Saturday, May 4, 2024

The Massacre at Kent State University

 

black and white photograph showing Mary Vecchio grieving over slain student, Kent State, May 4, 1970
Mary Vecchio grieving over slain student, Kent State, May 4, 1970

Via Field of View: Rarely-seen alternate angles of one of the most iconic photos in history.

"Bullets were whizzing over John Filo’s head during his lunch break from the student photo lab at Kent State University on May 4, 1970. He dropped his camera and stood motionless as National Guard troops suddenly opened fire on students protesting the Vietnam War.

Thirteen seconds and sixty-seven shots later, four students were dead and nine wounded.

“Was I shot?” Filo wondered."  Full article here.



Via ABC News/AP: AP Was There: Ohio National Guard killed protesters at Kent State University


Via KSU News: Remembering the May 4 shootings at Kent State University 54 years later


Via Inside Higher Ed

Thursday, May 2, 2024

Search Continues for Bill Eppridge's Skateboarder

 

Via SKATEboarding

May 1, 2024


Tony Hawk and Dan Rodo Are One Step Closer to Finding 'Central Park Mystery Skater' From 1965

The search for the dapper skater from LIFE magazine (1965) continues.

Brian Blakely
May 1, 2024



For as long as I can remember, Tony Hawk has periodically hopped on Instagram in hopes of identifying what he calls "the icon of style" in a photo shot by photographer Bill Eppridge in 1965 for LIFE magazine. Maybe you've seen it?

Well, on April 19th, artist (and downright impressive investigative journalist, whether he considers himself one or not), Dan James Rodo joined forces with the Birdman to see if the social media world could help them uncover the story of the mystery man in this iconic photo. They just dropped the fourth installment... and they're getting extremely close! This is getting good. Check it out:




If you're just hearing about this, you should definitely stop what you're doing and follow Tony and Dan on Instagram (@tonyhawk / @danocracy) because they've really been digging deep to uncover this mystery, but like thousands and thousands of others, I've become personally invested. Again—Tony has been posting about this mystery skater forever and I'm pretty thrilled that they're not giving up.

They've been in touch with everyone from ex-LIFE magazine editors to Surfer magazine editors; the New York Parks Department to folks who were in Central Park during the shoot that day... as well as the gallery that represents photographer Bill Eppridge's work, his wife and so much more. This is the real deal!

There has been no shortage of comments on the posts either, offering potential leads, support and generally keeping the conversation going. It's so rad. Dan mentions that he plans on having another update posted within a week (honestly, these videos can't be that easy to make... so we salute you, Dan!) and we're all patiently waiting to see if he struck gold or uncovered anymore gems.

We'll be posting any updates here as they're available. In the meantime... keep it up, dudes! We're all rooting for you. Let's find this mystery man!

Gallery Photographer Nina Berman Photographs "Columbia's Campus in Crisis" for The New Yorker

 Via The New Yorker

May 2, 2024

screenshot from The New Yorker article of the face of a young pro-Palestine female protestor



Every day since the start of the encampment, Nina has come to campus with her camera, positioned herself inconspicuously in the crowd, and captured slices of this fraught and fractured moment in our history.


See more from Nina Bermans here.

Tuesday, April 30, 2024

A few highlights from the 2024 AIPAD Photography Show

 


White Hot Magazine: The Photography Show (AIPAD) 2024 returned this year to their previous home, the grand Park Avenue Armory.

"The Photography Show truly stepped up their game this year, bringing a new breath of Spring air by including new galleries. They have created a great visual atmosphere of the classics and newest trends of the photography world of today."

screenshot of a photograph of Ryan Vizzion's Flooded Church print

Ryan Vizzions
A church flooded by Hurricane Florence



Collector Daily: Highlights from the 2024 AIPAD Photography Show, Part 1 of 2

"..a wandering sweep through the booths in search of eye-catching works worth thinking about more."


screenshot of photograph of Sanjay Suchak's print of foundry worker's preparing to melt down the face from the Robert E. Lee statue

Monroe Gallery of Photography (here): In the past few years, as various Confederate monuments and statues have been removed or dismantled, we’ve seen plenty of photographs of graffitied pedestals and boxed up bronzes waiting for transport. This image by Sanjay Suchak powerfully continues the story, with the face of Robert E. Lee about to be melted down by metal recyclers. 


Tuesday, April 23, 2024

Bob Gomel Day Proclaimed

 

screenshot of Huston Mayor's proclamation for "Bob Gomel Day"

Bob Gomel Day

WHEREAS, Houstonian Bob Gomel has dedicated eight decades to the advancement of American photojournalism and imagery of world cultures; and

WHEREAS, Bob Gomel’s love of photography began in his youth in New York City, continued with his graduation from New York University with a journalism degree, through his service abroad as a U.S. Navy Aviator, and into his emergence as a professional photographer; and

WHEREAS, Bob Gomel captured the triumphs and tragedies of the 1960s as a photographer for LIFE magazine, making iconic and innovative images of world leaders and events, athletes and entertainers, and great moments in contemporary history; and

WHEREAS, Bob Gomel’s notable LIFE assignments included photographing President John F. Kennedy’s historic “We Choose to Go tothe Moon” speech at Rice University on September 12, 1962; and

WHEREAS, Bob Gomel moved to Houston in the 1970s and opened a photography studio where he produced images of leading political, business, academic and medical figures, and he helped co-found the Houston chapter of the American Society of Media Photographers; and

WHEREAS, Bob Gomel’s famous 1997 photograph, “Fireworks Over Houston,” is in the permanent collection of The Museum of Fine Arts, Houston; and

WHEREAS, Bob Gomel is the subject of the documentary Bob Gomel: Eyewitness directed by David Scarbrough, and Gomel’s work remains of interest to historians, news organizations and collectors around the nation; and

WHEREAS, Bob Gomel’s contemporary photography emphasizes world cultures and life abroad and includes images from Asia, Europe and The Americas; and

WHEREAS, Bob Gomel’s photographic archives have been donated to the Briscoe Center for American History at The University of Texas at Austin, and a newly published selection of his life’s work is exhibited at the 2024 Fotofest Biennial in Houston; and
 
WHEREAS, The City of Houston commends and recognizes Bob Gomel for his contributions to photojournalism in Houston and beyond;

 THEREFORE, I, John Whitmire, Mayor of the City of Houston, do hereby proclaim April 23 2024, as  Bob Gomel Day In Houston, Texas

 

Bob Gomel's photographs are featured in the current exhibition 1964


Sunday, April 21, 2024

Monroe Gallery at the 43rd edition of The Photography Show,

Color graphic for the AIPAD Photography Show with dates of April 25-28, 2024 and Monroe Gallery booth location A52





Monroe Gallery of Photography is delighted to announce its participation in the highly anticipated 43rd edition of The Photography Show, the longest-running and leading fair dedicated to photography, returning this year to the iconic Park Avenue Armory in New York City from April 25 to 28, 2024.

Marking an exciting homecoming for The Photography Show, this edition promises a spectacular showcase of photography. The expansive Armory space will host 77 exhibiting galleries and a dedicated photobook sector, creating a unique and exciting experience for collectors and enthusiasts alike.

The Photography Show, located at 643 Park Ave, New York, NY 10065, will open its doors with a VIP Preview on Thursday, April 25, followed by the official opening on Friday, April 26, at 12 pm. That evening, the fair will feature a Night of Photography from 5 pm to 8 pm, providing a unique evening experience. On Saturday, April 27, and Sunday, April 28, the show will be open to the public from 12 pm to 7 pm and 12 pm to 5 pm, respectively.

Monroe Gallery of Photography will be located at Booth A52 and will exhibit a curated selection of important contemporary photojournalism, with a central focus on Sanjay Suchak's “Take Them Down” project documenting the deinstallation and repurposing of monumental Confederate statues along with photographs Mark Peterson made at the Robert E. Lee monument in Richmond, Virginia in 2020. Other issues addressed by Gallery photojournalists in our exhibit will include climate change, women’s rights, and the 2016 Standing Rock protest movement to stop the Dakota Access pipeline. The Gallery will also have a special selection of fashion, WWII, and portrait photographs by Tony Vaccaro, who passed away in December 2022 at the age of 100 and who was a frequent presence in the Monroe Gallery booth through past AIPAD Shows.

We look forward to seeing you in our booth #A52! Please email us with any questions. Preview our exhibition here.

Tuesday, April 16, 2024

Photojournalism in the Occupied West Bank - Moderated by Nina Berman

 Via eventbrite

April 15, 2024

Graphic text for Photojournalism in the Occupied west Bank talk with Salwan Georges/The Washington Post  Tanya Habjouqa/The New Yorker  Maen Hammad/Caravan Magazine


Three photographers with deep experience in the region will present recent work and discuss the challenges of reporting in the region, moderated by Nina Berman.

Palestinians living in the occupied West Bank have faced increased violence, detentions and land seizures by Israeli forces and settlers since October 7. Three photographers with deep experience in the region will present recent work and discuss the deteriorating situation for Palestinians in the West Bank and the challenges of reporting in the region.

Join us April 26 in the World Room for a panel with:

Salwan Georges/The Washington Post

Tanya Habjouqa/The New Yorker

Maen Hammad/Caravan Magazine



Moderated by Prof. Nina Berman, sponsored by The Delacorte Center for Magazine Journalism and The Li Center for Global Journalism.

Friday, April 26 · 6 - 8pm EDT

Location: Columbia Journalism School

World Room 2950 Broadway New York, NY 10027

Tickets here

Monday, April 15, 2024

It is no longer safe to organize a protest in Louisiana, Mississippi, or Texas.

 Via VOX news

April 15, 2024


The Supreme Court effectively abolishes the right to mass protest in three US states


--    Last summer, Monroe Gallery presented the exhibition Good Trouble, photographs that register the power of individuals to inspire movements and illustrate the power of mass protest. "The right to protest encompasses various rights and freedoms, including the freedom of assembly, the freedom of association, and the freedom of expression. Unfortunately  these precious rights are under attack and must be protected from those who are afraid of change and want to keep us divided."



The Supreme Court announced on Monday that it will not hear Mckesson v. Doe. The decision not to hear Mckesson leaves in place a lower court decision that effectively eliminated the right to organize a mass protest in the states of Louisiana, Mississippi, and Texas.

Under that lower court decision, a protest organizer faces potentially ruinous financial consequences if a single attendee at a mass protest commits an illegal act.

It is possible that this outcome will be temporary. The Court did not embrace the United States Court of Appeals for the Fifth Circuit’s decision attacking the First Amendment right to protest, but it did not reverse it either. That means that, at least for now, the Fifth Circuit’s decision is the law in much of the American South.

For the past several years, the Fifth Circuit has engaged in a crusade against DeRay Mckesson, a prominent figure within the Black Lives Matter movement who organized a protest near a Baton Rouge police station in 2016.

The facts of the Mckesson case are, unfortunately, quite tragic. Mckesson helped organize the Baton Rouge protest following the fatal police shooting of Alton Sterling. During that protest, an unknown individual threw a rock or similar object at a police officer, the plaintiff in the Mckesson case who is identified only as “Officer John Doe.” Sadly, the officer was struck in the face and, according to one court, suffered “injuries to his teeth, jaw, brain, and head.”

Everyone agrees that this rock was not thrown by Mckesson, however. And the Supreme Court held in NAACP v. Claiborne Hardware (1982) that protest leaders cannot be held liable for the violent actions of a protest participant, absent unusual circumstances that are not present in the Mckesson case — such as if Mckesson had “authorized, directed, or ratified” the decision to throw the rock.

Indeed, as Justice Sonia Sotomayor points out in a brief opinion accompanying the Court’s decision not to hear Mckesson, the Court recently reaffirmed the strong First Amendment protections enjoyed by people like Mckesson in Counterman v. Colorado (2023). That decision held that the First Amendment “precludes punishment” for inciting violent action “unless the speaker’s words were ‘intended’ (not just likely) to produce imminent disorder.”

The reason Claiborne protects protest organizers should be obvious. No one who organizes a mass event attended by thousands of people can possibly control the actions of all those attendees, regardless of whether the event is a political protest, a music concert, or the Super Bowl. So, if protest organizers can be sanctioned for the illegal action of any protest attendee, no one in their right mind would ever organize a political protest again.

Indeed, as Fifth Circuit Judge Don Willett, who dissented from his court’s Mckesson decision, warned in one of his dissents, his court’s decision would make protest organizers liable for “the unlawful acts of counter-protesters and agitators.” So, under the Fifth Circuit’s rule, a Ku Klux Klansman could sabotage the Black Lives Matter movement simply by showing up at its protests and throwing stones.
The Fifth Circuit’s Mckesson decision is obviously wrong

Like Mckesson, Claiborne involved a racial justice protest that included some violent participants. In the mid-1960s, the NAACP launched a boycott of white merchants in Claiborne County, Mississippi. At least according to the state supreme court, some participants in this boycott “engaged in acts of physical force and violence against the persons and property of certain customers and prospective customers” of these white businesses.

Indeed, one of the organizers of this boycott did far more to encourage violence than Mckesson is accused of in his case. Charles Evers, a local NAACP leader, allegedly said in a speech to boycott supporters that “if we catch any of you going in any of them racist stores, we’re gonna break your damn neck.”

But the Supreme Court held that this “emotionally charged rhetoric ... did not transcend the bounds of protected speech.” It ruled that courts must use “extreme care” before imposing liability on a political figure of any kind. And it held that a protest leader may only be held liable for a protest participant’s actions in very limited circumstances:

There are three separate theories that might justify holding Evers liable for the unlawful conduct of others. First, a finding that he authorized, directed, or ratified specific tortious activity would justify holding him responsible for the consequences of that activity. Second, a finding that his public speeches were likely to incite lawless action could justify holding him liable for unlawful conduct that in fact followed within a reasonable period. Third, the speeches might be taken as evidence that Evers gave other specific instructions to carry out violent acts or threats.

The Fifth Circuit conceded, in a 2019 opinion, that Officer Doe “has not pled facts that would allow a jury to conclude that Mckesson colluded with the unknown assailant to attack Officer Doe, knew of the attack and ratified it, or agreed with other named persons that attacking the police was one of the goals of the demonstration.” So that should have been the end of the case.

Instead, in its most recent opinion in this case, the Fifth Circuit concluded that Claiborne’s “three separate theories that might justify” holding a protest leader liable are a non-exhaustive list, and that the MAGA-infused court is allowed to create new exceptions to the First Amendment. It then ruled that the First Amendment does not apply “where a defendant creates unreasonably dangerous conditions, and where his creation of those conditions causes a plaintiff to sustain injuries.”

And what, exactly, were the “unreasonably dangerous conditions” created by the Mckesson-led protest in Baton Rouge? The Fifth Circuit faulted Mckesson for organizing “the protest to begin in front of the police station, obstructing access to the building,” for failing to “dissuade” protesters who allegedly stole water bottles from a grocery store, and for leading “the assembled protest onto a public highway, in violation of Louisiana criminal law.”

Needless to say, the idea that the First Amendment recedes the moment a mass protest violates a traffic law is quite novel. And it is impossible to reconcile with pretty much the entire history of mass civil rights protests in the United States.

In fairness, the Court’s decision to leave the Fifth Circuit’s attack on the First Amendment in place could be temporary. As Sotomayor writes in her Mckesson opinion, when the Court announces that it will not hear a particular case it “expresses no view about the merits.” The Court could still restore the First Amendment right to protest in Louisiana, Mississippi, and Texas in a future case.

For the time being, however, the Fifth Circuit’s Mckesson decision remains good law in those three states. And that means that anyone who organizes a political protest within the Fifth Circuit risks catastrophic financial liability.