Wednesday, September 20, 2023

IN CONVERSATION ONLINE – Frank Vaccaro on Tony Vaccaro

Frank Lloyd Wright Foundation graphic - white text on orange background


 Via Frank Lloyd Wright Foundation

 Taliesin West

October 5, 2023


Explore the Life and Lens of Legendary Photographer Tony Vaccaro!


Michael A. “Tony” Vaccaro (1922 – 2022), was an American photographer perhaps best known for his World War II photos. After the war, he became a fashion and lifestyle photographer for American magazines, capturing the joys and beauties of the world we live in. He lived to be 100 years old.

Join us on October 5, 2023, for an exclusive online conversation with Tony Vaccaro’s son, Frank. He will share invaluable insights into his father’s remarkable legacy and unveil his father’s captivating story. We’ll delve deep into Tony’s early career, the different chapters of his life, and get unique insights into his time with O’Keeffe and Wright ahead of the debut of American Icons: Wright & O’Keeffe at Taliesin West opening on October 20.

Details:

Links for virtual programs will be sent via email in advance.
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Time:
10:00 a.m. – 11:00 a.m.
Online

Price:
Adults $25
Students (13-25 with student ID) $17
Members $22.50

Frank Lloyd Wright Foundation Members receive discounts on Cultural Programs, have access to special Member-Only programs, and more. Learn about Membership here.

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Frank Vaccaro is the eldest child of photographer Michael A. “Tony” Vaccaro and Marimekko model Anja Kyllikki Lehto. He was born in Rome, Italy, in 1965 while his father was on assignment. Frank came of age surrounded by the stories and images that make up the Tony Vaccaro collection of photographs. After graduating Stony Brook University in 1988, Frank managed bars and restaurants in New York City before joining Pepsi Cola in 1994. For the last eighteen years, Frank has been the elected representative for over 150 unionized workers there.

At his father’s request, Frank and his wife Maria created and launched the Tony Vaccaro Studio in 2015. The studio organizes over 800,000 images, and partners with the Monroe Gallery of Photography in Santa Fe, New Mexico. Upon Tony Vaccaro’s passing last year, Frank and his wife created the Tony Vaccaro Archive in Long Island City, Queens.






Friday, September 15, 2023

American Icons: Wright & O’Keeffe, a new photography exhibition spotlighting Frank Lloyd Wright and Georgia O’Keeffe as photographed by Tony Vaccaro

 

Via Experience Scottsdale



The Frank Lloyd Wright Foundation continues to explore the ways that Wright connects with other iconic artists of his time through unique exhibitions at Taliesin West. As the latest iteration, the World Heritage Site will debut an exclusive “American Icons: Wright and O’Keeffe” exhibition this fall, offering guests the opportunity to view photographs of Frank Lloyd Wright and Georgia O’Keeffe – two legends of American art and architecture – taken by Michael A. “Tony” Vaccaro while on assignment for LOOK Magazine from 1957 to 1960, including some never-before-seen images.

The exhibition, curated by the Foundation in partnership with the Tony Vaccaro Studio in Long Island City, N.Y., and the Monroe Galleryin Santa Fe, N.M, renowned for its unrivaled vault of historic photography, will present a behind-the-scenes, intimate visual pairing of Wright and O’Keeffe in their homes and studios. Through Vaccaro’s images and excerpts from LOOK, the exhibition - on display in the Dining Room at Taliesin West - will offer a closer look into the similar lives of the two American geniuses, how they inspired one another and how their Modernist principles continue to inspire the public today. Tickets for the exhibition, which will run from Oct. 20, 2023, to June 3, 2024, will be included with an audio or guided tour purchase.

Wright and O’Keeffe are seen as giants in their fields but are rarely connected. Many are unaware that the pair met in 1942 and had a mutual admiration for one another’s work for many years, whilst sharing other similarities including their birthplace of rural Wisconsin; careers that took them to New York, Chicago and Japan; dwellings in the Southwest; and finding inspiration in nature for their creations of abstract versions of the world in their art. By sharing stories around their connections, the Foundation aims to contribute to a larger narrative about artists in America – they do not all work in isolation; rather, they inspire one another and find ways to connect through friendship.

“Frank Lloyd Wright and Georgia O’Keeffe are American Icons. Their legacies are larger-than-life, and their names are known worldwide. What’s lesser known is their connection; they met in person in the 1940s and corresponded over the years, sharing ideas, and exchanging gifts,” said Niki Stewart, exhibition curator and vice president and chief learning & engagement officer for the Foundation. “In this exhibition, we explore that connection through the intimate photographs of Tony Vaccaro, from their shared start in Wisconsin to the homes and studios they built in the American Southwest. I’m excited to bring Wright and O’Keeffe together again through these beautiful photographs.”

Vaccaro’s photos of Wright and O’Keeffe have visual symmetry, which is why they will be displayed in pairs. By partnering with the Monroe Gallery – Tony Vaccaro’s exclusive representation – the Foundation has access to many photographs not shown to the public previously. Through the exhibition, guests will not only learn about the relationship between Wright and O’Keeffe, but also about Vaccaro’s long and impressive career.

“Working with the Frank Lloyd Wright Foundation affords Monroe Gallery the opportunity to place Tony Vaccaro’s iconic portraits of American Modernist Masters, Frank Lloyd Wright and Georgia O’Keeffe, together in conversation with the visitors to Taliesin West. Surrounded by the grace of Wright’s architecture, O’Keeffe and Wright as Tony Vaccaro understood them are reunited within their century’s glorious creative context,” said Monroe Gallery owners Michelle and Sid Monroe.

Wednesday, September 6, 2023

Photojournalists settle long fought case against the NYPD

 Via National Press Photographers Association

September 5, 2023


Sept. 5, 2023 - The New York City Police Department (NYPD) has agreed to historic settlement terms with five photojournalists who were attacked and arrested by NYPD during the racial justice protests of 2020. The agreement reinforces the First Amendment rights of the public and the press, provides new protections for journalists operating in New York, and according to the terms of the agreement will improve police training and reinforce proper behavior toward the press.

The settlement resolves a federal lawsuit brought three years ago by attorneys from the National Press Photographers Association (NPPA), along with the nationally recognized law firm of Davis Wright Tremaine LLP and noted civil rights attorney Wylie Stecklow, on behalf of the five photojournalists, Adam Gray, Jason Donnelly, Diana Zeyneb Alhindawi, Mel D. Cole, and Amr Alfiky.


The agreement includes the following terms:

Journalists with press credentials issued by New York City’s Mayor’s Office of Media and Entertainment (MOME) will not need to leave the area when an order to disperse is issued to the general public and members of the press will not be subject to arrest for documenting police activity or for not leaving the general area;


NYPD will not arrest journalists with government-issued credentials for alleged low-level offenses (such as disorderly conduct or obstructing governmental administrations) without prior approval by an incident commander or a Deputy Commissioner, Public Information official. Any summons for such arrests will presumptively be issued to the journalist on site instead of at a police station, thereby discouraging the practice of unlawfully detaining journalists at police stations for hours before charges against them are dropped;


NYPD officers are prohibited from arresting, restricting, or interfering with members of the press for merely observing or recording police activity in public places;


NYPD will recognize the legitimacy of press passes that are issued by jurisdictions outside New York City;


NYPD is required to provide journalists with access “to any location where the public is permitted,” and NYPD officers are barred from putting up crime/accident/incident scene tape or establishing “frozen zones” for the purpose of preventing members of the press from viewing or recording events in public places;


Neither a press pass nor any other form of press identification is needed to observe or record police activity occurring in public places, including areas where protests, crimes, or other matters of public concern are taking place.


In the agreement, the NYPD also—for the first time ever—formally acknowledges that the press has a clearly established First Amendment right to record police activity in public places, and commits itself to respect that right. (See Settlement Agreement, ¶¶ 14, 89.) No press pass or other form of identification is needed to exercise this right. Pursuant to the agreement, the agency will update its guidelines, amend its current policies and training and will specifically train members of the service on treatment of the press and the clearly established right to record police activity in public. The agreement also makes clear that the increased protection for members of the press does not in any way diminish the right of citizens to record police activity in traditional public places.


“Journalists are an essential part of a functioning, civil society and it’s essential that they be allowed to conduct their work free of harassment and assault, especially from state actors,” said Mickey H. Osterreicher, general counsel to the NPPA. “On behalf of our members and all visual journalists, who perform a vital role as watchdogs and witnesses to history, I am very pleased with the terms of this agreement and the changes to police behavior that it demands.”


“This is not an agreement that will simply sit on a shelf,” added NPPA deputy general counsel Alicia Calzada. “It has real teeth and real mandates for improved training of police at all levels. We are hopeful this will truly change law enforcement culture when it comes to First Amendment activities.”


Attorney Robert D. Balin, who led the litigation for Davis Wright Tremaine accentuated the importance of the case. “The treatment that our clients received at the hands of the NYPD was not only unconstitutional, it was unconscionable, and a direct threat to our democratic principles,” Balin said. “I’m proud that these brave photojournalists chose to hold the police department accountable for their actions and I look forward to seeing the terms of this far-reaching settlement implemented for the benefit of all journalists.”


In addition to the policy changes, the settlement agreement also requires that the NYPD provide extensive annual training to all of its officers—ranging from Police Academy cadets to high-ranking executive personnel—on the First Amendment rights of the press and establishes a police-media relations committee to monitor and discuss future incidents involving the press. Additionally, for a period of three years, a committee headed by the New York City Department of Investigation will monitor police activity at protests to ensure that the NYPD complies with its commitments to respect the rights of peaceful protesters, journalists, and legal observers.


While pervasive mistreatment of journalists covering the George Floyd protests was the catalyst for the civil rights suit (see, Testimony of NPPA General Counsel Mickey H. Osterreicher June 15, 2020, OAG Hearing on Interactions Between NYPD and the General Public, p. 207), the scope of the agreement they ultimately hammered out with the NYPD reaches much further. The provisions in this settlement agreement related to the press are not limited to protest situations, but are crucial First Amendment principles that apply whenever members of the press are covering police activity in public.


“The NYPD’s abuse of the media has been a systemic issue for decades, and today’s injunctive settlement hopefully provides a brighter future for protest and the ability of the press and public to document police interactions at First Amendment activities and beyond in this great City,” said Wylie Stecklow, who in addition to his work on this case, regularly represents photographers and protesters whose rights have been violated by the NYPD. “But today’s announced settlement is not the end, it’s just the beginning of re-training and new NYPD policies to ensure there is respect and protection for the press, up and down the NYPD hierarchy. We cannot expect the rank and file to follow these rules related to the respect of First Amendment rights of the media, if high ranking officers are able to violate the rights of the media with impunity and immunity.”


The five plaintiffs in the case are award-winning visual journalists who have published their work in a variety of leading global news outlets, including Reuters, The New York Times, The Times of London, The Guardian, The Wall Street Journal, National Geographic, Paris Match, Le Monde, CNN, BBC, The Atlantic, Rolling Stone, and more.


Adam Gray, former chief photographer for the British press agency South West News Service and repeat recipient of the Photographer of the Year Award by the British Press Photographers’ Association, was the first plaintiff to join the case following his wrongful assault and arrest while covering the protests. He was pushed to the ground without warning, arrested, and detained overnight while covering protests in and around Union Square. “I’m extremely grateful for the no-cost representation provided to me and the other news professionals by Rob, Mickey, Wylie and their teams,” said Gray. “These protests happened during a critical inflection point for U.S. society and I am hopeful this settlement will mark a major change in New York’s police culture as well.”


Jae Donnelly, a well-known photographer, and regular contributor to The Daily Mail, was violently assaulted by a baton-wielding officer while photographing protestors in the Hell’s Kitchen neighborhood. “Our lawsuit has fought to change the NYPD rule book on how NYPD from top to bottom treat us news gathering professionals with the professional courtesy,” said Donnelly. “We deserve to be kept safe before one of us is eventually killed at work. My attack by an NYPD sergeant put myself and my family through much pain,” he added.


Amr Alfiky —who was arrested while photographing police activity on the Lower East Side in February 2020, and, in a second incident, violently attacked by an officer while covering protests at the Barclay’s Center in Brooklyn—celebrated the agreement. “This settlement is indeed historic and goes beyond the compensation for the profound damage caused by excessive use of force and unlawful arrests towards visual journalists and photographers in New York City,” he said. “Hopefully, this is the start of a new era of how journalists are perceived and treated by NYPD.” Alfiky is now a staff photographer for Reuters in the Middle East.


Diana Zeyneb Alhindawi, a renowned documentary and news photographer, who was hit in the face by a baton-wielding officer while photographing police beating a young man in Lower Manhattan said, “as a photographer working in conflict zones around the world, I was stunned when the NYPD struck me with a baton, splitting my lip, when I was simply doing my job on the public streets of NYC a few days after the murder of George Floyd. It was the first time I'd suffered an injury while on the job, and it wasn't in war-torn Congo or South Sudan, but in the New York City. I'm glad to see that in the USA, however, when the rights of the press are so egregiously infringed upon, there is a legal system that can come to our support. I do hope our trial will move things in the right direction for us journalists to be able to do our jobs without fear of unlawful arrest or harm, and ultimately for freedom of the press and a more just society.”


Mel D. Cole, a widely published visual journalist and music photographer, was documenting police-protester clashes from the Brooklyn Bridge footpath when he was arrested, stripped of his cameras, and held for seven hours. “Going to jail for doing your job as a photographer should never ever happen. I'm happy that I can now put what should have never been behind me, but I will never forget the feelings that I had that day while being handcuffed and not being able to free when I should have been!” he said.


These terms are all part of a larger settlement announced today of claims that were brought on behalf of peaceful protestors by the New York Attorney General’s Office, the New York Civil Liberties Union, The Legal Aid Society, Gideon Orion Oliver, and civil rights firms Cohen & Green and the Aboushi Law Firm. The NPPA had previously filed public comments and testified during public hearings regarding the mistreatment of the press during the 2020 protests. Along with the agreed upon terms of the settlement, the photographers will all receive monetary compensation.


This significant civil rights litigation was supported by NPPA counsel Osterreicher and Calzada and a team that consisted of Davis Wright Tremaine counsel Robert D. Balin, Abigail Everdell, Alison Schary, Kathleen Farley, Alexandra Settelmayer, Nimra Azmi, Megan Amaris, Jean Fundakowski and Veronica Muriel Carrioni, and paralegal Megan Duffy, along with attorney Wiley Stecklow of Wylie Stecklow, PLLC.

About the National Press Photographers Association NPPA is a 501(c)(6) non-profit organization dedicated to the advancement of visual journalism in its creation, editing, and distribution. NPPA’s members include video and still photographers, editors, students, and representatives of businesses that serve the visual journalism community. Since its founding in 1946, the NPPA has been the Voice of Visual Journalists, vigorously promoting the constitutional and intellectual property rights of journalists as well as freedom of the press in all its forms, especially as it relates to visual journalism. For more information, go to nppa.org.




Photojournalists settle long fought case against the NYPD (nppa.org)


Documentary filmmaker Nancy Buirski won Emmy and Peabody Awards for “The Loving Story,” about a Virginia couple’s successful challenge to a ban on interracial marriage, has died at 78.

 Via The New York Times

September 1, 2023


Black and white photography by Grey Villet of Mildred Loving, African-American and Native woman, with her white husband's head resting in her lap in 1965
Grey Villet: Mildred and Richard Loving, 1965


Nancy Buirski, an Emmy and Peabody Award-winning documentary filmmaker whose eye was honed as a still photographer and picture editor, died on Wednesday at her home in Manhattan. She was 78.

After founding the Full Frame Documentary Film Festival in 1998 at Duke University in Durham, N.C., and directing it for a decade, Ms. Buirski (pronounced BURR-skee) made her own first documentary, “The Loving Story,” in 2011.

The film explored the case of Mildred and Richard Loving, who faced imprisonment because their interracial marriage in 1958 was illegal in Virginia. (She was part-Black and part-Native American, and he was white.)

Their challenge to the law resulted in a landmark civil rights ruling by the United States Supreme Court in 1967 that voided state anti-miscegenation laws.

---------


"Years earlier, as a picture editor on the international desk at The New York Times, Ms. Buirski was credited with choosing the image that won the newspaper its first Pulitzer Prize for photography, in 1994. After seeking a photograph to accompany an article on war and famine in southern Sudan, she choose one by Kevin Carter, a South African photojournalist, of an emaciated toddler collapsing on the way to a United Nations feeding center as a covetous vulture lurked in the background.


Ms. Buirski commended the photo to Nancy Lee, The Times’ picture editor at the time. She then proposed it, strongly, for the front page, because, she recalled telling another editor, “This is going to win the paper’s first-ever Pulitzer Prize for photography.”

The photograph ended up appearing on an inside page in the issue of March 26, 1993, but the reaction from readers, concerned about the child’s fate, was so strong that The Times published an unusual editors’ note afterward explaining that the child had continued to the feeding center after Mr. Carter chased away the vulture.

The picture won the Pulitzer in the feature photography category. (Mr. Carter died by suicide a few months later at 33.)"


View Grey Villet's photographs of Richard and Mildred Loving here.

Monday, September 4, 2023

"GOOD TROUBLE" Exhibit extended through September 30

 

"Good Trouble" is an exhibition of photographs that register the power of individuals to inspire movements and illustrates the power of protest from a deeply human perspective. In this exhibition, we are reminded of the power of photographs to propel action and inspire change.  The exhibition has been extended through September 30, 2023.


Protest is an invaluable way to speak truth to power. Throughout history, protests have been the driving force behind some of the most powerful social movements, exposing injustice and abuse, demanding accountability and inspiring people to keep hoping for a better future. The right to protest encompasses various rights and freedoms, including the freedom of assembly, the freedom of association, and the freedom of expression. Unfortunately, these precious rights are under attack and must be protected from those who are afraid of change and want to keep us divided.

During the course of the exhibition, several major news items have affirmed the importance of protest and standing up against injustice.

On May 8, Photojournalist Stephanie Keith was arrested while documenting a candlelight vigil in New York City for Jordan Neely, a homeless man who was choked to death on the subway. On July 7, Keith joined Gallery photographer Ryan Vizzions, who met while documenting the Standing Rock protest against the Dakota Access Pipeline, discussed their experiences documenting protest movements, recent efforts to suppress protest, and the increase in the misuse of force by police at protests.

Watch the Gallery conversation on YouTube here.

Last spring, Tennessee Republicans inadvertently turned the "Tennessee Three" — Democratic Representatives Justin J. Pearson, Gloria Johnson, and Justin Jones — into beloved national political figures by voting to expel them for supporting gun reform demands. At the end of August, Lawmakers voted 70-20 to discipline Jones, effectively preventing him from speaking during the special session. Republicans ordered state troopers to clear the galleries. The decision forced the removal not only of the protesters but also of the parents of students who had survived a deadly school shooting and were keeping a quiet and emotional watch over the proceedings. Rep. Jason Powell, D-Nashville, said "We have arrived in a very scary and sad place in the state of Tennessee. Instead of being used to enforce the public safety, they are being used to suppress democracy."

In July, New York City agreed to pay $13 million to settle a civil rights lawsuit brought on behalf of roughly 1,300 people who were arrested or beaten by police during racial injustice demonstrations that swept through the city during the summer of 2020. In August, Denver approved a $4.7 million settlement for more than 300 protesters who were detained for violating an emergency curfew during demonstrations over the killing of George Floyd in 2020, and later accused the police of using excessive force.

In August, the office of The Marion County Record in Iowa, and home of the newspaper's owner, were raided by Police in an unprecedented attack on the press. Following an international backlash, the County attorney cited 'insufficient evidence' for the search and seizure.


"When you see something that is not right, not fair, not just, you have to speak up. You have to say something; you have to do something. You must be bold, brave, and courageous and find a way…to get in the way". – John Lewis


View the exhibition here.









Wednesday, August 23, 2023

"We hear you, Joan Meyer. Your loss stings. But we won’t forget that you took a stand when it mattered."

 Via The Kansas Reflector

August 23, 2023

"But we won’t forget that you took a stand when it mattered."



Joan Meyer, the 98-year-old co-owner of the Marion County Record, finally had her say Monday.

Boy, did we get a talking-to.

Meyer’s previous silence was sadly excusable. She died of cardiac arrest Aug. 12, a day after unconstitutional police raids on her home and beloved newspaper. But the whole world heard her loud and clear Monday, thanks to a video released by the Record showing her confrontation with officers.

Suffice to say, she had some choice words.

“Don’t you touch any of that stuff. This is my house!” she tells the police, who are clustered at the other side of the room around a table. “You ***holes. Get ’em out of here. They’re here.”

She then confronts an officer, vigorously pushing a walker ahead of her: “Does your mother love you? Do you love your mother? You’re an ***hole, police chief. You’re the chief? Oh, God. Get out of my house. You’re (unclear). Get out. Stand outside. You can stand outside that door and still see him. I don’t want you in my house.”

The video continues, with Meyer muscling herself and the walker past two officers to see exactly what was happening at the table.

“What are you doing?” she demands. “Those are personal papers.”

An officer limply explains the now-withdrawn search warrants, and Meyer responds with: “You people —” before the footage cuts off.





Those following the Marion County fiasco since Kansas Reflector broke the story probably have conjured an image of Meyer in their mind. She was a sweet elderly lady, gentle and caring, face wreathed with white curls and harboring angelic disposition. Accounts written after her death painted her as a community fixture, someone who dedicated 60-plus years to the newspaper.

Sure, she was many of these things, at least some of the time. But we can also see that she was a tart-tongued firebrand, not just feisty in the face of adversity but downright impassioned.

The police raid may have led to Meyer’s death. It most certainly did not break her spirit or misdirect her moral compass.

Watching the video, I thought about both of my grandmothers. They were each about her age, which meant their youths were shaped first by the Great Depression and then by World War II. My maternal grandmother went to work for Pratt and Whitney’s aircraft engine division during the war and stayed on at the Veterans Administration a few years afterward. Once my grandfather retired, she went to business school and landed a new job. My paternal grandmother spent her career as a schoolteacher in southeast Kansas and kept tutoring after she retired.

They were tough ladies. They raised families, loved grandchildren and didn’t stand for malarky. Although they both died some dozen years ago, I miss them still.

Would either have reacted like Meyer, cussing out local police, if officers had intruded on their homes and families?

I can only guess. But between the two of them, I bet at least one would have tried.

Meyer tried. She was still here. She had survived the passings of so many other people of her generation, and from the available video clip, she had no plans to go anywhere. That makes the overreach of Marion County Police Chief Gideon Cody and Magistrate Judge Laura Viar even less tolerable. They not only violated the First Amendment. They appear to have contributed to this newswoman’s death.

As Kansas House Minority Leader Vic Miller said Tuesday: “It had literally grave consequences in this instance, with the mother passing away. I’ve watched the video, there’s no doubt in my mind that the stress of this event added or contributed to her loss. But the chilling effect, the absolutely chilling effect that this can have on the rest of our press is intolerable.”

All of us need similar courage today. We face assaults on individual rights and freedoms from all directions. Leaders at the Kansas Statehouse have been more than happy to target minority groups for political advantage, pamper the privileged and spread lies about people in need. They expect us to blithely take it and treat them politely along the way.

Listen, I don’t advocate cussing out anyone. At least not instantaneously. But at a certain point, raising your voice for justice and freedom doesn’t just make sense. It’s the only way to be heard.

We hear you, Joan Meyer. Your loss stings. But we won’t forget that you took a stand when it mattered.

Clay Wirestone is Kansas Reflector opinion editor. Through its opinion section, Kansas Reflector works to amplify the voices of people who are affected by public policies or excluded from public debate.

Tuesday, August 22, 2023

Nina Berman on Panel: Civilizing Interventions: Humanitarianism and Gender Violence

 Via Columbia Journalism School

screenshot of The Cunning of Gender Violence: Geopolitics and Feminism book cover and text description

Civilizing Interventions: Humanitarianism and Gender Violence

Panel and Book Launch for The Cunning of Gender Violence: Geopolitics and Feminism


Time & Location
September 13, 2023
6:00PM - 8:00PM ET

World Room, Pulitzer Hall, Columbia University
2950 Broadway, New York, NY 10027
Important Information

Registration required. Seating is available on a first-come first-served basis, RSVPs do not guarantee admission.

- - - - - - - - - -

Program

Welcome by Jelani Cobb (Columbia Journalism School Dean)

Introduction by Lila Abu-Lughod (CSSD Director, Columbia)

Author Panel:
Nina Berman (Columbia Journalism School)
Rema Hammami (Birzeit University, Palestine)
Sima Shakhsari (University of Minnesota)
Dina M. Siddiqi (New York University)

Moderator: Shenila Khoja-Moolji (Georgetown University)

Sponsored by Columbia’s Center for the Study of Social Difference (CSSD) and School of Journalism. With generous support from the Henry Luce Foundation.

Co-Sponsors: Columbia University Department of Anthropology, Institute for the Study of Sexuality and Gender, Middle East Institute, and South Asia Institute


Friday, August 18, 2023

Anna Boyiazis' "Finding Freedom In The Water" For World Photography Day


Via World Press Photo on Instagram

August 18, 2023


In honor of World Photography Day on 19 August, we asked our executive director to share an image from our archive that she finds impactful. Joumana selected this image by Anna Boyiazis (@annaboyiazis), from the project ‘Finding Freedom in the Water,’ awarded in the 2018 Contest.⁣


There is a mesmerizing quality to this image that is both relaxing and daunting. Relaxing in the peace that you feel when you look at the girl’s faces floating in the water and daunting in its unfortunate reference to migrants dying at sea. However when you understand that the girls are students learning how to swim and perform rescues in Zanzibar, then you start to read the image in a new light. And, when you know that one of the highest causes of mortality in Zanzibar is drowning, especially for girls who have been discouraged from learning to swim because of the absence of modest swimwear, then you understand the image differently.

What I am moved by here is not only the extraordinary beauty of the photograph itself, but also the symbol that lies in these girls taking the power in their hands and learning how to swim, in order to challenge and change their reality and our misconception.” - Joumana El Zein Koury, World Press Photo executive director

Pictured here, students from the Kijini Primary School learn to swim and perform rescues in the Indian Ocean, off Muyuni Beach, Zanzibar. Traditionally, girls in the Zanzibar Archipelago have been discouraged from learning how to swim, largely due to the absence of modest swimwear. But in villages on the northern tip of Zanzibar, the Panje Project (panje translates as ‘big fish’) is providing opportunities for local women and girls to learn swimming skills in full-length swimsuits, so that they can enter the water without compromising their cultural or religious beliefs.


View more from Anna Boyiazis' "Finding Freedom In The Water' here.



Wednesday, August 16, 2023

Marion County attorney withdraws search warrant against Kansas newspaper; returns items

 

Ad featuring black and white portrait of Congressman John Lewis with text "In solidarity with the Marion County Record" and his quote "If you see something that is not right, not fair, not just, you have the moral obligation to do something about it"


Via KHSB Kansas City

August 16, 2023

By: Jessica McMaster


County attorney sites 'insufficient evidence' for search, seizure


MARION, Kan. — A search warrant that cleared the way for the raid of a Kansas newspaper last Friday has been withdrawn, KSHB 41 I-Team reporter Jessica McMaster learned late Wednesday morning.

Marion County Attorney Joel Ensey withdrew the warrant that served as the basis for the raid of the Marion County Record by the Marion Police Department last Friday.

As part of withdrawing the warrant, Bernie Rhodes, the attorney representing the newspaper, says all items that were seized as part of the raid have been released back to the attorney representing the newspaper.

The Kansas Bureau of Investigation shared Wednesday afternoon that its investigation will move forward independently "and without review or examination of any of the evidence seized on Friday, Aug. 11."

Rhodes tells the KSHB 41 I-Team that a forensics expert is on standby to examine the items that were seized. Once those items are in the possession of the expert, the expert plans to make a "forensic copy" and then check to see if anything was accessed or altered.

Ensey issued a press release Wednesday, stating the affidavits established probable cause that an employee at the Marion County Record may be guilty of unlawful acts concerning computers, but that there was not sufficient evidence between the "alleged crime and the places searched and the items seized."

The county attorney said he is asking the courts to publicly release the affidavits.

The KBI will submit findings of its investigation to the Marion County Attorney's Office.

Tuesday, August 15, 2023

What Life Magazine Taught Me About Life

 Via The Atlantic

August 14, 2023


As a child, I saw the country in its photos, stories, and advertisements—and learned some hard truths about America.

By Drew Gilpin Faust

(Subscription required)

I grew up in the 1950s, on a farm in Virginia miles away from any town or neighbors. For most of my childhood we didn’t have a television, so my three brothers and I amused ourselves fighting pretend Civil War battles in the fields and woods around our house or vying over card and board games that we spread across the living-room floor.

But for me, the best entertainment was always reading. I read for pleasure, for company, and for escape from my contained Virginia world. I could explore other places and imagine myself into other lives—lives that went beyond the limited choices available to my mother and the women of her circle, who were all ruled by the era’s prescriptions of female domesticity. The written word introduced me to what girls could do: solve mysteries, like Nancy Drew; brave the Nazis, like Anne Frank; demand change, like the protagonist of Susan Anthony: Girl Who Dared. Reading could provide, to borrow Scout’s words in To Kill a Mockingbird, a way to escape “the starched walls of a pink cotton penitentiary closing in on me.” And words could carry me beyond the gentle slopes of the Blue Ridge Mountains that rose behind our house. They offered a view of national and global affairs that caught me up in a sense of urgency. I was frightened by the fact that Sputnik had been launched and was passing by overhead every 96 minutes in its orbit of the Earth. I wondered how the Russians had beaten us into space. I was inspired by the courage of Hungarians fighting against communism. I was reassured by portraits of the confident prosperity of postwar America. Yet I felt growing doubt and unease as I read descriptions of the turbulence and conflict emerging to undermine it. (more - subscription required)


Exhibition: The LIFE Photographers