Showing posts with label master photographers. Show all posts
Showing posts with label master photographers. Show all posts

Thursday, October 3, 2013

BILL EPPRIDGE - 1938 - 2013 - AN AMERICAN TREASURE



 



Bill Eppridge, Santa Fe, 2009



 


 
Bill Eppridge was one of the most accomplished photojournalists of the Twentieth Century and  captured some of the most significant moments in American history: he covered wars, political campaigns, heroin addiction, the arrival of the Beatles in the United States, Vietnam, Woodstock, the summer and winter Olympics, and perhaps the most dramatic moment of his career - the assassination of Senator Robert Kennedy in Los Angeles. His most recent project was to record the disappearance of the American Family Farm and he was as passionate about this subject as he was any other.
 
It would be difficult to overstate the importance of Bill Eppridge's visual contribution to American History. A recent retrospective of his work at Monroe gallery was titled: “Bill Eppridge: An American Treasure”. He was indeed a treasure, and he is already missed.  --Sidney and Michelle Monroe


Bill Eppridge is a sobering reminder of the necessity of a common history to a civilized society.

 
 








Reposted from Bill Eppridge's good friend Dave Burnett.

It's hard to write or even to read the words about the passing of Bill Eppridge. A little older than I was, to me and my generation (the late sixty somethings) Bill was always one of those guys to whom we could point and realize that THIS GUY was the photo journalist you wanted to be. Tough, dedicated, a rare sense of humor, willing to share and guide (he once gave me one of the kindest beratings over some pictures I had in a round-up piece to which LIFE had assigned both of us..) it was never snarky, since he didn't need to be snarky about anything. Even when he was dealt a lousy hand with health issues, he kept motoring ahead, and was never, ever, without a Nikon of some sort to catch that inevitable fleeting moment. I only once got to share a fishing line with him, in Thomas Mangelsen's back yard. He kept trying to show me how to throw the line in so that some clueless fish might forget ...to reject me. I have a feeling that the 'fishing Bill' was a whole different side of him, and sorry I missed it. He and Adrienne were a great couple. The last time we hung with them was in NY when Bill, Melanie Burford and I judged the N Y Press photographers contest a year and a half ago. It was a blast to see what was, and wasn't acceptable to Bill. He had high standards for his craft, and was probably tougher on himself than anyone else. Bill had one of those great grins: it was somewhere between shit-eating and cat swallowing canary. In fact it might have even been canary swallows cat. It was as if there was always one more story to tell, and he'd just heard the punch line, and wanted to be the one to share it. I'm sorry we won't have him around to tell some of those stories. He was a master at it in all ways.



Monday, January 28, 2013

The AIPAD Photography Show To Be Held in New York on April 4-7 at the Park Avenue Armory



Frieke Janssens, Ringlings, 2011. Digital chromogenic dye print mounted to plexi, 35 x 35 inches. Courtesy Catherine Edelman Gallery, Chicago

Via artdaily.org

January 27, 2013

NEW YORK, NY.- The AIPAD Photography Show New York, one of the world’s most important annual photography events, will be held April 4-7, 2013, at the Park Avenue Armory. Presented by The Association of International Photography Art Dealers (AIPAD), the fair is the longest-running and foremost exhibition of fine art photography.

More than 70 of the world’s leading fine art photography galleries will present a wide range of museum-quality work including contemporary, modern, and 19th-century photographs, as well as photo-based art, video, and new media. The 33rd edition of the show will commence with an opening night gala on April 3, 2013, to benefit inMotion, which provides free legal services to low-income women.

“AIPAD continues to be at the forefront of the photography market,” noted Catherine Edelman, President AIPAD, and Director, Catherine Edelman Gallery. “Known for their scholarship and expertise, AIPAD galleries are shining light on extraordinary photographs by modern masters and emerging artists, images made in the last year by some of the most important artists working today, as well as relatively unknown work that is ripe for public exhibition. New and established photography collectors are anticipating another extraordinary exhibition.”

EXHIBITORS
Exhibitors will include galleries from across the U.S. and around the world, including Europe, Asia, and South America. Six galleries will exhibit at AIPAD for the first time: Brancolini Grimaldi, London; Fifty One Fine Art Photography, Antwerp; Klompching Gallery, Brooklyn; M97 Gallery, Shanghai; P.P.O.W., New York; and Sage Paris. An exhibitor list is available at aipad.com/photoshow.

EXHIBITION HIGHLIGHTS
A solo exhibition of work by James Welling will be exhibited by David Zwirner, New York. Welling has been questioning the norms of representation since the 1970s, exploring and experimenting with the elemental components of the photographic medium. His work is held in major museum collections including The Museum of Modern Art, The Metropolitan Museum of Art, and the Solomon R. Guggenheim Museum, all in New York.

Lisa Sette Gallery, Scottsdale, will offer a one-person exhibition of work by British photographer Damion Berger, who was once as an assistant to Helmut Newton. Berger’s recent series, Black Powder, documents firework celebrations from around the world. He uses glass plate negatives, multiple exposures, and unusual combinations of focus and aperture for the results, which are as dramatic as the pyrotechnic explosions.

A number of riveting portraits at AIPAD will be on view, including a series by Belgian artist Frieke Janssens entitled Smoking Kids. The digital chromogenic dye prints of children smoking were inspired by a YouTube video of a chain-smoking Indonesian toddler. As the artist notes, “I felt that children smoking would have a surreal impact upon the viewer and compel them to truly see the acts of smoking, rather than making assumptions about the person doing the act.” The work will be exhibited by Catherine Edelman Gallery, Chicago. No real cigarettes were used to make the images. Instead, chalk and sticks of cheese were used as props, while candles and incense provided the wisps of smoke.

P.P.O.W., New York, will offer portraits and work by Martha Wilson, Carolee Schneemann, and David Wojnarowicz, all of it inspired by the human body. M97 Gallery, Shanghai, will show portraits by Luo Dan, who uses the collodion wet plate photographic process invented in 1850. Spending several months traveling with a portable darkroom in remote and mountainous regions of China’s southern Yunnan Province, Luo Dan depicts people living in China’s undeveloped regions, where the way of life has remained largely intact for hundreds of years. Yu Xiao’s surreal images of children from the 2012 Nursery Rhymes series will be shown at 798 Photo Gallery, Beijing.

Extraordinary landscapes from around the globe will on view at AIPAD, including work showing the effects of Hurricane Sandy. An image by Stephen Wilkes, of a roller coaster standing in the ocean at Seaside Heights, New Jersey, will be exhibited by Monroe Gallery of Photography, Santa Fe. Work by Matthew Brandt from his recent Lakes and Reservoirs series can be seen at Yossi Milo Gallery, New York. The L.A.-based artist photographs lakes and reservoirs around the western United States, then submerges each resulting C-print in water collected from the subject of the photograph. Matthew Brandt’s images are included in the collections of The Metropolitan Museum of Art, New York, and the Los Angeles County Museum of Art. Edward Burtynsky’s life’s work is to document humanity’s impact on the planet, so when he shoots a photograph, it is often from an airplane or helicopter. His new riveting geometric aerial landscapes from the Texas Panhandle showing irrigation systems in the high plains will be exhibited by Howard Greenberg Gallery, New York.

Since 2005, Robert Burley has traveled across North America and Europe documenting the exteriors and interiors of the buildings that manufactured traditional film products such as Kodak and Polaroid. Burley’s mastery of large-format photography is a fitting tribute to a once thriving industry laid quickly to waste by digital technology. The work will be on view at Stephen Bulger Gallery, Toronto, and can be seen in a new book, The Disappearance of Darkness, published by Ryerson Image Centre and Princeton Architectural Press.

A portrait by Mariana Cook of one of the world’s most prominent political prisoners, Aung San Suu Kyi, will be exhibited by Lee Marks Fine Art, Shelbyvile, IN. Cook traveled to Burma in 2011 shortly after the Nobel Peace Prize winner was freed from house arrest. The portrait will be included in the upcoming book Justice: Faces of the Human Rights Revolution by Cook, which captures pioneers of the human rights movement from around the globe.

Edward Weston’s The Marion Morgan Dancers, California, 1921, will be on view at Galerie Johannes Faber, Vienna. The elegant composition of the nude dancers was made in collaboration with Margrethe Mather – whom Weston called “the first important person in my life” – and reflects Weston’s early pictorialist style and Mather’s sensitive eye. A pensive Frida Kahlo is the subject of Manuel Alvarez Bravo’s gelatin silver print from the 1940s at Throckmorton Fine Art, New York. Seydou Keïta’s charming portrait Three Malian Women, 1957-60, will be offered by Charles Isaacs Photographs, Inc., New York. Keïta is considered to be the first generation of African photographers to cater to the needs of a populace that was transitioning from French-colonial governance to independence, experiencing population increases and economic growth.

Early work from the birth of photography will also be a highlight at AIPAD. James Hyman Photography, London, will focus on three great French photographers of the 19th century: Edouard Baldus, Gustave Le Gray, and Charles Negre. Hans P. Kraus Jr. Fine Photographs, New York, will show great masters of British and French 19th-century photography, including William Henry Fox Talbot, Linnaeus Tripe, and Gustave Le Gray.

Wednesday, October 12, 2011

Fall Photography Auctions

Via photograph Magazine
photograph is the bi-monthly USA guide to photo-based art with listings of exhibitions, private dealers and resources. There are also columns, a calendar of events, and illustrated advertising from galleries, museums, dealers, auctions houses and photographers.



Richard Avedon, The Beatles Portfolio

Richard Avedon, The Beatles Portfolio

Phillips de Pury and Company kicked off the fall auction season on October 4 with two sales: a general owners photographs sale and a sale it described as “a private East Coast collection” called the Arc of Photography. The private-owners sale fetched $2,345,375, and the general photographs sale made a total of $4,583,875. Together, the sales presented works ranging from the historical -- Pierrot with Fruit, a salt print by Nadar and Adrien Tournachon, 1854-55, which brought $542,500, well above the $200,000 high estimate – to the contemporary -- Candida Hofer’s Handelingenkamer Tweede Kamer der Staten-Generaal Den Haag III, 2004, from her “Libraries” series, which brought $104,500. The top lot in the general sale (and that sale’s cover lot) was The Beatles Portfolio, psychedelic dye-transfer prints of John Lennon, Ringo Starr, George Harrison and Paul McCartney, by Richard Avedon, from 1967, which sold for $722,500.


Pierre Dubeuil, The First Round


Pierre Dubeuil, The First Round


Sotheby’s photography sale in New York on October 5 totaled $4,754,376 and was 71.5 percent sold by lot. The top lot was a complete set of Camera Work, which sold for $398,500, an auction record for a set of Camera Work journals. Pierre Dubreuil’s The First Round, a close up of a very young, fresh-faced boxer holding up his gloves, brought $314,500, a record for that artist at auction. And Ansel Adams’s Moonrise, Hernandez, New Mexico, perhaps his most famous image, brought $362,500. Alexander Gardner’s Photographic Sketchbook of the War sold for $158,500 to a private collector.




Robert Frank, London
Robert Frank, London



The first Christie’s photography sale at which Debra Bell was at the helm was 73 percent sold by lot and brought $4,811,625. Works by two of the medium’s masters, Ansel Adams and Robert Frank, peppered the top ten list, but ten prints from Vik Muniz’s series The Best of Life, 1989-1995, brought the second highest price, $170,500. The photographs are of drawings Muniz made from memory based on famous Life magazine covers. Adams’s Clearing Storm, Sonoma County Hills, five gelatin silver prints from 1961, was the top lot, bringing $242,500. Robert Frank’s London, of a child running down the street, away from the open door of a hearse, 1951 (printed in the 1970s), sold for $116,500. On October 7, Christie’s held the fifth sale of the Bruce and Nancy Berman Collection, this one focused on American landscapes. The sale totaled $1,001,938, with 80 percent sold by lot. The top lot was Dorthea Lange’s The Human Face, 1933, of a young boy, his hair falling into his face, sold for $40,000, well above the $7,000 high estimate.

Monday, June 27, 2011

HAPPY 9Oth BIRTHDAY JOHN DOMINIS!

Steve McQeen and his wife, Neile Adams, in sulphur bath, Big Sur, California, 1963
John Dominis: Steve McQeen and his wife, Neile Adams, in sulphur bath, Big Sur, California, 1963



From the tumult of battle to the glamour of movie stars, from the wonders of nature to the coronation of kings, queens, and presidents, the work of LIFE photographers is as much a history of American photojournalism as it is a history of the changing face of the latter part of the Twentieth Century. On the pages of LIFE, through the images captured by these masters, the eyes of a nation were opened as never before to a changing world.


John Dominis was born June 27, 1921 in Los Angeles and attended the University of Southern California, where he majored in cinematography. However, he credits a teacher, C. A. Bach, from Fremont High that offered a three-year course in photography for his skills. Remembers Dominis, "He'd give assignments, ball you out, make you reshoot." Eight of the photographers that Bach trained later got staff jobs with LIFE magazine. From 1943 to 1947 Dominis served as a second lieutenant in the U. S. Air Force photographic department. After three years as a free-lance photographer, he became a member of the LIFE staff in 1950.

A consummate photojournalist, Dominis covered the Korean War for LIFE, and recorded the beginning of what became the Vietnam War. He photographed the firing of General Douglas MacArthur, and he covered John F. Kennedy’s emotional “I am a Berliner” speech. Dominis traveled the world constantly, and in 1966 he made two long trips to Africa to photograph the “big cats”: leopards, cheetahs, and lions for a remarkable series of picture essays in LIFE which later became the basis for a book. This project resulted in several awards for Dominis, including Magazine Photographer of the Year (1966).

Dominis also covered five Olympics, the Woodstock Festival, and represented both TIME and LIFE during President Richard Nixon’s 1972 trip to China. Many of the editors and photo-chiefs at LIFE considered Dominis to be the best all-around photographer on staff. After LIFE ceased regular publication, Dominis worked as photo editor for People and Sports Illustrated. Returning to freelance photography, Dominis shot the photographs for five Italian cookbooks, on location with Giuliano Bugialli, food writer and teacher.

“LIFE magazine was a great success. If a man hadn't seen a picture of a native in New Guinea, well, we brought him a picture of a native of New Guinea. We went into the homes of princes and Presidents and showed the public how they lived. The great thing about working with LIFE," says Dominis, "was that I was given all the support and money and time, whatever was required, to do almost any kind of work I wanted to do, anywhere in the world. It was like having a grant, a Guggenheim grant, but permanently"

John Dominis' photographs of the 1968 Black Power Salute and President John F. Kennedy's vosot to Berlin are included in the exhibition "History's Big Picture" July 1 - September 25, 2011.


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