Friday, May 27, 2022

Anna Boyiazis' In World Press Photo Exhibition: Resilience – Stories Of Women Inspiring Change

 

image graphic of women floating in Indian Ocean with Exhbit Title



Via World Press Photo
May 26, 2022


The World Press Photo Foundation, the Kingdom of the Netherlands and the City of The Hague present a selection of stories, awarded in the World Press Photo Contests from 2000 to 2021, that highlight the resilience and challenges of women, girls and communities around the world.

Gender equality and justice is a fundamental human right critical in supporting cohesive societies. Yet women around the world face deeply entrenched inequality and remain underrepresented in political and economic roles. Worldwide in 2021, women represented just 26.1% of some 35,500 parliament seats, only 22.6% of over 3,400 ministers, and 27% of all managerial positions. Violence against women prevails as a serious global health and protection issue. An estimated one in three women will experience physical or sexual abuse in her lifetime.

This joint exhibition conveys the commitment of the Netherlands to women’s rights and gender equality and justice. Multiple voices, documented by 17 photographers of 13 different nationalities, offer insights into issues including sexism, gender-based violence, reproductive rights, and access to equal opportunities. The selection of stories explores how women and gender issues have evolved in the 21st century and how photojournalism has developed in the ways of portraying them.

The exhibition features Anna Boyiazis' "Finding Freedom in the Water" series.
 


Event location

Atrium City Hall

Spui 70

The Hague

The Netherlands


Visiting hours

Monday-Wednesday: 7.00 - 19.00

Thursday: 7.00 - 19.00

Friday: 7.00 - 19.00

Saturday: 9.30 - 17.00

For more information about World Press Photo, go to www.worldpressphoto.org.


Monday, May 23, 2022

Tony Vaccaro at AIPAD in New York to tell 100 years of shots

 Via La Voce di New York

May 23, 2022

Anecdotes and curiosities about the famous Italian-American photographer who became a living legend

Francesca Magnani Francesca Magnani


These days, at the AIPAD Photography Show in New York, one of the major international art fairs dedicated to photography, there is a white chair near the wall on which a living legend sits, the centenary Italian-American photographer Tony Vaccaro. Between one work and another, some visitors kneel before him to exchange a few words with him.

Tony is happy to tell anecdotes about his shots and take a selfie with his admirers.

99-year old Tony Vaccaro sitting by his photographs with a glass of wine

Photographer Tony Vaccaro at AIPAD Photography in New York (Photo by Francesca Magnani)

He always sits in the same place and behind him there is a post-war photo taken in Venice. "One of my favorite images – explains the artist – I was walking in Venice after the end of the war, photographing the whole city. Suddenly I heard the violin playing. In the picture you do not see the man's daughter, she was three years old, and she was sitting next to him to collect the money of passers-by in a hat".

The AIPAD Photography Show brings together 49 galleries from 9 countries and 23 cities in the United States. The exhibitors are all members of the prestigious Association of International Photography Art Dealers which includes the world's leading art photography galleries. This year it takes place in conjunction with Frieze New York, Volta New York and other fairs; Now in its 41st edition, the AIPAD Photography Show is the longest-running exhibition dedicated to the photographic medium and presents to the public a range of works ranging from specimens just offered to the market to museum-quality prints, including contemporary, modern photographs and works of the nineteenth century.



aipad.com

https://www.monroegallery.com

Friday, May 20, 2022

AIPAD : The Photography Show 2022 : Monroe Gallery of Photography

 Via The Eye of Photography

May 20, 2022


color photograph of women in full length swim suits learning to float and swim in Zanzibar
Anna Boyiazis, Kijini Primary School students learn to float, swim and perform rescues in the Indian Ocean off of Muyuni, Zanzibar, 2016 Archival pigment print, 30 x 40 inches
 ©Anna Boyiazis, Courtesy Monroe Gallery of Photography


L'ŒIL DE LA PHOTOGRAPHIE
MAY 20, 2022

Monroe Gallery of Photography, Santa Fe, will present two distinct exhibitions exemplifying the power and immediacy of photojournalism. The first recognizes the new wave of independent photojournalists who are battling situational danger amidst growing public skepticism of the media. The second exhibition features the work of Tony Vaccaro, who has survived the Normandy Invasion and Covid-19, and just recently celebrated his 99th birthday. A highlight is the art-fair premier of Anna Boyiazis‘ World-Press award winning series “Finding Freedom in the Water,” featuring a stunning large format print of “Kijini Primary School students learn to float, swim and perform rescues in the Indian Ocean off of Muyuni, Zanzibar, 2016”. Traditionally, girls in the Zanzibar Archipelago have been discouraged from learning how to swim, largely due to the absence of modest swimwear. But in villages on the northern tip of Zanzibar, the Panje Project (panje translates as ‘big fish’) is providing opportunities for local women and girls to learn swimming skills in full-length swimsuits, so that they can enter the water without compromising their cultural or religious beliefs.

www.monroegallery.com

Booth # 113

The Photography Show presented by AIPAD
May 20 – May 22, 2022
Center415

415 Fifth Avenue, between 37th and 38th Streets, New York City

Nina Berman on Visual Choices: Covering Sexual Violence in Conflict Zones

 Via The Dart Center for Visual Journalism and Trauma


"From the Tigray War in Ethiopia to on-going asymmetric war in Colombia, sexual violence is a reality of conflict around the world. Reporting on conflict-related sexual violence (CRSV) is fraught with ethical issues and the potential for psychological harm to both source and reporter. The Dart Centre is releasing a new resource to deepen journalists’ understanding of CRSV and to help them report on this complex issue ethically and effectively.

Visual choices are a vital part of this. Photographs can be a powerful means of connecting with an audience, but clichéd images can perpetuate stereotypes and in the digital era, live on the internet in perpetuity. 

To help navigate some of these issues, we spoke with documentary photographer Nina Berman, a professor of journalism at Columbia University who has covered conflicts in Bosnia and Afghanistan, and has written on the ethics of photography in conflict and in peacetime. "

BLIND Magazine: The Photography Show Presented by AIPAD

 Via Blind Magazine

May 19, 2022

"On May 19 The Photography Show presented by AIPAD returns to New York City for the first time since 2019. Now in its 41st edition, The Photography Show is the longest-running and foremost exhibition dedicated to the photographic medium.

Although photojournalism has largely been overlooked by the art world, Sid and Michelle Monroe of Santa Fe’s Monroe Gallery remain steadfast in their determination to elevate the masters of the form, both present and past. “The role of photojournalists has perhaps never been as vital and important as it is today,” the Monroes say. “By encouraging photojournalists to make fine art prints, their work enters a new realm beyond the temporary, the printed page or a brief appearance in a web article. Exhibiting their work further establishes the images in our collective consciousness and our shared history.”

Than Tsídéh, 19, of the Ohkay Owingeh Pueblo dancing on an empty platform where a statue of brutal Spanish conquistador Juan de Oñate was removed from where it once stood in Rio Arriba county, New Mexico, during the immediate aftermath of the murder of George Floyd in June 2020.


At The Photography Show, Monroe Gallery will be presenting Gabriela E. Campos’s photograph of Than Tsídéh, 19, of the Ohkay Owingeh Pueblo dancing on an empty platform where a statue of brutal Spanish conquistador Juan de Oñate was removed from where it once stood in Rio Arriba county, New Mexico, during the immediate aftermath of the murder of George Floyd in June 2020.

“The names of conquistadors, like those of Confederate and colonial generals and leaders, have been memorialized as roads, schools, shopping centers, statues, even building names,” the Monroes say. “Americans have tended to ignore old political monuments without thought, or even knowing, of the histories behind them. Campos’s photograph brings awareness and perhaps a shift in consciousness and it confronts the issue of Native histories in America."


Read the full article here.


The Photography Show by AIPAD will be on view at Center415, 415 Fifth Avenue, between 37th and 38th Streets, New York City.

Friday, May 20
11:00 a.m. – 1:00 p.m. – VIP Early Access Hours
1:00 p.m. – 7:00 p.m. – General Admission

Saturday, May 21
11:00a.m. – 12:00 p.m. – VIP Early Access Hours
12:00 p.m. – 7:00 p.m. – General Admission

Sunday, May 22
11:00 a.m. – 12:00 p.m. – VIP Early Access Hours
12:00 p.m. – 5:00 p.m. – General Admission




Thursday, May 19, 2022

The Photography Show Presented by AIPAD

Image Graphic The Photography Show Presented by AIPAD

May 19, 2022

The Association of International Photography Art Dealers (AIPAD) will hold the 41st edition of The Photography Show May 20-22, at Center415. Forty-nine of the world’s leading fine art photography galleries will present a range of museum-quality work including contemporary, modern, and 19th century photographs, photo-based art, video, and new media. The opening preview of the Show will take place on May 19.

Monroe Gallery of Photography, Santa Fe, will exhibit in booth #113 on the main level of the Show, and will present two distinct exhibitions exemplifying the power and immediacy of photojournalism. The first recognizes the new wave of independent photojournalists who are battling situational danger amidst growing public skepticism of the media. The second exhibition features the work of Tony Vaccaro, who has survived the Normandy Invasion and Covid-19, and just recently celebrated his 99th birthday.


Center415 

415 5th Avenue

(between 37th and 38th streets)

New York, NY 10016


Booth #113  View our exhibition here

Friday, May 13, 2022

Pulitzer Prize Finalists: Staff of The New York Times including Ashley Gilbertson's Nominated January 6 Photograph of Officer Goodman


screen shot of NY Times feature on Pulitzer Prize for Photography nominated January 6 photograph of Officer Goodman by Ashley Gilbertson

 

Bands of Jan. 6 rioters roamed the Capitol in a menacing hunt for Congressional adversaries of President Trump. Some were thwarted by a Capitol Police officer, Eugene Goodman, who—after being chased up a stairwell—diverted them from a hallway where senators and staff members were scurrying to safety. Throughout the tense encounter, Officer Goodman never drew his gun. (January 6, 2021/Ashley Gilbertson for The New York Times)



View selected photographs by Ashley Gilbertson during the Photography Show presented by AIPAD May 20-22 in the Monroe Gallery of Photography booth #113, Center 415, NYC.



Monday, May 9, 2022

Jeff Widener: "Tank Man because that image will always validate that I was on this planet"

 Via The Eye of Photography

May 9, 2022





By Carole Schmitz 

Jeff Widener: In the heart of current events

Best known for his photograph of the man facing the tank during the 1989 Tiananmen uprising in Beijing, “Tank Man”,  – an image that made the front page of many newspapers and magazines at the time and made him a finalist for the 1990 Pulitzer Prize – Jeff Widener is a highly respected photojournalist who has received many awards for his work (Columbia University’s DART Award, Harry Chapin Media Award, Casey Medal for Meritorious Journalism, France’s Scoop Award, etc.)…

Widener grew up in Southern California where he attended Reseda High School, Los Angeles Pierce College and Moorpark College, majoring in photojournalism. In 1974, he was awarded the Kodak Scholastic National Photography Scholarship, competing against 8,000 students from across the United States. The award included a study tour of East Africa.

In 1978, Widener began his career as a newspaper photographer in California and later moved to Nevada and then Indiana. At age 25, he accepted a position with United Press International in Brussels. His first assignment abroad was the Solidarity riots in Poland.

Over the years, he has covered assignments in more than 100 countries involving civil unrest and wars to social issues. He was the first photojournalist to file digital images of the South Pole. In 1987, he was hired as the Associated Press Picture Editor for Southeast Asia, where he covered major stories in the region from the Gulf War to the Olympics. Other assignments included East Timor, Afghanistan, Cambodia, Burma, Syria, Jordan, India, Laos, Vietnam, Pakistan and many others.


Your first photographic click ?

Jeff Widener : I still have the photograph. It was taken in 1967 of my grandfather walking to our house in Canoga Park, California. The camera was a Kodak Flashfun Hawkeye camera gifted by my parents at age 10.

The man of images who inspires you?

Jeff Widener : Josef Koudelka, Eliott Erwitt, W. Eugene Smith, Larry Burrows.

The image you would have liked to make?

Jeff Widener : I aleady made it … “Tank Man”.

The one you regret you didn’t made ?

Jeff Widener : More images of the Tiananmen Square uprising. I suffered a head injury the night of the massacre and I was sick with the flu. I was also just too scared.

The one that moved you the most?

Jeff Widener : Ruth Orkin’s An American Girl In Italy 1951. A fantastic street photography image.

And the one that made you angry?

Jeff Widener : I never took a photo that made me angry but during an Air Vietnam crash in Bangkok in the 1980’s, I witnessed a group of Thai photgraphers asking a rescue worker to hold up a severed leg of a passenger for a picture. I myself could not stomach documenting the moment.

If among your images you had to choose only one ?

Jeff Widener : Tank Man because that image will always validate that I was on this planet.

A key image in your personal pantheon?

Jeff Widener : I have to return to “Tank Man”.

The quality needed to be a good photographer?

Jeff Widener : It’s not about quality so much as having the ability to feel an emotional response from your surroundings and being able to anticipate the decisive moment before it happens.

The secret of the perfect image, if it exists?

Jeff Widener : A perfect image is one that instantly tells a story and lingers for weeks or years in your . Brain. It might remind you of a song, a past lover or period in your life. Ruth Orkin’s An American Girl in Italy 1951 is a classic example.

The person you would dream of photographing?

Jeff Widener : I have already photographed just about every head of state, member of royalty and celebrities but if I ever could have documented one group, it would have been The Beatles in their prime with total complete access. The dynamis and coverage of the world reaction would have been phenomenal.

An essential photo book?

Jeff Widener : Josef Koudelka’s ‘Exile’.

The camera of your beginnings?

Jeff Widener : Nikon FTN, Nikon F2.

The one you use today?

Jeff Widener : Leica M7, Leica R8, Nikon D810.

Your favorite drug?

Jeff Widener : Approval.

The best way to disconnect for you?

Jeff Widener : Some of my favorite moments have been nights sitting alone in a third world guest house without any electrical power. It’s times like that while sitting in the dark where one gets lost in self reflection. Then when things get depressing, you step outside and are greeted by swaying palm trees and a night sky filled with stars. It’s times like that when I really feel alive.

Your greatest quality

Jeff Widener : Forgiveness

An image to illustrate a new banknote?

Jeff Widener : Charles Lindbergh.

The job you would not have liked to do?

Jeff Widener : Food photography.

Your greatest extravagance as a photographer?

Jeff Widener : Cost is no object on self assigned stories.

The values you wish to share through your images?

Jeff Widener : I value honesty. Journalism is a noble profession that is neutral and unbiased. Any deviation is a sacrilege to the profession.

The city, country or culture you dream of discovering?

Jeff Widener : North Pole. I have been to South Pole. After covering assignments in over 100 countries, I have found that most cultures pretty much have the same desires especially when it comes to family.

The place you never get tired of?

Jeff Widener : Waking up.

Your biggest regret?

Jeff Widener : Too many to list.

Instagram, Tik Tok or snapchat?

Jeff Widener : Instagram.

Color or B&W?

Jeff Widener : Depends on the what is needed. But I am partial to Tri-X 400.

Daylight or artificial light?

Jeff Widener : Whatever is needed but I prefer natural.

The most photogenic city according to you ?

Jeff Widener : New York City. A blind monkey could find a picture.

If God existed would you ask him to pose for you, or would you opt for a selfie with him?

Jeff Widener : Neither. I would just thank him.

The image that represents for you the current state of the world?

Jeff Widener : Burning shopping malls.

What is missing in today’s world?

Jeff Widener : Sanity.

And if everything was to be remade?

Jeff Widener : I would want to remember everything.

Sunday, May 8, 2022

Witnessing War: David Butow



Projections Event for May 4th 2022: David Butow





Photographs by David Butow from Ukraine and his new book "BRINK" will be on exhibit in the Monroe Gallery of Photography booth #113 during the AIPAD Photography Show in New York May 20-22.