Inauguration of Mark Peterson's White Noise photographic exhibition on American white supremacism

 Via Babel Festival

September 17, 2026

Inauguration of Mark Peterson's White Noise photographic exhibition on American white supremacism, in the presence of writer Claudia Rankine.

White Noise is a series of photos initially conceived as a tool to investigate the divisive climate that had settled in the country in the aftermath of Donald Trump's election and captured the crescendo of white nationalism and autocracy that developed during his presidency. Peterson explored the White House's rhetoric on immigration and Islam and how it echoes nationalism, Western chauvinism, neo-Nazism and the ideas of all those who call for the creation of an ethnic state in America. Rankine founded the Racial Imagery Institute, where the exhibition was exhibited along with others on the dramatic effects of associating "whiteness" with the idea of universality and normality, even humanity.

In collaboration with Spazio 5b
Via Carlo Salvioni 5b, 6500 Bellinzona
Opening hours:

18 September 10:00-17:00
19-20 September 10:00-19:00
until 31 October by appointment:
+41 795235390 / info@spazio5b.ch

Gabriela Campos: A camera, trust and time: Honoring the legacy of borderlands photojournalist Nick Oza

 Via Calo news

Over the next year, Gabriela Campos will document the role of women within the lowrider and artistic culture of the Southwest after becoming the first recipient of the Nick Oza Visual Fellowship

Gabriela Campos has the wide smile and curious gaze of photographers who know how to see people, not just look at them. In the way she approaches and listens, there is something of photojournalist Nick Oza — that ability to move with people and turn fleeting moments into images charged with time, emotion and humanity.

That same sensitivity is what has now made her the first recipient of the “Nick Oza Visual Fellowship,” created by Altavoz Lab in honor of the two-time Pulitzer Prize-winning Arizona photographer.

“It feels incredible,” says Valeria Fernández, founder and director of Altavoz Lab, an organization dedicated to guiding, training and supporting local journalists. “I think that with Gabriela’s selection, the project is going to take on a new life and begin to become the legacy of each of the photojournalists who participate.”

For Valeria, it is no longer only Nick’s fellowship. It becomes Gabriela Campos’ community fellowship, “and of whoever follows in her footsteps, and we want it to last for many years into the future.”

Click for full article

Gallery Talk - RYAN VIZZIONS: From Standing Rock To Minneapolis

  

                                       

Ryan Vizzions: Faces of Fascism, Minneapolis, January, 2026

On July 4, 2026, our nation will commemorate and celebrate the 250th anniversary of the signing of the Declaration of Independence amid the erosion of civil rights, human rights, and democratic norms. Monroe Gallery presents a special Artist Talk in conjunction with the current exhibition "America The Beautiful".

In September of 2016, Ryan Vizzions traveled from Atlanta, Georgia to stand in solidarity with the Standing Rock NoDAPL movement. Bringing his camera with him, but not intending to be a media source, Vizzions soon found himself using social media to reach over half a billion people with his documentation of events unfolding over the months and helped bring awareness around the world to the movement.

In late 2020 Vizzions embarked on a long term, multi-year project traveling and photographing across the United States to create a photography book documenting all 50 states. Vizzions documented "Operation Metro Surge" in January, 2026 by ICE in Minneapolis involving roughly 3,000 federal agents, leading to the deaths of Renee Good and Alex Jeffrey Pretti. His phootograph of a masked ICE agent appeared as a full-page spread in the February 1 edition of The New York Times Opinion section.

Vizzions has contributed considerable time to photographing and archiving the street memorial of Renee Good.



Thursday, July 2, 2026

Starting promptly at 5:30 pm. Seating is limited and live on Zoom

RSVP essential to info@monroegallery.com or 505 992 0800

Zoom registration here

In solidarity with Fall Of Freedom, Monroe Gallery is honored to present a preview of the important exhibition "America The Beautiful"

 

In solidarity with Fall Of Freedom, Monroe Gallery is honored to present a preview of the important exhibition "America The Beautiful", May 1 & 2.

On July 4, 2026, our nation will commemorate and celebrate the 250th anniversary of the signing of the Declaration of Independence. “America The Beautiful” confronts the idea that “American” is a uniform, monolithic identity at a critical time when our Democracy is under attack. Threats to free expression are rising, federal civil rights laws have been weakened, and the foundations of the country’s racially inclusive democracy are being challenged.

Opening reception Saturday, May 23, 4-6 pm.

Ryan Vizzions

Faces of Fascism, Minneapolis, January, 2026

Fall Of Freedom is a focused, urgent call to artists and arts institutions across all sectors to make art, music, plays, exhibitions, comedy, and beautiful protests foregrounding artistic labor and aligned with immigrants' rights organizing, to amplify all struggles against repression and state violence.

Due process gutted. Universities threatened and defunded. Students kidnapped. Migrants deported. Troops deployed. Racism rampant. Cruelty celebrated. Political leaders arrested. Citizenship stripped. Health care shredded. Women's rights rescinded. Wealth concentrated. Free speech eliminated. Genocide normalized. Science undermined. Arts assaulted. Journalism targeted. Departments shuttered. Grants rescinded. Trans banned. Lawyers capitulating. Coup makers pardoned. Budgets slashed. Abortion outlawed. Courts stacked. Boards replaced. Police unleashed. Nazis emboldened. Bombs dropped.

This is why we must resist. More here.

 Via The Stranger

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A post shared by The Stranger 🗞 (@thestrangerseattle)

Seattle-based photographer Nate Gowdy went to Minneapolis twice this year, to document the Department of Homeland Security’s Operation Metro Surge and photographed the civilian efforts to protect their communities from the Trump administration’s immigration enforcement. “When I arrived in Minneapolis, I expected to find overarmed agents, tear gas clouds, traumatized civilians, and I did. I also found people walking their dogs, running errands, meeting for dinner,” he wrote. “Daily life continued, but it was unmistakably altered. Community events were canceled. It came through in every conversation with residents: weekend plans became risk assessments about the federal agents operating in residential neighborhoods without visible name tags or badge numbers. Tension lived in lowered voices and furtive glances toward any vehicle with tinted windows.” Read more at The Stranger.

Video Produced by Dave Quantic. Assistant Editor Danielle Driehaus.

All images courtesy of Nate Gowdy

"Caught in the Crackdown" Tuesday, April 14 on PBS and Online

 Via PBS/Frontline

April 11, 2026

FRONTLINE and ProPublica trace the violence, protests and arrests stemming from federal immigration sweeps across the United States. The documentary examines the tactics, legal cases and impact — from Los Angeles to Chicago to Minneapolis.

Premieres Tuesday, April 14 on PBS and online.

FRONTLINE is available to stream on pbs.org and the free PBS App, available on iPhone, Apple TV, Android TV, Android smartphones, Amazon Fire TV, Amazon Fire Tablet, Roku, Samsung Smart TV, and Vizio.

Stream Here on PBS.org

Check Your Local Listings for Broadcast Schedules 

Meet the caretakers archiving Renee Macklin Good's memorial, Ryan Vizzions and James Forbes

 Via MPR News

March 24, 2026

Ryan Vizzions has been photographing items left behind at the memorial for Renee Macklin Good, who was fatally shot by a federal agent in January in Minneapolis. Ben Hovland | MPR News

Nearly three months after Renee Macklin Good was fatally shot by a U.S. Immigration and Customs Enforcement agent in Minneapolis, a dedicated group of volunteers still watches over the site daily. They’re thinking now about the future of the memorial there as they archive what mourners have left behind.

“It's really important for me … to make sure that we preserve these items for future generations,” said Ryan Vizzions, a volunteer who’s been living for months in his van with his dog, Freedom.

Vizzions is collecting and documenting signs, stuffed animals, hats and candles from the memorial in a garage a few minutes' drive away — a space provided by someone he met through social media.

It's a cozy space. There are large boxes of signs, each neatly labeled by size. Some of them had been outside for months and needed to be dried out before Vizzions could photograph them.

He has a box of small items he hasn’t gotten to yet: handmade bracelets, small trinkets. Archiving requires attention to detail.

It isn't clear what will happen to the materials once they're photographed and archived.

For the pair, the fire reiterated the need to protect and preserve the memorial. Visitors continue to show up daily with letters, flowers, candles and signs.

Caretakers have created a path at the vigil site with mulch and stone pavers. They hope to plant flowers now that it's warm outside.

Vizzions said it’s a balance between trying to honor Macklin Good while also honoring the community that lives immediately around the memorial.

For the pair, the fire reiterated the need to protect and preserve the memorial. Visitors continue to show up daily with letters, flowers, candles and signs.

Caretakers have created a path at the vigil site with mulch and stone pavers. They hope to plant flowers now that it's warm outside.

Vizzions said it’s a balance between trying to honor Macklin Good while also honoring the community that lives immediately around the memorial.

Full article here

Monroe Gallery will exhibit a selection of Ryan Vizzions' photographs from Minneapolis at The Photography Show presented by AIPAD, April 22-26 in booth B10.

Fear Is Different Here

 Via The Stranger

March 13, 2026

I photographed the mob at the Capitol on January 6. What I saw in Minneapolis was scarier.

By Nate Gowdy

Observers blow whistles in Minneapolis to signal that feds are present. Nate Gowdy

Seattle-based photographer Nate Gowdy went to Minneapolis to document the Department of Homeland Security’s Operation Metro Surge. From January 17 to January 26, and February 13 to February 18, he photographed the civilian efforts to protect their communities from the Trump administration’s immigration enforcement. This is what he saw.

...When I arrived in Minneapolis, I expected to find overarmed agents, tear gas clouds, traumatized civilians, and I did. I also found people walking their dogs, running errands, meeting for dinner.

Daily life continued, but it was unmistakably altered. Community events were canceled. It came through in every conversation with residents: weekend plans became risk assessments about the federal agents operating in residential neighborhoods without visible name tags or badge numbers. Tension lived in lowered voices and furtive glances toward any vehicle with tinted windows.

For eight days, I worked from a rented Toyota RAV4 with Texas plates with a group of other photojournalists. We taped a PRESS sign inside the windows as a disclaimer to the volunteers standing on almost every street corner in the subzero cold. We tracked federal movements through Signal channels, mixing confirmed sightings with rumors in a steady stream of pings. We stayed in contact with five other cars of photojournalists, all trying to document every abduction—failed or successful—that we could.

As we moved through the city, residents told us about their community-led rapid-response trainings. Volunteers distributed whistles and explained how to document raids safely. From this peaceful resistance, we learned to drive slowly through residential blocks, roll down our windows, and identify ourselves.

“We’re press. We’re watching ICE, too.”

Five years earlier, on January 6, 2021, I photographed the pro-Trump mob as thousands laid siege to the United States Capitol. Claims that “Might Makes Right” exploded into acrid fear. I have an audio recording of that day, when I was deep in the crowd at the Capitol steps, that can still bring back that fear. Wild and chaotic.

In Minnesota, the fear worked differently. It folded itself into school pick-ups, grocery runs, work commutes. People recalculated familiar routes before starting engines. Ordinary traffic drew scrutiny. Conversations sought a lower volume. Or went completely underground. The anxiety was procedural.

Veteran conflict photographers deployed to Minneapolis recognized the pattern: when heavily armed forces operate in civilian space, residents adjust.  Click for full article

Ryan Vizzions on archiving the Renee Good memorial

 

Via The Minneapolis Star Tribune

Video: Richard Tsong-Taatarii/The Minnesota Star Tribune

March 6, 2026

When it comes to archiving spontaneous public memorials, there are no clear pathways for what to do. Ryan Vizzions, a traveling photographer, started collecting posters from the spontaneous public memorial that sprung up at the site of Renee Good’s killing. What happens next depends on the family’s wishes. Tap the link to read the full report by Alicia Eler.

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Ryan Vizzions archives Renee Good memorial site artifacts

 Via The Minnesota Star Tribune

By Alicia Eler

March 3, 2026

Ryan Vizzions:  

January 7th, 2026 - After the murder of Renee Good by a masked federal agent, a vigil was held in her honor. Upward of 10,000 Minnesotans showed up to pay their respects at the location she was killed

What happens next depends on the family’s wishes.

Ryan Vizzions started collecting posters from the spontaneous public memorial that sprung up at the site of Renee Good’s killing. The traveling photographer appointed himself the site’s caretaker.

He also gathered many other items — a cookie jar filled with handwritten letters rolled into scrolls, letters addressed to Good’s family, a canvas covered with names of people killed by federal agents since 2025.

“All these are prayers,” Vizzions said. “These are things that people brought because they cared. We owe it to them to try and preserve them and save them and make it so the future can learn about what happened here.”

When it comes to archiving spontaneous public memorials, there are no clear pathways for what to do. The work is fluid, and caretakers volunteer because they feel called to do so. It’s all open-ended and grassroots; people write the rules as they go along. Even the city of Minneapolis doesn’t have timelines for what happens to memorials, city spokeswoman Jess Olstad said.

At Good’s site, it’s unknown where the gathered items will ultimately go, but community members are in contact with the Good family about next steps.

Vizzions initially rented a storage unit for the posters and other items, but moved them to a more secure undisclosed residential location in south Minneapolis.

“These sites emerge when the future feels uncertain and the past feels unfinished,” said Alex Pretti memorial site caretaker Jadah Green, 43, at a “Caring for Spontaneous Public Memorials After State Violence” panel discussion Feb. 27. “They are not permanent installations. They are not yet historical memory. They are living thresholds.”

Vulnerable memorials

Vizzions has been guarding, cleaning and organizing the site since the week after Good was killed. The site is vulnerable to changing weather and vandalism ― like when someone poured gasoline on it and lit a nearby pile of wood on fire Feb. 17.

The city doesn’t take care of the sites, but might help with cleanup or security. Caretakers do the daily work of talking to visitors, cleaning the site and keeping it beautiful.

Paul Eaves of Minneapolis helps out at George Floyd Square and the Pretti and Good memorial sites.

“It’s not about ego,” said Eaves, 77. “It’s about service.”

Minneapolis City Council Member Jason Chavez said he would like to see a permanent memorial for Good, but stressed that it’s up to the family, and it isn’t a decision that the city will or should make.

“I’ve heard from so many Latino neighbors, immigrant neighbors, about the courage that Renee Good had to look out for our community in a time when many of us feel like we have been sent back into the shadows,” said Chavez, who called the memorial a sacred space. “She brought light into this world.”

He wants caretakers and people affected by ICE to have a place “to mourn and celebrate Renee’s life, and a place where we can never forget what the federal government did and continues to do to our community.”

Vizzions’ favorite piece from the memorial is a painting on cardboard of Good in blue with the American flag.

“When we were doing the watch and we’d sit out there next to the fire, this one was facing us,” he said of painting. “For three weeks I stared at this piece.”

Vizzions raised more than $2,000 to pay for the storage space and equipment, including lights, backdrop, camera stands, tables, storage boxes and more.

In 2017, he published the photo book “No Spiritual Surrender: A Dedication to the Standing Rock Movement.”

He was in northern Minnesota on another project when he heard about Good’s killing. He drove down to Minneapolis and began camping out in front of the memorial in his van.

Through the process, he feels he’s become part of the community, and he’s contributing to the greater good.

The family’s decision

Rise & Remember Executive Director Jeanelle Austin said community members waited nearly two months to reach out to George Floyd’s family after his killing in 2020.

“You have to be able to give the families the time that they need to do all of the other things that take priority, and then when the family is ready, for them to decide what they want to do,” Austin said. “As caretakers, we’re keepers of the stories ― our job is not to make final decisions or final calls of what’s to come next.” --Full article with photographs

The People, United, Will Never Be Defeated: Leila Navidi’s Photograph as a Defining Image of Resistance to Trump’s ICE Regime

 Via Reading The Pictures

February 23, 2026

Heavily armed, masked federal immigration agents face a cluster of neighborhood residents filming them with their phones during an ICE operation that resulted in a car accident in St. Paul in January 2026. Leila Navidi/Minneapolis Star Tribune

A spontaneous ICE encounter on a St. Paul block becomes a rare picture of practiced solidarity—and a case study in how images can answer federal power.

By Michael Shaw

Leila Navidi’s photograph for the Minneapolis Star Tribune shows St. Paul neighbors on a Cathedral Hill sidewalk on February 11, 2026, standing shoulder to shoulder with their phones raised as militarized ICE agents turn away.

What began as a spontaneous response to a high‑speed crash caused by an ICE chase becomes, in her frame, a rare picture of collective solidarity—everyday residents forming a united front, documenting federal power, and quietly claiming the moral ground.

While the image went viral, little was written about why it had such an impact. In our latest Chatting the Pictures video, we read it detail by detail, to show how its composition, timing, and gestures have made it a breakthrough resistance picture for this state and this moment. Watch now:

More: The events that built this picture

"It’s absolutely imperative that the truth is documented.”

 Via El Pais

February 23, 2026

American photographer Carol Guzy, a four-time Pulitzer Prize winner, asserts that, in light of the brutal anti-immigration crusade being waged by the US government, the work of photojournalists ‘is more important than ever’

It was an unexpected flash of empathy. The woman’s husband had just been detained by immigration agents in a federal courthouse in Lower Manhattan, which has become the epicenter of the Donald Trump administration’s immigration crackdown in New York. Photographer Carol Guzy (Bethlehem, Pennsylvania, 69) saw the agents take the man away as his wife shouted, “Please, help me!” and their two children cried. Guzy decided to accompany the family to the exit. There, the woman realized she didn’t have her keys; with no way to return home, she broke down in tears again. A court security officer approached her to offer help and, faced with the scene, also began to cry. Through her own tears, Guzy captured the moment with her camera.

For the photographer, it is an image that radiates compassion at a time when people desperately need it. In the midst of an unprecedented crusade against immigration, launched by a president obsessed with carrying out the largest deportation in U.S. history, the work of photojournalists like Guzy has become, in her own words, “more important than ever” in her country’s history. With their cameras, they are building a historical record that is at once deeply alive and profoundly human, documenting the consequences of an immigration policy whose effects will be felt for decades to come. --click for full article

“It’s our challenge in the face of the disinformation being disseminated, both for us as photographers and for these brave, brave residents who are standing out there with their cell phones documenting, like Alex Pretti. It’s absolutely imperative that the truth is documented.”

Photojournalists documenting Trump’s deportation forces play critical role, but face increasing state violence

Via Prism

February 18, 2026

"Masked federal agents have abducted anyone they suspect of being a migrant—from workplaces, houses, courthouses, schools, and streets. ICE has forced its way into people’s homes with battering rams, dragged a pregnant woman through the snow, taken children as young as five into custody, and killed American citizens Renee Good and Alex Pretti in Minneapolis.

And at every step, journalists have documented the rapidly escalating state violence—often at great risk to themselves. While covering ICE’s enforcement surge in Los Angeles, TV reporter Lauren Tomasi was live on air when a Los Angeles Police Department (LAPD) officer aimed his weapon directly at Tomasi at close range, hitting her with “nonlethal ammunition.” Photographer Nick Stern required emergency surgery after LAPD shot his thigh with a plastic bullet. In Chicago, an ICE agent shot a pepper ball into the parked car of reporter Asal Rezaei, and in New York, ICE agents shoved visual journalist L. Vural Elibol, causing a head injury that required emergency services.

Ryanne Mena, who covered the ICE raids for the Southern California News Group, was shot on June 6 in the left thigh with a pepper ball bullet. The following day, she was struck in the head with a rubber bullet and the reporter next to her was hit in the head with a tear gas canister. Mena, who has asthma, had difficulty breathing and bystanders helped the reporters flush their eyes with water.

“I spent the rest of that day with a grueling headache. I threw up later that night, and two days later I was diagnosed with a concussion,” said Mena, who noted that a half year later, her brain fog is just now starting to dissipate and that she continues to experience heightened anxiety.

In Minneapolis, freelance photographer John Abernathy was surrounded and tackled by immigration agents on Jan. 15. “They set off a flash bang and then tear gas,” he explained. “I was shot twice with pepper bullets in my leg. I was then surrounded by border police and taken to the ground where they sprayed me in the face with pepper spray. My face was on fire. My eyes were on fire. I was gasping and gagging. I ended up having multiple injuries from the pepper bullets, chemical burns in my eye, and abrasions from being taken down.”' --click for full article

"I asked journalists who have been covering the ICE raids in LA, Oakland, Chicago, and Minneapolis to share their advice on staying safe. Here’s what they said"

Inside the U.S. Immigration System with Nicolò Filippo Rosso - February 12, 2026

Via Seven Foundation

Since 2018, visual journalist Nicolo Filippo Rosso has been documenting migration across the Americas, photographing families across South and Central America as they make the difficult journey north to the United States in search of safety. By 2024, Nicolo reconnected with some in the United States. What they had imagined as the end of a dangerous journey had become a new cycle of fear and instability.

 

In the summer of 2025, Nicolo spent nearly every day inside the immigration courts of downtown Manhattan, where Immigration and Customs Enforcement (ICE) agents have detained numerous non-U.S. citizens attending court hearings. Many arrived under Temporary Protected Status or requested asylum at the border. They complied with the system, yet were still taken from the hallways, arrested, sent to distant detention centres, and placed on the path to deportation, either to their home countries or to third nations.

 

Hosted by Ron Haviv, the conversation will explore the deep divide in U.S. immigration policy, where demands for border control collide with calls for humanity, and discuss what effect these issues have on the democratic fabric of the country.

Register here

Press arrests used to silence protest coverage in 2025

Via US Press Freedom Tracker

December 15, 2025

 While covering anything from protests to government meetings, journalists in 2025 were pulled from news scenes, placed in cuffs and held in custody from minutes to days — long enough for deadlines to pass and breaking news to go cold.

As of Dec. 15, the U.S. Press Freedom Tracker has documented at least 32 instances in which journalists were detained or charged just for doing their jobs. While that count is lower than the 50 documented last year, each one is a warning flare that something fundamental is shifting in how authorities police information and those who gather it. Most were released without charges or had them quickly dropped, but the impact extends far beyond the time spent in custody.

One journalist arrested while covering a protest told the Tracker his arrest stopped the news from getting out. “Talk about putting the brakes on press freedom,” he said.

Protest beat as battleground

Protests have long been where the fault lines of press freedom are most visible, and 2025 was no different. Nearly 90% of the arrests and detentions this year occurred while journalists were covering demonstrations.

They all also centered around a single issue: immigration.  --click to read full report

How two photojournalists are dealing with the trauma of documenting immigrant detentions at Federal Plaza

 Via AM New York

October 28, 2025

ICE in courts: How two photojournalists are dealing with the trauma of documenting immigrant detentions at Federal Plaza

Almost every day for five months, photojournalists David Dee Delgado and Carol Guzy have entered 26 Federal Plaza with cameras in hand, ready to capture what many are calling one of the most startling stories of this century: ICE detainments inside the immigration court.

Guzy, 69, and Delgado, 49, have walked the hallways of 26 Federal Plaza, working alongside amNewYork and other outlets to document masked federal agents arresting immigrants who attended legally mandated court hearings. With Delgado on assignment for Reuters, a photo agency, and Guzy performing a long-term photo project, both shutterbugs knew that the proliferation and escalation of President Trump’s immigration enforcement crackdown was going to be a vital story to tell. - click for full article

"Guzy, a multi-time Pulitzer Prize winner, has covered war zones, the toll of gun violence, and much more, yet says covering ICE arrests has affected her unlike anything else in her long career."

"I know down the line, I’m pretty sure this is gonna come out in some type of f**ked up way. I’m probably gonna need therapy, but, yeah, but at this moment, you know, I just go through the motions,” Delgado said."

Media freedom, civil rights groups to hold press conference about prolonged ICE detention of journalist Mario Guevara

 Via Committee to Protect Journalists 

July 18, 2025

New York, July 18, 2025—Lawyers representing Mario Guevara, the Committee to Protect Journalists (CPJ), Free Press, and the Georgia First Amendment Foundation will hold a press conference on Tuesday, July 22, 2025, at 10 a.m. to reaffirm calls for the release of the Atlanta-based journalist from Immigration and Customs Enforcement (ICE) custody.

The press conference will highlight the troubling implications Guevera’s case has for First Amendment rights in Georgia and across the nation.

Guevara, an Emmy-winning, Spanish-language journalist, who frequently filmed ICE and law enforcement raids, was originally arrested on First Amendment-related charges while livestreaming a “No Kings” protest in an Atlanta suburb on June 14. He is currently the only journalist in custody in the U.S. whose arrest was in relation to the work of newsgathering.

The journalist, who has lawfully resided in the U.S. for over 20 years, was placed in ICE custody on June 18 where he remains, despite being in the country legally.

Guevara arrived legally in the United States from El Salvador in April 2004. He has remained in the country lawfully since, applying for asylum in 2005 due to the dangers he faced as a journalist in El Salvador. Over the next twenty years, Guevara developed a large following in the Atlanta area, as well as national recognition, for his reporting on immigration issues.

WHAT: Press conference on journalist Mario Guevara’s continued ICE detention

WHEN: Tuesday, July 22, 2025, 10 a.m. EDT. Please arrive ahead of time. ID required.

WHERE: Georgia State Capitol, South Wing, (security entrance on Capitol Square SW)

RSVP: Please register here to attend.

###

Journalists are injured while covering the LA protests

 

June 9, 2025

Law enforcement injure at least 4 journalists covering protests in California amid federal crackdown

Several journalists have been injured while covering the protests in Los Angeles, including a television reporter who was struck when a law enforcement officer fired a nonlethal projectile while she was on the air

British photographer injured by 'plastic bullet' in LA protests

Australian journalist hit by 'rubber bullet' while reporting from LA

Chinese journalist hit by rubber bullet amid the Los Angeles conflict: report

Photograph of New York City By Ashley Gilbertson Leads NY Times Magazine Feature

Via The New York Times Sunday Magazine

June 1, 2022

Photograph by Ashley Gilbertson

What Do We Want From Our Next New York?

Decade after decade, waves of migration have remade New York. What kind of city will the latest one create?

 

Images speak louder than words

© Steve Schapiro: I'm Still Alive”, Chicago, 2017

Via The Albuquerque Journal

By Kathaleen Roberts / Journal Staff Writer

Sunday, June 30, 2019 

ALBUQUERQUE, N.M. — When visitors walk through Santa Fe’s Monroe Gallery, they often say great photojournalism has been relegated to the legacy of World War II and the civil rights movement.
“Living in History” aims to correct that misconception while the press is under continued attack.

Opening on Friday, July 5, the exhibition showcases images documenting subjects and events from the 21st century, including the Occupy Wall Street protests, the Black Lives Matter protests, the Syrian refugee crisis and the U.S.-Mexican border immigration and refugee crisis, among others

“This profession is alive and well, although it’s under tremendous duress,” Michelle Monroe, co-owner of the Santa Fe gallery, said.

The effect of the constellation of platforms available across the internet, social media and cellphones within the past 30 years has diluted and scattered both information and images that used to be concentrated in newspapers and Life magazine, she said.

“There’s material from the Arab Spring; there’s material about the surveillance state post-9/11,” she added.

The prone Chicago protester in Steve Schapiro’s “I’m Still Alive” photo wears a T-shirt encapsulating the Black Lives Matter protests roiling across the U.S. in reaction to the Ferguson, Mo., police shooting of 18-year-old Michael Brown.

“He’s making the statement that they have survived, that they are forces to be reckoned with,” Monroe said.

Nina Berman’s “Aftermath” shows 2016 Uranium Remembrance Day in Church Rock. Residents of Navajo communities were calling for an end to uranium mining. One of the largest nuclear catastrophes in U.S. history occurred in 1979 when the dam at the site broke, discharging more than 1,000 tons of solid radioactive mill waste and 93 million gallons of radioactive tailings solution into the Rio Puerco. Mining on Navajo land ended, but calls to revive it continue. Residents march to honor all those who died and were sickened by uranium mining and to demand a thorough cleanup and compensation.

Robert Wilson’s 2018 photo of religious leaders being arrested near San Diego for protesting President Donald Trump’s immigration policies sums up the issue in a single frame.

“They’re leaders from all faiths,” Monroe said. “He was traveling with the caravans through Mexico. In order to get these shots, (it’s) what people are compelled to do.”

Ashley Gilbertson’s 2015 photo of Syrian, Iraqi and Afghan refugees leaping from a raft near Scala on the island Lesvos, Greece, captures the desperation of the immigrants in the choppy Agean Sea. The exodus of refugees from Africa, Central Asia and the Middle East to Europe of more than 1 million people represents the largest movement of people since World War II.

Whitney Curtis caught police officers in riot gear confronting a man with raised hands during a Ferguson protest.

“For us, it looks like a Goya” painting, Monroe said. “But it really looks like the younger generation of civil rights photographers.”

The show features images surveying the past 20 years through the lenses of eight photojournalists.

“It’s a very difficult show,” Monroe said. “The last 19 years have been pretty rough.”

People “leave crying, but they love it.”


If you go
WHAT: “Living in History”
WHEN: Reception 5-7 p.m. Friday, July 5. Through Sept. 22.
WHERE: Monroe Gallery of Photography, 112 Don Gaspar, Santa Fe

HOW MUCH: Free at monroegallery.com, 505-992-0800