Sunday, April 14, 2024

Accountability is past due for Kansas newsroom raid

 

Image of John Lewis by photographer Sanjay Suchak with text overlay "In solidarity with the Marion Cunty Record" and Lewis quote "If you see something that is not right, not fair, not just, you have the moral obligation to do something about it"
John Lewis Photograph by Sanjay Suchak



Remember the raid on the Marion County Record last August? There are several updates as the "investigations" are still ongoing.

Via Freedom of the Press Foundation:


Investigations into the raid are ongoing and news continues to emerge about additional evidence of Marion officials’ retaliatory motives for their actions.

Last week, the Marion County Record sued the city of Marion and the officials who authorized the raid, including the then-mayor and police chief. The Record’s publisher, Eric Meyer, also joined the suit, both in his own name and as executor of his mother Joan’s estate. Joan Meyer died at age 98 the day after the raid of the home she shared with her son, likely from the stress — but not before giving police a piece of her mind.

It’s the fourth lawsuit filed in connection with the raid, along with two by reporters who worked for the Record at the time and one by the paper’s office manager.

The Record’s lawsuit contends that the raid was not the product of mere incompetence by a small town police department but a coordinated effort to retaliate against the paper for its coverage of local politics.

In addition to the lawsuits, investigations related to the raid are still pending — both of law enforcement officers’ conduct and of whether Record reporters broke the law.

As Kansas media lawyer Max Kautsh recently wrote for the Kansas Reflector, it’s well past time to drop any remaining investigation of the Record or its reporters.

The theory used to justify the raid – that a reporter broke identity theft laws by accessing online DUI records – is nonsense. The federal Driver Privacy Protection Act doesn’t protect DUI records, and includes an express exemption for research. The Kansas Department of Revenue, which runs the website the Record accessed, has said the site is open to the public. And the notion that routine journalistic conduct like accessing public records for newsgathering purposes constitutes identity theft or fraud is plainly offensive to the First Amendment.

The investigation of the law enforcement response is another story entirely. Although the probe (which, as discussed later, is being handled by the Colorado Bureau of Investigations, or CBI) is reportedly wrapping up, it’s alarming that it’s taking so long given the volume of evidence of unconstitutional retaliation. Hopefully the delay is because authorities are figuring out just how thick of a book they can throw at those responsible for the raid.

Here are just a few of the revelations that have come to light in recent months, thanks in large part to intrepid reporting from the Record itself, the Reflector, and other local news outlets, as well as from information contained in the Record’s lawsuit. Much of the news focuses on the conduct of then-Marion police chief Gideon Cody, but others, from Marion’s then-mayor to the Kansas Bureau of Investigation, or KBI, are also implicated.During the raid of the Record’s newsroom, Cody took the opportunity to rifle through reporters’ documents about himself — even though the raid was purportedly over newsgathering about a local restaurant owner. Cody was suspended and then resigned, but he was replaced by an interim chief who also participated in the raid (as did the entire police department). Other officers directed Cody to the files about him and suggested he review them.

Rather than limiting the seizure to records related to the purported investigation, Cody said officers should “just take them all,” because he was hungry. Cody then allegedly had a “pizza party” with the county sheriff. Meanwhile, the Record struggled to publish its next edition without any of its files.

Cody spoke to the restaurant owner whose information the Record was accused of “unlawfully” accessing on a public website by phone between the raids of the Record’s newsrooms and the Meyers’ home. He reportedly started the call with “Hey honey, we can’t write anything,” before providing a verbal play-by-play. The restaurant owner has also acknowledged that she deleted texts with Cody pursuant to his requests.

After the raid drew national backlash, Cody sought an arrest warrant for two Record reporters. Two hours later, the Marion County attorney revoked the search warrants that prompted the raids due to a lack of evidence.

The KBI, which attempted to distance itself from the raid after the fallout, was actually on board from the outset, receiving an advance copy of the search warrant and communicating with Cody throughout the ordeal. County Attorney Joel Ensey, who initially said he hadn’t reviewed the warrants, also reportedly received an advance copy from police. Days after news of the KBI’s involvement in the raid broke, the KBI asked the CBI to take over its investigation of the raid.

Prior to the raid, Cody allegedly tried to persuade a Record reporter, Phyllis Zorn, to leave the newspaper and start a competitor, promising he would invest in the rival paper. Zorn is now one of the reporters suing over the raid.

Prior to the raid, then-Marion Mayor David Mayfield allegedly reposted a Facebook post by his wife asking “If anyone is interested in signing a petition to recall [then vice-mayor Ruth Herbel] and silence the MCR [Marion County Record] in the process, let me know.”

Eric Meyer has said that he filed his lawsuit reluctantly — not wanting to bankrupt his hometown — and will donate any punitive damages to charitable causes. His hesitance is understandable. But accountability is desperately needed. Hopefully the CBI will help provide some, and soon.






Saturday, April 13, 2024

AIPAD Exposure Newsletter: The Photography Show Highlights

 



Via AIPAD Exposure Newsletter
April 11, 2024

 

Santa Fe’s Monroe Gallery will be showing a selection of contemporary photojournalism, with a central focus on Sanjay Suchak's Take Them Down project documenting the deinstallation and repurposing of monumental Confederate statues. The gallery, which recently began representing Mark Peterson, will also show photographs Peterson made at the Robert E. Lee monument in Richmond, Virginia, in 2020 as well as other works by the photographer. Other photographs on view at the Monroe Gallery’s booth will focus on climate change, women’s rights, and the 2016 Standing Rock protest to stop the Dakota Access pipeline. The gallery will also have a special selection of fashion, WWII, and portrait photographs by Tony Vaccaro, who passed away in December 2022 at the age of 100 and who was a longtime gallery artist and a frequent presence in the Monroe Gallery booth during previous AIPAD Shows.

 


Sanjay Suchak, Robert E. Lee Monument Overhead, Richmond, Virginia, July 2, 2020.
Courtesy Monroe Gallery of Photography

Sanjay Suchak, Foundry workers prepare to melt down the face of the Robert E. Lee statue for repurposing, October, 2023. Courtesy Monroe Gallery of Photography
Mark Peterson, Portrait of George Floyd projected on General Robert E. Lee statue in Richmond, VA, June 8, 2020, by lighting designer Dustin Klein. Courtesy Monroe Gallery of Photography

Ryan Vizzions, A church flooded by Hurricane Florence stands silently in its reflection in Burgaw, North Carolina, 2018. Courtesy Monroe Gallery of Photography

Tony Vaccaro, The Guggenheim Hat, New York, 1960.
Courtesy Monroe Gallery of Photography

Friday, April 12, 2024

Missiles on the Rez Nominated for 28th Annual People's Choice Webby Award

color photograph of young Native American woman Ella Weber in sweatshirt standing in front of gate to a nuclear silo on Fort Berthold Reservation
Ella Weber stands in front of a nuclear silo on Fort Berthold Reservation. (NINA BERMAN)


Gallery photographer Nina Berman was among the journalists behind Scientific American's multimedia reporting project on US nuclear weapons, told in video, print and podcast.

The five-part podcast The Missiles on the Rez explores the past, present, and future of nuclear weapons on the only Native American tribe hosting nuclear weapons in the United States. More here.

The Missiles on Our Rez is a 2024 Webby Award Nominee. 

Vote here.

Thursday, April 11, 2024

Egypt’s City of the Dead as Seen by Acclaimed Photojournalist Ed Kashi

Via Cario Scene

April 11, 2024


 American photojournalist Ed Kashi guides us through his exhibit 'The Living City of the Dead'.

At the heart of the Citadel of Salah El Din in Old Cairo, the captivating narratives of a vital part of this locale's history unfold—the stories of those residing within the 'Living City of the Dead'. As part of Cairo Design Week, the Cairo-based photography school Photopia curated and hosted an exhibition featuring the work of acclaimed American photojournalist Ed Kashi. This collection stems from his visit to Egypt in 1993, during which he spent three weeks in the City of the Dead.

At one point, Cairo's vast 13th-century necropolis, known as the City of the Dead, was primarily inhabited by caretakers, who were employed by families to tend to their ancestral mausoleums. However, with the rapid increase in Cairo's population density, driven by a housing shortage, the city's main cemetery became home to people seeking shelter.

By 1993, the City of the Dead had become a bustling hub, with over one hundred and twenty thousand residents living, working, shopping, and attending school amidst the mausoleums. Today, this population has grown even further. Makeshift huts now dot the landscape, nestled between tombstones where life somehow goes on. Amongst the grand burial sites of renowned religious and political figures from Egypt's storied past, masses of people now live and work in makeshift dwellings.

Originally tasked by National Geographic to explore urban landscapes in Egypt, Kashi and his then-girlfriend (now wife) found themselves drawn to the daily existence in the City of the Dead. Amidst the backdrop of corpses and decay, they discovered a life that, while unique, also took on elements of the ordinary and routine. Over those three weeks, Kashi immersed himself in the community, capturing their traditions—from weddings to religious rituals, schools, and workplaces.

In this exclusive CairoScene & El Fasla interview, the photographer guides us through the exhibit, where images from the past come to life within the historic Citadel's walls. Against the backdrop of Cairo's rapidly changing urban landscape, Kashi urges viewers to contemplate this archival documentation of a community and landscape on the brink of disappearance.


Wednesday, April 10, 2024

Nate Gowdy and Monroe Gallery Announce Major Aquisition of "Insurrection" prints

 April 10, 2024



Via Nate Gowdy:

With permission from the collector, I’m proud to report the largest fine art commission of my career. He’s acquired a ten-image portfolio of 20x30-inch prints from January 6, 2021. This is a HUGE stabilizing force for me going into the summer. I am working with my partners at @monroegallery and a master printer to make the prints, too large for my trusty Epson. An exhibition opening at Midwest Museum of American Art in my hometown of Elkhart, Indiana, is slated for the first part of 2025.

Friday, March 29, 2024

Bob Gomel: Artist Talk and Film Screening April 3

 Via The Alta Arts


graphic for the movie "Bob Gomel: Eyewitness" with black and white photograph of Bob Gomel holding a camera


Bob Gomel: Eyewitness is a documentary film that examines the stories behind the stories of some of the most significant events in the 20th century, especially the turbulent 1960’s.


Join us for An Evening with Bob Gomel – with Q&A to follow. Hear and see history unfold from the perspective of a legendary LIFE Magazine photographer.  Moderated by Don Carleton of the Briscoe Center for American History at the University of Texas in Austin.

Admission is free – however, reservations are required.  Follow the book online link.

April 3, 2024 - 7:00 pm - 9:00 pm


The exhibition Bob Gomel: Eyewitness continue through April 13, 2024 at The Alta Arts.

Wednesday, March 27, 2024

Mark Peterson Photographs for the NY Times Feature "The Race to Reinvent CPR"

 Via The New York Times

March 27, 2024


Mark Peterson photographed for the NY Times feature story "The Race to Reinvent CPR"

 Monroe Gallery of Photography recently announced exclusive representation of acclaimed photographer Mark Peterson for fine art print sales. His work will be included in our exhibit at The Photography Show Presented by AIPAD at the Park Avenue Armory in New York April 25-28, 2024.

Monday, March 25, 2024

Photojournalists on the Front Line: The Emotional Toll Moderated by Gallery Photographer Sanjay Suchak

 Photojournalists on the Front Line: The Emotional Toll — Karsh Institute of Democracy (virginia.edu)

Via University of Virginia Karsh Institute of Democracy

Tuesday, April 9, 2024


Photojournalists document the world around us. We see their images directly on our devices and televisions, capturing emotions and connecting us to stories at home and abroad. How do photojournalists help us understand difficult topics and breaking news? How does covering complex and emotional issues affect photojournalists personally?

Join a distinguished panel of photojournalists—including Pulitzer Prize–winning photographers—as they explore how their profession keeps the public well-informed and share their perspectives on what it’s like to work in some of the most challenging areas in the world.

Co-sponsored by UVA's Karsh Institute of Democracy and Public Service Pathways.


SPEAKERS

Michael Robinson Chávez

Freelance Visual Journalist (Washington, D.C.)

Ryan M. Kelly

Freelance Photojournalist (Richmond, VA)

Kirsten Luce

Independent Photojournalist (Brooklyn, NY)

Sanjay Suchak (moderator)

Practitioner Fellow in Democracy, Karsh Institute of Democracy

Independent Documentary and Commercial Photographer (Charlottesville, VA)


WHEN:

Tuesday April 9, 2024

1:00pm - 2:15pm


WHERE:

UVA's Rotunda (Dome Room)

1826 University Avenue Charlottesville, VA

REGISTER HERE


Sanjay Suchak's photographs from his "Take Them Down" project documenting the process of dismantling Confederate iconography across the Commonwealth will be on exhibit during the AIPAD Photography Show in New York City, April 25-28.  The next step of this project aims to answer the question of “what's next” for these relics of the Jim Crow era. A short documentary was filmed about his work on this project.

Monday, March 18, 2024

Monroe Gallery Announces Representation of Mark Peterson

 Monday, March 18, 2024


black and white photograph of the US Capitol and American flag reflected in a puddle of water on the ground, Washington, DC, January 3, 2021
Mark Peterson: The Capitol's reflection, January 3, Washington, DC, 2021


Santa Fe, NM - Monroe Gallery of Photography is honored to announce exclusive representation of acclaimed photographer Mark Peterson for fine art print sales.

Mark Peterson is a photographer based in New York City. His work has been published in the New York Times Magazine, New York Magazine, The New Yorker, Time, Fortune, National Geographic, Geo Magazine and other national and international publications. In 2018 he was awarded the W. Eugene Smith grant for his work on White Nationalism. His many awards include a first place Feature Picture Story in the Pictures of the Year International Competition. Peterson’s work has been featured in numerous exhibitions including his pictures of lowriders shown in “Museums Are Worlds” at the Louvre in 2012.

He is the author of two books: Acts Of Charity published by Powerhouse in 2004 and Political Theatre, published by Steidl in the fall of 2016. His work is collected in several museums including The National Gallery of Art in Washington DC and the Museum Of Fine Arts, Houston. In 2024 Steidl will publish his book The Fourth Wall.

Although often not beautiful, or easy, Peterson’s images shake and disquiet us; and once seen are etched in our memories forever.  “I like a lot of chaos in my pictures. I do like to be close to the action. It gives me a feeling of what is happening. I want to pull back the curtain and show these politicians as they really are.”

Monroe Gallery will exhibit several examples of Peterson’s work at the 2024 Photography Show presented by AIPAD in booth #A52, April 25 – 28, 2024 at The Park Avenue Armory in New York City. On Thursday, March 21st at 7pm Eastern, The Griffin Museum hosts Mark Peterson for an on-line conversation about his creative path, his pull to politics and what it takes to frame his vision as part of the museum’s current focus on power and perception, democracy and how we see and envision our elected leaders.