Hyperallergic: Indigenous Humor and Resistance Shines at The Photography Show

 Via Hyperallergic

April 25, 2025

"Monroe Gallery of Photography, also based in Santa Fe, is showing striking works from Diné photographer Eugene Tapahe’s Art Heals: The Jingle Dress Project (2020-present), which intertwines ritual and protest to foster collective healing."

Virginia Public Media Feature On Gallery Photographer Sanjay Suchak

Dave Matthews Band photographer Sanjay Suchak’s path from government work to a career in the arts

Via VPM | By Terri Allard

Published April 23, 2025 

“One of the things that got me into photography when I first started was realizing that with a camera and a small amount of skill, you could go to any show for free at the 9:30 Club when I couldn't afford to,” said photographer Sanjay Suchak. “So, I learned that if I found a publication willing to run my photos, I could kind of come in with a camera and bring a friend. It seemed like a pretty good deal.”

For Suchak, who currently serves as a tour photographer for the Dave Matthews Band, Public Enemy and Slightly Stoopid, choosing photography as a profession was not an option. It was a hobby – something he learned about in his teens from his mother and explored on the side throughout his college years in New York.

“Being the son of a first-generation immigrant, you're not going to necessarily declare that you're going to go to college for art,” he said. “So, I went to school for business and international relations and decided to forge a path in government.”

During his college years, Suchak continued growing as a photographer, capturing images on weekends and evenings. After graduating, he took on a six-month stint as a photographer’s assistant where he learned more about lighting and composition. He then spent a handful of years working in government and nonprofit roles until photography won out and he took on a full-time role as staff photographer at a Maryland community college.

“I found that I was having more success with photography than what I actually went to school for,” said Suchak. “The rewards were more noticeable — not just financially — but just in terms of people connecting with what you do and appreciating what you're putting out there. And it sort of felt like this was going to be my natural path.”

From 2013 to 2023, while freelancing as a videographer and eventually tour photographer for the Dave Matthews Band, Suchak served as the senior photographer for the University of Virginia, covering day-to-day life at the school. This included athletics, faculty research, student activities, marketing and “telling the story of the history of that sort of impressive behemoth of an organization.”

During his time at UVA, Suchak — whose work has been featured in various publications including The New York Times, Washington Post, Wall Street Journal and Rolling Stone — also captured the August 2017 Unite the Right rally in Charlottesville. It was during this time that he became interested in covering political protests and the removal of Virginia statues, eventually serving as one of only two photographers who were granted access to witness the melting down of Charlottesville’s Robert E. Lee statue that once stood in the Market Street Park.

Sanjay Suchak

Foundry workers prepare to melt down the face of the Robert E. Lee statue for repurposing, October, 2023

He became one of DMB’s official photographers after snapping an image of Dave Matthews and Stevie Wonder during the September 2017 Concert for Charlottesville. Suchak, who always kept a camera on his hip while working in a video capacity, captured the two musicians on stage together, talking to the audience and holding hands.

“I never really envisioned a career in that,” said Suchak, “but over the years, being in Charlottesville, crossing paths with members of the band and then getting to know other people in the music community, I've sort of created a pretty large career out of working for the musicians, and it's been pretty great.”

For Suchak, who also works as a commercial photographer, choosing a career in the arts turned out to be a pretty good decision.

“I let my dad do my taxes” said Suchak, “so he understands I'm not gonna starve.”


Some of the photographic works represented in the embedded video contain explicit language.

Information about Suchak’s work can be found on his website.

Suchak's work can be seen at The Photography Show Presented by AIPAD at the Park Avenue Armory in NYC April 23-27, 2025 in Booth C8.

Eugene Tapahe Artist's Talk At The Photography Show Friday April 25

 

Diné (Navajo) photographer Eugene Tapahe will give an Artist's talk on Friday, April 25 at 5:30 pm in Booth C8 during The Photography Show Presented by AIPAD.

Eugene Tapahe is a contemporary artist inspired by his Diné (Navajo) traditions and modern experiences. His art reflects the beauty and resilience of Native American culture. Tapahe earned his MFA in Studio Art from Brigham Young University. Through various visual mediums, he strives to create a balance between the past and present, celebrating and honoring the identity and culture of Native Americans.

©Eugene Tapahe

 Strength In Unity, Tetons National Park, the native land of the Shoshone, Bannock, Gros Ventre, and Nez Perce People, 2021

Eugene Tapahe will speak about “Art Heals: TheJingle Dress Project”. “The Jingle Dress Project” originated from Tapahe's dream inspiring him to bring global attention to Native American issues in these uncertain times of social differences through the healing power of the Ojibwe jingle dress dance. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has received national and international recognition for its unifying effect on communities. Monroe Gallery is the exclusive representative for Tapahe’s “Jingle Dress” fine art prints. 

10 FPS Podcast: Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York

 Via 10 FPS Podcast

April 23, 2025

  

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Photojournalism uniquely bridges the worlds of art and storytelling, capturing moments that resonate deeply with audiences. The Monroe Gallery, a leader in this field, has dedicated itself to showcasing the transformative power of images. In this episode our hosts explored this fascinating realm with Sydney and Michelle Monroe, founders of the Monroe Gallery. Celebrating over two decades in Santa Fe, the Monroes shared their insights into the significance of photojournalism and their preparations for the upcoming APAD show in New York.

The Birth of Monroe Gallery

The Monroe Gallery’s journey began with a pivotal meeting with Alfred Eisenstadt, a founding photographer of Life Magazine. This encounter sparked Sydney and Michelle Monroe’s passion for photojournalism, leading them to recognize its potential within the gallery system. Their mission became to elevate photojournalistic images from magazine pages to gallery walls, transforming them into enduring pieces of art and historical evidence.
The Impact of Photojournalism

Photojournalism, as the Monroes describe, is about more than capturing moments; it’s about documenting history and inspiring change. The images they curate are visually striking and carry deep social and political relevance. From war scenes to tender moments of love, these photographs tell timeless stories. The Monroes emphasize the importance of context, ensuring viewers understand the historical and emotional backdrop of each image.
Handling Sensitive Subjects

Presenting sensitive subjects is a challenge the Monroe Gallery navigates with care. The Monroes provide context to balance human suffering with stories of heroism and hope, offering a comprehensive view of the human experience. This thoughtful curation is evident in exhibitions like Grey Villet’s work on the Loving family, highlighting photojournalism’s societal impact. It is also seen in their latest special exhibit titled “WWII – Eighty Years”, which will be presented at APAD this year. The exhibit highlights the historic triumphs and devastating losses of the war that were captured by thousands of wartime photographers. It is a reminder that we must learn from our history so that these same actions may never be repeated.

Supporting Modern Photojournalists

In today’s evolving media landscape, the Monroe Gallery supports contemporary photojournalists, many of whom rely on print sales to fund their work. The Monroes represent a diverse range of voices, from legends to emerging talents like Eugene Tapahe, whose “Jingle Dress Project” beautifully combines art and journalism. This dedication ensures the gallery remains a vibrant platform for storytelling.

The Monroe Gallery’s journey underscores the enduring power of photojournalism. Through thoughtful curation and commitment, Sydney and Michelle Monroe have created a space where images challenge perceptions and inspire change. As they prepare for the APAD show, the Monroes continue to champion photojournalism as both art and historical record, inviting all to explore the profound impact of these stories.

#photojournalism #photogallery #exibits #APAD

Previous Episode: Ron Haviv

“10 Frames Per Second” Podcast delves into the world of photojournalism through the lens of Ron Haviv, a renowned photojournalist and co-founder of the VII Agency

 Via 10 FPS Podcast    A Photojournalism Podcast For Everyone

April 17, 2025

 

On this episode of “10 Frames Per Second” we delve into the world of photojournalism through the lens of Ron Haviv, a renowned photojournalist and co-founder of the VII Agency. In this episode Haviv shared his journey, experiences, and his thoughts on the evolving landscape of photojournalism.

(We are honored to feature Ron Haviv's work in our booth C8 next week at The Photography Show Presented by AIPAD)

Getting Started in Photojournalism

Ron Haviv’s entry into photojournalism wasn’t a childhood dream but rather a journey of discovery during his university years. Influenced by hobbyist photographers in his life and a job with a fashion photographer, Haviv found himself drawn to the world of photography. His career took off with a chance encounter and a generous offer from fellow photojournalist Chris Morris, leading to his first international assignment in Panama.

The Impact of Photojournalism
 
Haviv’s work has had significant impacts, both positive and challenging: Panama: His photographs from Panama were used by President George H.W. Bush as part of the justification for the U.S. invasion, highlighting the power of images in political discourse.
Bosnia: Despite capturing evidence of atrocities, his photographs were initially ignored, underscoring the limitations of photojournalism in effecting immediate change.

The Role of Photo Agencies

Haviv co-founded the VII Agency to give photographers more control over their work and careers. The agency, which emerged at the dawn of the digital age, has adapted to the changing landscape of photojournalism by focusing on embracing digital technology to streamline operations. His non-profit initative, the VII Foundation, helps support long form journalism projects while providing a free education in visual journalism.

The Importance of Education and Mentorship

Haviv emphasizes the critical role of education in photojournalism. With the democratization of photography, it’s essential to train photographers in storytelling and business. This is so that they can tell great stories with their work and draw in clients that will be willing to pay for their pictures and services.

The Lost Rolls Project

One of Haviv’s notable projects is “The Lost Rolls,” a book and public archive exploring memory and photography. This project involved developing forgotten rolls of film, leading to deep reflection on the stories that were captured and what memories would have been attached to them. Now Haviv is encouraging the public to take part in the project by contributing their own lost rolls and stories.


Ron Haviv’s journey and insights offer a profound look into the world of photojournalism. From the power of images to influence political decisions to the challenges of ensuring their impact, Haviv’s experiences highlight the complexities and responsibilities of being a photojournalist. As the industry continues to evolve, education, mentorship, and innovative projects like “The Lost Rolls” remain vital in preserving the integrity and impact of photojournalism.

Guggenheim Foundation Announces 100th Class of Fellows: 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography

 Via The Guggenheim Foundation

April 15, 2025

The Guggenheim Foundation’s 100th Class of Fellows Taps 198 Trailblazing Artists and Scholars Across 53 Fields; including Nina Berman for Photography, Columbia University in the City of New York, New York, NY. Berman's Fellowship will allow her to continue her important series "Acknowledgment of Danger ", examining the toxic legacy and continued environmental impact of US military activities on the American landscape from native lands to national forests, from major rivers to the skies above. 

(New York, NY--April 15, 2025) -- The Board of Trustees of the John Simon Guggenheim Memorial Foundation announced today their appointment of the 100th class of Guggenheim Fellows, including 198 distinguished individuals working across 53 disciplines. Chosen through a rigorous application and peer review process from a pool of nearly 3,500 applicants, the Class of 2025 Guggenheim Fellows was tapped based on both prior career achievement and exceptional promise. As established in 1925 by founder Senator Simon Guggenheim, each Fellow receives a monetary stipend to pursue independent work at the highest level under “the freest possible conditions.”

The 100th class of Fellows is part of the Guggenheim Foundation’s yearlong celebration marking a century of transformative impact on American intellectual and cultural life. In addition to appointing its newest class, the Foundation also launches a refreshed brand identity and website this month and will present a special exhibit later this year in collaboration with The New York Historical, highlighting rarely-seen treasures from its vast archive.

“At a time when intellectual life is under attack, the Guggenheim Fellowship celebrates a century of support for the lives and work of visionary scientists, scholars, writers, and artists,” said Edward Hirsch, award-winning poet and President of the Guggenheim Foundation. “We believe that these creative thinkers can take on the challenges we all face today and guide our society towards a better and more hopeful future.”

In all, 53 scholarly disciplines and artistic fields, 83 academic institutions, 32 US states and the District of Columbia, and two Canadian provinces are represented in the 2025 class, who range in age from 32 to 79. More than a third of the 100th class of Fellows do not hold a full-time affiliation with a college or university. Many Fellows’ projects directly respond to timely themes and issues such as climate change, Indigenous studies, identity, democracy and politics, incarceration, and the evolving purpose of community. Since its founding in 1925, the Guggenheim Foundation has awarded over $400 million in fellowships to more than 19,000 Fellows.

A selection of Nina Berman's work will be included in our presentation at the 2025 Photography Show Presented by AIPAD at the Park Avenue Armory, April 23-27, 2025

Monroe Gallery At The 2025 Photography Show Presented BY AIPAD

©Eugene Tapahe

Four Worlds, Teton National Park, Wyoming, the native land of the Shoshone, Bannock, Gros Ventre, and Nez Perce people, 2020

Monroe Gallery of Photography, Santa Fe, NM, is pleased to return to exhibit at The Photography Show presented by the Association of International Photography Art Dealers (AIPAD). The longest-running fair dedicated to photography in the world fair will take place April 23 – 27 at the Park Avenue Armory, 643 Park Ave, New York, NY and showcase 67 galleries and 20 Photobook and partner exhibitors from around the world.

Monroe Gallery of Photography will be located at Booth C8 and will present a distinctly curated exhibit, with a central focus on Diné (Navajo) photographer Eugene Tapahe’s “Art Heals: TheJingle Dress Project”. “The Jingle Dress Project” originated from Tapahe's dream inspiring him to bring global attention to Native American issues in these uncertain times of social differences through the healing power of the Ojibwe jingle dress dance. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has received national and international recognition for its unifying effect on communities. Monroe Gallery is the exclusive representative for Tapahe’s “Jingle Dress” fine art prints. Tapahe will give an Artist's talk on Friday, April 25 at 5:30 pm in Booth C8.

Also on exhibit will be a selection of important contemporary photojournalism with a focus on American politics, climate issues, and refugee migration. Three newly represented independent photojournalists will be featured: Tracy Barbutes, Ron Haviv and Bing Guan. Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite whose photograph of an upside-down American flag hanging from El Capitan near Yosemite recently went viral. Haviv has produced an unflinching record of the injustices of war covering over 25 conflicts, and his photography has had singular impact. 

©Ron Haviv

Young displaced girls from Darfur, Sudan leave a camp to gather firewood for their families. The US government declared the war in Darfur a genocide. Darfur, Sudan 2005

Guan is a full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism.

©Bing Guan

New York Police officers in riot gear enter Hamilton Hall at Columbia University, New York, May 1, 2024

Other showcased photographers at the intersectionality of art and journalism include Anna Boyiazis, Mark Peterson, and Tony Vaccaro.

Preview our exhibition here.

New Exhibition: WWII - Eighty Years and Free Film Screening

 

Monroe Gallery of Photography is honored to present a special exhibition commemorating the 80th anniversary of the end of World War II, the largest and most violent military conflict in human history. “WWII – Eighty Years” opens on Friday, April 18, with a special free screening of the HBO Documentary Film “Underfire: The Untold Story of PFC Tony Vaccaro” on Saturday, April 19 at 5 pm. Seating is limited, RSVP required. The exhibition continues through June 22, 2025.

This anniversary reminds us of war’s cost and the courage to believe in humanity, even in the darkest times.

At the age of 21, Tony Vaccaro was drafted into WWII and was a combat infantryman in the 83rd Infantry Division on a boat heading toward Omaha Beach, six days after the first landings at Normandy. The acclaimed HBO Films documentary “Under Fire: The Untold Story of Private First Class Tony Vaccaro” tells the story of how Tony Vaccaro survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone.

   

 Preview the exhibition here.

RSVP for the film screening here.

Henry Monroe exhibition at The Santa Fe Regional Airport

 

Henry Monroe exhibition at The Santa Fe Regional Airport

Bridges: The space between us

​Friday, April 11th, 2025 through Thursday, July 24th, 2025

Santa Fe Regional Airport

​

A collection of 7 stunning photographs through the lens of a master.

The road to Lamy

Highway 159

Railyard Truck

Taos Gorge

Magic Sky

Coming Later

Abiquiu Morada

Archival pigment prints. Represented by Monroe Gallery of Photography

More

In a world where the things that divide us sometimes feel insurmountable, impassable, impossible, artists build bridges. The space between us may be vast and physical like the Grand Canyon, the Pacific Ocean, the Taos Gorge, or it may be figurative, imagined or implied like an ideology, opinion, emotion, perspective, boundary or border. This collection from some of Santa Fe’s finest galleries invites an inquiry into the negative space, the space between things and the ways in which artists navigate the invisible world between objects.

Showcasing fine art glass works alongside an assortment of vibrant watercolor, acrylic, ink, oil, mixed media, and poignant photographs, Bridges celebrates the dynamics of the space between us. These pieces soar above literal and figurative separations, some imposed by the Earth herself, some imagined or drawn on maps. It is the strength of the connections we make across the space between us that inspires this exhibition.

​All work represented here is available for purchase. Please contact the representing gallery or the Santa Fe Gallery Association to inquire: info@santafegalleryassociation.org 505/982-1648

The Santa Fe Gallery Association in conjunction with the City of Santa Fe Arts & Culture Department. are delighted to bring you this exhibition featuring works from some of Santa Fe's finest galleries and artists reflecting the depth and breadth of our fine art community

Monroe Gallery Announces Representation of Tracy Barbutes Instantly Iconic Photograph of Upside Down Flag Protest At Yosemite National Park

 April 10, 2025

Monroe Gallery Announces Representation of Tracy Barbutes Instantly Iconic Photograph of Upside Down Flag Protest At Yosemite National Park

©Tracy Barbutes

An upside-down American flag hangs from El Capitan near Yosemite National Park’s Horsetail Falls to protest the thousands of federal job cuts made by President Donald Trump’s administration, February 22, 2025

On February 22, 2025 – almost exactly 80 years to the day after Joe Rosenthal’s Iwo Jima Photograph - Tracy Barbutes photographed an inverted American flag — historically used as a sign of distress — off the side of El Capitan, a towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service. Hundreds of visitors had gathered to photograph an annual phenomenon in the park known as firefall, when the setting sun causes a seasonal waterfall on El Capitan to glow orange. One spectator commented: “I feel like our national parks are national treasures, and they need to be protected, as does our democracy. It was a call to action and a call for hope.”

"Heading to Yosemite that Saturday, I had been told there might be some form of protest at El Capitan (Tu-tok-ah-nu-lah), the park’s iconic 3,000-foot granite monolith.

 There were unconfirmed reports that at least one recently-fired park employee would rappel with an American flag to protest his firing, as well as to protest the thousands of federal jobs lost due to the Trump administration/Elon Musk DOGE cuts. 

 The event would likely happen near Horsetail Fall, during “firefall” – a natural phenomenon that draws thousands of spectators each February. 

 I stood under El Cap, something I’ve done hundreds of times, and as I documented the unfurling of that upside down American flag, an act signaling distress, I couldn’t help but think of the paradox of the overall situation as we were gathered on colonized Indigenous land. 

 There wasn’t an immediate or overwhelming reaction from the crowd, though there was no missing the event. While intent on capturing a series of images, I was mindful that I was documenting a bold, courageous, historic act.

 It wasn’t until later that night and the next morning as the image went viral that I began to understand what those actions, and the image, meant. Did Nate Vance, the fired park employee behind the flag protest, and his cohorts, shake people out of a collective stupor and spark a movement of resistance." --  Tracy Barbutes

Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite.

This photograph will be on exhibit in the Monroe Gallery booth C8 at The Photography Show presented by the Association of International Photography Art Dealers (AIPAD)

Gabriella Campos Photographs For The New York Times "What Are Microplastics Doing to Our Bodies? This Lab Is Racing to Find Out"

 The New York Times

April 8, 2025

“It’s one thing to see a picture,” Dr. Garcia said, looking at a video he shot on his phone. “To see it when we were there, it just opens your eyes,” he added. Every imaginable use for plastic — takeout containers, bleach bottles, cigarettes, plastic bags and even lab equipment — seemed to be represented on that beach and in the ocean that stretched beyond it. And every day, it was breaking down, getting smaller and smaller.

One day, some of it could end up in us.

Photographs by Gabriela Campos

Eugene Tapahe's Art Heals: The Jingle Dress Project Featured on Cover of The Photograph Collector AIPAD Show Preview

Via The Photograph Collector

April 2025 edition

"Monroe Gallery of Photography will be located at Booth C8 and will present distinctly curated exhibits, with a central focus on Diné (Navajo) photographer Eugene Tapahe’s “Art Heals: Jingle Dress Project”.

“The Jingle Dress Project” originated from Tapahe’s dream inspiring him to bring global attention to Native American issues in these uncertain times of social differences through the healing power of the Ojibwe jingle dress dance. Since then, Tapahe has traveled over 25,000 miles, documenting family members dancing the healing jingle dress dance in National Parks and Monuments, honoring the places where their ancestors once lived. This project has received national and international recognition

for its unifying effect on communities. Monroe Gallery is the exclusive representative for

Tapahe’s “Jingle Dress” fine art prints.

Also on exhibit will be a selection of important contemporary photojournalism with a focus on American politics, climate issues, and refugee migration. Three newly represented independent photojournalists will be featured: Ron Haviv, Tracy Barbutes, and Bing Guan. Haviv is an Emmy nominated filmmaker and an award-winning photojournalist. He co-founded VII Photo Agency and The VII Foundation and has produced an unflinching record of the injustices of war covering over 25 conflicts. Barbutes is a photojournalist, writer, and wildfire photographer based near Yosemite National Park whose recent photograph of an inverted American flag — historically used as a sign of distress — off the side of El Capitan, the towering rock formation in Yosemite National Park, hung to protest the Trump administration’s cuts to the National Park Service became a viral sensation. Guan is a full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. "

Monroe Gallery at The Photography Show Presented by AIPAD.

The Photograph Collector is a monthly newsletter established in 1980. It is published and copyright ©2025 by The Photo Review, 340 East Maple Avenue, Suite 200, Langhorne, PA 19047, (215) 891-0214 - Fax (215) 891-9358

- Email info@photoreview.org - Editor: Stephen Perloff - ISSN 0271-0838 - An Annual Subscription is $149.95.

American Express, MasterCard, and Visa cards welcomed.

Bing Guan Photograph Headlines NY Times Article "Columbia Campus Occupation Could Have Ended Without Police, Report Says"

 Via The New York Times

April 2, 2025

Guan's photograph was originally published in the NY Times May 1, 2024 edition.

Bing Guan

New York Police officers in riot gear enter Hamilton Hall at Columbia University, New York, May 1, 2024

Columbia University’s move to use police force to clear demonstrators from a campus building last spring could potentially have been avoided, as some students were urgently asking if they could leave voluntarily, according to a report released Tuesday by the university’s senate. --full article

Monroe Gallery will exhibit this photograph and other examples of Guan’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

Monroe Gallery Announces Representation of Bing Guan

 March 31, 2025

Civil Human Rights Front Rally in Causeway Bay, Hong Kong, December 8, 2019

Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of photographer Bing Guan for fine art print sales.

Guan is a Chinese American full-time freelance photographer, journalist, and artist based in New York City. He is currently an adjunct professor of photography at the Columbia University Graduate School of Journalism. Born in Australia and raised in the United States, Bing attended Dartmouth College and holds a BA cum laude in history from Columbia University. He has reported from across the U.S., and from places including Antigua, Burma, Mexico, Rwanda, and Hong Kong.

Bing is a regular contributor to Reuters, Bloomberg, and The New York Times. He has been awarded grants from the Parsons School of Design, the Ucross Foundation, and the Virginia Center for the Creative Arts.

Bing speaks fluent Mandarin Chinese, and is certified in HEFAT and as a FAA Part 107 drone pilot. 

Monroe Gallery will exhibit examples of Guan’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

As the “glamour girl of press photography” Lisa Larsen captured the truth of humanity

 Via Good

March 29, 2025

Lisa Larsen  photographed the 1953 wedding of Senator John F. Kennedy and Jacqueline Bouvier Kennedy, and one print is featured in the current exhibition "Loving"

“Women can be good photographers much in the same way that they can become good doctors, good cooks or whatever they choose to be good at,” Lisa Larsen said in the mid-1950s. By that point she had become one of LIFE Magazine’s most successful photojournalists, having already won Magazine Photographer of the Year in 1953. In that time, she became known for her interest in the truth of humanity. “I dislike anything superficial and I especially dislike superficial relationships,” she said in 1954.

Lisa Larsen, née Rothschild, arrived in the U.S. as a Jewish emigre from her native Germany–her family left after Kristallnacht. She was just a teenager at the time, but knew the career path that was right for her. By then, a group of German Jewish photographers had elevated photojournalism as an artform in the U.S. and formed the influential photography agency Black Star, one of Magnum’s greatest competitors. Larsen joined them as a file clerk. She then began her career as a freelance photographer for magazines like The New York Times Magazine, Vogue, Seventeen, Glamour, and more, but she worked at LIFE for a decade beginning in 1949.

At first, as a woman, she was relegated to fashion and entertainment photography–she took photos of Marlon Brando and Grace Kelly, for example, though even those somehow situate megawatt stars of the time as mere mortals, a way audiences hardly got to see them then and, arguably, still now.

Over time, Larsen was able to expand her practice and become an intrepid, adventurous world traveler. She became, for example, “the first American photographer to enter Outer Mongolia after a government-enforced 10-year ban,” as LIFE wrote. She also traversed the Himalayas; photographed world leaders at the first Bandung Conference in Indonesia, which sought to solidify African-Asian relations’ and Eastern Europe during the Cold War in 1955, among many others. She was additionally sent to photograph high-ranking political figures from Dwight D. Eisenhower on his campaign for president and First Lady Bess Truman, wife of Harry S. Truman; to Nikita Khrushchev and the 1953 wedding of Senator John F. Kennedy and Jacqueline Bouvier Kennedy, not to mention Queen Elizabeth II’s first tour as a royal.

Larsen was known to be both charming and hardworking, and knew how to get a great photo. In her time, she dazzled many a world leader. “Appreciative Khrushchev gave Larsen a bouquet of peonies,” scholar Patryk Babiracki wrote in Apparatus Journal. “Ho Chi Minh spotted Larsen…and confessed: ‘If I were a young man, I'd be in love with you,’” Babiracki continued. Truman Vice President Alben Barkley called her “Mona Lisa.” According to the International Center of Photography, “she photographed Iran’s Premier Mohammed Mossadegh from his New York hospital bed during the 1951 Iranian oil dispute with Great Britain,” which “led to a personal invitation from Mossadegh to visit Iran for a two-week vacation.”

Ful article here

Ryan Vizzions Photographer Inspired by Atlanta’s Legacy and Activism

 Via Discover Atlanta

March 28, 2025

 

 Ryan Vizzions describes Atlanta as a uniquely diverse melting pot shaped by its history. He credits Dr. Martin Luther King Jr. and the city’s role as a hub for African Americans during segregation as foundational to its identity. This legacy, he says, makes Atlanta exceptional not only in the South but across the entire country as well.

Photography as a Purposeful Journey

Ryan captured this photo during the procession of civil rights activist John Lewis. 

(Photo by Ryan Vizzions)

Vizzions’ photography began as a personal outlet but evolved into a passion for storytelling. Over the years, he embraced various forms, from photojournalism to architectural and street photography. He views his work as a medium for raising awareness and documenting social movements.

Standing Rock and Activism

This photo from Standing Rock is one of the most influential in Ryan’s career.

(Photo by Ryan Vizzions)

One of the defining moments in Vizzions’ career was his documentation of the Standing Rock protests against the Dakota Access Pipeline. Inspired by a haunting resemblance to the Civil Rights era, he felt compelled to witness the movement firsthand. What began as a spontaneous trip turned into a six-month immersion, during which he lived at the camp and captured some of the most recognized images of the movement.

Honoring Atlanta’s Modern-Day Leaders

This is one of Ryan’s final images for Colors of Atlanta.

(Photo by Ryan Vizzions)

Vizzions chose to highlight contemporary changemakers for his Atlanta-focused project for “Colors of Atlanta.” He selected civil rights attorney and activist Gerald Griggs, president of the Georgia NAACP. Vizzions first met Griggs during the Black Lives Matter protests in Atlanta and later during the Ahmaud Arbery murder trial. Impressed by Griggs’ relentless advocacy in the courtroom and on the ground, Vizzions wanted to create a powerful portrait that Griggs and his family could be proud of.

Auburn Avenue: Connecting Past, Present and Future

Vizzions selected Auburn Avenue, a historic street in Atlanta, as the backdrop for his photograph. Known as Black Wall Street, Auburn Avenue holds deep cultural significance. It was home to jazz legends at the Royal Peacock and the pulpit of Dr. King at Ebenezer Baptist Church. Vizzions sought to intertwine Atlanta’s rich past with its present and future.

Stepping Beyond Photojournalism

Ryan captured the image in Auburn Avenue. (Photo by Andrew Clark)

Although Vizzions’ background is rooted in documentary and photojournalism, this project pushed him into the editorial realm. Initially nervous, he quickly found his rhythm, collaborating with Griggs to create powerful, meaningful images. He expressed pride in the final result, seeing the work as a collective achievement.

Atlanta’s Influence on his Art

Vizzions draws continuous inspiration from Atlanta. For him, photographing Atlanta is more than capturing its skyline; it’s about preserving the spirit of its people, honoring its leaders and ensuring that its legacy endures.

Learn more about other talented photographers featured on “Colors of Atlanta” and watch the TV series.

Introducing the 2025 World Press Photo Contest winners

 Via World Press Photo

March 27, 2025

 

Reflections from the ​​2025 Contest global jury (With Nina Berman)

 Chosen from nearly 60,000 entries by 3,778 photographers from 141 countries, the award-winning images are those of struggle and defiance, but also of human connection and courage – visually stunning work that draws you deeper into stories behind the news. This enriching selection of the world’s best photojournalism and documentary photography was chosen by an independent international jury based on their visual quality, storytelling approach, and commitment to diverse representation.

"My hope is that tomorrow’s lawyers, reporters, and policymakers will be affected and moved by these images, and that perhaps they will strike a chord in some of today’s 11-year-olds, who, having forged the beginning of a relationship with them, will continue their life journey knowing that pictures, and the stories they tell, matter.

We made our choices with an eye on the final mix: as much as a World Press Photo Contest award is an immense recognition for photographers, often working under difficult circumstances, it is also a recap of the world’s major events. Yet, what we have here is just a partial overview. Not all the events that were topical in 2024 were covered by the photos submitted, but the jury selected images, I believe, fully aware of their power, and of the legitimacy that the award would lend them." – Lucy Conticello, director of Photography, Le Monde, and 2025 Contest global jury chair

Full collection of awarded photos and stories here.

Monroe Gallery of Photography Announces Representation of Ron Haviv

March 24, 2025

Ron Haviv

Young displaced girls from Darfur, Sudan leave a camp to gather firewood for their families. The US government declared the war in Darfur a genocide. Darfur, Sudan 2005

Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of acclaimed photographer Ron Haviv for fine art print sales.

Ron Haviv is an Emmy-nominated filmmaker and an award-winning photojournalist. He co-founded VII Photo Agency and The VII Foundation, where he currently serves as a director. He is dedicated to documenting conflict and raising awareness about human rights issues around the globe. 

Haviv has produced an unflinching record of the injustices of war covering over 25 conflicts, and his photography has had singular impact. His work in the Balkans, which spanned over a decade of conflict, was used as evidence to indict and convict war criminals at the international tribunal in The Hague. President George H.W Bush cited Haviv’s chilling photographs documenting paramilitary violence in Panama as one of the reasons for the 1989 American intervention. His work is in the collections of numerous museums and he has produced five monographs. He also has provided expert analysis and commentary on current events for the media including opinion pieces for the Washington Post and The New York Times and spoken at TEDx along with numerous other lectures at Universities and conferences.

Monroe Gallery will exhibit several examples of Ron Haviv’s work at the 2025 Photography Show presented by AIPAD in booth #C8, April 23 – 27 at The Park Avenue Armory in New York City.

Monroe Gallery of Photography was founded by Sidney S. Monroe and Michelle A. Monroe in 2001. The gallery specializes in photography that embodies the universal understanding and importance of photojournalism. Monroe Gallery was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.

 

Ryan Vizzions' Iconic Standing Rock Photograph Featured in The Daly Climate Article on Greenpeace Verdict

 

Credit

Ryan Vizzions: "Defend The Sacred": Standing Rock, Cannon Ball, North Dakota, 2016

Via The Daily Climate

March 20, 2025

Greenpeace faces massive financial blow in pipeline lawsuit

EHN Curators


Greenpeace has been ordered to pay $667 million to the company behind the Dakota Access Pipeline after a North Dakota jury found the environmental group defamed the company, a verdict that could have sweeping consequences for advocacy and free speech.

Anna Phillips reports for The Washington Post.

In short:The lawsuit stemmed from Greenpeace’s involvement in protests against the Dakota Access Pipeline, where Energy Transfer accused the group of inciting violence and damaging its reputation. Greenpeace denies these claims and plans to appeal.

Environmentalists warn the ruling could stifle activism, making groups wary of challenging fossil fuel projects. Experts say it sends a chilling message to climate protests that disrupt infrastructure.
The case is seen as part of a broader trend of corporations using strategic lawsuits (SLAPPs) to silence critics. Unlike more than 30 other states, North Dakota lacks laws discouraging such lawsuits.

Key quote:

“We should all be concerned about the future of the First Amendment, and lawsuits like this aimed at destroying our rights to peaceful protest and free speech.”

— Deepa Padmanabha, senior legal counsel for Greenpeace USA

Why this matters:

Beyond the courtroom, the stakes are high. This case isn’t just about Greenpeace — it’s about the future of environmental protest in an era of escalating climate crisis. If the ruling stands, the next time a pipeline spills or a fossil fuel project threatens communities, who will dare to sound the alarm?

Read more:Fossil fuel companies ramp up lawsuits to silence climate activists in Europe
Governments and corporations are intensifying pressure on environmental defenders
Sacred Water: Environmental justice in Indian Country

More in The New York Times

The moment Darnella Frazier hit record, she proved anyone can hold power to account

 Via Poynter

March 17, 2025

Her 9-minute video of George Floyd’s murder became undeniable proof, fueling a global movement and reinforcing the power of citizen journalism

 

 With the single tap of a touchscreen, Darnella Frazier captured a historic moment and thrust citizen journalism into the spotlight.

The then-17-year-old Minneapolis high school student was walking to the store with her cousin on what should have been a normal Monday evening. Then, she saw police restraining a man on the pavement. She quickly pulled out her phone and began recording.

That man was George Floyd.

Frazier eventually earned a citation from the Pulitzer Prize Board for her 10 minute and 9 second video of police officer Derek Chauvin kneeling on George Floyd’s neck as Floyd pleaded for his life.

Her video symbolized the power of citizen journalism, demonstrating that in an era where everyone has a camera, anyone can hold power to account.


This video is part of The Poynter 50, a series reflecting on 50 moments and people that shaped journalism over the past half-century — and continue to influence its future. As Poynter celebrates its 50th anniversary, we examine how the media landscape has evolved and what it means for the next era of news.

Video by Dominique Taylor
Video clips by Jennifer Glenfield/Tampa Bay Times
Photos by AP/Shutterstock