Showing posts with label NPPA. Show all posts
Showing posts with label NPPA. Show all posts

Wednesday, September 6, 2023

Photojournalists settle long fought case against the NYPD

 Via National Press Photographers Association

September 5, 2023


Sept. 5, 2023 - The New York City Police Department (NYPD) has agreed to historic settlement terms with five photojournalists who were attacked and arrested by NYPD during the racial justice protests of 2020. The agreement reinforces the First Amendment rights of the public and the press, provides new protections for journalists operating in New York, and according to the terms of the agreement will improve police training and reinforce proper behavior toward the press.

The settlement resolves a federal lawsuit brought three years ago by attorneys from the National Press Photographers Association (NPPA), along with the nationally recognized law firm of Davis Wright Tremaine LLP and noted civil rights attorney Wylie Stecklow, on behalf of the five photojournalists, Adam Gray, Jason Donnelly, Diana Zeyneb Alhindawi, Mel D. Cole, and Amr Alfiky.


The agreement includes the following terms:

Journalists with press credentials issued by New York City’s Mayor’s Office of Media and Entertainment (MOME) will not need to leave the area when an order to disperse is issued to the general public and members of the press will not be subject to arrest for documenting police activity or for not leaving the general area;


NYPD will not arrest journalists with government-issued credentials for alleged low-level offenses (such as disorderly conduct or obstructing governmental administrations) without prior approval by an incident commander or a Deputy Commissioner, Public Information official. Any summons for such arrests will presumptively be issued to the journalist on site instead of at a police station, thereby discouraging the practice of unlawfully detaining journalists at police stations for hours before charges against them are dropped;


NYPD officers are prohibited from arresting, restricting, or interfering with members of the press for merely observing or recording police activity in public places;


NYPD will recognize the legitimacy of press passes that are issued by jurisdictions outside New York City;


NYPD is required to provide journalists with access “to any location where the public is permitted,” and NYPD officers are barred from putting up crime/accident/incident scene tape or establishing “frozen zones” for the purpose of preventing members of the press from viewing or recording events in public places;


Neither a press pass nor any other form of press identification is needed to observe or record police activity occurring in public places, including areas where protests, crimes, or other matters of public concern are taking place.


In the agreement, the NYPD also—for the first time ever—formally acknowledges that the press has a clearly established First Amendment right to record police activity in public places, and commits itself to respect that right. (See Settlement Agreement, ¶¶ 14, 89.) No press pass or other form of identification is needed to exercise this right. Pursuant to the agreement, the agency will update its guidelines, amend its current policies and training and will specifically train members of the service on treatment of the press and the clearly established right to record police activity in public. The agreement also makes clear that the increased protection for members of the press does not in any way diminish the right of citizens to record police activity in traditional public places.


“Journalists are an essential part of a functioning, civil society and it’s essential that they be allowed to conduct their work free of harassment and assault, especially from state actors,” said Mickey H. Osterreicher, general counsel to the NPPA. “On behalf of our members and all visual journalists, who perform a vital role as watchdogs and witnesses to history, I am very pleased with the terms of this agreement and the changes to police behavior that it demands.”


“This is not an agreement that will simply sit on a shelf,” added NPPA deputy general counsel Alicia Calzada. “It has real teeth and real mandates for improved training of police at all levels. We are hopeful this will truly change law enforcement culture when it comes to First Amendment activities.”


Attorney Robert D. Balin, who led the litigation for Davis Wright Tremaine accentuated the importance of the case. “The treatment that our clients received at the hands of the NYPD was not only unconstitutional, it was unconscionable, and a direct threat to our democratic principles,” Balin said. “I’m proud that these brave photojournalists chose to hold the police department accountable for their actions and I look forward to seeing the terms of this far-reaching settlement implemented for the benefit of all journalists.”


In addition to the policy changes, the settlement agreement also requires that the NYPD provide extensive annual training to all of its officers—ranging from Police Academy cadets to high-ranking executive personnel—on the First Amendment rights of the press and establishes a police-media relations committee to monitor and discuss future incidents involving the press. Additionally, for a period of three years, a committee headed by the New York City Department of Investigation will monitor police activity at protests to ensure that the NYPD complies with its commitments to respect the rights of peaceful protesters, journalists, and legal observers.


While pervasive mistreatment of journalists covering the George Floyd protests was the catalyst for the civil rights suit (see, Testimony of NPPA General Counsel Mickey H. Osterreicher June 15, 2020, OAG Hearing on Interactions Between NYPD and the General Public, p. 207), the scope of the agreement they ultimately hammered out with the NYPD reaches much further. The provisions in this settlement agreement related to the press are not limited to protest situations, but are crucial First Amendment principles that apply whenever members of the press are covering police activity in public.


“The NYPD’s abuse of the media has been a systemic issue for decades, and today’s injunctive settlement hopefully provides a brighter future for protest and the ability of the press and public to document police interactions at First Amendment activities and beyond in this great City,” said Wylie Stecklow, who in addition to his work on this case, regularly represents photographers and protesters whose rights have been violated by the NYPD. “But today’s announced settlement is not the end, it’s just the beginning of re-training and new NYPD policies to ensure there is respect and protection for the press, up and down the NYPD hierarchy. We cannot expect the rank and file to follow these rules related to the respect of First Amendment rights of the media, if high ranking officers are able to violate the rights of the media with impunity and immunity.”


The five plaintiffs in the case are award-winning visual journalists who have published their work in a variety of leading global news outlets, including Reuters, The New York Times, The Times of London, The Guardian, The Wall Street Journal, National Geographic, Paris Match, Le Monde, CNN, BBC, The Atlantic, Rolling Stone, and more.


Adam Gray, former chief photographer for the British press agency South West News Service and repeat recipient of the Photographer of the Year Award by the British Press Photographers’ Association, was the first plaintiff to join the case following his wrongful assault and arrest while covering the protests. He was pushed to the ground without warning, arrested, and detained overnight while covering protests in and around Union Square. “I’m extremely grateful for the no-cost representation provided to me and the other news professionals by Rob, Mickey, Wylie and their teams,” said Gray. “These protests happened during a critical inflection point for U.S. society and I am hopeful this settlement will mark a major change in New York’s police culture as well.”


Jae Donnelly, a well-known photographer, and regular contributor to The Daily Mail, was violently assaulted by a baton-wielding officer while photographing protestors in the Hell’s Kitchen neighborhood. “Our lawsuit has fought to change the NYPD rule book on how NYPD from top to bottom treat us news gathering professionals with the professional courtesy,” said Donnelly. “We deserve to be kept safe before one of us is eventually killed at work. My attack by an NYPD sergeant put myself and my family through much pain,” he added.


Amr Alfiky —who was arrested while photographing police activity on the Lower East Side in February 2020, and, in a second incident, violently attacked by an officer while covering protests at the Barclay’s Center in Brooklyn—celebrated the agreement. “This settlement is indeed historic and goes beyond the compensation for the profound damage caused by excessive use of force and unlawful arrests towards visual journalists and photographers in New York City,” he said. “Hopefully, this is the start of a new era of how journalists are perceived and treated by NYPD.” Alfiky is now a staff photographer for Reuters in the Middle East.


Diana Zeyneb Alhindawi, a renowned documentary and news photographer, who was hit in the face by a baton-wielding officer while photographing police beating a young man in Lower Manhattan said, “as a photographer working in conflict zones around the world, I was stunned when the NYPD struck me with a baton, splitting my lip, when I was simply doing my job on the public streets of NYC a few days after the murder of George Floyd. It was the first time I'd suffered an injury while on the job, and it wasn't in war-torn Congo or South Sudan, but in the New York City. I'm glad to see that in the USA, however, when the rights of the press are so egregiously infringed upon, there is a legal system that can come to our support. I do hope our trial will move things in the right direction for us journalists to be able to do our jobs without fear of unlawful arrest or harm, and ultimately for freedom of the press and a more just society.”


Mel D. Cole, a widely published visual journalist and music photographer, was documenting police-protester clashes from the Brooklyn Bridge footpath when he was arrested, stripped of his cameras, and held for seven hours. “Going to jail for doing your job as a photographer should never ever happen. I'm happy that I can now put what should have never been behind me, but I will never forget the feelings that I had that day while being handcuffed and not being able to free when I should have been!” he said.


These terms are all part of a larger settlement announced today of claims that were brought on behalf of peaceful protestors by the New York Attorney General’s Office, the New York Civil Liberties Union, The Legal Aid Society, Gideon Orion Oliver, and civil rights firms Cohen & Green and the Aboushi Law Firm. The NPPA had previously filed public comments and testified during public hearings regarding the mistreatment of the press during the 2020 protests. Along with the agreed upon terms of the settlement, the photographers will all receive monetary compensation.


This significant civil rights litigation was supported by NPPA counsel Osterreicher and Calzada and a team that consisted of Davis Wright Tremaine counsel Robert D. Balin, Abigail Everdell, Alison Schary, Kathleen Farley, Alexandra Settelmayer, Nimra Azmi, Megan Amaris, Jean Fundakowski and Veronica Muriel Carrioni, and paralegal Megan Duffy, along with attorney Wiley Stecklow of Wylie Stecklow, PLLC.

About the National Press Photographers Association NPPA is a 501(c)(6) non-profit organization dedicated to the advancement of visual journalism in its creation, editing, and distribution. NPPA’s members include video and still photographers, editors, students, and representatives of businesses that serve the visual journalism community. Since its founding in 1946, the NPPA has been the Voice of Visual Journalists, vigorously promoting the constitutional and intellectual property rights of journalists as well as freedom of the press in all its forms, especially as it relates to visual journalism. For more information, go to nppa.org.




Photojournalists settle long fought case against the NYPD (nppa.org)


Thursday, April 2, 2015

Photojournalist Whitney Curtis awarded First Place in 2014 Domestic News by NPPA



The National Press Photographers Association's Best Of Photojournalism 2015 awards were announced on Tuesday, March 31.


© Whitney Curtis
Rashaad Davis, 23, backs away slowly as St. Louis County police officers approach him with guns drawn and eventually arrest him on Monday, Aug. 11, 2014, at the corner of Canfield Drive and West Flroissant Avenue in Ferguson, Mo. Members of the community took to the streets to protest the fatal police shooting of Michael Brown by police officer Darren Wilson.





In Domestic News,  first place was awarded to Whitney Curtis of The New York Times. Whitney Curtis is now represented by Monroe Gallery of Photography, and several of her momentous images from Ferguson, Missouri will be exhibited during the AIPAD Photography Show April 16 - 19 (Booth #119, Monroe Gallery of Photography). The Gallery will be exhibiting a specially curated collection of Civil Rights photographs from the 1965 Selma march to the present day.

Curtis' photographs will also be featured in the exhibition "Civil Rights from Sema to Ferguson" at Monroe Gallery of Photography July 3 - September 20, 2015.

About Whitney Curtis

Photos that raise awareness, reveal truth, and ask us to pause. Reflect. Photojournalism is how Whitney Curtis tells stories we might have never known otherwise.

As an editorial, corporate, and commercial photographer, Whitney’s goal is simple: show respect to the subject-matter by creating intimate, creative images that illustrate the story.

After graduating with a degree in photojournalism from the University of Missouri-Columbia, Whitney worked as a staff photojournalist at The Kansas City Star, northern Utah’s Standard-Examiner, and the Daily Herald in suburban Chicago. As an editorial photojournalist, Whitney’s work has been honored by The Associated Press, NPPA’s Best of Photojournalism, CPoY, and Women in Photojournalism.


Saturday, January 4, 2014

The Right to Photograph & Record in Public: Panel Discussion in Florida





The Right to Photograph & Record in Public

 National Press Photographers Association (NPPA), Sponsored by Broward County ACLU & SDX Foundation of Society of Professional Journalists (SPJ)

Saturday, January 25, 2014 from 12:00 PM to 3:00 PM (EST)
Plantation, FL

Register here.


An expert panel discussion regarding First Amendment rights:
What are the rights of citizens & the press to photograph and record in public?

Can police seize and view those images or order them to be deleted?

What is some of the most recent caselaw regarding these issues?

How can we foster a better understanding of our respective rights & responsibilities in order to have a greater respect for the roles that everyone plays in newsgathering and free speech?


Moderator:
Mickey H. Osterreicher, General Counsel, National Press Photographers Association

Panelists:                                                                
Marc Rohr, Prof. of Constitutional Law at Nova University Law School
Ron Gunzberger, General Counsel, Broward Sheriff’s Office
Carlos Miller, Journalist/Blogger/Activist and founder of Photography is Not a Crime
Radley Balko, Journalist, author and editor at The Washington Post  

Wednesday, June 27, 2012

"It is neither a police officer’s duty or right to decide what is appropriate news coverage of any story"

 An Albuquerque police officer first told a news videographer that he would not be allowed to continue filming an incident where the body of a motorcyclist remained trapped underneath a car this morning.


Mickey Osterreicher, general counsel for the National Press Photographers Association, who will be sending a letter to Albuquerque Police Chief Ray Schultz, provided the following statement:
Watching the video of a senior officer who should know better illustrates how important proper guidelines and training are regarding these issues.

It is neither a police officer’s duty or right to decide what is appropriate news coverage of any story. So long as news personnel are in a public forum and not violating any ordinances they have a right to gather news unfettered by the personal feelings or opinions of law enforcement. Anything less may be considered a form of prior restraint or censorship. It is all well and good that the police set-up a media staging area but that does not mean it is the only place that media are allowed to be. They can go wherever the public is allowed, which in this case is outside of the "crime scene" perimeter. To expand that area for the sole purpose to preventing photographs or video recording is not a reasonable time, place and manner restriction and limits more First Amendment protected activity than is necessary to achieve a governmental purpose.

This department would be well-advised to take a page from the Crime/disaster scene guidelines of San Diego Sheriff's Department Media Guide, specifically:

Do not establish artificial barriers. For example, do not hold the press at bay a block from the crime scene, while allowing the general public to wander freely just beyond the crime scene tape.

Do not prevent the taking of pictures or interviews of person(s) in public places. The media, when legally present at an emergency scene, may photograph or report anything or interview anyone they observe.

Do not isolate the media outside the crime/incident scene unless the area has been secured to preserve evidence or their presence jeopardizes law enforcement operations.