February 23, 2023
What Happened to Us
By Jon Mooallem
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
February 23, 2023
What Happened to Us
By Jon Mooallem
Thursday, February 23, 6:30 p.m.
Figge Art Museum, 225 West Second Street, Davenport IA
A lauded painter, a noted art therapist, and an award-winning photojournalist will share their histories and thoughts at the Figge Art Museum on February 23 when the Davenport venue hosts In Conversation: Zaiga Minka Thorson, Dana Keeton, & Ryan Vizzions, an informal and enriching conversation about how artists address personal trauma through their artistic practices.
Michigan native Thorson is a Black Hawk College Professor Emerita, having taught at the Moline institution since 1999. She holds a BFA in Painting from Western Michigan University and an MFA in Painting from Northern Illinois University, and is represented by Iowa Artisans Gallery in Iowa City. Having received numerous awards for her graphic design and artwork, which she exhibits both regionally and nationally, Thorson has served on the education committee for the Figge Art Museum, as well as on the Rock Island Preservation Commission and the Visual Arts Committee of Rock Island's Quad City Arts. She has stated that her reverence for nature is rooted in her Latvian heritage and growing up in Michigan, and her interests include research and travel to America's National Parks and UNESCO World Heritage sites, her points of interest particularly focused on sacred sites.
Based in Iowa City, Keeton is a registered, board-certified art therapist and a licensed mental health counselor whose trauma-informed psychotherapy work incorporates art therapy, EMDR, mindfulness, and breath work, as well as cognitive behavioral, client-centered, and strength-based approaches. She is also trained in EMDR (Eye Movement Desensitization and Reprocessing), a therapeutic technique that assists in reducing the intensity of emotions associated with disturbing life experiences; YogaCalm, an integrated wellness approach utilizing yoga movement, meditation and mindfulness; and a certified Victim Service Provider with the Iowa Organization for Victim Assistance.
Vizzions has been named Creative Loafing's 2014 "Best Fine Art Photographer" (readers choice) and 2015 "Best Cityscape Photographer" (critics pick); worked alongside international brands such as Adidas and artists such as Pharrell Williams; collaborated with local companies including #WeLoveATL, The Atlanta Opera, and Van Michael Salon; and covered many music festivals, among them Outkast's long awaited reunion series "Outkast ATLast." In hosting his own annual photo exhibition Wander Never Wonder, Vizzions connects local photographers and helps provide a platform for local artists to make money off of their craft. The artist and photojournalist is also deeply involved with the community of Atlanta, Georgia, often donating portions of his art sales to various local charities and foundations.
In Conversation: Zaiga Minka Thorson, Dana Keeton, & Ryan Vizzions will take place on February 23, the 6:30 p.m. program will be preceded by a 5 p.m. cash bar, and participation in the evening discussion is free. For more information, call (563)326-7804 and visit FiggeArtMuseum.org.
Via Patrick Witty, Field of View
Private First Class Tony Vaccaro, carrying an M-1 rifle and an Argus C3 brick camera, photographed this scene January 11, 1945, during the Battle of the Bulge. At first glance, it looks like a painting - spartan and stark, the composition as cold as the day.
“I saw the soldier that was lying down so peacefully, so beautiful as if an artist had drawn it.” Vaccaro recollected in the excellent 2016 documentary Underfire: The Untold Story of Pfc. Tony Vaccaro. “Death, that is beautiful. It’s a contradiction. You want the ugliest aspect of mankind, death, to be beautiful. Otherwise it can not be a monument.”
Vaccaro died in 2022 at the age of 100. The photo, titled “White Death, Requiem for a Dead Soldier,” was published alongside Vaccaro’s obit in The New York Times.
February 18, 2023
Nate Gowdy – Town Hall Seattle
Nate Gowdy had previously photographed 30 Donald Trump rallies. He thought he was fully prepared for what should have been the grand finale, but the events that unfolded on January 6th, 2021, were more than anyone could have expected.
As the event transformed from protest to outright insurrection, Gowdy never stopped photographing. The result is his first monograph, Insurrection — a comprehensive yet intimate account of the events of that fateful day. The 150-page book moves readers through the day in timestamped, chronological order, bringing them a firsthand account of not just the attack on the U.S. Capitol, but what it was like to be a journalist on the front lines.
Juxtaposed are scenes of domestic terrorists kneeling and praying, posing for group photos, eating hotdogs, rampaging against the Capitol’s sworn protectors, and defiling the Inauguration Day stand, historically reserved for the stately pomp and circumstance of our representative government. On assignment for Rolling Stone, Gowdy was deemed “fake news” and assaulted twice for having professional cameras.
Gowdy joins us in the Wyncote NW Forum to share more about that historic day in January.
Nate Gowdy captures the complexities of American politics with striking clarity. Since chronicling Washington state’s fight for marriage equality in 2012, he has traveled the US to photograph pivotal events, figures, and movements across the political divide. His images have been featured in Rolling Stone, Mother Jones, PBS NewsHour, Thom Hartmann, CNN, and TIME, where his Bernie Sanders portrait graced the cover in 2016. As a co-founder of The American Superhero Project and co-author of Our Students, Their Stories, a book celebrating Seattle Public Schools’ LGBTQIA+ students, families, and staff, Gowdy is committed to elevating underrepresented voices. He serves as the official photographer for Seattle Pride, and his documentary fine art is represented at Monroe Gallery in Santa Fe.
Thursday, March 30, 2023, 7:30PM
The Wyncote NW Forum
1119 8th Ave (Entrance off Seneca St.)
Seattle, Washington 98101
Via The Taos News
February 13, 2023
Harwood Museum of Art announces Centennial Celebration in 2023
Harwood Museum of Art of the University of New Mexico announces the celebration of its one-hundred-year anniversary in 2023.
To mark the museum’s role as a steward of Western history and American art, Harwood’s Centennial celebration will take place from June 3, 2023 to January 28, 2024 and will include a major exhibition, publication and a full calendar of educational and community programs.
Burt and Lucy Harwood made art and education the soul of Harwood when they purchased the property on historic Ledoux Street in 1916. The Harwood Foundation was founded in 1923; Originally a library born from the lending library Lucy Harwood began in her then-home, the museum has since become an international destination for tens-of-thousands of visitors each year.
Accredited by the American Alliance of Museums, and the second-oldest museum in New Mexico, Harwood celebrates Taos’ artistic legacy, cultivates connections through art and inspires a creative future.
“This is a great milestone for Harwood, which has been a cultural anchor in Taos,” said Juniper Leherissey, executive director. “As the museum has evolved and changed, what endures is the strength in art and creativity that we hope to continue to inspire long into the future.”
The kick-off for the Centennial will take place with opening events at the museum on Friday, June 2 and Saturday, June 3. This will be followed by the Harwood 100 Birthday Bash on Saturday, June 17 at the Sagebrush Events Center from 5:30-10 pm. The Harwood 100 Birthday Bash will include Taos Pueblo’s Hail Creek Singers, mariachis, and dance music by Big Swing Theory. Tickets will go on sale in March.
From June 2023 to January 2024, the Centennial exhibition will fill all nine galleries and will take visitors on a journey through the museum’s rich history, including 200 works of art from Harwood’s collection and 200 books from the former Harwood Public Library, along with significant works on loan by artists Ansel Adams, Paul Strand, Margaret Bourke-White, Elaine de Kooning and Georgia O’Keeffe. Continue to full article here.
For more information, visit https://harwoodmuseum.org/centennial/.
February 9, 2023
Thursday, February 23, 6:30 p.m.January 31, 2023
For his new book Insurrection, Nate Gowdy tells PetaPixel that he was mistaken by some members of the mob as their “fellow patriot,” others assaulted him for being part of the “fake news.”
“Brave photojournalists had to endure hell to navigate that day better than I did,” Gowdy says.
“Many risked endless aggressions to document the battlefront and gore from up close. Not me. Lacking the necessary gear and armor for a combat zone, I captured the wider view. Instead of zooming in with my feet, I often took a step back.”
Gowdy says he was attacked by a group of Proud Boys in the morning and a second time in the afternoon after the perimeter barricades to the Capitol grounds were breached.
“A few insurgents mistook me as a fellow ‘patriot,’ offering water for my burning eyes, confiding in me, and even lending a hand,” he explains.
“The rest of them monitored me with suspicious glares. Because I wasn’t repping my press badge, they couldn’t be 100 percent sure I wasn’t on their team. If I could do it over, I’d cover my N95 with an American flag bandana.
“All afternoon, I worked discreetly, often facing the opposite direction as my lens was pointed, shooting with outstretched arms or from the hip. I religiously avoided eye contact, lest these people take notice of the fear in my eyes. It helped that my lens was wide enough that I didn’t have to point directly at someone in order to include them in my frames.”
Gowdy traveled to D.C. from Seattle to cover what was supposed to be a political rally for Rolling Stone magazine, no different from the many assignments he had been on previously.
But he soon realized that this would be much different and because of the holiday season, Gowdy didn’t have all of his usual gear and was forced to borrow some from a colleague.
“I struggled to adapt to my friend’s custom presets. For the life of me, I couldn’t get used to his ‘back-button AF,’ which separated AF activation from the shutter release,” explains Gowdy
“In no position to troubleshoot, I reset the camera, which made matters worse by somehow removing the AF function altogether! I can laugh at it now, but in my ten years as a photographer, I had never once used manual focus. I’m here to tell you that at a violent insurrection, it’s a difficult thing to learn.”
Virtually all of the photos were taken on Gowdy’s Lecia Q’s fixed 28mm lens and a flash that his friend had lent him.
“Locked between thousands of rioters at the Inauguration Day stand, I was immobile for long periods. The camera’s focal length forced me to focus on and prioritize the subjects and scenes right before me,” he adds.
The Pictures Almost Never Existed
After escaping without serious injury, Gowdy then had the utter devastation of his Leica Q, hard drives, laptop, and all of his pictures being stolen from Washington’s Union Station as he was traveling back to Seattle.
“It was one of the lowest points of my career, and I would’ve given anything to recover these photographs,” he says.
Luckily, one of his friends spotted the camera listed on an online marketplace and Gowdy messaged the seller who claimed to have “found” his backpack that contained all of his stuff. The crook then demanded $2,000.
“Very fortunately, the thief agreed to return to the scene of the crime and to make an exchange the following day at Union Station with a friend of mine,” explains Gowdy.
“Amtrak Police went above and beyond to work with my friend to coordinate a safe and successful sting operation. Everything was returned in time for me to photograph Biden’s inauguration day.”
The 150-page hardcover edition of Insurrection by Nate Gowdy is available via his website.
“If you’re curious to read the only available book of photojournalism about what it was like to be in the middle of the mob on January 6, I encourage you to pick it up,” he adds.
January 30, 2023
Via CNN
January 29, 2023
By Elizabeth Wolfe, CNN. Photographs by David Butow
After tragedy struck Monterey Park’s vibrant dance community, residents insist they will return to their beloved ballroom --click for full article.
January 25, 2023
Honoring Vaccaro
Speaking of countdowns, a show celebrating acclaimed photographer Tony Vaccaro at Santa Fe’s Monroe Gallery of Photography (112 Don Gaspar) can be viewed for five more days—through Jan. 29. Monroe mounted two exhibitions—here and a New York pop-up last month—to honor Vaccaro’s 100th birthday; the photographer died on Dec. 28, just eight days after his centennial, which he celebrated in New York with friends at a surprise birthday dinner.
A New York Times obituary recounts how Vaccaro became a war photographer in World War II—also the subject of a 2016 HBO documentary. After the war, he transitioned and began to make fashion, travel and celebrity photographs for the country’s leading magazines.
Those celebrities included Georgia O’Keeffe, whom Life magazine assigned Vaccaro to photograph in 1960. O’Keeffe expected a more famous photographer and at first refused to pose: “To win her over, Mr. Vaccaro cooked a meal and made a picnic lunch. When the weather turned too windy for the picnic, he gave her a plate of Swiss cheese as she sat in the back of his car. And when she playfully peered through a hole in a piece of the cheese, Mr. Vaccaro went into action,” the obituary reads. His other famous subjects included John F. Kennedy, Pablo Picasso and Sophie Loren, to name a few.
This quote from Vaccaro accompanies Monroe’s information on the exhibition: “We call each other German, French, Italian. There is no Italian blood. There is no French blood. It’s human blood. On this Earth there is one humanity. Let’s do something about it. Let’s live! In a way, photography was my way of telling the world, ‘We have better things to do than to kill ourselves.’”