December 9, 2021
98-year-old photographer Tony Vaccaro was a simple infantryman, but he unofficially photographed World War II for 272 days. Anna Nelson met with Vaccaro to talk about his role in documenting the war. Anna Rice narrates her story.
Never before exhibited photographs of Muhammed Ali on display in Austin
December 9, 2021
The Dolph Briscoe Center for American History at The University of Texas at Austin and the LBJ Presidential Library presents the exhibition “One Night in Miami”: From Photo to Film.
#TBT: Never before exhibited photographs of Muhammed Ali on display in Austin
Located in the LBJ Library’s Great Hall, the exhibit showcases iconic photos from the Briscoe Center’s collections that inspired key moments in the 2020 film.
It features a selection of images from Bob Gomel and Flip Schulke, famed photojournalists whose archives are housed at the Briscoe Center. The photos, many of which have never before been exhibited, depict a young Muhammed Ali (then known by his birth name, Cassius Clay) during the early years of his boxing career.
After his victory over Sonny Liston for the heavyweight championship in Feb. 1964, Ali celebrated with friends and supporters at the Hampton House, a motel in Miami that served as a gathering place for Black entertainers and celebrities.
There, Ali was joined by his friends Malcolm X, singer Sam Cooke, and football player Jim Brown, among others. The gathering inspired Kemp Powers’s 2013 play, “One Night in Miami,” which was adapted into Regina King’s award-winning 2020 movie.
Malcolm X photographs Muhammad Ali at the victory party after Ali’s defeat of Sonny Liston, February 25, 1964. Photograph by Bob Gomel, Bob Gomel Photographic Archive.
A key scene in the movie recreates Gomel’s photograph of Malcolm X and Ali in the Hampton House diner.
One of the opening scenes of the film was inspired by Flip Schulke’s famous photos of Ali taken in a Miami swimming pool in 1961. The shoot offered Schulke the opportunity to test out his experimental underwater camera setup.
In addition to a selection of rare photos from Gomel and Schulke, the exhibit features equipment from both photographers and related ephemera.
"One Night in Miami”: From Photo to Film runs until May 8, 2022. For more details on the exhibit, please go to: https://briscoecenter.org/exhibitions/one-night-in-miami/
The LBJ Library is open to the public. Admission tickets must be bought online in advance. For details, please go to: https://www.lbjlibrary.org/visit.
Via 1854 - British Journal of Photography
December 8, 2021
“I think some of the greatest photojournalism contains information that we were never meant to see”
In 1985, Michelle and Sid Monroe sat down with Alfred Eisenstaedt to discuss the possibility of exhibiting the famed LIFE magazine photographer’s work at a Manhattan gallery. Then in his 80s, Eisenstaedt regaled the young couple, then in their 20s and engaged to wed, with stories of an extraordinary life behind the camera. (direct link with slide show)
The Monroes experienced a powerful moment of revelation as Eisenstaedt recounted memories of fascism spreading across Europe and the harrowing realisation he would have to leave Germany to survive. “It was the meeting of a lifetime,” says Sid. “It was remarkable to see this person who had witnessed and photographed history. We were in the presence of something bigger than we had ever encountered before. This is our collective history — we didn’t live this but this is what formed the world we were born into.”
The encounter with Eisenstaedt opened their eyes to a new path, one that combined the realms of art, history, and reportage. At a time when photography was still striving to receive proper recognition from the art world, the young couple decided to devote themselves to uplifting, supporting, and preserving the work of photojournalists with the creation of Monroe Gallery in a classic street-level Soho loft on Grand Street. “It was like falling in love,” says Michelle. “It wasn’t a strategic decision that either of us made but more like listening to a piece of music that you were completely moved by.”
Sid concurs. “It became a passion that probably wouldn’t have made any sense if we had thought critically about it, but we decided: this is it. It was a remarkable time. We met many of Eisenstaedt’s colleagues for LIFE, who were all in their 70s or 80s. Although they had retired, they still had offices at the Time-Life Building and were treated like royalty. When we opened our gallery, we thought we hit the jackpot and assumed everyone was going to feel what we feel.”
But in the 1980s, photojournalism wasn’t sexy, it wasn’t conceptual, and although it was reasonably priced, it was a hard sell. At the time, dealers were focused on selling vintage prints, while the Monroes were breaking new ground selling multiples and limited editions. “It was a little bleak in the beginning because people didn’t understand,” Sid says. “But, on the flip side, that allowed us to develop our focus and it became our domain.”
After 9/11, the Monroes left downtown Manhattan and headed west, settling in Santa Fe, New Mexico. “It gave us more freedom,” says Michelle. “In New York, you’re always going to be a relatively small gallery and competing for attention. In Santa Fe, you stand out just by doing what you do.”
Santa Fe living also allows for a distinctive change of pace. “In New York, it’s ‘I’ve got five minutes, show me what you’ve got’,” says Sid. “Here it’s more relaxed. We can sit and talk with collectors — but it’s still a hustle.”
Indeed, the Monroes have worked diligently over the past 20 years to establish the gallery at the intersection between photojournalism and fine art, showcasing works embedded in our collective consciousness that shape our shared history. The gallery roster includes Bill Ray, Tony Vaccaro, Bill Eppridge, Eddie Adams, Nina Berman, Cornell Capa, Ruth Orkin, and Nina Leen — photographers who not only documented their times but have also transformed the very way we see.
“Eisenstaedt, Carl Mydans, Margaret Bourke-White, Gordon Parks, they taught us how to look at history, and the people we represent are part of the same family tree. Over the past 10, 15 years, we’ve seen more work that has the same visual impact,” says Michelle. The gallery roster has expanded to include more women and artists of colour such as Anna Boyiazis, Gabriela E. Campos, Whitney Curtis, and Sanjay Suchak.
“We are fortunate to have had direct personal relationships with these photographers from the very beginning,” Michelle says. “Initially it’s visual attraction but we’ve learned the consciousness of these photographers and it becomes one and the same with what they are driven to do. To sit across from them and bear witness to what they have seen gives us the motivation to show their work to the world. I think some of the greatest photojournalism contains information that we were never meant to see.”
Tony Vaccaro at 99 is on show at Monroe Gallery until 16 January 2022.
About the author
Miss Rosen is a New York-based writer focusing on art, photography, and culture. Her work has been published in books by Arlene Gottfried, Allan Tannenbaum, and Harvey Stein, as well as magazines and websites including Time, Vogue, Aperture, Dazed, AnOther, and Vice, among others.
December 7, 2021
The New York Times published another installment about the Democratic Republic of Congo's mining of cobalt and other metals used in the production of electric car batteries, wind turbines and other mainstays of the green energy revolution with photographs by Ashley Gilbertson.
On the Banks of the Furious Congo River, a 5-Star Emporium of Ambition
December 6, 2021
“Brink” will go down as an essential photographic document of a most unusual time in U.S. politics." (paywall)
Photographs from the new book were featured in the exhibition "Present Tense", June 4 - September 8, 2021 at Monroe Gallery of Photography
Via The Briscoe Center for American History
December 9, 2021 – May 8, 2022
LBJ Presidential Library and Museum, Austin, Texas
Great Hall
The LBJ Library is open to the public. Admission tickets must be bought online in advance. For details, please go to https://www.lbjlibrary.org/visit.
“One Night in Miami”: From Photo to Film showcases iconic photos from the Briscoe Center’s collections that inspired key moments in the 2020 film. It features a selection of images from Bob Gomel and Flip Schulke, famed photojournalists whose archives are housed at the Briscoe Center. The photos, many of which have never before been exhibited, depict a young Muhammed Ali (then known by his birth name, Cassius Clay) during the early years of his boxing career.
After his victory over Sonny Liston for the heavyweight championship in Feb. 1964, Ali celebrated with friends and supporters at the Hampton House, a motel in Miami that served as a gathering place for Black entertainers and celebrities. There, Ali was joined by his friends Malcolm X, singer Sam Cooke and football player Jim Brown, among others. The gathering inspired Kemp Powers’s 2013 play, “One Night in Miami,” which was adapted into Regina King’s award-winning 2020 movie. A key scene in the movie recreates Gomel’s photograph of Malcolm X and Ali in the Hampton House diner.
One of the opening scenes of the film was inspired by Flip Schulke’s famous photos of Ali taken in a Miami swimming pool in 1961. The shoot offered Schulke the opportunity to test out his experimental underwater camera setup.
In addition to a selection of rare photos from Gomel and Schulke, the exhibit features equipment from both photographers and related ephemera.
December 2, 2021
Stephen Wilkes - Serengeti Day to Night. For his project "Day to Night," Stephen Wilkes creates images of landscapes photographed from a fixed camera angle for up to 30 hours. Blending these images into a single photograph can take months. Pictured, is Serengeti National Park, Tanzania. ©,Stephen Wilkes
The final moments before the death of the last male northern white rhino, a 66-year-old elephant swimming in the ocean, and renowned primatologist Jane Goodall searching for chimpanzees in Tanzania in the early 1960s; these are all moments captured in a collection of powerful photographs that have been donated to raise funds for conservation projects.
Works by 100 photographers from around the world will be sold until the end of the year by Vital Impacts, a non-profit that provides financial support to community-orientated conservation organizations and amplifies the work of photographers who are raising awareness of their efforts. Contributing is a who's who of nature photography, including Paul Nicklen, Ami Vitale, Jimmy Chin, Chris Burkard, Nick Brandt, Beth Moon, Stephen Wilkes and Goodall herself.
"Each image has a really profound story behind it," said Vitale, an award-winning photographer and co-founder of Vital Impacts. "I worked really hard when I was curating this to make sure that these photographers are diverse, but the one thing they all share is this commitment to the planet. They're using their art to help conservation."
November 29, 2021
The New York Times continued coverage of the dangerous mining conditions that plague Congo, home to the world’s largest supply of cobalt, a key ingredient in electric cars, featuring photographs and video by Ashley Gilbertson.
November 26, 2021
Tony Vaccaro’s famous “Kiss of Liberation”. The young woman seen in the background on the left is Simone Leluault, who died Wednesday, November 24, 2021 © Tony Vaccaro
She embodied Freedom and rediscovered joy. France saved by the Allies and delivered from the Nazis. Simone Leluault passed away on Wednesday November 24, 2021, at the age of 95.
She was one of the dancers of the famous Kiss of Liberation. An image taken by the American war photographer Tony Vaccaro, on August 15, 1944, during the liberation of the small village of Saint-Briac, located near Dinard, in Brittany.
Printed in five million copies
The photo was selected by General Eisenhower as a symbol of American action in Europe during World War II. It was printed in five million copies and distributed throughout the world.
“This photo is almost an accident”
“Oh, you know, this photo is almost an accident,” Tony Vaccaro told us during one of his trips to France 70 years later.
A happy accident dated August 15, 1944. That day, Saint-Briac, liberated by General Patton’s 83rd Infantry Division, was won over by popular jubilation. On the Place du Center, we take out the accordion, a party is improvised. A circle is formed. A man has to go get a woman and the two people have to kiss each other on a mat in the center of the circle. Then it’s the woman’s turn to choose a man and take him to the center mat.
I was in the square, across the street. And there, I recognize this American soldier, my friend Gene Constanzo, crouching and kissing a little girl in the middle of a group of young girls dancing around him
The power of an image
The GI's crosses the square at full stride. He guessed the strength of the scene. The tenderness and joy carried by this image. The Kiss of Liberation is in the box. Forever.
The next day, I went by jeep to the surroundings of Rennes. I needed a studio and chemicals to develop my photos. The negatives were perfect!
We never knew who the kissed little girl was at the heart of the photo. Tony Vaccaro, on the other hand, has kept in touch all his life with the two young women, in the background. Sisters Marie-Thérèse and Simone Crochu.
70 years later, in front of the famous enlarged photo on the pediment of the town hall of Saint-Briac, the former American war reporter and Simone Leluault faced the crowd, in the presence of John Kerry, then head of American diplomacy, during the inauguration of the “Tony Vaccaro Square”.
Wounded by a shard
Simone had publicly remembered the summer of 1944 when she almost lost her life. She was on a train that had been targeted by an English plane. Wounded by a shard, the 18-year-old young woman had been miraculously saved by a bundle of artichokes that she held against her. “And it wasn’t a leg injury that was going to stop him dancing a few weeks later,” John Kerry had teased from the podium. Simone had answered him with a big smile. That same smile forever imprinted in the history books.
Exhibition: Tony Vaccaro at 99 - November 26, 2021 through January 16, 2022
