Monday, October 14, 2024

Ed Kashi EXPOSES How Photography Shapes Our View of the World

 Via Planet of One

October 12, 2024





In this insightful interview, award-winning photojournalist and filmmaker Ed Kashi dives deep into his journey from a first-generation American with Iraqi roots to becoming a globally renowned storyteller through photography. He reflects on the pivotal moments that shaped his career, from discovering his passion for photography at Syracuse University to capturing the raw realities of global conflicts and social issues. Kashi shares his thoughts on the challenges of photojournalism, the emotional toll of documenting human suffering, and the importance of empathy in his work. He also discusses his commitment to highlighting the positive stories that often go untold, particularly in underrepresented communities. This conversation is a powerful look into the life of a photographer who has dedicated his career to chasing narratives, both profound and personal.

Sunday, October 13, 2024

The Long Path Toward Establishing Indigenous People’s Day, a Day to Honor and Recognize the First Peoples of America

 Via Smithsonian Magazine

October 11, 2024

The Long Path Toward Establishing Indigenous People’s Day, a Day to Honor and Recognize the First Peoples of America

Native American Indians are committed to making Indigenous Peoples Day a national holiday in 2024.

This Monday, October 14, many Americans will celebrate Indigenous Peoples' Day by recognizing the history and contributions of Native peoples. President Biden’s administration has officially recognized Indigenous Peoples' Day since 2021, but it is not yet a federal holiday. Thus, for the fourth year in a row, the United States will officially observe Indigenous Peoples Day alongside Columbus Day. However, The Indigenous Peoples' Day Act, reintroduced in Congress on October 2, 2023, would potentially designate the second Monday of October as Indigenous Peoples’ Day nationwide. The bill currently has 56 cosponsors in the House of Representatives and 11 cosponsors in the Senate.


“On Indigenous Peoples’ Day, we honor the perseverance and courage of Indigenous peoples, show our gratitude for the myriad contributions they have made to our world, and renew our commitment to respect Tribal sovereignty and self-determination.” President Joseph Biden, 2023 Proclamation on Indigenous People’s Day


Looking back, generations of Native people throughout the Western Hemisphere have protested Columbus Day. In the forefront of their minds is the fact the colonial takeovers of the Americas, starting with Columbus, led to the deaths of millions of Native people and the forced assimilation of survivors. American Indian activists and their allies have long argued that Columbus Day, Columbus statues, and the discovery myth endorse his actions which include enslavement, torture and other atrocities to Native people.


In 1977, participants at the United Nations International Conference on Discrimination against Indigenous Populations in the Americas proposed that Indigenous Peoples’ Day replace Columbus Day as a national holiday. Indigenous Peoples’ Day recognizes that Native people are the first inhabitants of the Americas, including the lands that later became the United States of America. And it urges Americans to rethink history marking a change of course from previous administrations in their proclamations marking Columbus Day, which honors the explorer, Christopher Columbus.

The movement to replace Columbus Day with Indigenous Peoples’ Day or Native American Day has gained momentum and spread to states, cities, and towns across the United States. The first state to rename Columbus Day was South Dakota, in 1990. Hawai’i has also changed the name of its October 12 holiday to Discoverers’ Day, in honor of the Polynesian navigators who peopled the islands. Berkeley, California, became the first city to make the change in 1992, when the city council renamed Columbus Day as Indigenous Peoples’ Day. In 2015 an estimated 6,000 Native people and their supporters gathered at Randall’s Island, New York, to recognize the survival of the Indigenous peoples of the Western Hemisphere. The demonstration’s success and the worldwide media attention it attracted planted the seeds for creating an Indigenous Peoples’ Day in New York City. According to the website RenameColumbusDay.org:

Approximate cities:  216
Approximate schools:  83
Approximate counties:  20
Approximate states not observing Columbus Day: 29, plus Washington, D.C., have renamed Columbus Day and adopted Indigenous Peoples' Day

Kentucky now has the most cities of any of the states, who have adopted Indigenous People’s Day, thanks to Indigenous Rights Activist Angela Arnette-Garner. Arnette-Garner said, “As a long-time Indigenous rights activist, I have lobbied city, county, and state governments in Kentucky for the passage of Indigenous Peoples Day proclamations (thus far 32 city, county, and state proclamations passed in Kentucky). This, in an effort to help educate people about Indigenous history and culture, encourage truthful dialogue about genocide, expose the shameful legacy of Christopher Columbus, repudiate the doctrine of discovery, and advocate for the decolonization of education. Yet, my ultimate goal in founding the Indigenous Peoples Day movement of Kentucky, is to demonstrate that if widespread support could be garnered in one of the most staunchly conservative states in the country, then establishment of a federal holiday is truly attainable. I fervently hope that Congress takes a serious look at the Indigenous Peoples Day movement of Kentucky.”

Universities and schools across the country are also observing the new commemoration. “Mythology about Columbus and the ‘discovery’ of the Americas continues to be many American children’s first classroom lesson about encountering different cultures, ethnicities, and peoples. Teaching more accurate and complete narratives and differing perspectives is key to our society’s rethinking its history,” stated Renee Gokey (Eastern Shawnee), NMAI Teacher Services Coordinator. In past years, the museum has hosted Indigenous Peoples’ Curriculum Days and teach-ins at the beginning of the school year in Washington DC and New York. Recently a Teach-In for Change was held at the National Museum of the American Indian in the Washington DC to prepare teachers on how to prepare for Indigenous Peoples Day. Links to additional resources are available through these links: National Museum of the American Indian, Native Knowledge 360°, Learning for Justice, and IllumiNative. These resources include curricula, sample lesson plans, books, and videos.

Throughout Indian Country, Indigenous Peoples Day is being observed through prayer vigils, parades, powwows, symposiums, concerts, lectures, rallies, and classrooms, all in an effort to help America rethink American history.


Dennis Zotigh | Dennis W. Zotigh (Kiowa/Ohkay Owingeh Pueblo/Isante Dakota Indian) is a member of the Kiowa Gourd Clan and San Juan Pueblo Winter Clan and a descendant of Sitting Bear and No Retreat, both principal war chiefs of the Kiowas. Dennis works as a writer and cultural specialist at the Smithsonian's National Museum of the American Indian in Washington, D.C.

Thursday, October 10, 2024

Nina Berman Guided Tour Through Her Exhibition "We The People" At The Capa Space

Via The Capa Space

October 10, 2024

 

ARTIST TALK - Photographer Nina Berman will do a guided tour through her We The People exhibition for an inside look at the protest photographs she has been taking for over thirty years.  She will talk about what inspired her to turn her lens on protest in America and what she has learned about the people who organize and assert their right to protest. Sunday, October 20th 2024 @ 4pm. Suggested donation $10. 

 Click here to RSVP


WE THE PEOPLE: PHOTOGRAPHS BY NINA BERMAN

We the People brings together more than three decades of work by photographer Nina Berman who has tenaciously documented the public outrages, injustices, protestations and longings of a deeply dissatisfied and increasingly polarized society. What the United States should be, and for whom, are questions at the heart of Nina’s work and the 2024 election. September 8th - November 24th, 2024

Monday, October 7, 2024

At protests, police are increasingly arresting members of the press—especially those with cameras.

 

Via Columbia Journalism Review

October 7, 2024


Since the violence of last October 7—as the conflict between Israel and Palestine has grown deadlier, and spread more widely in the Middle East—it has also been, according to the US Press Freedom Tracker, a nonpartisan database of press freedom violations, a “protest year.” The visual journalists who cover demonstrations across America—photographers, videographers—are at the center of the action. “We have to get creative, go on the floor, shoot through cops’ legs, just to get that visual,” Madison Swart—a photojournalist in New York whose work has been published in Out and Cosmopolitan, among other places—told me. In May, while covering a pro-Palestinian protest, Swart was briefly detained by police officers—one of forty-three journalists who have been arrested in the past year, triple the previous number. According to Stephanie Sugars, a reporter for the US Press Freedom Tracker, “it has felt that the predominant number of incidents, at least since the protests started, are against people who are documenting visually in some capacity.”

--full article here.



Wednesday, October 2, 2024

New Exhibition: The Best Of Us

 Santa Fe, NM

October 2, 2024




“The Best Of Us" is an exhibition of compelling and provocative photographs depicting the ideals and diversity of the human experience which explore the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals.

The phrase “the best of us” is often used idiomatically to refer to brave, courageous, selfless, and audacious people that celebrate the human spirit of drive and determination to make a difference.

“Be certain that you do not die without having done something wonderful for humanity.”

— Maya Angelou


View the exhibition on-line here.

Monday, September 30, 2024

Review of new film about Lee Miller references Tony Vaccaro

 Via truthdig

September 29, 2024

A Photographer’s Legacy, Airbrushed

"It’s surprising that it took this long to give Lee Miller the Hollywood treatment. A former model and eventual frontline World War II photographer, with an eye that rivaled Robert Capa and Tony Vaccaro, she lived a haunted life following the publication of her revelatory Vogue magazine spread depicting the liberation of Dachau. “Lee” arrives in theaters this week as a reminder of both Miller’s work and the need to memorialize the details of genocide. Sadly, the movie does little more than gesture at both."

--full article

Saturday, September 28, 2024

Field of View: The Politic Aesthetic

 Via Field of View

September 28, 2024


Excerpted from "The Politic Aesthetic   Access is gone. Moments are dead. Long live the flash"

(see also the virtual exhibition "The Campaign"


"Few photos exemplify access like this gem by LIFE magazine photographer Hank Walker: Kennedy and his brother Robert deep in conversation in a hotel room during that same convention in 1960. It’s one of my all-time favorite political photographs. Access to an authentic moment like this is a photojournalist’s dream.



“The brothers talked very quietly, and Jack told Bobby who he was going to choose as Vice President,” Walker said in a 1994 interview. “I only made one picture in there, and then I waited outside for Bobby to come out. When he did, he was furious.”2

Walker’s contact sheet proves he made way more than just one picture—he wasn’t escorted in and hurried out in 30 seconds. Walker was allowed to work it. Notice how at first he’s shooting horizontally (frame 23), then rotates his camera and makes the one (frame 24).




Henri Cartier-Bresson once said that using a flash was “monstrous” and “impolite, like coming to a concert with a pistol in your hand.” Some of the photos from the 2024 conventions were definitely monstrous.

blurry black and white photograph of Presidential candidate Donal Trump with bandage on his era, 2024

Photograph by Mark Peterson

Mark Peterson has been temporarily blinding politicians with his strobe for years. “The flash is like crack to them,” he once said.

color photograph of Nancy Peloisi with eyes closed at the 2024 Democratic Convention holding a "Coack" sign and a cut-out picture of Tim Walz's face

Photograph by Mark Peterson



A regular contributor to The New York Times Opinion section (mostly b&w) and New York magazine (mostly color), Peterson’s flash does more than light the scene—it defines it. It’s his signature look, one he’s refined and mastered. And it’s contagious."  full article here.

Wednesday, September 25, 2024

Jimmy Carter at 100

 September 25, 2024


Jimmy Carter holds a newspaper with the eadline "Carter Wins!", 1977
Ken Harkins

Monroe Gallery of Photography is honored to offer a special selection of photographs by Ken Hawkins of Jimmy Carter to commemorate his 100th birthday on October 1, 2024.

Ken Hawkins is a photojournalist who has covered politics, disasters, and conflict zones—including Vietnam, Nicaragua, and El Salvador—since 1970, working globally for publications and agencies such as TIME, Sports Illustrated, Fortune, Forbes, Paris Match, Stern, the New York Times, Newsweek, Wired, and the British Broadcasting Corporation. For over two decades, his work was represented by the premier photo agency SYGMA Paris/New York. In 2016, Hawkins authored "Jimmy Carter – Photographs 1970 – 2010", a photographic memoir of his time as a TIME photographer working the Carter campaign and White House.  

Please contact the Gallery for print details.

The Carter Center has invited members of the public to contribute photos of themselves alongside birthday messages for the country's oldest living former president. The images make up a mosaic marking the centennial.


Ken Hawkins




Monday, September 23, 2024

Oklahoma State University Museum of Art Exhibit “How We Rebuild” Includes Gallery Photographer Nina Berman

 Via Oklahoma State University Museum of Art

September 23, 2024


The Oklahoma State University Museum of Art presents “How We Rebuild,” opening Sept. 24, 2024. This selection of photographs examines the aftermath of conflict, focusing on what it takes to recover the heartbeat of humanity.

The exhibition draws from 12 years of work created by grant winners and finalists from The Aftermath Project, a nonprofit organization committed to telling the other half of war stories after the conflicts have ended — what it takes for individuals to rebuild destroyed lives and homes, to restore civil societies, and to address the lingering wounds of war while struggling to create new avenues for peace.

Documentary photographer Sara Terry founded The Aftermath Project to impart the importance of “aftermath photography,” yearning for a society that doesn’t forget the people and places that conflict photography covers.

“The end of war does not mean peace. It is simply the end of death and destruction. Every story of war includes a chapter that almost always goes untold — the story of the aftermath, which day by day becomes a prologue of the future,” Terry said.

The photos selected for “How We Rebuild” center and reflect on the human stories and memories that define us. The assembly of images features moments of hope, agency and resilience.

“These photographs serve as a powerful reminder that rebuilding isn’t just physical — it’s emotional and communal, requiring empathy, patience, and shared understanding,” said Liz Roth, OSU Museum of Art interim director.

This exhibition invites audiences to engage with the visual narratives and reflect on the role of the photographs in helping communities heal. “How We Rebuild” is organized by ExhibitsUSA, a program of Mid-America Arts Alliance.

Artists included in the exhibition are Rodrigo Abd, Juan Arredond, Fatemeh Behboudi, Nina Berman, Pep Bonet, Andrea Bruce, Monika Bulaj, Kathryn Cook, Jeremy Dennis, Gwenn Dubourthoumieu, Michelle Frankfurter, Alessandro Gandolfi, Glenna Gordon, Ron Haviv, Jessica Hines, Olga Ingurazova, Andrew Lichtenstein, Luca Locatelli, Davide Monteleone, Saiful Huq Omi, Javad Parsa, Adam Patterson, Joseph Sywenkyj, Sara Terry and Donald Weber.

“How We Rebuild” is on view Sept. 24 through Dec. 20 at the OSU Museum of Art. Learn more at the website.

For more information about The Aftermath Project, visit theaftermathproject.org.


Sunday, September 22, 2024

The Age of Rage: Protest, Camera, Action

 

Via The Nation

September 21, 2024


"Photography radically acts as a language that speaks for the world’s oppressed and critically functions as a vital visual voice of resistance."


"Photography helps us understand what we are and imagine what we might become...

The fight for equality across the human condition radically evolves out of protest. Beyond the jackboots, the batons, the water cannon, the tear gas, the bullets, the tanks, the fences, the walls, the concentration camps and all means of surveillance, history teaches that what power fears more than anything is a people on the move against injustice. Looking at the history of photography, we can understand that progress across the political terrain of human rights has been difficult. Marginalized bodies, when divided, are vulnerable to capture, control and genocide. Thinking through our past in photographs and decentering the knowledge formations of imperial lenses means that we can critically join or remake the politics of the left intersectional, aligned in mission, and truly inclusive. This will create waves of solidarity and supportive modes of resistance that strategically enable people to embrace the different ecologies of freedom and resist imperialist politics that divide and rule" -- click for full article

Monday, September 16, 2024

Pressing Matters - A Conversation with Ed Kashi/Photojournalist and Filmmaker

 Via Stony Brook University

September 16, 2024



Ed Kashi/photojournalist and filmmaker. He will discuss his experiences photographing vulnerable communities, center on seeking solutions and driving policy change, Sept 26, 2024 from 3:30-4:50pm in the Wang Center Lecture Hall 2. Part of the “Pressing Matters” lecture series.


Ed Kashi is a photojournalist and filmmaker renowned for his compelling storytelling and intimate portrayal of global issues through photography. A native of New York City, Kashi has used the power of images to communicate complex narratives about conflict, social issues, and environmental concerns in the past decades, and his work has been published in prominent media outlets such as National Geographic, The New York Times, and Time Magazine. He has received numerous awards for his photography, including the 2023 President's Medal of the American Society of Nephrology, for his recent series of work documenting chronic kidney disease from undetermined causes around the world. His research implicates climate change as an important contributor to its rise because repeated dehydration, severe heat, and environmental toxins are the likely factors in the rising death toll among young people from hot, rural, resource- limited parts globally. Kashi has been recognized as a major advocate for raising awareness of this disease through his works showing patients suffering and dying in Sri Lanka, Nicaragua, Peru, and India.

Thursday, September 26, 2024
3:30 PM - 4:50 PM (ET)

100 Nicolls Road
Stony Brook NY 11794

Friday, September 13, 2024

Pennsylvania man, brother charged with assaulting New York Times photographer on January 6

 

Via ABC20 WHTM
September 13, 2024




Two brothers were arrested Thursday on charges that they assaulted a New York Times photographer inside the U.S. Capitol during a mob’s attack on the building more than three years ago.

David Walker, 49, of Delran, New Jersey, and Philip Walker, 52, of Upper Chichester, Pennsylvania, also are charged with stealing a camera from the photographer during the Jan. 6, 2021, attack.

Philip Walker told investigators that he tossed a camera into a body of water on his way home from Washington, D.C., according to an FBI agent’s affidavit.

Court records don’t name the photographer or identify her employer, but New York Times spokesperson Danielle Rhoades Ha confirmed that the affidavit refers to staff photographer Erin Schaff, who wrote about her experience at the Capitol.

“We are grateful to the U.S. Attorney’s Office for the District of Columbia and the FBI for their persistence in pursuing justice in this case,” Rhodes Ha said in a statement. “Independent, fact-based journalism is a cornerstone of democracy and attacks against reporters should be a grave concern to anyone who cares about an informed citizenry.”

Philip Walker told the FBI that he believed the photographer was a member of “antifa,” a term for anti-fascist activists who often clash with far-right extremists at political protests.

A livestream video posted on social media showed the photographer standing at the top of the East Rotunda Stairs just before the Walkers assaulted her and then ran down the staircase.

Schaff recalled that two or three men in black surrounded her, demanded to know her employer and became angry when they grabbed her press pass and saw that she worked for The New York Times.

“They threw me to the floor, trying to take my cameras,” she wrote. “I started screaming for help as loudly as I could. No one came. People just watched. At this point, I thought I could be killed and no one would stop them.”

Schaff said police found her but didn’t believe that she was a journalist because her press pass was stolen.

“They drew their guns, pointed them and yelled at me to get down on my hands and knees,” she wrote. “As I lay on the ground, two other photojournalists came into the hall and started shouting ‘She’s a journalist!’”

Philip Walker was carrying what appeared to be Schaff’s photographic equipment as he fled, the FBI said. David Walker pushed the photographer again when she tried to pursue his brother and retrieve her equipment, according to the affidavit.

A magistrate judge ordered David Walker to be released on $50,000 bail after his initial court appearance in New Jersey on Thursday, court records show. An attorney who represented Walker at the hearing didn’t immediately respond to an email seeking comment.

The Walkers were arrested on complaints charging them with robbery, assault and other charges.

Other rioters were charged with assaulting an Associated Press photographer outside the Capitol during the riot. One of them, Alan Byerly, was sentenced in October 2022 to nearly three years in prison.

Nearly 1,500 people have been charged with Capitol riot-related federal crimes. Approximately 140 police officers were injured in the attack.

Friday, September 6, 2024

World Press Photo and NOOR present ‘Celebrating Communities,’ an exhibition including Gallery photographer Anna Boyiaz's "Finding Freedom in the Water"

 Via World Press Photo

September 6, 2024

Graphic with text and photo of woman's arms outstretched from water with text reading Celebrating Communities  and exhibition dates



World Press Photo and NOOR present ‘Celebrating Communities,’ an exhibition and public program in Abidjan, Yamoussoukro, and four cocoa-farming communities in rural Côte d'Ivoire, with the support of the Chocolonely Foundation (Tony's Chocolonely) and the Fondation Donwahi.

This exhibition highlights diverse perspectives and narratives, underscoring the profound impact of community on individuals and societies both globally and locally. From neighborly gestures to organized activism, the work in ‘Celebrating Communities’ underscores the transformative power of human connection and shared purpose, visualizing communities as catalysts for change.

Gallery photographer Anna Boyiaz's project, Finding Freedom in the Water, is presented alongside nine other award-winning projects from the World Press Photo Contest and ten bodies of work from NOOR’s education program, ‘Advanced Visual Storytelling in Côte d’Ivoire.’

‘Celebrating Communities’ will be on display at the Fondation Donwahi in Abidjan from 14 September to 13 October, and a traveling version of the exhibition will visit Yamoussoukro and four cocoa-farming communities: Adzopé, Daloa, Méagui, and Heremakono Dies-Divo.

Monday, September 2, 2024

WE THE PEOPLE, Photographs by Nina Berman

 Via The Capa Space

September 2, 2024


color photograph of African Americans at the Fight for 15 protest for a living wage in Long Island, NY 2016

The Fight for 15 protest in Long Island, NY 2016. 


We the People brings together more than three decades of work by photographer Nina Berman who has tenaciously documented the public outrages, injustices, protestations and longings of a deeply dissatisfied and increasingly polarized society. What the United States should be, and for whom, are questions at the heart of Nina’s work and the 2024 election. 


September 8th - November 24th, 2024

Opening Reception, Sunday September 8th, 4-6pm

THE CAPA SPACE

2467 Quaker Church Road

 Yorktown Heights, NY 10598

Saturday, August 31, 2024

Gallery Photographer Gabriela E. Campos Photographs Centennial Burning of Zozobra


Via The Santa Fe New Mexican

August 31, 2024


Gallery Photographer Gabriela E. Campos covered the 100th burning of Zozobra and the Santa Fe New Mexican featured her fantastic photograph full-page on the front cover of today's print edition: Zozobra burns in massive, joyous inferno for centennial.


screen shot of front page of The Santa Fe New Mexican newspaper edition of August 31, 2024 with a full page color photograph of the effigy "Zozobra" in flames


 

n newspaper edition of August 31, 2024 with a full pcolor photograph of the effigy "Zozobra" in flames

Gabriela Campos/The New Mexican


n newspaper edition of August 31, 2024 with a full page color photograph of the effigy "Zozobra" in flames with drones spelling out "Burn Him" in the night sky background

Gabriela Campos/The New Mexican


The Burning of Zozobra is a unique cultural event in Santa Fe staged annually by the Kiwanis Club of Santa Fe in Zozobra Field at Fort Marcy Park on the Friday of Labor Day weekend as an exciting and fiery finale to the last days of summer. 

Artist William Howard “Will” Shuster, Jr. created the first Zozobra in 1924 as the signature highlight of a private party for Los Cinco Pintores, a group of artists and writers who made their way to New Mexico in the 1920s.

Zozobra in Spanish means “anguish, anxiety, or gloom”, by burning it, people destroy the worries and troubles of the previous year in the flames.

 Made of wood, wire, and cotton cloth and stuffed with bushels of shredded paper, which traditionally includes obsolete police reports, paid-off mortgages, and even divorce papers, Zozobra is a dark and eerie character, part ghost and part monster


Friday, August 30, 2024

Tuesday, August 27, 2024

Des Moines city manager says free press is important as part of protest lawsuit settlement

 Via The Des Moines Register

August 27, 2024



The Des Moines city manager acknowledged the importance of the free press in a statement Tuesday on the heels of the city's settlement in a lawsuit brought by a news photographer whom police tackled and arrested during the 2020 George Floyd protests.

Des Moines leaders agreed to a mid-trial settlement last week with Mark "Ted" Nieters, a photojournalist who has covered conflict zones around the world. As part of the settlement, Nieters is set to receive $100,000, and City Manager Scott Sanders and Des Moines police spokesperson Sgt. Paul Parizek are required to issue statements about the importance of the free press.

Nieters' case stemmed from his arrest on June 1, 2020, when he was working as a freelance news photographer covering a large protest outside the Iowa Capitol. Police eventually ordered members of the crowd to leave and dispersed those who didn't, using tear gas.

Shortly afterward, as Nieters was walking away from the Capitol on Locust Street, Des Moines police officer Brandon Holtan tackled and detained him, despite Nieters telling him he was a journalist and showing him his press card, according to the lawsuit Nieters later filed against Holtan and the city.

Sanders fulfilled his requirement in a statement Tuesday, which reads:

"The City is grateful to the jury and the federal court for their time in a recent case they helped bring to a resolution. While the City Council will vote to approve the proposed settlement at its September 16 meeting, we are happy to put this case behind us and continue our important work moving the Des Moines Police Department forward in our continuing pursuit of excellence. The City acknowledges the importance of free press for our community, and the value and appreciation that the City has for the work the press does."

Thursday, August 22, 2024

Welcome to the "Resilience - Stories of Women Inspiring Change" Special Exhibition Features Gallery Photographer Anna Boyiazis

 Via Mongolian National News Agency

August 22, 2024


color photograph of 4 women in yellow fill lenghth bathing suits and caps holding water containers for floatation while learning to swim in water in Zanzibar
Kijini Primary School students learn to float, swim and perform rescues in the Indian Ocean off of Muyuni, Zanzibar, 2016



Ulaanbaatar, August 22, 2024 /MONTSAME/. The Opening Ceremony of the “Resilience - Stories of Women Inspiring Change” Special Exhibition was held at the Lkham Gallery, Ulaanbaatar City, Mongolia, on August 21, 2024.

The World Press Photo Foundation and the Kingdom of the Netherlands present a selection of stories, awarded in the World Press Photo Contests from 2000 to 2021, that highlight the resilience and challenges of women, girls, and communities around the world. 

This exhibition promotes women’s rights, gender equality, and justice. Multiple voices, documented by 17 photographers of 13 different nationalities, offer insights into issues, including sexism, gender-based violence, reproductive rights, and access to equal opportunities. The selection of stories explores how women and gender issues have evolved in the 21st century and how photojournalism has developed in the ways of portraying them. The photographs show the power of visual storytelling to create mutual understanding and to influence or change our views.

At the Opening Ceremony, Cultural and Public Diplomacy Counsellor of the Netherlands to Mongolia Ingrid de Beer noted, “We are grateful to present the Resilience Photo Exhibition in cooperation with the Dutch Foundation World Press Photo and Lkham Gallery of Mongolia. The exceptional selection of photographs illustrates women and girls from all over the world—women and girls who face difficult challenges, even violence. Yet, instead of focusing on their challenges, these images highlight their personality, strength, and resilience. The women in Ulaanbaatar that I met today demonstrated their determination and perseverance to create change. I hope you enjoy the Resilience Photo Exhibition and that it serves as an inspiration to further our collective efforts toward a gender-equal society.”

Delgermaa Byambasuren, Honorary Consul of the Netherlands in Mongolia, said, “I'm delighted to welcome the World Press Photo exhibition to Mongolia for the first time. The "Resilience" exhibition features photographs by 17 photographers from 13 countries, highlighting women's rights, gender equality, and the evolution of women's issues in the 21st century. We are deeply grateful to the Ministry of Foreign Affairs of the Netherlands and the World Press Photo Foundation for their commitment to women's rights. We also extend our thanks to Lkham Gallery and our other partners for their meticulous work in making this exhibition a reality.”

Gender equality and justice are fundamental human rights critical in supporting cohesive societies. Yet, women around the world face deeply entrenched inequality and remain underrepresented in political and economic roles. In 2021, women represented just 26.1% of some 35,500 parliament seats, only 22.6% of over 3,400 ministers, and 27% of all managerial positions. Violence against women prevails as a serious global health and protection issue. An estimated one in three women will experience physical or sexual abuse in her lifetime. 

The gender imbalance is also evident in photojournalism. Data collected by Women Photograph in 2020 shows that an average of just 20% of lead photographs published by eight of the world’s most widely read newspapers were taken by women. The number of female entrants to the World Press Photo Contest has increased over the past five years from 15% to 20% in 2022. This data underlines the need for us to continue working on reducing gender injustice. We need women's perspectives to contribute to a diverse and balanced representation of the world.

The “Resilience - Stories of Women Inspiring Change” Exhibition will be open to the public until September 18, 2024, at the Lkham Gallery in Ulaanbaatar.


color photographs of a young woman in full length bathing suit floating in aqua-blue water in Zanzibar while learning to swim

A young woman learns to float, in the Indian Ocean, off Nungwi, Zanzibar, on 24 November 2016

Anna Boyiazis

Traditionally, girls in the Zanzibar Archipelago are discouraged from learning how to swim, largely due to the absence of modest swimwear. In northern Zanzibar, the Panje Project teaches local women and girls swimming skills in an effort to reduce high rates of drowning. Full-length swimsuits are provided. In addition to challenging a patriarchal system, the project has created a sustainable cycle by empowering students to teach other

Tuesday, August 20, 2024

The Vibe-Shifted Democratic Convention in Photos by Gallery Photographer Mark Peterson

 Via New York Magazine

August 20, 2024

color photograph of Nancy Pelosi holding a "Thank you Joe" sign while seated at the 2024 Democratic Convention
Nancy Pelosi, who worked to convince Joe Biden to drop his re-election bid, nevertheless thanks him for his service on Day One. Photo: Mark Peterson/(C) Mark Peterson/Redux Pictures 2024


The first night of the 2024 Democratic National Convention was the scene of a party in transition, looking toward the future while simultaneously providing a final send-off for President Joe Biden as he officially passed the torch to Vice-President Kamala Harris. Attendees in Chicago greeted still-rising stars such as New York representative Alexandria Ocasio-Cortez and Georgia senator Raphael Warnock with the same fervor as they gave party veterans such as Hillary Clinton, the last woman to be the party’s presidential nominee, who rousted Democrats to “keep going.” Scenes of the convention so far from Mark Peterson for New York Magazine. Full post here.


color photograph of Kamala Harris on stage at the 2024 Democratic Conventions, with backdrop graphic of red stars and an American flag

Kamala Harris takes the stage during a surprise day-one appearance. 
Photo: Mark Peterson/(C) Mark Peterson/Redux Pictures 2024


Gallery Photographer Nate Gowdy is covering the ins and outs of the Democratic National Convention in Chicago for Mother Jones

 Via Mother Jones

August 20, 2024


screen shot of African American couple in Cowboy hats at the 2024 Democratic Convention with text overlay  "Inside the DNC, Day One: Photos From Chicago From the barricades to the convention floor and everything in between. Photographs by Nate Gowdy"


Photographer Nate Gowdy is covering the ins and outs of the Democratic National Convention in Chicago for Mother Jones. Here is a taste of what he saw: protests outside and an electrified delegation inside.


black and white photograph of crowd on the floor of the 20243 Democratic Convention

Inside the DNC, Day One: Photos From Chicago
From the barricades to the convention floor and everything in between.
Photographs by Nate Gowdy