Via Columbia Journalism Review
November 6, 2024
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
November 2, 2024
How Will White Women Vote? It’s a Question With a Fraught History.
White and Black women have joined together to power progressive causes — from abolition to civil rights — but it’s a tenuous alliance. --Click for full article
This photograph is featured in the current Monroe Gallery exhibition "The Best of Us".
October 27, 2024
November 1st, at 8 Stanford Place: opening reception for Land Back: A Tiny Gallery Takeover in Lenapehoking, curated by Jennifer Ley.
In celebration of Native American Heritage Month and Interwoven Power: Native Knowledge/Native Art at the Montclair Art Museum, Tiny Gallery presents Land Back featuring collections from seven contemporary Native artists, including Eugene Tapahe, installed in six Tiny Galleries across Montclair, Glen Ridge, and Bloomfield, New Jersey—all part of Lenapehoking, the ancestral homelands of the Lenape people.
Art allows us to examine the past, interpret the present, and envision the future, and Ley’s curation of Land Back brings the stories of Indigenous Americans, too often dismissed or overlooked, forward.
One of Tiny Gallery’s missions is to bring artistic voices that may not normally be heard into communities and present them in a new context and we feel incredibly privileged to be able to collaborate with renowned Native artists.
Tiny Gallery
8 Stanford Place
Montclair, NJ 07042
October 25, 2024
"After at least a decade of focusing almost exclusively on painting, many of the largest and most powerful art dealers are dedicating significant attention and real estate to photography.
It is part of a broader renaissance for the medium that is arriving, perhaps counterintuitively, just as images produced by artificial intelligence become virtually indistinguishable from real documentation."
Via Columbia Journalism Review
October 23, 2024
Los Angeles Times editorials editor resigns after owner blocks presidential endorsement
Mariel Garza, the editorials editor of the Los Angeles Times, resigned on Wednesday after the newspaper’s owner blocked the editorial board’s plans to endorse Vice President Kamala Harris for president.
“I am resigning because I want to make it clear that I am not okay with us being silent,” Garza told me in a phone conversation. “In dangerous times, honest people need to stand up. This is how I’m standing up.”
On October 11, Patrick Soon-Shiong, who bought the newspaper for $500 million in 2018, informed the paper’s editorial board that the Times would not be making an endorsement for president. The message was conveyed to Garza by Terry Tang, the paper’s editor.
The board had intended to endorse Harris, Garza told me, and she had drafted the outline of a proposed editorial. She had hoped to get feedback on the outline and was taken aback upon being told that the newspaper would not take a position.
“I didn’t think we were going to change our readers’ minds—our readers, for the most part, are Harris supporters,” Garza told me. “We’re a very liberal paper. I didn’t think we were going to change the outcome of the election in California.
“But two things concern me: This is a point in time where you speak your conscience no matter what. And an endorsement was the logical next step after a series of editorials we’ve been writing about how dangerous Trump is to democracy, about his unfitness to be president, about his threats to jail his enemies. We have made the case in editorial after editorial that he shouldn’t be reelected.”
The Santa Fe New Mexican
October 18, 2024
Here's your weekly roundup of some of the must-see, must-do, must-know things that need to be on your radar this week.
PICTURE THIS
‘Best’ Practices
In one image, three masked, exhausted-looking medical professionals slump at a desk, one’s head leaning on another’s shoulder. Two others show American societal matriarchs Rosa Parks and Eleanor Roosevelt — the former serious, the latter smiling. Yet another shows a Black man with “Vote” painted on his face during a march in Selma, Alabama, in 1965.
All are part of The Best of Us, running through mid-November at Monroe Gallery of Photography. The gallery describes the featured images as “depicting the ideals and diversity of the human experience which explore the characterization of extraordinary and everyday people who renew our faith that all things are possible and exemplify our ideals.”
In other words, hope and fighting for improvement are central features of The Best of Us — distinguishing it from some previous Monroe Gallery exhibitions. Photojournalism is the gallery’s bread and butter, and the fruits of that craft can be compelling but challenging.
The Best of Us hangs on the gallery’s walls, while the virtual project The Campaign can be viewed at monroegallery.com/VirtualProjects. It coincides with the election season, ending November 24. Images include a rapturously smiling woman wearing an “Obama, You’re Fired” shirt meeting then-presidential candidate Donald Trump; former President Barack Obama talking and gesturing as rain falls; and former President George W. Bush and Vice President Dick Cheney gazing at their watches simultaneously, a painting of Abraham Lincoln behind them. — B.S.
details
9 a.m.-5 p.m. weekdays, through November 17
Monroe Gallery of Photography
112 Don Gaspar Avenue
505-992-0800; monroegallery.com
October 12, 2024
In this insightful interview, award-winning photojournalist and filmmaker Ed Kashi dives deep into his journey from a first-generation American with Iraqi roots to becoming a globally renowned storyteller through photography. He reflects on the pivotal moments that shaped his career, from discovering his passion for photography at Syracuse University to capturing the raw realities of global conflicts and social issues. Kashi shares his thoughts on the challenges of photojournalism, the emotional toll of documenting human suffering, and the importance of empathy in his work. He also discusses his commitment to highlighting the positive stories that often go untold, particularly in underrepresented communities. This conversation is a powerful look into the life of a photographer who has dedicated his career to chasing narratives, both profound and personal.
October 11, 2024
The Long Path Toward Establishing Indigenous People’s Day, a Day to Honor and Recognize the First Peoples of America