Wednesday, December 20, 2023

Report Warns of Attempt to 'Criminalize' Newsgathering in the US

 Via VOA

December 20, 2023


WASHINGTON — At least a dozen journalists faced arrest or charges related to their newsgathering across the U.S. in 2023, with most working for local media outlets.

The incidents and their impact on the ability of journalists to cover the news are detailed in a report released Wednesday by the U.S. Press Freedom Tracker.

Based in New York, the Tracker has documented what it sees as press freedom violations inside the U.S. since 2017.

According to the Tracker, many of the cases this year involved attempts to prevent journalists from engaging in regular reporting practices — from asking questions to investigating public officials. It cited around 30 cases of journalists or media outlets being summoned and asked to identify a source or hand over reporting materials.

“What was interesting this year was an apparent criminalization of general newsgathering,” said Stephanie Sugars, the report’s author.

The number of cases of journalists arrested is lower than previous years, when the Tracker documented dozens of cases as media covered unrest and large-scale protests. Still, the findings are a concern, the nonpartisan group said.

In one case from October, police arrested a small-town Alabama newspaper publisher and a reporter for publishing an article that authorities said contained confidential grand jury evidence.

While leaking information may be illegal, it is not a crime for news outlets to publish that information, so long as the reporters are not involved in illegally obtaining the materials, press experts say.

In another case, a reporter at an Illinois newspaper was cited for asking city officials too many questions about flooding in October.

“That is normal newsgathering,” Sugars told VOA from New York.

In the Illinois case, the charges were dropped.

In a separate incident in Ohio, NewsNation correspondent Evan Lambert was ordered to stop a live broadcast while Governor Mike DeWine was giving a press briefing in February. Officers then forced Lambert to the ground and arrested him.

The governor expressed concern and said he was not aware of the incident at the time it occurred.

Lambert filed a lawsuit in November over the incident.

Meanwhile, an Arizona judge in April granted a restraining order against a local reporter after the journalist looked into a state senator’s residency claims. Another judge later rejected the restraining order. And in July, two California reporters were accused by a local police union of stalking for trying to contact a police officer at her home.

“Attempts to criminalize routine journalistic activities, such as contacting public officials or the subjects of stories, send a chill through the heart of newsgathering,” Sugars wrote in the report.

It’s unclear whether police and officials in these incidents were unaware of what constitutes normal newsgathering or whether they just didn’t care, Sugars said.

But, she added, that distinction also misses the point.

“Whether they know that it is general, basic newsgathering or not is less important than the fact that they just don’t like it and are using the tools at their disposal to retaliate,” Sugars said.

Another factor that links many of the cases in the Press Freedom Tracker’s report is that most incidents took place at the local level, affecting smaller or regional publications.

That’s likely a byproduct of the decline of local news coverage, according to Sugars.

The U.S. has lost more than one fourth of its newspapers since 2005 and is set to lose one third of all its roughly 6,000 remaining print newspapers — mostly weeklies — by 2025, according to a report by Northwestern University’s Local News Initiative.

“That lack of constant scrutiny has created an atmosphere where local officials feel like they are no longer responsible for answering questions,” Sugars said.

First Amendment experts say such violations make it harder for journalists to do their jobs.

“If you’ve got these instances of law enforcement overreach, again, it impairs the press’s watchdog role," said Gabe Rottman of the Reporters Committee for Freedom of the Press, or RCFP.

Rottman, who is director of the RCFP’s Technology and Press Freedom Project, said that it is important for government officials to understand the role journalists play in their community.

Fewer journalists were arrested or charged in the United States in 2023 than in the past few years, the Tracker report found.

Thursday, December 14, 2023

Dare to Dissent with Photojournalist Jeff Widener, best known for his image of "The Tank Man"

 Via NPR

December 14, 2023


Sometimes, the most dangerous and powerful thing a person can do is to stand up not against their enemies, but against their friends. As the United States heads into what will likely be another bitter and divided election year, there will be more and more pressure to stand with our in-groups rather than our consciences.

So a group of us here at Throughline decided to tell some of the stories of people who have stood up to that kind of pressure. Some are names we know; others we likely never will. On today's episode: what those people did, what it cost them, and why they did it anyway.


Guests:

Alexandra Lloyd, author of Defying Hitler: the White Rose Pamphlets and fellow by special election in German at the University of Oxford.

Johnathan Eig, author of the biography King: A Life.

Jeff Widener, a photojournalist best known for his image of the Tank Man.


Listen here:



Tuesday, December 12, 2023

Behind the Headlines: Victims of Newsroom Raids in Marion and Tampa Tell Their Stories

Via Freedom of the Press Foundation

December 11, 2023 


Freedom of the Press Foundation Director of Advocacy Seth Stern is joined by special guests Eric Meyer from the Marion County Record and independent journalist Tim Burke to discuss updates on these troubling incidents and what's next in the fight to defend and foster a courageous press.





Saturday, December 9, 2023

Limited Offer: Free streaming of documentary film "Under Fire: The Untold Story of Private First Class Tony Vaccaro"

Underfire The Untold Story of Tony Vaccaro from Passion River Films on Vimeo.

 


On November 14. 2016 HBO Films premiered “Under Fire: The Untold Story of Private First Class Tony Vaccaro”. The film tells the story of how Tony survived the war, fighting the enemy while also documenting his experience at great risk, developing his photos in combat helmets at night and hanging the negatives from tree branches. The film also encompasses a wide range of contemporary issues regarding combat photography such as the ethical challenges of witnessing and recording conflict, the ways in which combat photography helps to define how wars are perceived by the public, and the sheer difficulty of staying alive while taking photos in a war zone.

We are pleased to offer for a limited number free streaming of this important documentary. Contact the Gallery for details. The film is also available from Amazon and Apple TV+.

Tony Vaccaro passed away peacefully on December 28, 2022, eight days after celebrating his 100th birthday.

Throughout the month of December, we will be posting tributes and memories of Tony Vaccaro on our Instagram feed. The Frank Lloyd Wright Foundation's Taliesin West in Scottsdale, Arizona is currently featuring the exhibition American Icons: Wright and O'Keeffe, photographs by Tony Vaccaro; and his work is on display at Monroe Gallery in Santa Fe.

View a selection of available fine art prints from Tony Vaccaro here.


Fund for Nuclear Waste Exposure Victims in Limbo as Congress Balks at Cost

 The New York Times, Dec. 8, 2023:  “The members that worked on this policy once upon a time, they left out states like New Mexico — and not just the entire state,” Mr. Luján, who has pushed to expand eligibility to individuals in most western states, said in an interview. “They left out the entire county where the first bomb was tested. That alone shows the people have been left out.”



color photograph of residents from Navajo communities, some with protest signs,  gathering on Uranium Remembrance Day, Church Rock, NM July 16, 2016


Nina Berman: Residents from Navajo communities gather on Uranium Remembrance Day, Church Rock, NM July 16, 2016

The biggest nuclear catastrophe in US history occurred July 16, 1979 when the dam at the United Nuclear Corporation's Church Rock uranium mill tailings disposal pond broke sending over 1,000 tons of solid radioactive mill waste and 93 million gallons of acidic, radioactive tailings solution into the Puerco River and contaminating Navajo land. The clean up is still on going. Mining was stopped on Navajo land but there are now calls to revive it. For the past few years, residents of the Church rock community march to the site to honor all those who died and were sickened by uranium mining and to demand a thorough clean up and compensation. This year, residents acknowledged the significant of July 16 as not only the day of the uranium spill, but also the day of the Trinity test, July 16, 1945, and expressed solidarity – through a sharing and reading of letters, with New Mexico residents impacted by the first nuclear test.



Monday, December 4, 2023

Remembering Tony Vaccaro on the anniversary of his 100th birthday and subsequent passing

 

Galleriests Michelle and Sid Monroe pose with Tony Vaccaro in front of his photograph of Sophia Loren at a Pop Up exhibition in New York, 2016
Tony Vaccaro with Michelle and Sid Monroe at his Pop Up exhibition in New York, 2016




Beginning in 2016, Monroe Gallery of Photography presented annual exhibitions of photographs by Tony Vaccaro to honor his birthday, December 20. He travelled to Santa Fe to attend 3 exhibits and meet hundreds of collectors and enthusiastic admirers.

To celebrate his 100th birthday in December, 2022, Monroe Gallery of Photography hosted two exhibitions, in New York City and Santa Fe. Despite recently having been hospitalized for emergency surgery for complications from an ulcer, Tony recovered and attended the pop-up Tony Vaccaro Centennial Exhibition of his photographs in New York City. The City of New York officially proclaimed December 20, 2022 “Tony Vaccaro Day”, and Vaccaro was feted by friends at a surprise birthday party at his favorite local Italian restaurant that evening.


Tony at his Centennial Pop Up exhibition in New York, December, 2022



Tony Vaccaro passed away peacefully on December 28, eight days after celebrating his 100th birthday. 


 Throughout the month of December, we will be posting tributes and memories of Tony Vaccaro on our Instagram feed. The Frank Lloyd Wright Foundation's Taliesin West in Scottsdale, Arizona is currently featuring the exhibition American Icons: Wright and O'Keeffe, photographs by Tony Vaccaro; and his work is on display at Monroe Gallery in Santa Fe.




Saturday, December 2, 2023

Gallery photographer Sanjay Suchak reviews the new Sony a9 III for concerts as Dave Matthews Band’s Photographer

Via PetaPixel


Gallery photographer Sanjay Suchak reviews the new Sony a9 III for concerts as Dave Matthews Band’s Photographer


Like most photographers, I’ve never reviewed a piece of gear before. Also like most photographers, I tend to voraciously read reviews each time I consider upgrading. Many of these reviews parse through micro-level analysis of pixel detail, noise levels, and test charts but to me fail to answer the simple question: “will this help me get the shot?”  click for full article



Sanjay Suchak is an independent commercial and editorial photographer based in Virginia and Los Angeles. He serves as the photographer for the Dave Matthews Band and regularly works with a roster of national bands as well as music festivals around the country. 

When not on the road, he works with commercial and higher education clients to help tell their stories. He is also currently serving as a Fellow in Democracy at the Karsh Institute of Democracy at the University of Virginia, where he is working on a long term documentary project and helping to educate students on photojournalism and the importance of media and the free press. He’s mostly interested though in finding the best place in each city to get tacos.

Friday, December 1, 2023

This Spring, AIPAD’s Photography Show Returns in Full Force

 Via Surface Magazine

Dec. 1, 2023

Graphic for the AIPAD Photography Show 2024 as an exhibito black letters with green background

It goes without saying that one of the pandemic’s effects has been a lingering disruption of the art world: over the past few years, galleries, artists, and even the industry’s flagship fairs have grappled with the challenges posed by the black swan event of the century. But slowly, the industry is righting itself, and for some, the quest is no longer just to make it through another year—or day—but to recommit to serving artists and collectors in impactful, future-facing ways. The Association for International Photography and Art Dealers’ (AIPAD) Photography Show is one such organization, led by executive director Lydia Melamed Johnson, cautiously emerged from the pandemic years with its 2022 edition.


Before returning to the ornate, Gothic Revival halls of its previous home at the Park Avenue Armory, the fair staged more intimate editions at Midtown’s Center 415. “We ensured the demand and supply was still present,” she told Surface of the decision to let the fair find its footing before returning uptown. “Following a fantastic edition in 2023, we knew the organization was ready to once again grow and inhabit such a distinct space.” From April 25-28, 2024, the fair will stage its first edition back in the Armory’s halls.

In the following interview, Melamed Johnson tells Surface about key themes shaping photography today, including championing women behind the lens, and the Black experience in America. She also shares how the Park Avenue Armory will impact the experiences of collectors and exhibiting galleries, and how fellow leaders at ADAA, the Winter Show, and Paris Photo have shaped the Photography Show’s renewed vision.

Tell us about the significance of the return of the show to the Park Avenue Armory. What drove the decision to return?

In Herzog & de Meuron’s book about the ongoing restoration project at the Park Avenue Armory, a quote by Jaques Herzog spoke to why this building has such an enduring legacy and why we are excited to juxtapose cutting-edge, contemporary photography within this Gothic Revival venue. “The foremost families of New York society celebrated themselves there. In the period rooms, you walk into sacred territory. The rooms are the creations of the best designers that were to be had in those days.”

AIPAD’s board of directors and I feel that it is in this space, with its renovations by some of the best designers of our age, like Herzog, that we can truly exhibit the power of photography through the ages and place our chosen art form alongside great design and scale.

How does the Armory better serve fair-goers and exhibitors?

Its location in the heart of New York City with close proximity to some of the world’s most important art institutions makes the Armory an ideal location for an art fair that celebrates the full and encyclopedic arc of photography. The scale is also great, as it’s not an overwhelming, unending space but an intimate, grand building that allows the viewer time to see everything inside without being swallowed by outsized rooms.

The Photography Show seems to see itself as being on the cusp of a new era. Tell us about some key exhibitors who encapsulate that.

AIPAD could not embark on a new era without the tremendous support and encouragement from our member galleries, many of which have been with us for decades. A great example is Edwynn Houk Gallery, who will be showing a self-portrait by Ilse Bing. Female portraiture and the evolution of women’s presence—both behind and in front of the camera—has been a big theme in photography recently, and we’re excited to have Houk further exploring this relationship in classic photography.

A direct correlation with our new management is the Associate Membership program that launched at the beginning of 2023. Next year’s edition will showcase four of our Associate Members, including The Hulett Collection of Tulsa and Assembly of Houston. We always welcome a few, select non-member galleries to the main sector, and are looking forward to seeing new presentations by galleries like RocioSantaCruz of Spain and Ellephant of Canada.

Tell me about some of the prevailing themes of this year’s fair, and the works, photographers, and exhibiting galleries that embody them.

The big themes in photography now are the female perspectives behind the camera and the interaction with both technology and the viewer. This is exemplified by the Domestic Demise and Anonymous Women series by Patty Carroll, the recent winner of the BBA Photography Prize. The series will be on view at Catherine Couturier’s booth, where the artist’s subjects melt into domestic spaces with an absurdity that calls out what’s expected of the feminine.

The Black experience in America continues to be a major arc in current scholarship and collecting. This will be exemplified with a presentation in Arnika Dawkins’ booth of works by Oye Diran, Ervin A. Johnson, Delphine Fawundu, Barbara DuMetz,, and Builder Levy that highlight Black beauty and its stark and moving evolution.

Socioeconomic and activist causes have also come to the fore. Marshall Gallery of Santa Monica, a first time AIPAD exhibitor, will feature Alex Turner’s Blind River series, looking at the U.S./Mexico border in Arizona and dissecting how contested spaces can influence the surrounding environment. This will be showcased alongside Cody Cobb, who utilizes artificial lighting and cutting-edge textured UV printing to create 3D topographic works of other-worldly and nocturnal landscapes.

It’s a really exciting time to see women leaders in photography, and, more broadly, art fairs right now. Were there any fellow leaders from across the industry whose feedback and advice has shaped your renewed vision for the Photography Show?

Absolutely! I’m privileged to have worked with and been able to turn to many industry-leading women for collaboration and advice, each of whom is a constant inspiration and motivation to continue improving our flagship fair and this organization. From Florence Bourgeois of Paris Photo to Maureen Bray at ADAA, who has been kind enough to share her counsel on sustainability at the venue and within her organization, and Helen Allen from The Winter Show, who has been a mentor and was instrumental in our move back. Within AIPAD itself, much of the propulsion for the evolution of the organization and the fair have been our deep well of female founders and gallerists, such as Yancey Richardson, Caroline Wall of Robert Mann, Arnika Dawkins, Andra Russek, Augusta Edwards, and Marina Pellegrini of Galeria Vasari

The Photography Show’s 2024 Exhibitors include:

°CLAIRbyKahn | Zurich, CH
19th Century Rare Book & Photograph Shop | New York, NY
Arnika Dawkins Gallery | Atlanta, GA
Assembly | Houston, TX
Augusta Edwards Fine Art | London, UK
Baudoin Lebon | Paris, FR
BILDHALLE | Zurich, CH | Amsterdam, NL
Bruce Silverstein Gallery | New York, NY
Candela Gallery | Richmond, VA
Catherine Couturier Gallery | Houston, TX
Cavalier Gallery | New York, NY | Greenwich, CT | Nantucket, MA | Palm Beach, FL 12. Charles Isaacs Photographs, Inc. | New York, NY
CLAMP | New York, NY
Contemporary Works/Vintage Works | Chalfont, PA
Daniel / Oliver Gallery | Brooklyn, NY
Danziger Gallery | New York, NY
Deborah Bell Photographs | New York, NY
Edwynn Houk Gallery | New York, NY
ELLEPHANT | Montreal, CAN
Etherton Gallery | Tucson, AZ
Fisheye Gallery | Paris, FR | Arles, FR
Foto Relevance | Houston, TX
Galerie Clémentine de la Féronnière | Paris, FR
Galerie Esther Woerdehoff | Paris, FR
Galerie Johannes Faber | Vienna, AT
Galerie Olivier Waltman | Paris, FR
Galerie SIT DOWN | Paris, FR
Galerie XII | Santa Monica, CA
Gallery 270 | Bergen, NJ
Gitterman Gallery | New York, NY
Grob Gallery | Geneva, CH
HackelBury Fine Art | London, UK
Hans P. Kraus, Jr. Inc. | New York, NY
Higher Pictures | Brooklyn, NY
Holden Luntz Gallery | Palm Beach, FL
Howard Greenberg Gallery | New York, NY
IBASHO | Antwerp, BE
Ilaria Quadrani Fine Arts | New York, NY
Ippodo Gallery | New York, NY
Jackson Fine Art | Atlanta, GA
jdc Fine Art | San Diego, CA42. Joseph Bellows Gallery | Santa Monica, CA
Keith de Lellis Gallery | New York, NY
La Galerie de l’Instant | Paris, FR
Laurence Miller Gallery | New York, NY
Les Douches la Galerie | Paris, FR
Magnum Photos Gallery | Paris, FR | London, UK
Marshall Gallery | Los Angeles, CA
Michael Hoppen Gallery | London, UK
Michael Shapiro Photographs | Westport, CT
MIYAKO YOSHINAGA | New York, NY
MOMENTUM | Miami, FL
Nailya Alexander Gallery | New York, NY
Obscura Gallery | Santa Fe, NM
PACI contemporary | Brescia, IT
Paul M. Hertzmann, Inc. | San Francisco, CA
Peter Fetterman Gallery | Los Angeles, CA
Photo Discovery | Paris, FR
RocíoSantaCruz | Barcelona, ES
Robert Klein Gallery | Boston, MA
Robert Koch Gallery | San Francisco, CA
Robert Mann Gallery | New York, NY
Scheinbaum & Russek LTD | Santa Fe, NM
Scott Nichols Gallery | Sonoma, CA
Staley-Wise Gallery | New York, NY
Stephen Bulger Gallery | Toronto, CA
Stephen Daiter Gallery | Chicago, IL
The Hulett Collection | Tulsa, OK
The Third Gallery Aya | Osaka, JPN
Throckmorton Fine Art | New York, NY
Todd Webb Archive | Portland, ME
Toluca Fine Art | Paris, FR
Vasari | Buenos Aires, ARG
Von Lintel Gallery | Santa Monica, CA
Weinstein Hammons Gallery | Minneapolis, MN
Yancey Richardson Gallery | New York, NY

Monroe Gallery of Photography at the 2023 AIPAD Photography Show

Saturday, November 25, 2023

Resilience: Stories of Women Inspiring Change Photo Exhibition & 16 Days of Activism at UWI

 Via Express Vibes

November 24, 2023


color photograph of women in yellow burkinis holding empty water containers as floatation devices learning to float and swim in the Indain Ocaen near Zanzibar
Title: Finding Freedom in the Water
Kijini Primary School students learn to float, swim and perform rescues on Tuesday, October 25, 2016 in the Indian Ocean off of Mnyuni, Zanzibar.

The captivating ‘Resilience – Stories of Women Inspiring Change’ exhibition, presented by The World Press Photo Foundation and the Kingdom of the Netherlands is currently on display at The University of the West Indies (The UWI) St. Augustine Campus.

Echoing a global call for gender equality and justice, the exhibition unveils the successes and struggles of women, girls, and communities worldwide. Amidst persistent inequalities and the widespread prevalence of violence against women, these narratives captured by 17 photographers from 13 nations shed light on sexism, gender-based violence, reproductive rights, and the pursuit of equal opportunities. Each curated story signifies the evolving landscape of gender issues in the 21st century, underlining the deep impact of photojournalism.

Lecturer and Head of the Institute for Gender and Development Studies at The UWI, Dr. Sue Ann Barratt shared her thoughts on the significance of the exhibition, “Images carry multiple complex messages in a moment. It catches our eyes, minds, and hearts as we pass by. These images of RESILIENCE tell multiple stories about women’s lived experiences. And goes beyond the limit of time, space and place. These images, curated by the World Press Association and brought to us through the collaborative efforts of the IGDS, The Alma Jordan Library and our external partner, The Embassy of the Kingdom of the Netherlands, bring to our attention how women live their lives as resilient, moving resilience from the realm of the abstract to the real of the real in context.”


Aligned with the festival, the ‘Resilience’ exhibition stands as an essential part of the 16 Days of Activism, intertwining with IGDS’ IGNITE ChalkBack UWI event. This event marks the culmination of the semester’s Cat Calls of UWI Project, illuminating street harassment and gender-based violence. Further, a panel discussion – Narratives of Resilience: Women Speak their Truth will also be hosted on Friday 24 November.

To register please visit https://uwi.zoom.us/…/tJIqceGoqT8iHdbTAQHoT8nLhKGY68Z-G9VM

Amidst these events, the Alma Jordan Library will proudly exhibit 36 posters and 5 stories highlighting resilient women across diverse industries throughout the Research Festival.

This collective effort signifies a steadfast commitment to global gender equality, justice, and human rights, in solidarity with the 16 Days of Activism from November 20 to December 10, culminating on Human Rights Day.

Thursday, November 23, 2023

Photojournalist Ed Kashi Discusses "City of the Dead" in Cairo

 Via Sada Elbalad English

November 22, 2023

portrait of Ed Kashi speaking
Ed Kashi


Prominent American photojournalist Ed Kashi celebrated the 30th anniversary of his "City of the Dead" project in Cairo. He opened an exhibition in Cairo to celebrate the project, in addition to having a talk about the visual storyteller's journey.

During a round table with Egyptian journalists hosted by the US Embassy in Photobia, Kashi discussed various topics related to his "City of the Dead" project, upcoming projects, especially those linked to current sociopolitical challenges, and the current trends of journalism. (click for full article).

"Great photographs do not need words but this is photojournalism. The whole, structure, the point of it is to uses images and words to communicate, especially when it comes to journalism. In the time moment we're living in; it is so critically important that I contextualize my work so that when you look at this picture as best as I've humanly been able to do you can rely on the facts. You know that this is where it happened this is what's going on the name of that person is correct their age is correct all of the things you know the circumstances around their situation are presented in an accurate way because I still believe in facts can I say it in another order." -- Ed Kashi

Ed Kashi's photographs are included in the current exhibition This Fragile Earth.