Anna Boyiazis Photographs Featured in "Growing Up in Climate Chaos"

 

Via The New York Times

November 7, 2024

Growing Up in Climate Chaos

When you’re a teenager, everything can feel like a crisis. But for these teenagers living in areas around the world affected by climate change, the sense of growing crisis is real — not in some hazy future but today, disrupting their adolescence in ways both large and small…

Obama Mchembe pays attention to rain. He has to. When the roads flood, he stays home from school for days at a time. Floods, heat and drought make it harder to grow crops, so his family struggles to buy staple foods, including maize flour, rice and sugar. ‘‘In the past, it was normal for us to eat foods like rice,’’ Mchembe says. ‘‘But now, for a month, we can eat rice once or twice.

Mchembe worries about what climate change means for the future, both for himself and for his country. He and his classmates have started planting cassia trees in a field beside their school — a simple act that ‘‘makes all of us feel courage.’’

full article here

Mchembe and his schoolmates in the shade of cassia trees

Photograph by Anna Boyiazis

Eugene Tapahe: Between the Worlds

Via Utah Policy

November 6, 2024 

Celebrated Native American art exhibit comes to UVU’s Museum of Art at Lakemount

In celebration of Native American Heritage Month, the Utah Valley University Museum of Art at Lakemount is pleased to present an art exhibition by Diné (Navajo) artist Eugene Tapahe. “Eugene Tapahe: Between the Worlds” opens with a reception on Tuesday, November 12, from 5-7:30 pm. The exhibition will remain on view through February 15, 2025.

“Eugene Tapahe: Between the Worlds” explores multiple meanings, connecting the contemporary world with tradition while highlighting the relationship between people and the land. Curated by Katherine Jackson, professor of art history at UVU, the exhibition includes a combination of Tapahe’s installations, photography, and performance, engaging people and places while mapping monuments as sacred sites throughout the modern world.

“I draw inspiration from my Diné (Navajo) traditions and modern experiences. My work reflects the fragility and resilience of Native American culture. I strive to unite these two worlds in my concepts while transcending worldly uncertainties. Through various visual mediums, I intend to celebrate and honor the identity and culture of Native Americans. Ultimately, the persona of my work offers unity, hope, and healing,” said Tapahe.

Tapahe is Diné (Navajo) and originally from Window Rock, Arizona. He received his MFA in studio art from Brigham Young University. Tapahe has exhibited his work in prestigious shows at the Santa Fe Indian Market, the Heard Museum Indian Fair & Market, the Cherokee Art Market, and the Smithsonian National Museum of the American Indian. He has received awards for his photography from the Cherokee Art Market (2018) and the Museum of Northern Arizona (2019), and he was honored with two International Awards of Excellence from “Communication Arts” magazine.

Tapahe’s work is in the permanent collections of numerous museums, including the Smithsonian National Museum of the American Indian, the Birmingham Museum of Art, the Arizona State Museum, the Minnesota History Center, the College of Wooster Art Museum, the Nora Eccles Harrison Museum of Art at Utah State University, and more.

His art is represented by the Modern West gallery in Salt Lake City, Utah; Monroe Gallery of Photography in Santa Fe, New Mexico; Rainmaker Gallery in Bristol, England; and Four Winds Gallery in Sydney, Australia. Tapahe resides in Provo, Utah, with his wife, Sharon, and their two daughters, Erin and Dion.

“Eugene Tapahe: Between the Worlds” is one of several concurrent exhibitions at the UVU Museum of Art at Lakemount. The annual Faculty Art Exhibition highlighting the work of 41 artists teaching at UVU is on view in the upstairs galleries through November 20, in addition to several exhibits of artwork from the museum’s permanent collection.

At Utah Valley University, we believe everyone deserves the transforming benefits of high-quality education — and it needs to be affordable, accessible, and flexible. With opportunities to earn everything from certificates to master’s degrees, our students succeed by gaining real-world experience and developing career-ready skills. We continue to invite people to come as they are — and leave ready and prepared to make a difference in the world.

For more information, visit UVU’s Newsroom website for fact sheets, maps, leadership bios, history, photos, b-roll, filming policies, and a list of interview-ready faculty experts at https://www.uvu.edu/newsroom/# or scan this QR code.

"The press is once again not at war, but at work"

 Via Columbia Journalism Review

November 6, 2024

"For now, a few important things seem clear for the press—things we’ve known conceptually for some time, but now hit with a shocking new clarity. The most important is that Trump’s impending second term poses a credible and unprecedented threat to press freedom as America has known it."

John Olsen's "Women's March" Photo Featured In NY Times Magazine Essay

 Via The New York Times

November 2, 2024

 John Olson/The LIFE Picture Collection: A 1970 march in New York City on the 50th anniversary of the passage of the 19th Amendment, August 26, 1970

How Will White Women Vote? It’s a Question With a Fraught History.

White and Black women have joined together to power progressive causes — from abolition to civil rights — but it’s a tenuous alliance. --Click for full article

This photograph is featured in the current Monroe Gallery exhibition "The Best of Us".

Gabriela Campos Receives Awards At New Mexico Press Association’s 2024 Better Newspapers contest

Via The Santa Fe New Mexican

October 27, 2024

Photographer Gabriela Campos took first place in the feature photo category for “Storm over Ghost Ranch"

Online photo gallery: 2nd, Gabriela Campos, “New Mexico State Police Officer Justin Hare honored at Albuquerque funeral.”

 

Journalists must be allowed to do their jobs safely in Lancaster County and across the US [editorial]

 Via Lancaster Online

October 27, 2024

Lancaster Safety Coalition footage shows a Lancaster city police officer pushing a photojournalist to the ground during protests Sunday, Oct. 20, in Penn Square, near the Lancaster County Convention Center, where Donald Trump was speaking.

Lancaster Safety Coalition

THE ISSUE

“A Lancaster city police officer pushed a photojournalist to the ground (last) Sunday afternoon, causing her to hit her head on the street during a protest of former President Donald Trump’s town hall event at Lancaster County Convention Center,” LNP | LancasterOnline reported. Susan Stava, a New York City-based freelance photographer, was working to capture the scene in Lancaster city’s Penn Square, where local Democrats were protesting Trump’s visit. Video shows a Lancaster city police officer firmly pushing Stava, causing her to fall backward onto the road. Stava said she landed on her camera bag, and a lens was broken.

It took the Lancaster City Bureau of Police all of three days to “investigate” the incident in which a freelance photojournalist was pushed to the ground by a city police officer. Its conclusion: The officer “followed the law including the Bureau’s training, policies, and procedures.”

--Click for full editorial

"Journalists see journalism not merely as a job, but as a calling that’s critical to the health of a democracy. Elected officials should not actively undermine their safety — or stay silent about an incident in which a journalist faced harm."

Eugene Tapahe included in Tiny Gallery Takeover exhibit Land Back

 

Via Tiny Gallery

November 1st, at 8 Stanford Place: opening reception for Land Back: A Tiny Gallery Takeover in Lenapehoking, curated by Jennifer Ley.

In celebration of Native American Heritage Month and Interwoven Power: Native Knowledge/Native Art at the Montclair Art Museum, Tiny Gallery presents Land Back featuring collections from seven contemporary Native artists, including Eugene Tapahe, installed in six Tiny Galleries across Montclair, Glen Ridge, and Bloomfield, New Jersey—all part of Lenapehoking, the ancestral homelands of the Lenape people. 

Art allows us to examine the past, interpret the present, and envision the future, and Ley’s curation of Land Back brings the stories of Indigenous Americans, too often dismissed or overlooked, forward.

One of Tiny Gallery’s missions is to bring artistic voices that may not normally be heard into communities and present them in a new context and we feel incredibly privileged to be able to collaborate with renowned Native artists.

Tiny Gallery

8 Stanford Place

Montclair, NJ 07042

Information here

"As A.I. Becomes Harder to Detect, Photography Is Having a Renaissance"

 Via The New York Times

October 25, 2024

"After at least a decade of focusing almost exclusively on painting, many of the largest and most powerful art dealers are dedicating significant attention and real estate to photography.

It is part of a broader renaissance for the medium that is arriving, perhaps counterintuitively, just as images produced by artificial intelligence become virtually indistinguishable from real documentation."

Click for full article

“I am resigning because I want to make it clear that I am not okay with us being silent, in dangerous times, honest people need to stand up. This is how I’m standing up.”

 Via Columbia Journalism Review

October 23, 2024

Los Angeles Times editorials editor resigns after owner blocks presidential endorsement

Mariel Garza, the editorials editor of the Los Angeles Times, resigned on Wednesday after the newspaper’s owner blocked the editorial board’s plans to endorse Vice President Kamala Harris for president.

“I am resigning because I want to make it clear that I am not okay with us being silent,” Garza told me in a phone conversation. “In dangerous times, honest people need to stand up. This is how I’m standing up.”

On October 11, Patrick Soon-Shiong, who bought the newspaper for $500 million in 2018, informed the paper’s editorial board that the Times would not be making an endorsement for president. The message was conveyed to Garza by Terry Tang, the paper’s editor.

The board had intended to endorse Harris, Garza told me, and she had drafted the outline of a proposed editorial. She had hoped to get feedback on the outline and was taken aback upon being told that the newspaper would not take a position.

“I didn’t think we were going to change our readers’ minds—our readers, for the most part, are Harris supporters,” Garza told me. “We’re a very liberal paper. I didn’t think we were going to change the outcome of the election in California.

“But two things concern me: This is a point in time where you speak your conscience no matter what. And an endorsement was the logical next step after a series of editorials we’ve been writing about how dangerous Trump is to democracy, about his unfitness to be president, about his threats to jail his enemies. We have made the case in editorial after editorial that he shouldn’t be reelected.”

--Click for full article

Review: "hope and fighting for improvement are central features of The Best of Us "

 Via Pastiempo

The Santa Fe New Mexican

October 18, 2024

Gabriela E. Campos

A nursing station in the Frost 19 unit, Christus St. Vincent Regional Medical Center, Santa Fe, NM, December, 2020

Here's your weekly roundup of some of the must-see, must-do, must-know things that need to be on your radar this week.

PICTURE THIS

‘Best’ Practices

In one image, three masked, exhausted-looking medical professionals slump at a desk, one’s head leaning on another’s shoulder. Two others show American societal matriarchs Rosa Parks and Eleanor Roosevelt — the former serious, the latter smiling. Yet another shows a Black man with “Vote” painted on his face during a march in Selma, Alabama, in 1965.

All are part of The Best of Us, running through mid-November at Monroe Gallery of Photography. The gallery describes the featured images as “depicting the ideals and diversity of the human experience which explore the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals.”

In other words, hope and fighting for improvement are central features of The Best of Us — distinguishing it from some previous Monroe Gallery exhibitions. Photojournalism is the gallery’s bread and butter, and the fruits of that craft can be compelling but challenging.

The Best of Us hangs on the gallery’s walls, while the virtual project The Campaign can be viewed at monroegallery.com/VirtualProjects. It coincides with the election season, ending November 24. Images include a rapturously smiling woman wearing an “Obama, You’re Fired” shirt meeting then-presidential candidate Donald Trump; former President Barack Obama talking and gesturing as rain falls; and former President George W. Bush and Vice President Dick Cheney gazing at their watches simultaneously, a painting of Abraham Lincoln behind them. — B.S.

details

9 a.m.-5 p.m. weekdays, through November 17

Monroe Gallery of Photography

112 Don Gaspar Avenue

505-992-0800; monroegallery.com