July 22, 2025
How a photo of a deadly Boston fire sparked change
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
July 22, 2025
July 21, 2025
Penumbra is excited to host a series of online public lectures in July 2025, where artists will share insight into the projects being digitized through this program.
On Wednesday, July 23, Nina Berman will discuss work made in 1987 when as a young photographer and journalist she traveled with a group of American Vietnam War veterans on their return trip to Vietnam. The experience had a significant impact on her and influenced her later work more generally on the costs of war and American warmaking.
MAD ROSE GALLERY, in collaboration with Monroe Gallery of Photography, is honored to present the work of distinguished photographers Ashley Gilbertson (Australia) and Franco Pagetti (Italy). Their photographs trace the subtle topography of human experience— where stillness carries weight and absence speaks. From snow-laden vineyards to fractured interiors, each image is an act of bearing witness: restrained, exacting and quietly profound. Here, the visible and the invisible are held in tension— not explained, merely observed.
FRAGMENTS IN TIME: Ashley Gilbertson & Franco Pagetti, July 4 - August 30.
Brunch and tour Saturday, July 26. Space is limited, RSVP and info: natalie@madrosegallery.com.
Ashley Gilbertson is an Australian photographer and writer living in New York City, recognized for his critical eye and unique approach to social issues. Gilbertson is a regular contributor to The New York Times, The Washington Post, ProPublica and UNICEF. Gilbertson’s photography is in museum permanent collections across the world, including The Smithsonian, Centre Georges Pompidou, National Gallery of Victoria, Harvard Art Museum, The Museum of Fine Art in Houston, and The National September 11 Memorial Museum in New York.
Franco Pagetti has spent years working in conflict zones, though he has never considered himself a war photographer. His enduring focus lies with the people, traces that history leave on faces, gestures and places. With a background in science and a past in fashion, his eye blends rigor with instinct. His photographs have appeared in TIME, The New York Times, Newsweek and in campaigns for brands such as Dolce & Gabbana, San Pellegrino, Nespresso and Armani. Whether in Baghdad or backstage, Pagetti doesn’t chase events, he observes what they leave behind. A contributor to The VII Foundation. When not on the road, he lives in Milan, Italy.
Via Committee to Protect Journalists
July 18, 2025
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July 11, 2025
A federal judge just had to remind police that they shouldn’t shoot at journalists after several violent encounters during the protests opposing the Trump administration’s disastrous ICE raids in Los Angeles.
U.S. District Judge Hernán D. Vera blocked the Los Angeles Police Department from wrongfully preventing journalists from accessing closed off areas, detaining or arresting journalists while they’re reporting, and using less lethal munitions (LLMs) and other crowd control weapons against them.July 10, 2025
Columbia University by Nina Berman
"For more than fifty years, I have been studying and writing about political repression and higher education, with a special emphasis on McCarthyism, long considered by historians to be the most serious assault on academic freedom since the emergence of the modern university. But, as Nina Berman’s photographs of Columbia University show, what has been happening to the American academy these days is incommensurably worse. Berman, who teaches in the journalism school at Columbia, has spent decades documenting protests and the like, and naturally did so again in 2024, when pro-Palestinian demonstrations unfolded on the campus where she teaches. In the year since, she has continued to photograph with an almost diaristic discipline, and has amassed a visual narrative of Columbia’s painful transformation. In these haunting images of a locked-down campus bristling with surveillance cameras and security guards, we see autocracy revealed in the form of a restive yet silent space under control. Because Columbia’s leaders have capitulated to the Trump administration, a once-proud citadel of higher learning and independent thought is losing its credibility." --click for full article
Related: Podcast - Nina Berman: A Lens on Consequence
Foto 026 - Nina Berman by Michael Howard
Via Freedom Of The Press Foundation
Journalists covering recent demonstrations in California have been assaulted, detained, shot with crowd-control munitions, and had their equipment searched — simply for doing their jobs.
Freelance and independent reporters are especially vulnerable, yet they continue to document how immigration raids impact communities and how law enforcement responds to civil unrest. Some of the journalists joining us are also plaintiffs in lawsuits pushing back against police actions that threaten press freedom and violate the First Amendment.
Join us to hear their firsthand accounts and learn what it means to uphold the public’s right to know in the streets and on the front lines.
If you cannot attend, help protect the rights of these journalists and defend press freedom everywhere by making a donation to support our work at this link.
On July 9th, we’ll be joined by:
- Adam Rose, Press rights chair and secretary at LA Press Club
- Ben Camacho, Journalist and co-founder of The Southlander
- Sean Beckner-Carmitchel, Independent videographer
- Tina-Desiree Berg, Journalist for Status Coup and other outlets
- Caitlin Vogus, Freedom of the Press Foundation senior adviser
Via ArtDaily.com
July 5, 2025
Monroe Gallery hosts Eugene Tapahe's healing "Jingle Dress Project" exhibit
Eugene Tapahe
Strength In Unity, Tetons National Park, the native land of the Shoshone, Bannock, Gros Ventre, and Nez Perce People, 2021
SANTA FE, NM.- Monroe Gallery of Photography opens a very special exhibit of large format photographs by Diné (Navajo) photographer Eugene Tapahe: Art Heals, The Jingle Dress Project.
The exhibit opens July 5, 2025, with an artist’s talk at 5:30 p.m. It will continue during the renowned Santa Fe Indian Market weekend, the world’s largest Native American art market, August 16 and 17, and conclude on September 14, 2025.
Art Heals: The Jingle Dress Project originated from a dream Tapahe had during the COVID-19 pandemic, inspiring him to unite the land and people through the healing power of the Ojibwe jingle dress dance during uncertain times of illness and social differences. Since then, Tapahe has traveled thousands of miles documenting family members and friends dancing the healing honor dance in National Parks and Monuments, honoring the places where their ancestors once lived. Tapahe describes the images as “incredibly powerful and spiritual. Looking at them, I still can't believe I took these photographs. I believe this project is larger than myself, and I hope that when people view them, they feel the same way – that we are all blessed to be in the presence of such beauty.”
The Jingle Dress Project has brought healing to Tapahe’s family, friends, and ancestors and garnered national and international recognition for its unifying effect on communities. The images have raised awareness of many Native American issues, such as land acknowledgment, women’s rights, and, most importantly, the epidemic of Missing and Murdered Indigenous Women (MMIW).
During the project, Tapahe discovered one overarching metaphor. “I put my hand on one of the jingles and I shook it. That one jingle didn’t make any sound,” he said. “But together, they have the power to heal. As human beings, if we are able to unite ourselves and our prayers and make a beautiful sound as the jingle dress does, we could be powerful.”
Eugene Tapahe is a contemporary artist inspired by his Diné (Navajo) traditions and modern experiences. He is originally from Window Rock, Arizona. Tapahe has loved photography since the first time he picked up a camera, and realized the special gift for telling stories through his art. He has a deep desire to continue photographing the lands his ancestors once walked.
Tapahe has received numerous awards, including the Best of Show award for his photography at the Cherokee Indian Market (2018) and the Museum of Northern Arizona (2019), making him the first photographer to achieve this honor.
Tapahe has also been honored with two International Awards of Excellence from Communication Arts magazine. His work is in the permanent collections of numerous museums, including the Smithsonian National Museum of the American Indian (Washington, DC), the Birmingham Museum of Art (Alabama), The Toledo Museum (Ohio), Speed Art Museum (Kentucky), the Arizona State Museum, the Minnesota History Center Museum, and the College of Wooster Art Museum (Ohio).
Pancakes on the Plaza is flipping back into action. Every Fourth of July, the heart of downtown fills with the smell of sizzling pancakes, the sparkle of classic cars, rows of amazing local art, and thousands of smiling faces. It is not just a breakfast — it is the way Northern New Mexico celebrates Independence Day. We are proud to announce that Pancakes on the Plaza will help deliver $200,000 in grants over the next two years to support Santa Fe nonprofits making a real difference.
When you buy a ticket, you are not just enjoying a plate of fluffy goodness — you are helping local families thrive, students succeed, and our whole community shine a little brighter. Pancakes on the Plaza is brought to you by the Rotary Club of Santa Fe — 80 Rotarians, over 300 volunteers, and a whole lot of heart. Thanks to your support and your big appetite, we are making a real impact. Eat pancakes. Have fun. Make a difference.
Take a short walk to Monroe Gallery to see a preview of an important new exhibition featuring a photography series by artist Eugene Tapahe titled Art Heals: The Jingle Dress Project. The exhibit opens July 5, 2025, with an artist’s talk at 5:30 p.m, and the Gallery will be open July 4 from 10 - 2.