Wednesday, September 12, 2012

Unpublished JFK Photos: Houston Remembers President Kennedy's 1962 "Moon Speech" At Rice Stadium




Via KUHF


Today is the 50th anniversary of President John F. Kennedy's famous speech in which he declared, "We choose to go to the moon ..." He delivered it here in Houston, vowing to put Americans on the moon within the decade.
I'm sitting here in the bleachers at Rice, on the stadium's east side, where most of the 40,000 people had gathered to hear Kennedy speak. It was Sept. 12, 1962 and reportedly it was quite hot but clear that day. The crowd included not only the mayor of Houston, the county judge, and the president of Rice, but also the Texas governor and various Texas congressman.

"It was blazingly hot. And poor Lyndon Johnson was drenched with perspiration."

Bob Gomel was photographing Kennedy that day for LIFE magazine. He says the president, unbelievably, didn't seem sweaty at all.

"He was cool, man. He just didn't, he just somehow or other, was oblivious to it. He looked perfectly fine."

Houston was the third stop on a presidential tour of aerospace facilities.

Gomel had gone with him to the rocket facility in Huntsville, Alabama and to Cape Canaveral.
At Rice he was so busy taking photos that he didn't realize the importance of the speech until later.

"It was very daring, it was very daring. I mean the Russians were out there in space. And he elected to put us in competition."

Excerpt from speech:
"But why, some say, the moon? Why choose this as our goal? And they may well ask why climb the highest mountain? Why, 35 years ago, fly the Atlantic? Why does Rice play Texas? We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard …"

 
  • JFK and Bob Gomel

    President JFK and LIFE magazine photographer Bob Gomel

    LIFE magazine photographer Bob Gomel, 28, at right in background holding camera, as the president enters the stadium before the famous speech. Photo credit: Unknown.
  • JFK pokes his head out of spacecraft

    Unpublished Photo by Bob Gomel

    At Houston's Manned Spacecraft Center on 6040 Telephone Road, President Kennedy pokes his head out of a spacecraft in this previously unpublished photo. Photo credit: Bob Gomel.
  • JFK speaking from the podium

    President at the Podium

    At Rice University, the presidential speech that ignited the dream. Photo by: Bob Gomel
  • JFK speaking from the podium

    "We choose to go to the moon ..."

    "We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard ..." Photo by: Bob Gomel
  • President JFK and VP Lyndon Johnson

    Space Industry Tour

    President John F. Kennedy and Vice President Lyndon Johnson began their space industry tour on Sept. 11, 1962 at rocket-production facilities in Huntsville, Alabama. Photo credit: Bob Gomel.
  • President JFK and VP Lyndon Johnson

    President JFK and VP Lyndon Johnson

    President Kennedy, with Vice President Johnson by his side, speaks at Cape Canaveral during his 1962 tour of U.S. aerospace facilities. Photo credit: Bob Gomel.
  • JFK at Cape Canaveral

    President Kennedy at Cape Canaveral

    President Kennedy at Cape Canaveral. Photo credit: Bob Gomel.
  • JFK walking

    President Kennedy walking into Rice Stadium

    President Kennedy walking into Rice stadium. Photo by: Bob Gomel
  • JFK at the podium

    President at the Podium

    At Rice University, the presidential speech continues. Photo by: Bob Gomel
  • JFK with cleched fist

    President with Clenched Fist

    President Kennedy with clenched fist during speech. Photo by: Bob Gomel
  • JFK druing convocation

    President during Convocation

    President Kennedy during Rice University's Convocation. Photo byBob Gomel
  
Rice presidential historian Douglas Brinkley says this was not only the most important event in Rice's 100-year history, but it was also one of Kennedy's best and most successful speeches, in which he sold the American public on a vast public works project, that despite its expense, united the country.

"It was a way to get Congress to appropriate hundreds of billions of dollars into the space program. This was the single largest public discovery project ever. In scope, it dwarfed the Panama Canal. Maybe only the interstate highway system of Eisenhower is comparable."

Brinkley says Kennedy wisely sold the project as more than just a Cold War space race with the Soviets.

"Kennedy framed it as the march of human civilization into the galaxies. And framed it in that language of breaking the shackles of earth."

Brinkley notes that this was the last time a U.S. President managed to unite the country around a vast, expensive, and noble goal.

The tragedy of the Vietnam war, followed by Ronald Reagan's call to shrink government, made Americans more skeptical about public spending, especially on infrastructure and exploration.

"We aren't seeming to do public discovery anymore. It's all become private sector. And you don't have the government leading the charge on one big grand possibility like Kennedy threw out in front of the 40,000 people at Rice Stadium."



Bob Gomel: LIFE in The 1960s will be on exhibit October 5 - November 18, 2012 at Monroe Gallery of Photography. Bob Gomel will be in attendance at a reception in his honor on Friday, Oct 5, 5 - 7 PM.


Related: 50 years ago, Kennedy reached for stars in historic Rice address

50 years ago a promise made, a promise kept: going to the moon

Kennedy’s speech a ‘tonic’ for nation losing to Russia

Friday, September 7, 2012

Panel Discussion | Shifting Sands: Conflict Photojournalism and Ethics



featuring Marcus Bleasdale and Stephen Mayes
Tuesday, September 18, 2012, 6:30pm
Aperture
547 West 27th Street, 4th Floor
New York, NY 10001

What are the ethical responsibilities of a photojournalist who chooses to cover conflict? Can he or she be truly neutral, or do they have a responsibility to reflect the moral and political imbalances of the situations they report on?


Democratic Republic of the Congo, 2003
© Marcus Bleasdale/VII

The panel will explore the ethical pressures on photojournalists in conflict and will consider their accountability for the positions they take and the pictures they make, how they make them, where they place the work and the voice they attach to it. The discussion will consider the responsibilities and consequences, intended and otherwise, of reporting on conflict.


Marcus Bleasdale – Photographer, VII
Jason Cone – Communications Director, Doctors Without Borders USA
Philip Gourevitch – Journalist, The New Yorker
Thomas Keenan – Director of the Human Rights Project, Bard College
Kira Pollack – Director of Photography, Time Magazine
Stephen Mayes, Moderator – Managing Director, VII


More here.

Wednesday, September 5, 2012

Bill Eppridge speaks at Echo Foundation and Charlotte Observer exhibit of
Bill Eppridge's photographs. Photo by Meredith Jones

Read more here: http://www.charlotteobserver.com/2012/09/03/3501561/dnc-party-pics-090312.html#storylink=cpy


Via Charlotte Observer


Kathleen Kennedy Townsend speaks Echo Foundation and Charlotte Observer exhibit
of Bill Eppridge's photographs. Photo by Meredith Jones
 
 
 
Echo Foundation and Charlotte Observer exhibit of Bill Eppridge's photographs.
Photo by Meredith Jones

Read more here: http://www.charlotteobserver.com/2012/09/03/3501561/dnc-party-pics-090312.html#storylink=cpy

Read more here: http://www.cDNC Exhibit showcases photos of harlotteobserver.com/2012/09/03/3501561/dnc-party-pics-090312.html#storylink=cpy
 

Read more here: http://www.charlotteobserver.com/2012/09/03/3501561/dnc-party-pics-090312.html#storylink=cpy


Related: DNC Exhibit showcases photos of Robert F. Kennedy

FreePress: Journalists in Need of a Safety Net





Via FreePress

September 4, 2012


More and more independent journalists and citizens are putting themselves on the front lines to cover city halls and city streets, politics and protests — and they’re doing so without the support or protection afforded staff at established newsrooms.

Indeed, these journalists undertake incredible personal and legal risks to do their work. The Committee to Protect Journalists found that of the 179 journalists imprisoned worldwide in 2011, 86 were digital journalists and 78 were freelancers. Here in the U.S., nearly 90 journalists — many of whom are independents or freelancers — have been arrested or detained in the past year, and in state after state people have scuffled with police over their right to record.

We cannot build a bright future for news if we cannot create ways to protect and support the independent and citizen journalists who are trying to create that future.

Some of these journalists are building new networks of support to expand their reach and insulate them from legal threats. Learn more about these ad-hoc support networks in my post on PBS’ Media Shift site.

Original photo by Flickr user P. Weiskel

To support our journalism campaign, please consider a donation to the Free Press Action Fund.

Monday, September 3, 2012

DNC Exhibit showcases photos of RFK


 Bill Eppridge, Senator Robert Kennedy at a rally in Sioux City, Iowa 1966
  ©Time Inc.


Via Charlotte Observer
 By Claire McNeill
cmcneill@charlotteobserver.com

Magazine photographer followed Kennedy during 1968 presidential campaign


Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy
Life magazine photographer Bill Eppridge shadowed Bobby Kennedy on the 1968 presidential campaign trail, witnessing everything from quiet moments to massive rallies.

On June 5, 1968, Eppridge took a famous photo of Kennedy lying on the floor of the Ambassador Hotel in Los Angeles, moments after he had been shot.

“There is not a day that goes by that I don’t think about that man,” Eppridge said.

Now, with politics on center stage in Charlotte, a special exhibit featuring nearly 40 of Eppridge’s photos of Kennedy will be on display.

The show, “One America, One American,” is sponsored by The Echo Foundation and The Charlotte Observer.

Housed in the Observer’s lobby, the exhibition is open to the public Sept. 4-Oct. 19, following The Echo Foundation’s 15th annual award gala opening Monday.

Eppridge, born in 1938 and still taking photographs, will attend the opening, as will Kennedy’s oldest daughter, Kathleen Kennedy Townsend, a former lieutenant governor of Maryland. Townsend will accept the foundation’s inaugural Family Legacy Award on behalf of the Kennedy family.

Former presidential candidate and retired Gen. Wesley Clark will deliver the night’s keynote address, “Courageous Leadership in Turbulent Times.”

Eppridge, a self-taught photographer and veteran of Life, National Geographic and Sports Illustrated, said the exhibit’s timing – coinciding with the Democratic National Convention – is “really special.”
“I think a lot of (delegates) don’t really know who he was or what he stood for or the importance of that man, and maybe this will get them thinking about where we’ve been or where we might be able to go,” he said.

Before Kennedy became a Democratic senator from New York, he was attorney general in the administration of his brother, John F. Kennedy, who was assassinated in 1963. Bobby Kennedy was an icon of the civil rights movement and took a strong stance against the war in Vietnam.
Eppridge said Bobby Kennedy’s importance lay in his honesty, popularity and dedication to getting troops home from Vietnam as soon as possible.

“I had quite unusual access to that man. I heard and saw and knew things that other people didn’t, and I realized that he was dead serious when he told us, ‘We are out of Vietnam on the day I take office,’ ” Eppridge said. “I don’t think anything was impossible to him.”

The Echo Foundation will also display the winning photographs from its international student photojournalism competition, which sought photography responding to the question, “What does democracy or tyranny; justice or injustice look like?”

From more than 500 entries from students across the globe, Tobin Jones, who attends the University of Westminster in the United Kingdom, was chosen as grand-prize winner.

Jones won the opportunity to travel to Charlotte during the convention and take photos alongside Eppridge for one day.

 Want to go?
The free public exhibit, “One America, One American,” is open 7 a.m. to 8 p.m. Monday-Friday and 9 a.m. to 6 p.m. Saturday and Sunday, Sept. 4-Oct. 19 in the Observer lobby, 600 S. Tryon St.   

Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy

Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy

"labor Day and is dedicated to the social and economic achievements of American workers"





John Loengard: Ranch Foreman, Whistle Mills, Flagstaff, AZ, 1970
 
 
 

US Department of Labor: The History of Labor Day


Labor Day 2011

Labor Day 2010

Sunday, September 2, 2012

The Kennedys, By Mark Shaw



Via The Independant


"These photographs were taken in order to catch and reflect the mood, the feeling of a given moment. If the viewer receives from these pictures an understanding of the affection of the Kennedys for one another, their high spirits and enjoyment of life, the book will have fulfilled its purpose." So wrote the Life magazine photographer Mark Shaw in the original 1964 edition of The John F Kennedys: A Family Album.

But in this new expanded edition, Shaw's widow reveals that the publication was also a coping mechanism; that Shaw had become not only the Kennedy's unofficial family photographer but a close friend. It explains why the work of this pre-eminent fashion and portrait photographer never recovered from Kennedy's assassination, but also how he'd been able to get such fresh, candid shots; shots that, with their vigour, vitality and promise of fresh hope for America's future, were arguably instrumental in Kennedy's election successes. Shown right, Jackie on the beach in Hyannis Port, Massachusetts, with her daughter, Caroline.


Jacqueline Kennedy swinging Caroline in surf, Hyannis Port, 1959
 
 
 
GQ (Germany) Article and Slide Show

BBC: As a new book of images of The Kennedys by Mark Shaw is published in the UK, we talk to the editor Tony Nourmand about how images help the political campaign. Listen here.


Available from Reel Art Press $75

Fine art photographs available from Monroe Gallery of Photography

Saturday, September 1, 2012

News photographers gather in Perpignan for 24th Festival International of Photojournalism

 
 

 Employees fix a photograph by Italian Alex Majoli prior to the opening of the exhibition devoted to the work of the World Press awarded photographers as part of the International Photojournalism Festival of Perpignan "Visa pour l'image" on August 31, 2012 in Perpignan, southern France. Majoli won the first prize in the general news singles category for this photograph featuring protesters in Tahrir square reacting to a speech by the former Egyptian president Hosni Mubarak. The festival takes place from September 1 to 16. AFP PHOTO PHOTO / RAYMOND ROI Via artdaily.org

 PERPIGNAN.- VISA pour l’image is the premier International Festival of Photojournalism held in Perpignan, France. This festival is a unique event where you can join thousands of kindred spirits who share a love and passion for photography. View the greatest photojournalist work from around the world in exhibitions across the city. Experience the evening screenings in the dramatic open air medieval enclosure of the Campo Santo. Take part in symposiums and conferences and meet the foremost photo agencies and manufacturers of photographic related equipment.


Exhibitions
Exhibitions are open from September 1 to 16, 2012. They present stories or anthologies of a photographer's work, reporting on wars, nature, the environment, people, religious issues, and social phenomena, plus the great scourges of our time.

Screenings
Campo Santo is the venue for the evening screenings. The program includes a chronological review of the news stories from the previous year, reports and features on social issues, war, stories that have made the news and others that have been kept quiet.

Meetings
Perpignan is the place where professionals can discuss their problems, debating issues involved in producing and using pictures and the future of the profession. The symposium and "meet the photographer" sessions cover a wide range of questions.

Full program here.

Visa pour l'Image Perpignan 2012

Friday, August 31, 2012

Selections from People Get Ready: The Struggle For Human Rights



 
 
Cairo, Egypt — February 8, 2011
Yuri Kozyrev / NOOR for Time


"Beyond the revolutions in Egypt, Bahrain, Yemen and Libya, I also traveled to cover the protests in Moscow, Greece and Tunis. I came to the conclusion that each revolution must be assessed in its own context, because each had a distinctive impact. The drama of each revolution unfolded separately. Each had its own heroes, its own crises. Each, therefore, demands its own narrative. In the end, the differences between them may turn out to be more important than their similarities, however.  And the common thing about all these protests is the number of young people who really want to bring changes to their country. That’s what’s most incredible. We have a new generation of people who are sick and tired of what’s going on. Call it the Jasmine Revolution, the Arab Spring or the Facebook Revolution, there’s a powerful Sirocco blowing across the world, and young people realize there’s another life and they want to live differently." --Yuri Kozyrev

Previous Selections

People Get Ready: The Struggle For Human Rights exhibition continues through September 23, 2012

Thursday, August 30, 2012

"Their deaths represent the slipping away of a generation of war reporters that brought the reality of the conflict to the living rooms of America in unprecedented detail and horrifying close-up"




Browne's image of the Vietnamese Buddhist monk Thich Quang Duc, who set fire to himself in 1963, was published around the world. Photograph: Malcolm Browne/AP

"Nick, Eddie and Malcolm hold the first three places in the temple of the perfect photo. Nothing really comes close to the drama, the horror and downright importance of those images." David Hume Kennerly remembers Malcolm Browne via The Huffington Post.

Time LightBox: Malcolm Browne: The Story Behind The Burning Monk
The New York Times: Malcolm W. Browne, Pulitzer-Prize Winning Reporter, Dies at 81

The Guardian: Malcolm Browne obituary

Wall Street Journal: Burning-monk photographer Malcolm Browne dies

The Telegraph in Pictures: Malcolm Browne, Horst Fass and Roy Essoyan: the men who documented the Vietnam War  (slide show)

Washington Post: Death of Malcolm Browne represents slipping away of Vietnam War generation reporters
 

Monday, August 27, 2012

August 26, 1970: The Women's Strike for Equality





Women in Parade Down 5th Avenue on the 50th Anniversary of the Passage of the 19th Amendment, New York, 1970 -Photograph by John Olsen
Women in Parade Down 5th Avenue on the 50th Anniversary of the Passage of the 19th Amendment, New York, 1970 -Photograph by John Olsen


The Women’s Strike for Equality was a strike which took place in the United States on August 26, 1970. It celebrated the 50th anniversary of the passing of the Nineteenth Amendment, which effectively gave American women the right to vote. The rally was sponsored by the National Organization for Women (NOW). More than 20,000 women gathered for the protest in New York City and throughout the country

 At the march for Women’s Strike for Equality, the three preconditions for emancipation included child care, legal abortion and equal pay.

The Guardian: From the archive, 27 August 1970: US women find some advertising offensive, insulting and degrading



 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 




 
 
 

Happy Birthday Man Ray






Loomis Dean: Man Ray Holding Up "Lips" Print

Today is the birthday of avante-garde photographer and painter who came into this world as Emmanuel Radnitzky, and left as Man Ray. The renowned Surrealist and Dada figure would turn 122 if he were magically still alive today.  More

Friday, August 24, 2012

Selections from People Get Ready: The Struggle For Human Rights


© Bill Eppridge




Bill Eppridge received a call from his editors at Life magazine that Robert Shelton of the United Klans of America had consented to being photographed. He drove to Tuscaloosa, Alabama and Shelton allowed Eppridge to photograph him in his Imperial Wizard robes as he smoked a cigarette. Shelton drove him around town in a Cadillac that was equipped with police radios. Late in the afternoon, Shelton told Eppridge he knew a pilot and offered Eppridge a ride back to Birmingham in a small plane. Eppridge weighed his options - by the time he got to the airport, returned the rental car, checked his bags and re-packed his cameras, he thought it might take just as long driving back. He decided to drive and just kept going until he arrived in Birmingham a little over an hour later. Once back at his hotel, he went up to the room where the Life reporter was staying and knocked on the door. When it opened, the reporter's fave turned white and he said "You're dead!". "What are you talking about?" asked Eppridge. The reporter ten told him that he had received a phone call from Shelton telling him that Eppridge had been killed in a plane crash. Eppridge never found out if the crash was an accident, or if Shelton simply decided that he had revealed too much and wanted to get rid of the film and the photographer.


New York Times Obituary for Robert Shelton


Previous selections here.


Related: Echo Foundation presents Bill Eppridge exhibition.

Thursday, August 23, 2012

The Echo Foundation Presents Global Photojournalism Project; Bill Eppridge Exhibition



-Bill Eppridge Photographic Exhibit Highlighting the Legacy of Robert F. Kennedy

-International Photojournalism Student Competition Winners Announced


CHARLOTTE, N.C., Aug. 23, 2012 /PRNewswire/ -- Affirming the power of free speech and expression, The Echo Foundation celebrates powerful photojournalism with a two-part series that addresses justice, democracy and humanity. While honoring the work of a respected force in photojournalism, the foundation engages the next generation of emerging photographers.

Echo's election year series – "We the People. The Voices and Vision of Democracy." – proudly presents the extraordinary work of revered photographer Bill Eppridge and his exhibit entitled "One America, One American: Robert F. Kennedy Through the Lens of Bill Eppridge." Housed in The Charlotte Observer gallery, the exhibition is open to the public September 4October 19.

Eppridge, a veteran photojournalist, has worked for prominent publications including National Geographic, LIFE Magazine and Sports Illustrated. The exhibit contains nearly 40 intimate RFK photographs and reflections by Eppridge, who traveled the campaign trail with the senator in 1966-1968.


Installation photograph by Stephanie Ansaldo


To inspire students worldwide, Echo's international photojournalism competition invited students to submit original photography responding to the question, "What does democracy or tyranny; justice or injustice look like?" More than 500 entries from students representing 40 countries across the globe were submitted.

New York Times Senior Photographer Tyler Hicks judged the competition and awarded the grand prize to Tobin Jones, a graduate student at the University of Westminster in the United Kingdom, who submitted a photo taken in the Kibera slum of Nairobi, Kenya.

The student photojournalist describes his photo, titled "Religious Healing," as a priest in a Kenyan slum trying to exorcise a demon tormenting one of his parishioners. Jones says, "In Kibera, religion, as a money-making opportunity, has taken on a whole new dimension; often cheating people in the slum of their hard earned money."

Hicks explains, "Telling the story succinctly in a single image, this photograph speaks not only to injustice in Kibera, but also to a larger audience about the endemic poverty crisis in Africa."

Jones will travel to Charlotte during the Democratic National Convention where his winning photograph will be on display next to Eppridge's iconic pieces in the exhibit. In addition, Jones has the opportunity to photograph for one day alongside Eppridge during the convention.

A special opening ceremony of "One America, One American" takes place on September 3, as part of Echo's 15th Annual Award Gala. To purchase tickets, please visit www.echofoundation.org.


About The Echo Foundation
The Echo Foundation was founded in 1997 to carry on the message Nobel Peace Prize winner Elie Wiesel brought to Charlotte that year – a call to action for human dignity, justice and moral courage. Through comprehensive education programs, Echo equips individuals with moral and intellectual tools necessary to create positive change. For more information, please visit www.echofoundation.org.


Related posts:  History, Lived and Documented

   2011 Lucie Awards: Bill Eppridge is Honoree for Achivement in Photojournalism

Wednesday, August 22, 2012

"the conference will reflect upon on how human rights and individual agency can be promoted and violated through the camera"




Via Jim Johnson at (Notes On) Politics, Theory, and Photography
(Highly recommend that you bookmark this blog)

Call For Papers: Picturing Others: Photography and Human Rights

Picturing Others: Photography and Human Rights
Cardiff, 17-18 January 2013


This 2-day conference will bring together photography practitioners, academic researchers, press officers, journalists and members of community groups to discuss how photographs are used to represent people in situations of conflict or disaster, and to consider the real-world effects that photographic representation can have on the lives of people migrating from one country to another. The conference aims to create an initial forum for on-going dialogue between photographers, media officers, journalists and researchers on photography.

The conference will focus on the ways in which photographs from past times can affect how people are represented today; on the ways in which different sectors use photography to inform or educate; and on how the photographic images used in different sectors communicate with each other and with their publics. The conference will also engage with how people from areas of conflict or disaster view images of themselves by others, and how they use photography themselves. More broadly, the conference will reflect upon on how human rights and individual agency can be promoted and violated through the camera; and the choices that photographers, broadcasters and campaigners make when using photographic images.

We invite paper proposals of 200 words for submission by 8 October 2012 from all those with an interest in photography and human rights. Decisions on proposals will be communicated by e-mail by 22 October 2012. Proposals should be sent to the organising committee at migration@cf.ac.uk and may discuss any aspect of the questions suggested below.

We warmly invite presentations taking a practical, personal or theoretical approach, and referring to any historical period or geographical area. Conference presentations will be of 20 minutes’ length.

Topics for discussion may include, but are not limited to:

• Are there patterns in the ways in which people in conflict or distress elsewhere are represented in photography?
• How do these patterns of representation affect how people who migrate to other countries are perceived and how well they can integrate and settle?
• How do past photographic representations of people from elsewhere link to contemporary photographs of countries in conflict or disaster situations and the way they are presented?
• How do non-photographic media, such as text and radio journalism, affect responses to photographs of other people?
• How do photographed people in situations of conflict or disaster, or in peacetime, interact with their media representations?
• What kinds of images do indigenous media and NGOs use to represent people in situations of conflict or disaster in their own countries and localities?
• What are the decision-making processes used by photographers picturing conflict and disaster?
• How do image the choices made in news media affect how images are used by development organisations or community groups, and vice versa?
• Where migration is concerned, what are the effects of images on perceptions of migrants, on social integration in host countries, and on the resolution of conflicts at home and in host countries?
• How is the educational role that images of others can have connected to issues of wider power relations between the global South and the global North in making, publishing/broadcasting and viewing images?

 Rachael Langford
School of European Languages, Translation and Politics, Cardiff University
Cardiff, Wales, UK
tel +55 2920 875643
Email: langfordre@cf.ac.uk

Monday, August 20, 2012

The World Through the Lens of Bob Gomel: Spotlight Nepal





Thursday, August 23
6:30 to 8:00 p.m.115 Hyde Park Blvd.
Houston, Texas 77006


Photojournalist Bob Gomel will share photographs of his international travels including Argentina, Brazil, Cambodia, Chile, India, Israel, Laos, Nepal, Russia, South Africa, Spain, Tibet, and Vietnam. A collection of Gomel’s images, taken over a decade working with LIFE Magazine, will be exhibited as well. He will also offer valuable tips on taking great photographs.


Bob Gomel earned a journalism degree from New York University in 1955 and then served as a U.S. Navy aviator. In 1959 he joined the immensely popular magazine LIFE. He later shot national advertising campaigns for Audi, Bulova, GTE, Merrill Lynch, and Shell Oil, among others.

This program is for Supporting, Donor, Patron, Council Cabinet and Young Professional Members.

Online Registration

To begin the registration process please select one of the following fees.
DescriptionAmount
Supporting/Donor/Cabinet Members





Coming to Monroe Gallery of Photography: "Bob Gomel: LIFE in the 1960's" October 5 - November 18. Bob Gomel will be in atendance for the opening reception Friday, Oct. 5, 5 - 7 PM.
$10.00


Register
fee ends 8/23/2012













Sunday, August 19, 2012

John Edwin Mason: Margaret Bourke-White in South Africa



We have held that Margaret Bourke-White, although highly acclaimed during her career years, has been largely overlooked in modern photography. We highly recommend this post from John Edwin Mason. See part One here.



Margaret Bourke-White in South Africa: Part 2, the Black Problem

Now about the mines. One thing that’s happened to me... from now on I just hate gold and diamonds.
--Margaret Bourke-White
* * *


Note: It's a sad coincidence that I'm posting this piece on the day after over 30 striking platinum miners were killed and nearly 80 were wounded by police bullets in Marikana, South Africa. When I began my research on Margaret Bourke-White's 1949-1950 South African photos nearly a year ago, I was initially drawn to the subject by her powerful and sympathetic portrait of two gold miners. [See below.] She had come to understand the exploitation and degradation that defined their working lives. For her, the men embodied the strength and endurance of all black South Africans in face of odds that were overwhelmingly stacked against them.

It will take some time for conflicting accounts of this tragedy to be sorted out. It seems clear, however, that the root causes of the strike are low wages, dangerous working conditions, and abysmal housing. Just as important is the miners' sense of having been betrayed by their union and abandoned by their government. Eighteen years after the coming of democracy to South Africa, too little has changed in the lives of the country's miners.

You can read reports about these awful events in the South African Mail and Guardian and the New York Times. The South African Daily Maverick has a good piece on the background to the strike.
* * *



Life, 18 September 1950, pp. 110-111. [The magazine was much larger than it looks here -- approximately 14 inches high and (opened) 22 inches across.]


"Visually dazzling but surprisingly naive." In Part 1 of this brief series, that what I had to say about "South Africa Enshrines Pioneer Heroes", the first of two long photo-essays about South Africa that Margaret Bourke-White produced for Life magazine in 1950. In accounting for Bourke-White's unexpected naivete -- she was, after all, one of most highly regarded photojournalists of her generation -- I noted that she had been in the country for a very short time when she shot the story on the dedication of the Voortrekker Monument. She was also seduced, I thought, by the sheer spectacle of the occasion and the warmth of the people that she met


Full Post here.


Related: "The Daring Camera Girl"

Friday, August 17, 2012

"Topic that concerns me the most in recent years is law enforcement’s misconceptions regarding the legality of a person’s ability to photograph in a public space"






Via The Baltimore Sun

Public spaces are fair game for photographers – a right protected under the First Amendment as free speech. But in recent years that right has come under attack by law enforcement and officials, who are challenging the constraints of what can and cannot be filmed in a public space. Now, more than ever, photographers would be well-advised to learn their rights.

The one topic that concerns me the most in recent years is law enforcement’s misconceptions regarding the legality of a person’s ability to photograph in a public space. Photography in a public space is free speech protected under the First Amendment.

People believe that the press is granted special privileges because they have credentials. This is not the case. The press has no greater access then the average person in a public space, and certainly no less access. So a photographer standing in a crowd at a crime scene should not be singled out to move back unless everyone else is asked to do the same.

When confronting a photographer who is taking pictures in a public area such as a train station, police and other officials will often site the Patriot Act as forbidding photography. The Patriot Act does not forbid photography.

In May 2011, Baltimore Sun reporter Michael Dresser wrote about photographer Christopher Fussell, who was detained by three MTA police at a Baltimore City light rail stop while taking photographs.

Dresser wrote, “The right of photographers to take pictures in public places has been a point of contention virtually since the invention of the camera. But the disputes have become more frequent — and more contentious — since the terrorist attacks of September 11, 2001, which prompted police to challenge individuals who take photos or video of public infrastructure as potential security risks.”

“Civil libertarians and rights advocates say police have been given no new powers to curb photography since 9/11. In many cases, they say, police are making up laws and rules on the spot and issuing orders they have no right to give,” he added.

Continue reading full post here.


Related: "Literally every day, someone is being arrested for doing nothing more than taking a photograph in a public place"

Thursday, August 16, 2012

World Humanitarian Day August 19


Via The United Nations

World Humanitarian Day
19 August

2012 Theme: "I Was Here"

World Humanitarian Day is a time to recognize those who face danger and adversity in order to help others. The day was designated by the General Assembly to coincide with the anniversary of the 2003 bombing of the United Nations headquarters in Baghdad, Iraq, which killed 22 UN staff.

Every day humanitarian aid workers help millions of people around the world, regardless of who they are and where they are. World Humanitarian Day is a global celebration of people helping people.


This year’s campaign "I Was Here" is about making your mark by doing something good, somewhere, for someone else.



To show your support for World Humanitarian Day visit

Tuesday, August 14, 2012

"Literally every day, someone is being arrested for doing nothing more than taking a photograph in a public place"





Today's must read, via The New York Times Lens Blog

Mickey H. Osterreicher is the general counsel for the National Press Photographers Association and edits the organization’s Advocacy Committee blog. He spoke with James Estrin. Their conversation has been edited.

"It’s not just news photographers who should be concerned with this. I think every citizen should be concerned. Tourists taking pictures are being told by police, security guards and sometimes other citizens, “Sorry, you can’t take a picture here.” When asked why, they say, “Well, don’t you remember 9/11?”
I remember it quite well, but what does that have do to with taking a picture in public? It seems like the war on terrorism has somehow morphed into an assault on photography.

Q.What’s caused this?
A. It’s been a perfect storm. There’s 9/11, and now photojournalists who traditionally worked for newspapers are losing their jobs and becoming freelancers who may not have the backing of their news organizations. You have Occupy Wall Street, where police didn’t want some of their actions to be photographed. And now everybody with a cellphone is capable of recording very high-quality images. And everyone has the ability to upload and share them almost instantly. There is no news cycle — it’s 24/7 with unlimited bandwidth."
Legal Issues
Photojournalism v. Law
DESCRIPTION

A Lens blog guide to knowing one’s rights of photography.


Related:

Why Is It So Hard to Get Press Credentials?


New York Times photographer arrested while covering arrest

Photographer's Rights: NYPD's Backwards Policy on Photography at Occupy Wall Street

 NYPD 'consistently violated basic rights' during Occupy protests – Report by NYU and Fordham law schools

“That the First Amendment right to gather news is . . . not one that inures solely to the benefit of the news media; rather, the public’s right of access to information is coextensive with that of the press"


Tracking Journalist Arrests at Occupy Protests Around the Country, Part Two


"You got that credential you’re wearing from us, and we can take it away from you.”






Monday, August 13, 2012

Must Read




Via John Edwin Mason

Margaret Bourke-White & the Photography of Segregation: Life Magazine, 1956

"Photographs are notoriously ornery critters. Their meanings are as slippery as eels, as impossible to nail down as Jell-O is to a wall. Photos mean different things to different viewers and different things in different contexts.

I'm absolutely certain that Margaret Bourke-White didn't want the photos that she made for Part III of Life magazine's 1956 series on racial segregation in the South -- "The Voices of the White South" -- to be a defense of white supremacy and an affront to African Americans. But that's exactly what they were."

Full post.

Art Law: Appropriation Art and Fair Use in the Digital Age



Via Photo Eye

Summer Lecture Series

PART THREE -
The REMIX Culture: Appropriation Art and Fair Use in the Digital Age
Wednesday, August 15, 2012 6:30-8:00 pm
photo-eye Gallery is located at 376-A Garcia Street, Santa Fe, NM 87501
photo-eye is pleased to invite you to the third in our Summer Lecture Series in collaboration with New Mexico Lawyers for the Arts, a nonprofit dedicated to providing artists and arts organizations with pro bono legal assistances and educational programming.

As issues of appropriation and remixing increasingly flood our culture, copyright infringement lawsuits are on the rise. In the final part of our Art Law series, a range of experts from across the legal, business and creative realms of art (an attorney, a dealer, an arts consultant and an appropriation artist), will discuss the creative methods and ideas associated with appropriation in art today.

Using the facts from the high profile Cariou vs Prince appropriation case, the panel will discuss the importance of appropriation and forms of visual referencing in our culture, the differences between transformative works and infringement and whether current copyright laws provide sufficient protection while preserving an artist's freedom to reference the work of others.

We hope you can join us this Wednesday evening. This event are free and open to the public on a first come, first served basis.

Read Melanie McWhorter's blog post on the lecture series on photo-eye Blog.

Watch the video of our first lecture Protecting your Rights as a Photographer by Efrain Padro here.

For more information contact Anne Kelly at 505-988-5159 x121 or anne@photoeye.com or Melanie McWhorter at 505-988-5159 x112 or melanie@photoeye.com

Sunday, August 12, 2012

"in an age of information overload, now, more than ever, seeing is believing"





Seeing is believing: Human rights content in the age of social media

Via Storyful.blog


"Remember this famous image of a naked Vietnamese girl running in agony after being hit with napalm? Or how the plight of Kosovo refugees was documented in this image in 1999? These photographs were both captured by professional journalists, at times when media professionals played an integral role in documenting human rights abuses and bringing about change for those who weren’t being listened to. But with tightening budgets and technological changes altering the way news is being reported, nowadays it’s often largely up to the citizens themselves to let the world know what’s happening to them. Because in an age of information overload, now, more than ever, seeing is believing."


Full post here. (with video)


"For many reasons, there will always be a need for journalists on the ground, but the burden of human rights promotion rests now more than ever on the shoulders of the people who it most affects. Citizen journalists, working often in harrowing circumstances, can only do so much, however, and NGOs and news agencies must play their part in helping to transmit their message. They collate these citizen videos, verify sources and publicize the human rights violations they document using their established networks. Curation tools, outreach and collaboration play a vital part. The tools made available on and through social media are proving invaluable in the fight for human rights: it’s hard to deny atrocities when they are being documented and shared across a global community. Seeing is believing: what action we take once we witness the result is up to us."


Related: People Get Ready: The Struggle for Human Rights

Guest Blog: "To see, one has to look"


Saturday, August 11, 2012

Kennedy to Kent State: Images of a Generation





2011-135

Bernie Boston
American, 1933-2008
Flower Power, October 22, 1967


Via Worcester Art Museum
September 29, 2012-February 3, 2013


The Worcester Art Museum presents an exhibition of some of the most powerful American photographs of the 1960s, the images through which the country shared that dynamic period and by which it is remembered. All from the museum's permanent collection, these photographs were collected by Howard G. Davis, III to recall and reflect upon his memories of the era that had formed his personality. The images date from 1958 to 1975, and include the presidency and assassination of John F. Kennedy, as well as the Civil Rights Movement, the Vietnam War, the American space program and its mission to the moon, the antiwar movement and counterculture.
Join us for Kennedy to Kent State: Images of a Generation Opening Party on September 29, 2012,
8-11pm


Directions



Select Images


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