Showing posts with label Life Photographer John Dominis. Show all posts
Showing posts with label Life Photographer John Dominis. Show all posts

Monday, December 30, 2013

JOHN DOMINIS: 1921 - 2013



John Dominis via johndominis.us
 
 
 
It is with great sadness that we  have learned that LIFE photographer, John Dominis, passed away Sunday, Dec. 29, 2013 after a long illness. Obituaries and tributes below.

 John Dominis was born June 27, 1921 in Los Angeles and attended the University of Southern California, where he majored in cinematography. However, he credits a teacher, C. A. Bach, from Fremont High that offered a three-year course in photography for his skills. Remembers Dominis, "He'd give assignments, ball you out, make you reshoot." Eight of the photographers that Bach trained later got staff jobs with LIFE magazine. From 1943 to 1947 Dominis served as a second lieutenant in the U. S. Air Force photographic department. After three years as a free-lance photographer, he became a member of the LIFE staff in 1950.

 A consummate photojournalist, Dominis covered the Korean War for LIFE, and recorded the beginning of what became the Vietnam War. He photographed the firing of General Douglas MacArthur, and he covered John F. Kennedy’s emotional “I am a Berliner” speech. Dominis traveled the world constantly, and in 1966 he made two long trips to Africa to photograph the “big cats”: leopards, cheetahs, and lions for a remarkable series of picture essays in LIFE which later became the basis for a book. This project resulted in several awards for Dominis, including Magazine Photographer of the Year (1966).

Dominis also covered five Olympics, the Woodstock Festival, and represented both TIME and LIFE during President Richard Nixon’s 1972 trip to China. Many of the editors and photo-chiefs at LIFE considered Dominis to be the best all-around photographer on staff. After LIFE ceased regular publication, Dominis worked as photo editor for People and Sports Illustrated. Returning to freelance photography, Dominis shot the photographs for five Italian cookbooks, on location with Giuliano Bugialli, food writer and teacher.

“LIFE magazine was a great success. If a man hadn't seen a picture of a native in New Guinea, well, we brought him a picture of a native of New Guinea. We went into the homes of princes and Presidents and showed the public how they lived. The great thing about working with LIFE," says Dominis, "was that I was given all the support and money and time, whatever was required, to do almost any kind of work I wanted to do, anywhere in the world. It was like having a grant, a Guggenheim grant, but permanently."

In the spring of 1963, Steve McQueen was on the brink of superstardom, already popular from his big-screen breakout as one of The Magnificent Seven and just a couple months away from entering the Badass Hall of Fame with the release of The Great Escape. Intrigued by his dramatic backstory and his off-screen exploits — McQueen was a reformed delinquent who got his thrills racing cars and motorcycles — LIFE sent photographer John Dominis to California to hang out with the 33-year-old actor and see what he could get. Three weeks and more than 40 rolls of film later, Dominis had captured some astonishingly intimate and iconic images, photos impossible to imagine in today's restricted-access celebrity world.

Trailing Steve McQueen was Dominis' first Hollywood gig. "I liked the movies, but I didn't know who the stars were; I was not a movie buff," Dominis, now in his nineties, told LIFE.com. But he got the assignment because he and McQueen shared one vital passion point. "When I was living in Hong Kong I had a sports car and I raced it," Dominis says. "And I knew that Steve McQueen had a racing car. I rented one anticipating that we might do something with them. He was in a motorcycle race out in the desert, so I went out there in my car and met him, and I say, 'You wanna try my car?'" Later the two of them would zip around Los Angeles, including Sunset Boulevard (pictured). "We went pretty fast — I mean, as fast as you can safely go without getting arrested — and we'd ride and then stop and trade cars. He liked that, and I knew he liked it. I guess that was the first thing that softened him."

From early morning until late at night, Dominis followed McQueen through his action-packed days — camping with his buddies, racing his various vehicles, playing with his family, tooling around Hollywood. Even back then, Dominis says, he had to be mindful that his constant presence did not become irritating. "Movie stars, they weren't used to giving up a lot of time — in fact they didn't like to give up hardly ANY time," he says. "But I sort of relaxed in the beginning and didn't bother them every time they turned around, and they began to get used to me being there. If they were doing something, they would definitely just not notice me anymore."










  New York Times: John Dominis, a Star Life Magazine Photographer, Dies at 92


  L'Oeil de la Photographie: The death of John Dominis

  NPR: The Incredible Versatility Of Photographer John Dominis

  LA Times: John Dominis, one of the great Life photographers was 92

  TIME: John Dominis, Longtime LIFE Photographer, Dies at 92


  International Center for Photography: John Dominis: 1921 - 2013

  PDN Obituary: John Dominis, Prolific LIFE Photographer, 92


  F-Stoppers: Celebrating the life of LIFE photographer John Dominis

  Santa Fe New Mexican: John Dominis, longtime photographer for 'Life', dies at 92

  Washington Post: John Dominis, Life magazine photographer, dies at 92

  Photographer Spotlight: John Dominis

  LIFE PHOTOGRAPHER JOHN DOMINIS' PHOTOGRAPHS OF WOODSTOCK

  The LIFE Photographers exhibition

  John Dominis Exhibition



 
 


Friday, September 30, 2011

Steve McQueen by John Dominis

Med_1-steve-mcqueen-swinging-from-rope-at-gym-jpg
Steve McQueen swinging from rope at gym, 1963 © John Dominis


Via La Lettre de la Photographie
September 30, 2011

It was 1963 when Life Magazine sent its photographer, John Dominis, to cover Steve McQueen in his Palm Springs home. Since the end of the 1950’s, he had become one of America’s most popular actors, and at 33, was about to celebrate his greates success with the release of The Great Escape.

During their three weeks together, John Dominis took some of the star’s most beautiful pictures. We discover the “King of Cool”, his family life, his villa, and his love of speed, beautiful cars and motorcycle races.

He shared this passion with Dominis, creating a friendly bond between the two men. Never actually posing for the camera, Steve McQueen is graceful and incomparably photogenic. Nude by the pool, in a tuxedo or returning from a dirty car race, he exudes a rare elegance.


Med_1-steve-mcqueen-swinging-from-rope-at-gym-jpg
Actor Steve McQueen walking naked outdoors in his backyard, Hollywood, 1963 © John Dominis

Steve McQueen, the King of Cool
Until december 11, 2011
La Galerie de l’Instant
46, rue de Poitou
75003 Paris
Tél. 01.44.54.94.09

Links

http://www.lagaleriedelinstant.com

Med_1-steve-mcqueen-swinging-from-rope-at-gym-jpg
Actor Steve McQueen and wife taking sulphur bath at home © John Dominis

Monday, June 27, 2011

HAPPY 9Oth BIRTHDAY JOHN DOMINIS!

Steve McQeen and his wife, Neile Adams, in sulphur bath, Big Sur, California, 1963
John Dominis: Steve McQeen and his wife, Neile Adams, in sulphur bath, Big Sur, California, 1963



From the tumult of battle to the glamour of movie stars, from the wonders of nature to the coronation of kings, queens, and presidents, the work of LIFE photographers is as much a history of American photojournalism as it is a history of the changing face of the latter part of the Twentieth Century. On the pages of LIFE, through the images captured by these masters, the eyes of a nation were opened as never before to a changing world.


John Dominis was born June 27, 1921 in Los Angeles and attended the University of Southern California, where he majored in cinematography. However, he credits a teacher, C. A. Bach, from Fremont High that offered a three-year course in photography for his skills. Remembers Dominis, "He'd give assignments, ball you out, make you reshoot." Eight of the photographers that Bach trained later got staff jobs with LIFE magazine. From 1943 to 1947 Dominis served as a second lieutenant in the U. S. Air Force photographic department. After three years as a free-lance photographer, he became a member of the LIFE staff in 1950.

A consummate photojournalist, Dominis covered the Korean War for LIFE, and recorded the beginning of what became the Vietnam War. He photographed the firing of General Douglas MacArthur, and he covered John F. Kennedy’s emotional “I am a Berliner” speech. Dominis traveled the world constantly, and in 1966 he made two long trips to Africa to photograph the “big cats”: leopards, cheetahs, and lions for a remarkable series of picture essays in LIFE which later became the basis for a book. This project resulted in several awards for Dominis, including Magazine Photographer of the Year (1966).

Dominis also covered five Olympics, the Woodstock Festival, and represented both TIME and LIFE during President Richard Nixon’s 1972 trip to China. Many of the editors and photo-chiefs at LIFE considered Dominis to be the best all-around photographer on staff. After LIFE ceased regular publication, Dominis worked as photo editor for People and Sports Illustrated. Returning to freelance photography, Dominis shot the photographs for five Italian cookbooks, on location with Giuliano Bugialli, food writer and teacher.

“LIFE magazine was a great success. If a man hadn't seen a picture of a native in New Guinea, well, we brought him a picture of a native of New Guinea. We went into the homes of princes and Presidents and showed the public how they lived. The great thing about working with LIFE," says Dominis, "was that I was given all the support and money and time, whatever was required, to do almost any kind of work I wanted to do, anywhere in the world. It was like having a grant, a Guggenheim grant, but permanently"

John Dominis' photographs of the 1968 Black Power Salute and President John F. Kennedy's vosot to Berlin are included in the exhibition "History's Big Picture" July 1 - September 25, 2011.


More from Life.com

Thursday, June 23, 2011

HAPPY SUMMER

Going Fishing, Texas, 1952


As we head into the first "official" summer weekend, we thought of sharing this photograph by Life magazine photographer John Dominis: "Going Fishing, Texas, 1952".

The photograph was taken on assignment for a Life magazine story about the "Mesquite problem" throughout Texas. John Dominis covered a lot of territory for this assignment, but did not indicate where he shot each picture. The story was published in LIFE on August 8, 1952, although this picture was not used in the story. The fishing pools are made from area Mesquite

Related: John Dominis: A Natural Shooter

Monday, December 1, 2008

LIFE Magazine photographer John Dominis



The Albuquerque Journal
Friday, November 28, 2008


A Natural Shooter
c. Albuquerque Journal

"LIFE magazine was a great success,” 87-year-old John Dominis reminisces. “If a man hadn't seen a picture of a native in New Guinea, well, we brought him a picture of a native of New Guinea. We went into the homes of princes and presidents and showed the public how they lived. The great thing about working with LIFE was that I was given all the support and money and time, whatever was required, to do almost any kind of work I wanted to do, anywhere in the world. It was like having a grant, a Guggenheim grant, but permanently.” Dominis took full advantage of that “permanent grant” for as long as it lasted and produced some of the finest photography that has been seen. An unprecedented exhibition of more than 50 of his photographs — some of them famous images and some that have rarely been seen — is opening today at Monroe Gallery of Photography on Don Gaspar. Included are historic vintage photos, the actual prints used for LIFE magazine stories with archive information inscribed and stamped on the back. Although a major exhibition, it is only a microcosm of a lifetime's work by a consummate professional, and artist. Teacher's influence Dominis was born June 27, 1921, in Los Angeles and attended the University of Southern California, majoring in cinematography. It was his high school teacher, C.A. Bach at Fremont High, that Dominis credits with his skills. Fremont High School offered a three-year course in photography, and Bach taught all three years. He was demanding of his teenage charges. “He'd give assignments, bawl you out, make you reshoot,” Dominis remembered. The tough taskmaster trained top shooters. Eight of Bach's students went on to become staff photographers with LIFE, considered the most prestigious job for photographers. Dominis, who served in the U.S. Air Force from 1943 to 1946, was a second lieutenant in the USAF photographic department. After he was discharged in Japan in 1946, he freelanced for the Saturday Evening Post, Colliers and LIFE. A dream job The title LIFE was first used by a humor and general interest magazine modeled on the British weekly Puck and published from 1883 to 1936. TIME magazine founder Henry Luce bought all rights to this magazine for $92,000 just so he could use the name. Luce's creation in 1936, LIFE was designed to highlight photojournalism. It was a weekly until 1972, after which it appeared as an irregular “special” until 1978 and as a monthly until 2000. The Time Corp. also issued a weekly newspaper supplement by the name LIFE from 2004 to 2007; it was included in some U.S. newspapers. In its heyday, selling as many as 13 million copies per week, LIFE was the sine qua non by which photojournalism was judged, and Dominis was right in the thick of things. While freelancing, Dominis worked for LIFE in New York City, San Francisco and Atlanta. When he volunteered to cover the Korean War in 1950, LIFE put him on staff. A natural photojournalist, Dominis covered the Korean War and the firing of Gen. Douglas MacArthur. He covered President John F. Kennedy's emotional “I am a Berliner” speech. In 1972, he traveled with the New York City Ballet, photographing George Balanchine and principal dancer Jacques D'Amboise. He worked in Dallas and Chicago and was then assigned to Singapore and Hong Kong. Among his memorable essays, Dominis covered the 1956 Olympics in Australia — the first of six he photographed; it was he who captured the now-famous “Black Power Salute “ of Olympians Tommie Smith and John Carlos in Mexico City. He shot water buffaloes and their boy keepers in Thailand; the celebrations for Buddha's 2,500th birthday in Burma; Laotian troops, and the early years of the Vietnam War. Along the way, he shot Woodstock; President Nixon's trip to China; and entertainers such as Frank Sinatra, John Wayne, Steve McQueen, Dustin Hoffman, Robert Redford and Pearl Bailey. He was good at getting candid shots, even in arranged photo sessions. He attributed it to the same patience he had shown on two long trips to Africa in 1966, when he returned with remarkable picture essays on the big cats — leopards, cheetahs and lions — that later became the basis for a book. The project resulted in several awards for Dominis, including Magazine Photographer of the Year for 1966. He showed the same patience with his human subjects. “That's my technique with people,” he said. “I'm sort of a fly on the wall. You try not to interfere, hang around, hope that they don't even notice you, and if they do, they don't care.” After LIFE ceased weekly publication, Dominis became photo editor of People magazine from 1974 to 1978, and then Sports Illustrated from 1978 to 1982. Returning to freelance photography, Dominis went on location to Italy to shoot the luscious photographs for five Italian cookbooks, authored by Giuliano Bugialli, food writer and teacher. The Monroe Gallery was founded by Sidney S. Monroe and Michelle A. Monroe, who were building on more than four decades of collecting experience. Their gallery specializes in classic black and white photography, with an emphasis on humanist and photojournalist imagery. The gallery also represents a select group of contemporary and emerging photographers. The Dominis show will be up through Jan. 25.
MONROE GALLERY OF PHOTOGRAPHY


112 Don Gaspar Santa Fe, NM 87501


505.992.0800505.992.0810 (fax)



info@monroegallery.com

http://www.monroegallery.com