Via The New York Times
July 13, 2022
Dionne Searcey and Ashley Gilbertson reported from the Mpatemata Forest community, in the Democratic Republic of Congo, to understand the far-reaching effects of the charcoal trade on deforestation.
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
July 13, 2022
Dionne Searcey and Ashley Gilbertson reported from the Mpatemata Forest community, in the Democratic Republic of Congo, to understand the far-reaching effects of the charcoal trade on deforestation.
June 14, 2022
December 7, 2021
The New York Times published another installment about the Democratic Republic of Congo's mining of cobalt and other metals used in the production of electric car batteries, wind turbines and other mainstays of the green energy revolution with photographs by Ashley Gilbertson.
On the Banks of the Furious Congo River, a 5-Star Emporium of Ambition
November 29, 2021
The New York Times continued coverage of the dangerous mining conditions that plague Congo, home to the world’s largest supply of cobalt, a key ingredient in electric cars, featuring photographs and video by Ashley Gilbertson.
November 20, 2021
The New York Times published a feature story about the extraction of Cobalt in the Congo that Gallery photographer Ashley Gilbertson has been working on since late 2019