over the years, sharing ideas, and exchanging gifts,” said Niki Stewart, exhibition curator and vice president and chief learning & engagement officer for the Foundation. “In this exhibition, we explore that connection through the intimate photographs of Tony Vaccaro, from their shared start in Wisconsin to the homes and studios they built in the American Southwest. I’m excited to bring Wright and O’Keeffe together again through these beautiful photographs.”

Vaccaro’s photos of Wright and O’Keeffe have visual symmetry, which is why they will be displayed in pairs. By partnering with the Monroe Gallery – Tony Vaccaro’s exclusive representation – the Foundation has access to many photographs not shown to the public previously. Through the exhibition, guests will not only learn about the relationship between Wright and O’Keeffe, but also about Vaccaro’s long and impressive career.

“Working with the Frank Lloyd Wright Foundation affords Monroe Gallery the opportunity to place Tony Vaccaro’s iconic portraits of American Modernist Masters, Frank Lloyd Wright and Georgia O’Keeffe, together in conversation with the visitors to Taliesin West. Surrounded by the grace of Wright’s architecture, O’Keeffe and Wright as Tony Vaccaro understood them are reunited within their century’s glorious creative context,” said Monroe Gallery owners Michelle and Sid Monroe.

A Pop Up selection of Tony's photographs is also on view at The Monroe Gallery of Photography in Santa Fe, NM, through December 31, 2023.

Photojournalists settle long fought case against the NYPD

 Via National Press Photographers Association

September 5, 2023

Sept. 5, 2023 - The New York City Police Department (NYPD) has agreed to historic settlement terms with five photojournalists who were attacked and arrested by NYPD during the racial justice protests of 2020. The agreement reinforces the First Amendment rights of the public and the press, provides new protections for journalists operating in New York, and according to the terms of the agreement will improve police training and reinforce proper behavior toward the press.

The settlement resolves a federal lawsuit brought three years ago by attorneys from the National Press Photographers Association (NPPA), along with the nationally recognized law firm of Davis Wright Tremaine LLP and noted civil rights attorney Wylie Stecklow, on behalf of the five photojournalists, Adam Gray, Jason Donnelly, Diana Zeyneb Alhindawi, Mel D. Cole, and Amr Alfiky.


The agreement includes the following terms:

Journalists with press credentials issued by New York City’s Mayor’s Office of Media and Entertainment (MOME) will not need to leave the area when an order to disperse is issued to the general public and members of the press will not be subject to arrest for documenting police activity or for not leaving the general area;

NYPD will not arrest journalists with government-issued credentials for alleged low-level offenses (such as disorderly conduct or obstructing governmental administrations) without prior approval by an incident commander or a Deputy Commissioner, Public Information official. Any summons for such arrests will presumptively be issued to the journalist on site instead of at a police station, thereby discouraging the practice of unlawfully detaining journalists at police stations for hours before charges against them are dropped;

NYPD officers are prohibited from arresting, restricting, or interfering with members of the press for merely observing or recording police activity in public places;

NYPD will recognize the legitimacy of press passes that are issued by jurisdictions outside New York City;

NYPD is required to provide journalists with access “to any location where the public is permitted,” and NYPD officers are barred from putting up crime/accident/incident scene tape or establishing “frozen zones” for the purpose of preventing members of the press from viewing or recording events in public places;

Neither a press pass nor any other form of press identification is needed to observe or record police activity occurring in public places, including areas where protests, crimes, or other matters of public concern are taking place.


In the agreement, the NYPD also—for the first time ever—formally acknowledges that the press has a clearly established First Amendment right to record police activity in public places, and commits itself to respect that right. (See Settlement Agreement, ¶¶ 14, 89.) No press pass or other form of identification is needed to exercise this right. Pursuant to the agreement, the agency will update its guidelines, amend its current policies and training and will specifically train members of the service on treatment of the press and the clearly established right to record police activity in public. The agreement also makes clear that the increased protection for members of the press does not in any way diminish the right of citizens to record police activity in traditional public places.


“Journalists are an essential part of a functioning, civil society and it’s essential that they be allowed to conduct their work free of harassment and assault, especially from state actors,” said Mickey H. Osterreicher, general counsel to the NPPA. “On behalf of our members and all visual journalists, who perform a vital role as watchdogs and witnesses to history, I am very pleased with the terms of this agreement and the changes to police behavior that it demands.”


“This is not an agreement that will simply sit on a shelf,” added NPPA deputy general counsel Alicia Calzada. “It has real teeth and real mandates for improved training of police at all levels. We are hopeful this will truly change law enforcement culture when it comes to First Amendment activities.”


Attorney Robert D. Balin, who led the litigation for Davis Wright Tremaine accentuated the importance of the case. “The treatment that our clients received at the hands of the NYPD was not only unconstitutional, it was unconscionable, and a direct threat to our democratic principles,” Balin said. “I’m proud that these brave photojournalists chose to hold the police department accountable for their actions and I look forward to seeing the terms of this far-reaching settlement implemented for the benefit of all journalists.”


In addition to the policy changes, the settlement agreement also requires that the NYPD provide extensive annual training to all of its officers—ranging from Police Academy cadets to high-ranking executive personnel—on the First Amendment rights of the press and establishes a police-media relations committee to monitor and discuss future incidents involving the press. Additionally, for a period of three years, a committee headed by the New York City Department of Investigation will monitor police activity at protests to ensure that the NYPD complies with its commitments to respect the rights of peaceful protesters, journalists, and legal observers.


While pervasive mistreatment of journalists covering the George Floyd protests was the catalyst for the civil rights suit (see, Testimony of NPPA General Counsel Mickey H. Osterreicher June 15, 2020, OAG Hearing on Interactions Between NYPD and the General Public, p. 207), the scope of the agreement they ultimately hammered out with the NYPD reaches much further. The provisions in this settlement agreement related to the press are not limited to protest situations, but are crucial First Amendment principles that apply whenever members of the press are covering police activity in public.


“The NYPD’s abuse of the media has been a systemic issue for decades, and today’s injunctive settlement hopefully provides a brighter future for protest and the ability of the press and public to document police interactions at First Amendment activities and beyond in this great City,” said Wylie Stecklow, who in addition to his work on this case, regularly represents photographers and protesters whose rights have been violated by the NYPD. “But today’s announced settlement is not the end, it’s just the beginning of re-training and new NYPD policies to ensure there is respect and protection for the press, up and down the NYPD hierarchy. We cannot expect the rank and file to follow these rules related to the respect of First Amendment rights of the media, if high ranking officers are able to violate the rights of the media with impunity and immunity.”


The five plaintiffs in the case are award-winning visual journalists who have published their work in a variety of leading global news outlets, including Reuters, The New York Times, The Times of London, The Guardian, The Wall Street Journal, National Geographic, Paris Match, Le Monde, CNN, BBC, The Atlantic, Rolling Stone, and more.


Adam Gray, former chief photographer for the British press agency South West News Service and repeat recipient of the Photographer of the Year Award by the British Press Photographers’ Association, was the first plaintiff to join the case following his wrongful assault and arrest while covering the protests. He was pushed to the ground without warning, arrested, and detained overnight while covering protests in and around Union Square. “I’m extremely grateful for the no-cost representation provided to me and the other news professionals by Rob, Mickey, Wylie and their teams,” said Gray. “These protests happened during a critical inflection point for U.S. society and I am hopeful this settlement will mark a major change in New York’s police culture as well.”


Jae Donnelly, a well-known photographer, and regular contributor to The Daily Mail, was violently assaulted by a baton-wielding officer while photographing protestors in the Hell’s Kitchen neighborhood. “Our lawsuit has fought to change the NYPD rule book on how NYPD from top to bottom treat us news gathering professionals with the professional courtesy,” said Donnelly. “We deserve to be kept safe before one of us is eventually killed at work. My attack by an NYPD sergeant put myself and my family through much pain,” he added.


Amr Alfiky —who was arrested while photographing police activity on the Lower East Side in February 2020, and, in a second incident, violently attacked by an officer while covering protests at the Barclay’s Center in Brooklyn—celebrated the agreement. “This settlement is indeed historic and goes beyond the compensation for the profound damage caused by excessive use of force and unlawful arrests towards visual journalists and photographers in New York City,” he said. “Hopefully, this is the start of a new era of how journalists are perceived and treated by NYPD.” Alfiky is now a staff photographer for Reuters in the Middle East.


Diana Zeyneb Alhindawi, a renowned documentary and news photographer, who was hit in the face by a baton-wielding officer while photographing police beating a young man in Lower Manhattan said, “as a photographer working in conflict zones around the world, I was stunned when the NYPD struck me with a baton, splitting my lip, when I was simply doing my job on the public streets of NYC a few days after the murder of George Floyd. It was the first time I'd suffered an injury while on the job, and it wasn't in war-torn Congo or South Sudan, but in the New York City. I'm glad to see that in the USA, however, when the rights of the press are so egregiously infringed upon, there is a legal system that can come to our support. I do hope our trial will move things in the right direction for us journalists to be able to do our jobs without fear of unlawful arrest or harm, and ultimately for freedom of the press and a more just society.”


Mel D. Cole, a widely published visual journalist and music photographer, was documenting police-protester clashes from the Brooklyn Bridge footpath when he was arrested, stripped of his cameras, and held for seven hours. “Going to jail for doing your job as a photographer should never ever happen. I'm happy that I can now put what should have never been behind me, but I will never forget the feelings that I had that day while being handcuffed and not being able to free when I should have been!” he said.


These terms are all part of a larger settlement announced today of claims that were brought on behalf of peaceful protestors by the New York Attorney General’s Office, the New York Civil Liberties Union, The Legal Aid Society, Gideon Orion Oliver, and civil rights firms Cohen & Green and the Aboushi Law Firm. The NPPA had previously filed public comments and testified during public hearings regarding the mistreatment of the press during the 2020 protests. Along with the agreed upon terms of the settlement, the photographers will all receive monetary compensation.


This significant civil rights litigation was supported by NPPA counsel Osterreicher and Calzada and a team that consisted of Davis Wright Tremaine counsel Robert D. Balin, Abigail Everdell, Alison Schary, Kathleen Farley, Alexandra Settelmayer, Nimra Azmi, Megan Amaris, Jean Fundakowski and Veronica Muriel Carrioni, and paralegal Megan Duffy, along with attorney Wiley Stecklow of Wylie Stecklow, PLLC.

About the National Press Photographers Association NPPA is a 501(c)(6) non-profit organization dedicated to the advancement of visual journalism in its creation, editing, and distribution. NPPA’s members include video and still photographers, editors, students, and representatives of businesses that serve the visual journalism community. Since its founding in 1946, the NPPA has been the Voice of Visual Journalists, vigorously promoting the constitutional and intellectual property rights of journalists as well as freedom of the press in all its forms, especially as it relates to visual journalism. For more information, go to nppa.org.

Photojournalists settle long fought case against the NYPD (nppa.org)

Documentary filmmaker Nancy Buirski won Emmy and Peabody Awards for “The Loving Story,” about a Virginia couple’s successful challenge to a ban on interracial marriage, has died at 78.

 Via The New York Times

September 1, 2023

Grey Villet: Mildred and Richard Loving, 1965

Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan. She was 78.

After founding the Full Frame Documentary Film Festival in 1998 at Duke University in Durham, N.C., and directing it for a decade, Ms. Buirski (pronounced BURR-skee) made her own first documentary, “The Loving Story,” in 2011.

The film explored the case of Mildred and Richard Loving, who faced imprisonment because their interracial marriage in 1958 was illegal in Virginia. (She was part-Black and part-Native American, and he was white.)

Their challenge to the law resulted in a landmark civil rights ruling by the United States Supreme Court in 1967 that voided state anti-miscegenation laws.

---------

"Years earlier, as a picture editor on the international desk at The New York Times, Ms. Buirski was credited with choosing the image that won the newspaper its first Pulitzer Prize for photography, in 1994. After seeking a photograph to accompany an article on war and famine in southern Sudan, she choose one by Kevin Carter, a South African photojournalist, of an emaciated toddler collapsing on the way to a United Nations feeding center as a covetous vulture lurked in the background.

Ms. Buirski commended the photo to Nancy Lee, The Times’ picture editor at the time. She then proposed it, strongly, for the front page, because, she recalled telling another editor, “This is going to win the paper’s first-ever Pulitzer Prize for photography.”

The photograph ended up appearing on an inside page in the issue of March 26, 1993, but the reaction from readers, concerned about the child’s fate, was so strong that The Times published an unusual editors’ note afterward explaining that the child had continued to the feeding center after Mr. Carter chased away the vulture.

The picture won the Pulitzer in the feature photography category. (Mr. Carter died by suicide a few months later at 33.)"

Full obituary here.

View Grey Villet's photographs of Richard and Mildred Loving here.

"GOOD TROUBLE" Exhibit extended through September 30

 

"Good Trouble" is an exhibition of photographs that register the power of individuals to inspire movements and illustrates the power of protest from a deeply human perspective. In this exhibition, we are reminded of the power of photographs to propel action and inspire change.  The exhibition has been extended through September 30, 2023.

Protest is an invaluable way to speak truth to power. Throughout history, protests have been the driving force behind some of the most powerful social movements, exposing injustice and abuse, demanding accountability and inspiring people to keep hoping for a better future. The right to protest encompasses various rights and freedoms, including the freedom of assembly, the freedom of association, and the freedom of expression. Unfortunately, these precious rights are under attack and must be protected from those who are afraid of change and want to keep us divided.

During the course of the exhibition, several major news items have affirmed the importance of protest and standing up against injustice.

On May 8, Photojournalist Stephanie Keith was arrested while documenting a candlelight vigil in New York City for Jordan Neely, a homeless man who was choked to death on the subway. On July 7, Keith joined Gallery photographer Ryan Vizzions, who met while documenting the Standing Rock protest against the Dakota Access Pipeline, discussed their experiences documenting protest movements, recent efforts to suppress protest, and the increase in the misuse of force by police at protests.

Watch the Gallery conversation on YouTube here.

Last spring, Tennessee Republicans inadvertently turned the "Tennessee Three" — Democratic Representatives Justin J. Pearson, Gloria Johnson, and Justin Jones — into beloved national political figures by voting to expel them for supporting gun reform demands. At the end of August, Lawmakers voted 70-20 to discipline Jones, effectively preventing him from speaking during the special session. Republicans ordered state troopers to clear the galleries. The decision forced the removal not only of the protesters but also of the parents of students who had survived a deadly school shooting and were keeping a quiet and emotional watch over the proceedings. Rep. Jason Powell, D-Nashville, said "We have arrived in a very scary and sad place in the state of Tennessee. Instead of being used to enforce the public safety, they are being used to suppress democracy."

In July, New York City agreed to pay $13 million to settle a civil rights lawsuit brought on behalf of roughly 1,300 people who were arrested or beaten by police during racial injustice demonstrations that swept through the city during the summer of 2020. In August, Denver approved a $4.7 million settlement for more than 300 protesters who were detained for violating an emergency curfew during demonstrations over the killing of George Floyd in 2020, and later accused the police of using excessive force.

In August, the office of The Marion County Record in Iowa, and home of the newspaper's owner, were raided by Police in an unprecedented attack on the press. Following an international backlash, the County attorney cited 'insufficient evidence' for the search and seizure.

"When you see something that is not right, not fair, not just, you have to speak up. You have to say something; you have to do something. You must be bold, brave, and courageous and find a way…to get in the way". – John Lewis

View the exhibition here.

"We hear you, Joan Meyer. Your loss stings. But we won’t forget that you took a stand when it mattered."

 Via The Kansas Reflector

August 23, 2023

"But we won’t forget that you took a stand when it mattered."

Joan Meyer, the 98-year-old co-owner of the Marion County Record, finally had her say Monday.

Boy, did we get a talking-to.

Meyer’s previous silence was sadly excusable. She died of cardiac arrest Aug. 12, a day after unconstitutional police raids on her home and beloved newspaper. But the whole world heard her loud and clear Monday, thanks to a video released by the Record showing her confrontation with officers.

Suffice to say, she had some choice words.

“Don’t you touch any of that stuff. This is my house!” she tells the police, who are clustered at the other side of the room around a table. “You ***holes. Get ’em out of here. They’re here.”

She then confronts an officer, vigorously pushing a walker ahead of her: “Does your mother love you? Do you love your mother? You’re an ***hole, police chief. You’re the chief? Oh, God. Get out of my house. You’re (unclear). Get out. Stand outside. You can stand outside that door and still see him. I don’t want you in my house.”

The video continues, with Meyer muscling herself and the walker past two officers to see exactly what was happening at the table.

“What are you doing?” she demands. “Those are personal papers.”

An officer limply explains the now-withdrawn search warrants, and Meyer responds with: “You people —” before the footage cuts off.

Those following the Marion County fiasco since Kansas Reflector broke the story probably have conjured an image of Meyer in their mind. She was a sweet elderly lady, gentle and caring, face wreathed with white curls and harboring angelic disposition. Accounts written after her death painted her as a community fixture, someone who dedicated 60-plus years to the newspaper.

Sure, she was many of these things, at least some of the time. But we can also see that she was a tart-tongued firebrand, not just feisty in the face of adversity but downright impassioned.

The police raid may have led to Meyer’s death. It most certainly did not break her spirit or misdirect her moral compass.

Watching the video, I thought about both of my grandmothers. They were each about her age, which meant their youths were shaped first by the Great Depression and then by World War II. My maternal grandmother went to work for Pratt and Whitney’s aircraft engine division during the war and stayed on at the Veterans Administration a few years afterward. Once my grandfather retired, she went to business school and landed a new job. My paternal grandmother spent her career as a schoolteacher in southeast Kansas and kept tutoring after she retired.

They were tough ladies. They raised families, loved grandchildren and didn’t stand for malarky. Although they both died some dozen years ago, I miss them still.

Would either have reacted like Meyer, cussing out local police, if officers had intruded on their homes and families?

I can only guess. But between the two of them, I bet at least one would have tried.

Meyer tried. She was still here. She had survived the passings of so many other people of her generation, and from the available video clip, she had no plans to go anywhere. That makes the overreach of Marion County Police Chief Gideon Cody and Magistrate Judge Laura Viar even less tolerable. They not only violated the First Amendment. They appear to have contributed to this newswoman’s death.

As Kansas House Minority Leader Vic Miller said Tuesday: “It had literally grave consequences in this instance, with the mother passing away. I’ve watched the video, there’s no doubt in my mind that the stress of this event added or contributed to her loss. But the chilling effect, the absolutely chilling effect that this can have on the rest of our press is intolerable.”

All of us need similar courage today. We face assaults on individual rights and freedoms from all directions. Leaders at the Kansas Statehouse have been more than happy to target minority groups for political advantage, pamper the privileged and spread lies about people in need. They expect us to blithely take it and treat them politely along the way.

Listen, I don’t advocate cussing out anyone. At least not instantaneously. But at a certain point, raising your voice for justice and freedom doesn’t just make sense. It’s the only way to be heard.

We hear you, Joan Meyer. Your loss stings. But we won’t forget that you took a stand when it mattered.

Clay Wirestone is Kansas Reflector opinion editor. Through its opinion section, Kansas Reflector works to amplify the voices of people who are affected by public policies or excluded from public debate.

Nina Berman on Panel: Civilizing Interventions: Humanitarianism and Gender Violence

 Via Columbia Journalism School

Book available here

Civilizing Interventions: Humanitarianism and Gender Violence

Panel and Book Launch for The Cunning of Gender Violence: Geopolitics and Feminism

Time & Location
September 13, 2023
6:00PM - 8:00PM ET

World Room, Pulitzer Hall, Columbia University
2950 Broadway, New York, NY 10027
Important Information

Registration required. Seating is available on a first-come first-served basis, RSVPs do not guarantee admission.

- - - - - - - - - -

Program

Welcome by Jelani Cobb (Columbia Journalism School Dean)

Introduction by Lila Abu-Lughod (CSSD Director, Columbia)

Author Panel:
Nina Berman (Columbia Journalism School)
Rema Hammami (Birzeit University, Palestine)
Sima Shakhsari (University of Minnesota)
Dina M. Siddiqi (New York University)

Moderator: Shenila Khoja-Moolji (Georgetown University)

Sponsored by Columbia’s Center for the Study of Social Difference (CSSD) and School of Journalism. With generous support from the Henry Luce Foundation.

Co-Sponsors: Columbia University Department of Anthropology, Institute for the Study of Sexuality and Gender, Middle East Institute, and South Asia Institute

Anna Boyiazis' "Finding Freedom In The Water" For World Photography Day

View this post on Instagram

A post shared by World Press Photo Foundation (@worldpressphoto)

Via World Press Photo on Instagram

August 18, 2023

In honor of World Photography Day on 19 August, we asked our executive director to share an image from our archive that she finds impactful. Joumana selected this image by Anna Boyiazis (@annaboyiazis), from the project ‘Finding Freedom in the Water,’ awarded in the 2018 Contest.⁣

There is a mesmerizing quality to this image that is both relaxing and daunting. Relaxing in the peace that you feel when you look at the girl’s faces floating in the water and daunting in its unfortunate reference to migrants dying at sea. However when you understand that the girls are students learning how to swim and perform rescues in Zanzibar, then you start to read the image in a new light. And, when you know that one of the highest causes of mortality in Zanzibar is drowning, especially for girls who have been discouraged from learning to swim because of the absence of modest swimwear, then you understand the image differently.

What I am moved by here is not only the extraordinary beauty of the photograph itself, but also the symbol that lies in these girls taking the power in their hands and learning how to swim, in order to challenge and change their reality and our misconception.” - Joumana El Zein Koury, World Press Photo executive director

Pictured here, students from the Kijini Primary School learn to swim and perform rescues in the Indian Ocean, off Muyuni Beach, Zanzibar. Traditionally, girls in the Zanzibar Archipelago have been discouraged from learning how to swim, largely due to the absence of modest swimwear. But in villages on the northern tip of Zanzibar, the Panje Project (panje translates as ‘big fish’) is providing opportunities for local women and girls to learn swimming skills in full-length swimsuits, so that they can enter the water without compromising their cultural or religious beliefs.

View more from Anna Boyiazis' "Finding Freedom In The Water' here.

Marion County attorney withdraws search warrant against Kansas newspaper; returns items

 

Via KHSB Kansas City

August 16, 2023

By: Jessica McMaster

County attorney sites 'insufficient evidence' for search, seizure

MARION, Kan. — A search warrant that cleared the way for the raid of a Kansas newspaper last Friday has been withdrawn, KSHB 41 I-Team reporter Jessica McMaster learned late Wednesday morning.

Marion County Attorney Joel Ensey withdrew the warrant that served as the basis for the raid of the Marion County Record by the Marion Police Department last Friday.

As part of withdrawing the warrant, Bernie Rhodes, the attorney representing the newspaper, says all items that were seized as part of the raid have been released back to the attorney representing the newspaper.

The Kansas Bureau of Investigation shared Wednesday afternoon that its investigation will move forward independently "and without review or examination of any of the evidence seized on Friday, Aug. 11."

Rhodes tells the KSHB 41 I-Team that a forensics expert is on standby to examine the items that were seized. Once those items are in the possession of the expert, the expert plans to make a "forensic copy" and then check to see if anything was accessed or altered.

Ensey issued a press release Wednesday, stating the affidavits established probable cause that an employee at the Marion County Record may be guilty of unlawful acts concerning computers, but that there was not sufficient evidence between the "alleged crime and the places searched and the items seized."

The county attorney said he is asking the courts to publicly release the affidavits.

The KBI will submit findings of its investigation to the Marion County Attorney's Office.

What Life Magazine Taught Me About Life

 Via The Atlantic

August 14, 2023

As a child, I saw the country in its photos, stories, and advertisements—and learned some hard truths about America.

By Drew Gilpin Faust

(Subscription required)

I grew up in the 1950s, on a farm in Virginia miles away from any town or neighbors. For most of my childhood we didn’t have a television, so my three brothers and I amused ourselves fighting pretend Civil War battles in the fields and woods around our house or vying over card and board games that we spread across the living-room floor.

But for me, the best entertainment was always reading. I read for pleasure, for company, and for escape from my contained Virginia world. I could explore other places and imagine myself into other lives—lives that went beyond the limited choices available to my mother and the women of her circle, who were all ruled by the era’s prescriptions of female domesticity. The written word introduced me to what girls could do: solve mysteries, like Nancy Drew; brave the Nazis, like Anne Frank; demand change, like the protagonist of Susan Anthony: Girl Who Dared. Reading could provide, to borrow Scout’s words in To Kill a Mockingbird, a way to escape “the starched walls of a pink cotton penitentiary closing in on me.” And words could carry me beyond the gentle slopes of the Blue Ridge Mountains that rose behind our house. They offered a view of national and global affairs that caught me up in a sense of urgency. I was frightened by the fact that Sputnik had been launched and was passing by overhead every 96 minutes in its orbit of the Earth. I wondered how the Russians had beaten us into space. I was inspired by the courage of Hungarians fighting against communism. I was reassured by portraits of the confident prosperity of postwar America. Yet I felt growing doubt and unease as I read descriptions of the turbulence and conflict emerging to undermine it. (more - subscription required)

Exhibition: The LIFE Photographers

David Butow Photographs for TIME Feature on Maui Wildfires

 Galley photographer David Butow contributed photographs to the TIME features:

What Remains After the Flames: Scenes From the Ash-Colored Streets of Maui

 What to Know About the Maui Wildfires

Spencer Kim helps clear debris at the ruins of a house belonging to a friend in Kula, Hawaii on Aug. 12, 2023. This small hillside town on Maui suffered damage from deadly fires that hit several parts of the island on Aug. 8. David Butow for TIME

In Marion County newspaper raid, a grim threat to Kansans’ First Amendment rights

 Via The Kansas Reflector

August 12, 2023

The outrageous law enforcement assault on the Marion County Record newspaper raises a veritable forest of red flags.

Why would a judge sign off on an apparently illegal search? What type of officials would willingly execute such an abuse of power? Could any convoluted sequence of liquor permit infighting possibly justify such drastic measures? Are we still living in a state and nation where the First Amendment of the U.S. Constitution applies?

We don’t know definitive answers to any of these questions yet, and the story may well still surprise us. In the meantime, the Record itself and Kansas Reflector’s story offer starting points.

This morning, though, I’d like to write about a part of the story that we do know. We know that law enforcement officials raided the office of a news outlet and carted away computers and cellphones. On its own, with no other background or context, this sets an incredibly destructive precedent.

Not just in Marion.

“Newsroom raids in this country receded into history 50 years ago,” said John Galer, chair of the National Newspaper Association and publisher of the Journal-News of Hillsboro, Illinois.

“Today, law enforcement agencies by and large understand that gathering information from newsrooms is a last resort and then done only with subpoenas that protect the rights of all involved. For a newspaper to be intimidated by an unannounced search and seizure is unthinkable in an America that respects its First Amendment rights. NNA stands by its community newspapers and calls upon top officials in Kansas to immediately return any property seized by law enforcement so the newspaper can proceed with its work.”

An attack on a newspaper office through an illegal search is not just an infringement on the rights of journalists but an assault on the very foundation of democracy and the public’s right to know. This cannot be allowed to stand.

– Emily Bradbury, executive director of the Kansas Press Association

Emily Bradbury, executive director of the Kansas Press Association, added strong words on behalf of local outlets: “An attack on a newspaper office through an illegal search is not just an infringement on the rights of journalists but an assault on the very foundation of democracy and the public’s right to know. This cannot be allowed to stand.”

Imagine for a moment that you’re the editor and publisher of a small weekly newspaper somewhere else in Kansas. Imagine too that you’ve been speaking with a source about potential wrongdoing by a prominent resident. That resident happens to have a friendly relationship with the local police department. You know that publishing the story, even in the best of times, will create a firestorm in your little community.

Now imagine that you read the coverage coming out of Marion County. You see that printing such a story — or even reporting it — might put you at risk of being raided. It might put your employees at risk. It might threaten the entire financial stability of your business.

So do you publish the story? Or do you think twice? Do you potentially delay the piece for a couple of weeks until this all blows over?

Well, do you?

That’s the damage already done in Marion. That’s the damage already done to Kansas journalism. No matter how the story shakes out — if officials return all the seized computers and cellphones this afternoon — a message has been sent. That message conflicts with the tenets of an open society. It conflicts with free expression. It shuts down the ability of democracy’s defenders to do their jobs, informing and educating the public.

Or as Record publisher and editor Eric Meyer told us yesterday: “It’s going to have a chilling effect on us even tackling issues.” What’s more, it will have “a chilling effect on people giving us information.”

A toothpaste tube has been squeezed, hard, and there’s no getting all that minty fresh goo back inside its container.

No matter the size of the outlet, no matter the reporter, the memory of this raid will linger. Stories will be slowed or go unwritten. Towns, cities, counties and entire states will lose out on vital knowledge about the misdeeds of powerful people. That’s why I care, and that’s why the Reflector cares. That’s why journalists across this country, when they learn about what happened in Marion County, will care too.

Look, I understand. Journalists and journalism can be pretty annoying at times. But no one should doubt our commitment to doing our best for both readers and our communities. Folks who stand in the way of us doing that job don’t just pick a fight with us. They pick a fight with the people we serve.

One more point. If you revere the Constitution — as so many conservatives and liberals claim to do these days — don’t just sit back and watch. Step up to defend our shared freedoms. Because if the Marion County Record can’t report and print freely, neither can the rest of us.

And neither can you.

Clay Wirestone is Kansas Reflector opinion editor. Through its opinion section, Kansas Reflector works to amplify the voices of people who are affected by public policies or excluded from public debate. Find information, including how to submit your own commentary, here.

Santa Fe's Monroe Gallery presents 'Good Trouble' taking a look at the impact of activists

 Via The Albuquerque Journal

Kathaleen Roberts

August 6, 2023

Carl Mydans/Life Picture Collection

A Pioneer Organizer Of The Office Workers' Union, Wall Street and Broad Street, NYC, 1936

Many of America’s most cherished rights materialized because someone took action.

“Good Trouble,” an exhibition of more than 50 photographs documents the power of the individual to inspire movements at Santa Fe’s Monroe Gallery of Photography.

Photographs can propel passion and inspire change, from the images of a spinning Gandhi to the Standing Rock protests.

The photographs document Civil Rights leaders as well as other lesser-known and everyday people who champion freedom across the globe, from labor to social to environmental issues.

“It’s showing the courage and the necessity for the everyday person to stand up for what’s right,” said Sidney Monroe, gallery co-owner.

The images extend from the 1930s to the present.

Life magazine photographer Carl Mydans captured an office workers’ union protest in 1936. An unidentified woman leads the group cradling an American flag. Mydans was known for his World War II photographs.

“Obviously, she is a young leader of a union,” Monroe said. “For a woman at that time, that’s pretty remarkable.”

The photographer Bill Eppridge, best known for his photographs of the late Sen. Robert Kennedy, took a portrait of the labor leader César Chávez working in a field in 1974.

Chávez was an American labor leader and Civil Rights activist. He co-founded the National Farm Workers Association, which later became the United Farm Workers labor union. Ideologically, his world-view combined leftist politics with Catholic social teachings.

“It’s presented as an everyman, a worker, which of course, he was,” Monroe said.

The collection also encompasses contemporary risk-takers, such as Swedish climate change activist Greta Thunberg, pictured sitting alone, dwarfed by the shadow of the Swedish Parliament building. Her sign reads “School Strike for Climate.” She was 15 years old.

“It’s become a worldwide movement,” Monroe said. “Apparently, they had some lessons in school, and she said if these parents and adults aren’t going to do anything, I’ll sit outside Parliament.”

Ryan Vizzions’ photograph of the Tennessee Three documents the three state representatives who were expelled from the legislature for protesting Republican inaction on gun violence. The shot captures a press conference after they were reinstated.

Gandhi, perhaps more than any other person, embodies the exhibition’s theme of a long-term commitment to a cause. His spinning in the face of provocations during India’s anti-colonial movement was symbolic of self-sufficiency. He spun daily for one hour beginning at 4 a.m. Famed photojournalist Margaret Bourke-White shot the portrait shortly before Gandhi was assassinated.

“Gandhi was very particular about having an audience with him,” Monroe said. “He insisted she learn how to use a spinning wheel. She wrote Gandhi called her his personal tormentor because she was using this large flash. It was disruptive to his meditation.”

The exhibition will hang through Sept. 17.

'GOOD TROUBLE'

WHERE: Monroe Gallery of Photography, 112 Don Gaspar Ave., Santa Fe

WHEN: Runs through Sept. 17

INFORMATION: 505-992-0800; monroegallery.com.

Federal Appeals Court Undercuts First Amendment Protest Rights

 Via The Brennan Center for Justice

August, 2023

A federal appeals court recently ruled that a protest leader can be sued for injuries caused by a different protester during a demonstration, even when the leader did not direct, encourage, or even approve of the actions involved. The 2–1 decision in the case, Doe v. Mckesson, manufactured a legal loophole large enough to swallow First Amendment rights. To get there, the court disregarded long-settled law and twisted or ignored Supreme Court precedents.

The opinion is so untethered from settled law that it is hard to resist the conclusion that the court punished Mckesson because of who he is: a Black Lives Matter activist protesting police violence.

Good Trouble is on exhibition through September 17, 2023. "Protest is an invaluable way to speak truth to power. Throughout history, protests have been the driving force behind some of the most powerful social movements, exposing injustice and abuse, demanding accountability and inspiring people to keep hoping for a better future. The right to protest encompasses various rights and freedoms, including the freedom of assembly, the freedom of association, and the freedom of expression. Unfortunately, these precious rights are under attack and must be protected from those who are afraid of change and want to keep us divided."

What these men behind a historic photo taken 47 years ago say about race in Boston then and now

 Via WCVB Boston

By Brittany Johnson

July 28, 2023

BOSTON —

The two men who were part of a single historic photograph that captured the essence of racial tension in Boston in 1976 are reflecting on how far the city has come and how far it has to go in order to achieve racial justice.

Ted Landsmark and Stanley Forman met up with WCVB's Brittany Johnson at Boston's City Hall Plaza, where the incident took place.

As Landsmark walked across the plaza, he reflected back to the day a group of protestors attacked him. Landsmark was kicked, hit in the face, and suffered a broken nose. One of the protesters swung the American flag in his direction to use it as a weapon.

"Ironically, on the day when the assault took place, I was on my way to a meeting in City Hall to discuss how the city could open up more job opportunities to contractors of color and to workers of color in the city," Landsmark, who was a young lawyer at the time of the attack, told Johnson.

"I had no expectation that I would encounter a crowd of anti-busing demonstrators," he said. "My mind was fixed on creating opportunities and jobs for young people in the city."

During this time period, Boston was fraught with discrimination and uproar over court-ordered school desegregation.

Stanley Forman

The Soiling of Old Glory" Anti-Busing Protest, Boston, 1976

"Boston half a century ago was fraught with all kinds of discrimination," Landsmark explained. "It affected housing. It affected the police department. It affected schools. It affected our transportation system. Redlining had been in place and had made it virtually impossible for African-Americans to be able to live where they wanted to live in the city. The transportation system was one that discriminated in terms of employment. It was a place that was very uncomfortable for people of color, and African Americans in particular, to live and to have opportunities for career growth and opportunities to really take advantage of all of the educational opportunities that exist within the city."

With the racial climate at the forefront, Landsmark said he knew the attack could transcend into a way for him to speak to larger issues of the civil rights movement.

"From the moment I was attacked in City Hall Plaza, I knew that I was going to be placed in a position to have an opportunity to talk about the issues of race and of access to jobs and education that existed within this region. It was clear to me that people of color, and African-Americans in particular, had been discriminated against for generations, and that at that moment, there was an opportunity for me to have a platform to address those issues in the context of bussing as it was taking place in the city," he said.

The Pulitzer Prize photograph, titled "The Soiling of Old Glory," was taken by photojournalist and former NewsCenter 5 videographer Stanley Forman.

"The day I took that picture, I didn't get — I tell everybody, I didn't get the impact of it. I mean, I ran down and continued on the coverage. They left here (City Plaza), and I just followed them," F0rman said.

"When did you realize the magnitude of what you had?" Johnson asked Forman.

"I think when we were in the office, and the editors were looking at it, and I was looking at it, and they were so frightened it would start a race war," Forman replied. "I think that's when I realized how bad it was. It took a few hours for me to catch on."

"What Stanley and I have realized over time is that the photograph provides an incentive, a platform for us to raise issues around race in the city, not only in terms of what happened in the 1970s but more importantly in terms of what is happening now as we look forward with new generations of individuals who are addressing these same issues of racial justice," said Landsmark.

Landsmark, a long-time civil rights activist and now a professor of public policy at Northeastern University, said Boston has come a long way but said work still needs to be done to achieve racial justice.

"There's been a great deal of change in the city, primarily in the public sector. Our city council is elected and is composed primarily of people of color. For the first time, we have a person of color as mayor within the city, and we've made significant advancement in many of our public sector areas, but we have a huge amount of work to do in the private sector. Our financial services area, our high-tech companies, our universities, our biotech firms all need to do considerably more to open up job opportunities for young people of color in and around the city and need to use their private sector resources and capital to develop job training programs and career opportunities for people within the city," said Landsmark.

"In 2023, did you think you'd still be speaking about achieving racial justice?" Johnson asked Landsmark.

"I was perhaps naïve in believing that by 2023 we would be much further along not only in Boston but nationally in terms of achieving racial justice, in terms of achieving opportunities for African-Americans to be able to be professionals and homeowners and to maintain stability within their families. And it's a little disappointing that we're still struggling today with many of the same issues that we faced in 1976 when I was attacked on City Hall Plaza," he said.

Just down from City Hall Plaza, the NAACP convention was getting underway.

It has been over 40 years since the annual convention was held in the Commonwealth, and Landsmark hopes that the return of the national convention to the city will serve as a tide change in Boston's history.

"Boston is definitely ready to take advantage of this moment, in part because our elected officials have embraced social change, in part because the demographics of who is living in the city have changed so significantly, and in part, because we understand that the future of the city is dependent on the success of people of color in the greater Boston area," Landsmark said.

WCVB

Ted Landsmark and Stanley Forman

The message of the 114th National Convention is "Thriving Together," which is something Landsmark and Forman know a thing or two about, as they are forever attached to the story of "The Soil of Old Glory."

"People have asked me whether I thought Stanley should have intervened somehow," Landsmark shared, as he was standing beside Forman. "And I think that in doing his job of taking the photo at that moment, he contributed to the kind of dialog that we need to have not only in Boston but around the country, around the implications of hate and racial violence and what it is we need to think about doing to eliminate both."

"And that moment was captured in a famous photograph where a young person was trying to kill me with the American flag.”

 Via WBUR

July 23, 2023

Civil rights activist Ted Landsmark reflects on Boston's reputation for racism — and how the city has and hasn't changed.

“I was on my way to an affirmative action meeting with city officials to try to open more jobs for people of color and minority contractors in the city of Boston,” Landsmark says. “I was attacked by a group of anti-busing demonstrators. And that moment was captured in a famous photograph where a young person was trying to kill me with the American flag.”

Stanley Forman: "The Soiling of Old Glory" Anti-Busing Protest, Boston, 1976

Listen here:

The Real Frame In The Digital Age

 Via David Butow/The Real Frame

July, 2023

David Butow: The AI/photography space is moving so fast I created a website with fellow photog David Paul Morris to help keep track and open a dialogue as things unfold, for better or worse.

By David Butow and David Paul Morris –

There are existential questions about how Artificial Intelligence will modify the appeal and strength of photography. The principle one is: what impact will the technology have on viewers, from the pure enjoyment of an aesthetically pleasing image to the usefulness of pictures to tell us something truthful about the social and natural conditions of the world?

That is why we’ve created this website, to consider these questions as they’re unfolding, and allow people to contribute to the discussion in comments at the bottom of the posts. The have been many articles about the subject in the last few months so we’ve consolidated several of them onto the posts marked “AI & Fautojournalism.”

We’ll also discuss the opposite of AI photography, with gear reviews and posts tagged “Real Frames” which feature single, non-computer generated photographs, from ourselves and various contributors, and tell the backstory about how they were created. Our first RF post is from Rian Dundon‘s new book “Protest City“.

Welcome and thank you for joining us. If you’d like to sign up for our mailing list write us at TheRealFramePhoto@gmail.com and put “subscribe” in the subject line. You can find more about us on our “About” page.

So let’s go…

The recent rapid advances in artificial intelligence raises a question for many people who like making photo-style images: “Do I even need to leave the house?” For some I think the answer will be “no.” Before the emergence of AI imagery there has been a dynamic emerging of enthusiasts who take photo tours to get specific types of pictures that are essentially set up for them when the get to the destination. The less adventurous wing of that crowd will probably gravitate towards AI, doing everything at home or perhaps creating some combination of real and imagined pictures.

THE EXPERIENCE

The other approach, the thing we most enjoy about making real frames, is being there. The desire not just to create, but to experience something first-hand. The picture becomes of the synthesis of the two. It’s about taking chances and being open to fulfillment, or disappointment. This means witnessing something for the first time, not knowing exactly what will unfold, but knowing it’s often something more interesting than we could have imagined.

Great pictures were not made by photographers who knew exactly what they were going to get. They hiked mountains, went to neighborhoods that made them feel strange. They faced dangers, they ate weird food, they got too cold or too hot, they got lost, and then they found something no one had ever seen before. 

You don’t have to travel far and wide to find of these moments, they might occur in your own home or walking down the sidewalk. But being “present” in that moment, connecting with your environment in some way enriches your own experience and the picture becomes a reflection of that experience.

TRUTH AND RESPECT

The value of that experience runs through the whole process of making the images, starting with the subjects, be they people, animals, cityscapes or natural scenes. If a photographer has been physically present in the environment there will always be an element of truth to the work, no matter how interpretive it is. 

We’re already seeing very clever and fun uses of the technology. Good art always pushes boundaries and I think in the broad field of visual communication, we should embrace the possibilities. The trouble lies in the potential for misuse of these pictures for disinformation, false historical revisionism, and deceitful propaganda.

Beyond just a single fake image or video being used to mislead people, the cumulative effect of repeated examples is likely to have a detrimental effect on the public such that people might question the veracity of nearly everything they see online, particularly things that challenge them in some way. In other words, they might believe the stuff that’s fake, and not believe the things that are real. This could be a gnarly combination of cynicism and denial, accelerating the “post-truth” dynamic.

So while we’ll discuss AI and its alarming implications, we’ll also have a lot of upbeat discussions about making real frames. The photographer gets satisfaction from making these kinds of pictures and the viewer is served by seeing something that is really out there, something they might have seen themselves, albeit in a different way. That’s where the value of photography lies and that’s what separates it from other art forms. It’s what’s kept photography alive for nearly 200 years and hopefully what will keep it relevant in the midst of these profound technological changes.

The Real Frame

NYC to pay $13 Million for violating the rights of protesters over several days in late May and early June of 2020.

 Via The New York Times

July 20, 2023

Ed Kashi: Protest after the Minneapolis Police murder of George Floyd, Manhattan, New York, 

June 2, 2020

The city settled a major class-action lawsuit that said unlawful police tactics had violated the rights of more than 1,000 people who protested after Mr. Floyd’s killing. he City of New York agreed to pay about $13.7 million to settle the class-action suit, which said that unlawful police tactics had violated the rights of protesters over several days in late May and early June of 2020. New York Times journalists covering the protests saw officers repeatedly charge at protesters out after curfew with little apparent provocation, shoving people onto sidewalks and striking them with batons.

On exhibition through September 17, 2023: "Good Trouble". From the exhibition description:

"Protest is an invaluable way to speak truth to power. Throughout history, protests have been the driving force behind some of the most powerful social movements, exposing injustice and abuse, demanding accountability and inspiring people to keep hoping for a better future. The right to protest encompasses various rights and freedoms, including the freedom of assembly, the freedom of association, and the freedom of expression. Unfortunately, these precious rights are under attack and must be protected from those who are afraid of change and want to keep us divided." Visit the exhibition here.

Watch a conversation with Stephanie Keith and Ryan Vizzions, who met while documenting the Standing Rock protest against the Dakota Access Pipeline, discuss their experiences documenting protest movements, recent efforts to suppress protest, and the increase in the misuse of force by police at protests.

On May 8, Keith was arrested while documenting a candlelight vigil in New York City for Jordan Neely, a homeless man who was choked to death on the subway.