Monday, March 9, 2015

Pennsylvania Historical and Museum Commission to place historical marker to honor Pulitzer Prize-winning photojournalist Eddie Adams



Eddie Adams covers action in South Vietnam Eddie Adams covers action in South Vietnam in 1965 for The Associated Press.
Associated Press

Eddie Adams covers action in South Vietnam in 1965
for The Associated Press 


Via The Pittsburgh Post Gazette
Three Western Pennsylvania historical sites were among 22 selected by the Pennsylvania Historical and Museum Commission to receive the familiar blue and gold commemorative roadside markers.

Markers will be placed at or near the site of George Westinghouse’s gas wells in Point Breeze, in New Kensington to honor Pulitzer Prize-winning photojournalist Eddie Adams and in Erie to memorialize the iconic “Don’t Give Up the Ship” battle flag from the War of 1812.

Dates for installation and precise locations of the markers are not determined until local interests have raised money to pay for the markers, said Howard Pollman, spokesman for the commission. The cost ranges from $1,400 to $1,875.

“They are usually placed as close as possible to the place where the event took place or the person lived,” he said.

Mr. Westinghouse began to experiment with natural gas extraction in the 1880s, when he also was pioneering electricity generation. He drilled four wells at the site of his Point Breeze estate.

“At the time the fuel was unsafe and dangerous to use,” the commission said. “Over the next few years, Westinghouse patented over 30 inventions for the distribution, safe use and metering of natural gas. His work was instrumental in the expansion and availability of natural gas as an important widespread energy source.”

Mr. Adams is best-known for a photograph, taken in 1968 during the Vietnam War, of a Vietnamese police chief firing a bullet into the head of a Viet Cong prisoner from arm’s length range on a Saigon street. The image appeared worldwide, including on the front page of The New York Times, and galvanized opposition to the war in the U.S.

The Pulitzer Prize he won for the image was one of about 500 photography awards he received during a career that saw him cover 13 wars.

The commission said Mr. Adams got his start as a photographer in his hometown of New Kensington, shooting photographs for his high school yearbook and as a staff photographer for the local newspaper. He died in 2004 and was buried at Greenwood Memorial Park in Lower Burrell.

Seven Erie women created a battle flag in the summer of 1813 for Oliver Hazard Perry to fly on his ship, the Lawrence, in the Battle of Lake Erie.

The slogan was from the last words of Capt. James Lawrence and became a rallying cry for the ship’s crew, which helped to defeat the British in the pivotal battle.

Replica flags with “Don’t Give Up the Ship” are displayed throughout Erie, which held a yearlong celebration of the battle’s bicentennial in 2013.

Mr. Pollman said the marker likely will be placed near the Erie Maritime Museum, home to a full-sized replica of the Brig Niagara, which also took part in the battle.

The commission selected the 22 markers from a pool of 50 applications. Currently, nearly 2,300 historical markers are in place throughout the state.

More information on the Historical Marker Program, including application information, is available online at www.pahistoricalmarkers.com.


Monroe Gallery of Photography will host a major exhibition of Eddie Adams' photographs in Spring, 2016, in conjunction with a new book of Adams' Vietnam photographs by the University of Texas Press .

Friday, March 6, 2015

On Friday, March 6, 1964, Cassius Clay became Muhammad Ali


Black Muslim leader Malcolm X photographing Cassius Clay, Miami, 1964
© Bob Gomel



 
Day later, bolstered by his mentor Malcom X, Clay stepped in front of a room of journalists to declare his conversion to the Nation of Islam. After fielding hostile questions, he voiced the words that would become his lifelong anthem and would forever change the world of sports: “I don’t have to be what you want me to be.”

Recently, Bob recalled: It was February 26, 1964 in a Miami restaurant after Clay won the heavyweight championship from Sonny Liston. Howard Bingham, Ali's personal photographer is seen at the far right above Ali.  Clay's brother Rahaman is seated to Cassius's left (only a fist is visible in the famous frame.) The name and exact location of the restaurant are paled into insignificance.”



Related: Ali vs. Liston in Miami Beach: The Night ‘the Greatest’ Was Born

              YouTube: March 6, 1964: Cassius Clay becomes Muhammad Ali

Wednesday, March 4, 2015

Alyssa Adams talking about her career in photography, the Eddie Adams Workshop, business, networking, and more


Friday, March 6, 11 AM Eastern

Join Robert Caplin and Alyssa Adams, deputy photo editor at TV Guide, for a LIVE video podcast recording in NYC. They'll be talking about her career in photography, the Eddie Adams Workshop, business, networking, and much more.

This event is open to the public to attend both in person locally in NYC or online at http://thephotobrigade.com/LIVE.



Monroe Gallery of Photography is proud to represent the Eddie Adams Estate. Watch for a major new book relase of Adams' Vietnam photographs and a major exhibition in Spring, 2016 at Monroe Gallery.

Tuesday, February 17, 2015

Exhibition of Photographs by Andreas Feininger



Unloading coffee at Brooklyn dock, New York, c. 1946
Andreas Feininger


ANDREAS FEININGER

February 13 - April 5

Monroe Gallery of Photography, 112 Don Gaspar, is pleased to announce an exhibition of photographs by Andreas Feininger. The exhibition opens Friday, February 13 and continues through April 5.

Feininger’s pictures of New York in the 1940s and ’50s helped define, for all time, not merely how a great 20th century city looked, but how it imagined itself and its place in the world. With its traffic-jammed streets, gritty waterfronts, iconic bridges and inimitable skyline, the city assumed the character of a vast, vibrant landscape. Featured in the exhibition are many of Feiniger's most iconic New York cityscapes, as well as many other 

Andreas Feininger was born in Paris, educated in the Bauhaus, and trained as an architect and structural engineer. He began using the camera in the early 1920’s as a “mechanical sketchbook” for building designs. Son of the acclaimed artist Lyonel Feininger, Andreas Feininger turned to photography full-time in 1932.

Andreas Feininger devoted his life to a full exploration of both the science and art of photography. His creative vision is rooted in the conviction that the camera is superior to the eye, and that the photograph can, and ideally should, portray the world more graphic than reality itself. From his earliest photographs, through two decades as a LIFE magazine photographer, to recent images taken in the 1980’s, few photographers in the 20th century have displayed the range of Andreas Feininger. 

Feininger’s work is characterized by an unusual sensitivity to form and an extraordinary sense of composition. His photographs reveal hidden structure and beauty in panoramic urban and industrial landscapes. Feininger has said “The city has attracted me since my earliest days as a photographer. But in time this love has grown to include all the aspects of the city - not only its buildings, but also its people, cars, traffic jams, confusion, and even ugliness. I see the city as a living organism: dynamic, sometimes violent, and even brutal.” 

Andreas Feininger has been the subject of over 50 books, including several text-books which he has authored. He was a leading staff photographer at LIFE magazine, completing over 430 assignments. His work has appeared in numerous other publications throughout the United States and Europe. In 1983, the British Broadcasting Corporation included Andreas Feininger in a six-installment television documentary about the most important living photographers; the other featured photographers were: Ansel Adams, Bill Brandt, Alfred Eisenstaedt, André Kertész, and Jacques-Henri Lartigue.

Feininger’s photographs are in many important collections, including: The Smithsonian Institution, Washington, D.C., The Baltimore Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Victoria and Albert Museum of Art, The Museum fur Kunst und Gewerbe in Hamburg, the Museum of the City of New York, The New York Historical Society, and The International Center of Photography, NY. Andreas Feininger died in Manhattan in February 1999. He was 92.

Monday, February 9, 2015

Wednesday, February 4, 2015

Joe McNally is the #1 Most Inspiring Photographer (Again)

 
2015 Survey Results: Joe McNally is the #1 Most Inspiring Photographer (Again)
 
 

2015 Survey Results: Joe McNally is the #1 Most Inspiring Photographer (Again)

Via Photoshelter
 
For the third year running, we’re excited to release our annual survey results from The Photographer’s Outlook on 2015. This survey, sent to thousands of photographers worldwide from the greater PhotoShelter community, aims to provide the industry with a solid understanding of what photographers hope to accomplish in the coming year – including how they plan to invest their money, hone their craft, and build a presence online.

As we did in 2014, this year’s survey compares the similarities and differences between the business goals and challenges among photo enthusiasts and professional photographers.* The survey includes responses from 7,408 people total.
 
For the complete overview of The Photographer’s Outlook on 2015, download the full survey results here.


Saturday, January 31, 2015

Sunday To-Do: Dorothea Lange doc Grab a Hunk of Lightning in Santa Fe





GrabAHunkofLightening web











Unforgettable … You don’t want to miss it.” –Ms. Magazine





Most famous for her celebrated photograph Migrant Mother, Dorothea Lange's enduring images document five turbulent decades of American history, including the Great Depression, the Dust Bowl and World War II Japanese American internment camps. Lange’s granddaughter, the longtime Santa Fean and five-time Emmy Award-winning cinematographer Dyanna Taylor, directs and narrates this intimate documentary that combines family memories and journals with never-before-seen photos and film footage. An onstage interview with Dyanna Taylor and Elizabeth Partridge, Lange’s biographer, and Imogen Cunningham's granddaughter, follows the screening. (U.S., 2014, 120m)


2:00p Sunday, February 1 - $50 to benefit the CCA, includes pie-and-coffee reception!


Click Here to buy tickets!

Thursday, January 29, 2015

Art Shay: The man with the golden lens


Cassius Clay, 1961


Muhammad Ali in 1961, when he was still Cassius Clay. “In terms of particulars,” says documentarian Ken Hanson, “this photo is as perfect as it gets.”  Art Shay


Art Shay:


"They're ranking me one of the great photographers of the last century," he says of the Art Institute show. "I sort of agree. I'm not as dead as some."


A wonderful in-depth article about the 92-yean old prolific photographer Art Shay via the Chicagoreader.com with slideshow.

Monday, January 26, 2015

San Antonio McNay exhibition offers snapshot of World War II




Alfred Eisenstaedt, V-J Day in Times Square, New York, Aug. 14, 1945. ©Time Inc. All Rights Reserved. Courtesy of Monroe Gallery of Photography, Santa Fe, New Mexico A jubilant Amererican sailor clutching a white-uniformed nurse in a back-bending, passionate kiss as he vents his joy while thousands jam the Times Square area to celebrate the long awaited victory over Japan.

Monroe Gallery of Photography is very proud to have contributed numerous photographs from its collection to this exhibit.


Via The San Antonio Express News

From iconic images such as Joe Rosenthal’s U.S. Marines raising the flag atop Mt. Suribachi on Iwo Jima, to intimate shots from the home front, “World War II in Photographs: Looking Back” offers a slice of life from “the good war” — which ended 70 years ago this year — chronicling both its triumphs and horrors.

The exhibition of more than 40 prints — as well as video and memorabilia — opens Tuesday at the McNay Art Museum and continues through May 10. There are sections on the European and Asian theaters, the home front, the Monuments Men who rescued stolen art from the Nazis, and the Tuskegee airmen.

“It’s an interesting mix,” said McNay director William Chiego, who organized the show from a wide variety of sources, including the Fort Sam Houston Museum and the Library of Congress. “We intentionally interspersed these iconic images with lesser known works to show all sides of the war. We show leaders, but also the ordinary soldiers, sailors, Marines and civilians.”

The exhibition not only commemorates the 70th anniversary and pays tribute to San Antonio’s rich military history, but also honors museum founder Marion Koogler McNay, who was a strong supporter of the war effort at home.
 
McNay’s first husband Don McNay died in the World War I flu pandemic of 1918, which had a lasting effect on her, Chiego said.

“She really cared about servicemen in San Antonio,” Chiego said. “She even provided housing for servicemen here on the grounds and bought houses around town and made them available to servicemen. She knew how important it was to have a place to live and have family nearby.”

“World War II in Photographs: Looking Back” features the work of eminent names such as Margaret Bourke-White (Buchenwald prisoners), Alfred Eisenstaedt (the kiss in Times Square) and Carl Mydans, who captured two of the war’s most timeless moments: MacArthur returning to the Philippines and the Japanese surrender on board the U.S.S. Missouri in Tokyo Bay.

And then of course there’s the Rosenthal photo, probably the most beloved image of the war.

“I give lectures on history painting — French and American — and I often end with Rosenthal’s famous image as a 20th-century equivalent of history painting,” Chiego said.

But the exhibition also includes intimate moments such as Toni Frissell’s heartrending shot of a small abandoned boy holding a stuffed animal amidst the destruction of the London blitz.

“It’s important to show how much a photograph is able to document the war and how it relates to the history of photojournalism,” Chiego said. “For San Antonio it’s an important show, and I’m hoping we can get some veterans or children of veterans in here who can tell us more about some of these images. And I hope we can attract a younger audience as well, because I fear they don’t know these images at all.”

sbennett@express-news.net

More Information
“World War II in Photographs: Looking Back”
What: An exhibition of more than 40 WWII photographs ranging from iconic images such as Alfred Eisenstaedt’s V-J Day Times Square kiss to intimate images from the home front.
When: Runs through May 10.
Where: McNay Art Museum, 6000 N. New Braunfels
Museum admission: $5 to $10. www.mcnayart.org, 210-824-5368.