Showing posts with label Pulitzer Prize. Show all posts
Showing posts with label Pulitzer Prize. Show all posts

Thursday, December 12, 2024

San Francisco names street for Associated Press photographer who captured the iconic Iwo Jima photo

 BY ASSOCIATED PRESS

December 12, 2024

black and white famous photograph of Marines raising the US Flag on Mt. Suribachi on Iwo Jim in WWII

U.S. Marines of the 28th Regiment, 5th Division, raise a U.S. flag atop Mount Suribachi, Iwo Jima, Japan, Feb. 23, 1945. (AP Photo/Joe Rosenthal, File)

Credit/©: ASSOCIATED PRESS


SAN FRANCISCO (AP) — A photojournalist who captured one of the most enduring images of World War II — the U.S. Marines raising the flag on the Japanese island of Iwo Jima — will have a block in downtown San Francisco named for him Thursday.

Joe Rosenthal, who died in 2006 at age 94, was working for The Associated Press in 1945 when he took the Pulitzer Prize-winning photo.

After the war, he went to work as a staff photographer for the San Francisco Chronicle, and for 35 years until his retirement in 1981, he captured moments of city life both extraordinary and routine.


Rosenthal photographed famous people for the paper, including a young Willie Mays getting his hat fitted as a San Francisco Giant in 1957, and regular people, including children making a joyous dash for freedom on the last day of school in 1965.

Tom Graves, chapter historian for the USMC Combat Correspondents Association, which pushed for the street naming, said it was a shame the talented and humble Rosenthal is known by most for just one photograph.

“From kindergarten to parades, to professional and amateur sports games, he was the hometown photographer,” he told the Chronicle. “I think that’s something that San Francisco should recognize and cherish.”

The 600 block of Sutter Street near downtown’s Union Square will become Joe Rosenthal Way. The Marines Memorial Club, which sits on the block, welcomes the street’s new name.

Rosenthal never considered himself a wartime hero, just a working photographer lucky enough to document the courage of soldiers.

When complimented on his Pulitzer Prize-winning photo, Rosenthal said: “Sure, I took the photo. But the Marines took Iwo Jima.”



Monday, March 25, 2024

Photojournalists on the Front Line: The Emotional Toll Moderated by Gallery Photographer Sanjay Suchak

 Photojournalists on the Front Line: The Emotional Toll — Karsh Institute of Democracy (virginia.edu)

Via University of Virginia Karsh Institute of Democracy

Tuesday, April 9, 2024


Photojournalists document the world around us. We see their images directly on our devices and televisions, capturing emotions and connecting us to stories at home and abroad. How do photojournalists help us understand difficult topics and breaking news? How does covering complex and emotional issues affect photojournalists personally?

Join a distinguished panel of photojournalists—including Pulitzer Prize–winning photographers—as they explore how their profession keeps the public well-informed and share their perspectives on what it’s like to work in some of the most challenging areas in the world.

Co-sponsored by UVA's Karsh Institute of Democracy and Public Service Pathways.


SPEAKERS

Michael Robinson Chávez

Freelance Visual Journalist (Washington, D.C.)

Ryan M. Kelly

Freelance Photojournalist (Richmond, VA)

Kirsten Luce

Independent Photojournalist (Brooklyn, NY)

Sanjay Suchak (moderator)

Practitioner Fellow in Democracy, Karsh Institute of Democracy

Independent Documentary and Commercial Photographer (Charlottesville, VA)


WHEN:

Tuesday April 9, 2024

1:00pm - 2:15pm


WHERE:

UVA's Rotunda (Dome Room)

1826 University Avenue Charlottesville, VA

REGISTER HERE


Sanjay Suchak's photographs from his "Take Them Down" project documenting the process of dismantling Confederate iconography across the Commonwealth will be on exhibit during the AIPAD Photography Show in New York City, April 25-28.  The next step of this project aims to answer the question of “what's next” for these relics of the Jim Crow era. A short documentary was filmed about his work on this project.

Monday, April 26, 2021

Important Slices of Time

 

Via Joe McNally's Blog

April 26, 2021


In the spring of ’95, I was a staff photographer at LIFE magazine, and was assigned to photograph the subjects of four famous, Pulitizer Prize winning photos, all taken some twenty five years or so previous. One of them, Mary Ann Vecchio, as a teenage runaway, was photographed by John Filo, leaning over the body of a dead student at Kent State University, on May 4th, 1970. The Washington Post Magazine recently took a look at Mary Ann’s life. It’s a beautifully written, reflective piece by Patricia McCormick.

Slices of time is an oft used expression in the realms of still photography. It refers, I think, to the essential conundrum of what we do. Life flows, time moves. In equivalently relentless fashion. And we face off against these ever sluicing torrents with a “still” camera in our hands. A machine designed to stop time. Could any challenge be more quixotic, on the face of it? The digitally driven world around us accelerates, and we’re out there shouting, “Hey, wait a minute!”

But, just as time surely, inexorably advances, we continually succeed in our improbable mission. Moving pictures are wonderful and video is all the rage, but for me, my sense of history, of place, of time and life lived, is utterly fixed in still images. Would I remember the Kent State shootings, on that day, as well as I do, if John Filo had not been there, and had the guts and instincts to put his camera to his eye?

No need to show the photo. We all could draw it in our heads. Then 14-year-old Mary Ann Vecchio kneels over the body of Jeffrey Miller, fatally shot, her face a mask of anguished pain.

When you’re the subject of a Pulitzer Prize winning photo, as Mary Ann was on that day, your life is no longer a private life. You become a part of history, referred to and much discussed. There was sympathy for Mary Ann, a teenage runaway, but also vitriol and accusations, such as the governor of Florida, where she hailed from, labeling her a “dissident communist.” The students were blamed for their own deaths. John Filo was followed by the FBI. Anyone now, in the year 2021, hearing echoes of behavior such as this?

Reading the article in the Post, it was a relief to know Mary Ann is still the person I met years ago in Las Vegas. And indeed the same person even now, quietly living in Florida, going to older neighbors, making visits and delivering meals. Still helping. Others ran away that day. She ran to the body of Mr. Miller, seeking to help. But that decision began an odyssey, one not of her choice. As she says in the article, “That picture hijacked my life.”

I chose to photograph Mary Ann in a peaceful setting, outside of Vegas, where she was living at the time. Vulnerable, wounded, but still possessed of a lovely and giving heart. She and John, the author of the photo, have met. John, who’s an incredibly decent guy, and works now in NY, also has felt the weight of the photo for all these years. So much emotion, history, and pain in a split second.

color photograph of Mary Ann Vecchio

I made pictures of four people who were prominently featured in momentous Pulitzer pictures on that assignment for LIFE. The other three are below.

Kim Phuc

color photograph of Kim Phuc holding her baby

Ted Landsmark….The Boston lawyer who was speared with the American flag by a racist mob, in a famous photo made by Stanley Forman of The Boston Globe, known widely as The Soiling of Old Glory. He’s now a professor.


color photograph of Ted Landsmark

And Ed Wheatley, who along with fellow students, occupied Cornell’s student union for 36 hours, protesting racist practices and a cross burning on the Cornell campus. After an attempt to dislodge them, the protesters armed themselves. Ed led the group out of the building, carrying a rifle, and became, in an instant, part of the history of the tumultuous 60’s. He’s gone on to a life of community activism, fighting for equality in housing. When I met him he was active in projects to reclaim abandoned and rundown properties. Hence the setting.

color photograph of  Ed Wheatley

I’m guessing, but I imagine the collective shutter speeds on all four of the Pulitzers under discussion most likely amount to less than one second in time.

But, because photographers put their camera to their eye, that second won’t pass….ever.

More tk….



Saturday, June 13, 2015

EDDIE ADAMS DAY 2015




             



via New Kensington Camera Club


Please join us to celebrate the life and times of one of America's greatest photographers, New Kensington's own PULITZER PRIZE WINNER,
EDDIE ADAMS.




- 1969 Pulitzer Prize Winner for Spot News Photography -



Show Opening Saturday, June 13th, 2015
10:00am at the Alle-Kiski Valley Heritage Museum in Tarentum, PA. The program will include a Marine Color Guard, special guests, a display of 21 large Eddie Adams prints from his Paris Exhibition, a display of photos by Barry Lavery, and the Inspired by Eddie Adams Show by members of the New Kensington Camera Club. Light refreshments will be provided for guests at the Museum.
 
A screening of the Eddie Adams documentary,
"An Unlikely Weapon" will take place at 1:00pm
 
A dinner at the Clarion Hotel in New Kensington will follow at 6:00pm with special guest speaker,  Justin Merriman of the Pittsburgh Tribune-Review. The photo exhibit will run throughout the month of June.
 
Proceeds from the show and dinner will be used toward the purchase of a Pennsylvania Historical Marker for Eddie Adams in his hometown of New Kensington, PA. Additional proceeds will be used toward the Eddie Adams, John Filo Scholarship fund and ƒ-Stop ALS/NKCC Cares.
Museum Admission is $5.00 (free to all paid members of NKCC  & Alle-Kiski Valley Historical Society)
Dinner Tickets are on sale for $25.00
Tickets for the EAD2015 Dinner may be purchased in advance from NKCC or  the Alle-Kiski Valley Heritage Museum. A limited number of tickets will be available at the door before the dinner.
 


Eddie Adams Day is an event held by the New Kensington Camera Club with the cooperation and sponsorship of the Alle-Kiski Valley Historical Society.
Visit nkcameraclub.org and akvhs.org for further information.




Special Guests
   
Pittsburgh Tribune-Review Photographer


Justin Merriman


Justin Merriman (b. September 28, 1977), an award-winning photojournalist with the Pittsburgh Tribune-Review, has spent more than a decade traveling the world to cover politics, wars, natural disasters and civil unrest. His work has appeared in leading national publications and he has received multiple top
journalism awards.

After covering the September 11, 2001, terrorist attacks – including the crash of United Flight 93 in Shanksville, Pennsylvania – Merriman committed to chronicling the U.S. military and its war on terror. He has followed this story across the United States and into the conflict zones of Pakistan, Afghanistan, and Iraq. He also has covered life in Fidel Castro’s Cuba in 2002, India’s efforts to
eradicate polio from its population, the aftermath of the 2010 earthquake in Haiti, Pope Benedicts XVI’s visit to Cuba in 2012, the 2013 conclave and election of
Pope Francis in Rome, the second anniversary of Egypt’s revolution and subsequent unrest, Russia’s invasion of Crimea and the international political crisis that unfolded in Ukraine in 2014, and most recently, traveled the U.S. border with Mexico documenting issues on immigration.

Merriman has worked at the Tribune- Review since 1999, and his work has appeared in The New York Times, The Washington Post, The Wall Street Journal, American Profile Magazine, Time, USA Today, MSNBC, Sports
Illustrated and publications across the globe. He has been recognized with numerous regional, national and international awards from organizations including: the Society of Professional Journalists, the National Press Photographers Association, the Society for News Design, the Atlanta Photojournalism Seminar, the Northern Short Course, the Southern Short Course, the American Society of Tropical Medicine and Hygiene, the Military Reporters and Editors Association, and the Western Pennsylvania Press Club. He was awarded Photographer of the Year by the News Photographer Association of Greater Pittsburgh four times.

In 2014, Merriman received awards for his work in Egypt including the top award in the International Photo Story category in the Northern Short Course contest and an award of excellence in the Pictures of the Year International Competition for News Picture Story.

Born in Greensburg, Pennsylvania, Merriman graduated from the University of Pittsburgh at Greensburg in 2000 with a Bachelor of Arts degree in English Writing. In 2009, the university awarded him its prestigious Alumnus of Distinction award.

Currently Merriman lives in Oakmont with his fiancé, Stephanie Strasburg, also a photojournalist with the Pittsburgh Tribune-Review.

Justin is a Barnstorm XV alumnus and worked for the Valley News Dispatch.


    

  
Photographic work of Eddie Adams can be viewed at the Monroe Gallery of Photography.

For more information visit http://eddieadamsday.com/

Thursday, February 14, 2013

Stanley Forman talks about bearing witness to the news, being the first on the scene, and the importance of photography

Credit Stanley Forman
The flag turns into a weapon in fight outside City Hall during the busing riots in 1976. Forman won a Pulitzer Prize for for this photograph

Via WGBH

Photojournalist Stanley Forman has been at the scene of most of Boston’s news events for the past 40 years, capturing iconic images that define the people and places in those stories. His work has earned him three Pulitzer Prizes, and he’s now working on a book entitled “Before Yellow Tape: A Pulitzer Prize Winner’s Fire Images.”

Forman sat down with Emily Rooney to talk about bearing witness to the news, being the first on the scene, and the importance of photography.



On becoming a photojournalist…

As a kid, I [followed] the sirens, the blue lights, the red lights. And finally, when I was around eighteen, my father said, “You go to all these things — why don’t you take a camera?” I thought I was going to be a firefighter. But he gave me a camera, and I got interested in photography, and I was very lucky.

On covering fires today…

You don’t have the access. I get to a fire, forget yellow tape — no matter what it is — you just don’t have the access that we had in the ‘60s, the ‘70s, the ‘80s. Everything has changed. I blame [changes in access] on O.J. Simpson, because everything changed after the mistakes they made at the scene.

On technology turning everyone into a photographer…

I’m self publishing — I know nothing about publishing … Anything you want to do in this digital age, you can become it. Do I like everyone taking pictures? I’m beat before I get there. No, I don’t like it … I’d like to think my framing is better than the guy with the iPhone, or the woman with the iPhone, but they have the image. Everything gets used.

On moving from the Boston Herald to Channel 5 in the ‘80s…

You cover news … with a still camera or a video camera. You use a Phillips screwdriver or a standard screwdriver. I’m still covering news, and that’s the most important thing to me.

Credit Stanley Forman
Fireman rescue Tammi Brownlee from a burning building in South Boston, 1977
 
 
 
 
Credit Stanley Forman
Evacuating horses from a burning stable at Suffolk Downs
 
 
 
 

Thursday, May 31, 2012

AP’s ‘napalm girl’ photo is savior, curse for survivor of attack in Vietnam 40 years ago


 Villagers Fleeing a Napalm Strike, Village of Trang Bang, Vietnam, June 8, 1972<br>© 2004 The Associated Press
Nick Ut: Villagers Fleeing a Napalm Strike, Village of Trang Bang, Vietnam,
June 8, 1972 © 2004 The Associated

Via The Washington Post

By Associated Press, Updated: Thursday, May 31, 2012


"TRANG BANG, Vietnam — In the picture, the girl will always be 9 years old and wailing “Too hot! Too hot!” as she runs down the road away from her burning Vietnamese village.

She will always be naked after blobs of sticky napalm melted through her clothes and layers of skin like jellied lava.

She will always be a victim without a name.

It only took a second for Associated Press photographer Huynh Cong “Nick” Ut to snap the iconic black-and-white image 40 years ago. It communicated the horrors of the Vietnam War in a way words could never describe, helping to end one of America’s darkest eras.

Full article here

Monday, April 18, 2011

LA Times, Washington Post Photographers Win Pulitzers for Photos



Via PDNPULSE
April 18, 2011


Barbara Davidson of the Los Angeles Times has been awarded the 2011 Pulitzer Prize in Feature Photography for her story on innocent victims of gang violence. Carol Guzy, Nikki Kahn and Ricky Carioti of the Washington Post were awarded the 2011 Pulitzer Prize in Breaking News Photography for their images of the aftermath of the earthquake in Haiti. The Pulitzers were announced today at Columbia University in New York.

Both prizes come with a $10,000 award; the Washington Post photographers will share their $10,000 prize.

Finalists were also announced today. In the Feature Photography category, Todd Heisler of The New York Times was cited for his photo essay on a Colombia family carrying a genetic mutation that causes early Alzheimer’s; Greg Kahn of The Naples Daily was cited for his study of how the recession in Florida has meant loss of jobs and homes for some, and profits for others.

In the Breaking News category, Getty Images photographers Daniel Berehulak and Paula Bronstein were cited for their images of people surviving the floods in Pakistan. Carolyn Cole of the Los Angeles Times was named a finalist for her images of the oil spill off the Gulf of Mexico and her documentation of its widespread devastation.

The jury for the Pulitzer’s photography prizes was chaired by Nancy Andrews, managing editor/digital media, Detroit Free Press. The other jurors were Francisco Bernasconi, senior director of photography, Getty Images; Colin Crawford, deputy managing editor, photography, Los Angeles Times; Richard Murphy, photo director, Anchorage Daily News; and Steve Gonzales, director of photography, Houston Chronicle.

The full list of 2011 Pulitzers can be found at http://www.pulitzer.org/. Davidson’s gang story can be found on the Los Angeles Times web site. Images from “Haiti Profound Sorrow” can be viewed on the Washington Post web site.

Thursday, October 14, 2010

A Story Told: Miraculous Rescue, Remarkable Reunion


“I believe you took a photo for the Boston Herald American in January 1977 of a little girl and another of her mother that were published in the paper. The fire took place on Jan. 21, 1977, on 173 West Sixth St. in South Boston."

So began the message that photographer Stanley Forman received this July on his Facebook page. The message would lead to both a reunion and a hidden past revealed.

Forman, now a photographer for NewsCenter 5, had won three Pulitzer Prizes while working for the Boston Herald. His forte, then and now, is breaking news and fires.

"I am not sure if you would still have these pictures or more pictures that were not published. I am the little girl in the picture, Tammi,” the Facebook posting went on to say.
 
 
  ©StanleyFormanPhotos.com
 
Forman's compelling photos had captured a tragedy, and the girl in his pictures wanted to know more.


"It was one of the most intense fires I had ever been at. Knowing there were people trapped in the building and watching firefighters' attempts to get to them was very dramatic," said Forman.

Four people died in the fire, including Tammi's 6-year-old brother John.

Her mother, Ella May Kurtz, 30, was rescued, but died a few weeks later from her injuries.

But Forman's pictures also captured Tammi's miraculous rescue.
 
"When I got there the first shot I took was of firefighter George Girvan rushing a 3-year-old to safety after she was passed to him from firefighters who rescued her from the fire," he said.

©StanleyFormanPhotos.com


 
"I did not know at the time it was a girl," Forman said.

Forman had dropped off some of the pictures at the firehouse, including those of Alfred Chase, who the photos show being treated with oxygen after stumbling out of building.

After a few days of coverage in the newspaper, he thought the story had come to end.

Tammi Brownlee spent eight months in the hospital and then moved to Arizona for ten years before returning to South Boston. At first she lived with family and later with two foster families.

Thirty-three years after the fire, she went to the Boston Public Library to search for clues. She found Forman's pictures on the newspaper's front page and contacted him.

"This fire would have been another tragic fire that I have covered over my many years in this business," Forman said. "But then this e-mail came from Tammi and almost immediately I knew exactly which photos Tammi was talking about."

Earlier this summer, Forman joined a crew from for an interview with Tammi. After the interview, they took Tammi to South Boston for a surprise.

"The fire scene is now a vacant fenced in lot owned by the city. As Tammi and I walked up to the scene she was looking at this man coming towards us. She seemed confused as to who this man could be," Forman said.

"When I told her this was Alfred Chase, she knew exactly who he was from the newspaper clippings she had read and was taken aback," he said.

"He remembered locating her in the fire room and dragging her to safety with the help of other firefighters and passing her off to safety. It was a very emotional meeting for all," Forman said.

But Tammi's search did not end there. Fifteen years ago she learned she had two half siblings who had been given up for adoption before she was born.

"I had searched for years on adoption registry websites, hoping that they had put on there that they were looking for their birth mother or birth father," Tammi said. "When I started investigating the fire, everything fell into place."

Last month with help from the state, Brownlee found her sister Eleanor Doherty and just this week her brother David.

"It's a happy ending. It is what I have been waiting for, for a long time. It is family," Tammi said.

Along with her two children, Tammi brought her boyfriend of 10 years to the interview. Chad King is a Cape Cod firefighter.

I guess firefighters are my protectors,” Tammi said.

Copyright 2010 by TheBostonChannel.com


See more photographs from the fire here.

Friday, April 30, 2010

IT WAS FORTY YEARS AGO TODAY...

...that John Filo looked through the lens of his camera as he took his historic picture on May 4, 1970, after the shootings on the Kent State campus that left four dead and nine wounded.





On May 4th, 1970, John Filo was a young undergraduate working in the Kent State photo lab. He decided to take a break, and went outside to see students milling in the parking lot. Over the weekend, following the burning of the ROTC building, thousands of students had moved back and forth from the commons area near to the hill in front of Taylor Hall, demonstrating and calling to an end to the war inj Vietnam. John decided to get his camera, and see if he could get an interesting picture. He saw one student waving a black flag on the hillside, with the National Guard in the background. He shot the photograph, and feeling that he now had recorded the moment, wandered to the parking lot, where a lot of the students had gathered. Suddenly, G company of the Ohio National Guard opened fire. John thought they were shooting blanks, and started to take pictures.


A second later, he saw Mary Vecchio crying over the body of one the students who had just been killed, Jeffrey Miller.  He took the picture.

A few hours later, he started to transmit the pictures he had taken to the Associated Press from a small newspaper in Pennsylvania.

©Dirck Halstead, The Digital Journalist


The photograph won him a Pulitzer. To take the picture John used a Nikkormat camera with Tri X film and most of the exposures were 1/500 between 5.6 and f 8.

National Public Radio: "Shots Still Reverberate For Survivors Of Kent State"
"Out in the world, when people talk about the shootings at Kent State University on May 4, 1970, they call it "Kent State." But in the small town of Kent, 35 miles south of Cleveland, and on the university campus, they call it "May 4th."  The full multi-media article is here.

Listen to John Filo recount the making of the photograph here.

Last year, John Filo was reunited with the photograph's subject, Mary Vecchio.