May 28, 2022
David Butow's photograph leads the New York Times Editorial "A Heartbroken Nation".
Monroe Gallery of Photography specializes in 20th- and 21st-century photojournalism and humanist imagery—images that are embedded in our collective consciousness and which form a shared visual heritage for human society. They set social and political changes in motion, transforming the way we live and think—in a shared medium that is a singular intersectionality of art and journalism. — Sidney and Michelle Monroe
Event location
Spui 70
The Hague
The Netherlands
Visiting hours
Monday-Wednesday: 7.00 - 19.00
Thursday: 7.00 - 19.00
Friday: 7.00 - 19.00
Saturday: 9.30 - 17.00
For more information about World Press Photo, go to www.worldpressphoto.org.
May 23, 2022
Anecdotes and curiosities about the famous Italian-American photographer who became a living legend
Francesca Magnani Francesca Magnani
These days, at the AIPAD Photography Show in New York, one of the major international art fairs dedicated to photography, there is a white chair near the wall on which a living legend sits, the centenary Italian-American photographer Tony Vaccaro. Between one work and another, some visitors kneel before him to exchange a few words with him.
Tony is happy to tell anecdotes about his shots and take a selfie with his admirers.
He always sits in the same place and behind him there is a post-war photo taken in Venice. "One of my favorite images – explains the artist – I was walking in Venice after the end of the war, photographing the whole city. Suddenly I heard the violin playing. In the picture you do not see the man's daughter, she was three years old, and she was sitting next to him to collect the money of passers-by in a hat".
The AIPAD Photography Show brings together 49 galleries from 9 countries and 23 cities in the United States. The exhibitors are all members of the prestigious Association of International Photography Art Dealers which includes the world's leading art photography galleries. This year it takes place in conjunction with Frieze New York, Volta New York and other fairs; Now in its 41st edition, the AIPAD Photography Show is the longest-running exhibition dedicated to the photographic medium and presents to the public a range of works ranging from specimens just offered to the market to museum-quality prints, including contemporary, modern photographs and works of the nineteenth century.
May 20, 2022
May 19, 2022
"On May 19 The Photography Show presented by AIPAD returns to New York City for the first time since 2019. Now in its 41st edition, The Photography Show is the longest-running and foremost exhibition dedicated to the photographic medium.
Although photojournalism has largely been overlooked by the art world, Sid and Michelle Monroe of Santa Fe’s Monroe Gallery remain steadfast in their determination to elevate the masters of the form, both present and past. “The role of photojournalists has perhaps never been as vital and important as it is today,” the Monroes say. “By encouraging photojournalists to make fine art prints, their work enters a new realm beyond the temporary, the printed page or a brief appearance in a web article. Exhibiting their work further establishes the images in our collective consciousness and our shared history.”May 19, 2022
The Association of International Photography Art Dealers (AIPAD) will hold the 41st edition of The Photography Show May 20-22, at Center415. Forty-nine of the world’s leading fine art photography galleries will present a range of museum-quality work including contemporary, modern, and 19th century photographs, photo-based art, video, and new media. The opening preview of the Show will take place on May 19.
Monroe Gallery of Photography, Santa Fe, will exhibit in booth #113 on the main level of the Show, and will present two distinct exhibitions exemplifying the power and immediacy of photojournalism. The first recognizes the new wave of independent photojournalists who are battling situational danger amidst growing public skepticism of the media. The second exhibition features the work of Tony Vaccaro, who has survived the Normandy Invasion and Covid-19, and just recently celebrated his 99th birthday.
Center415
415 5th Avenue
(between 37th and 38th streets)
New York, NY 10016
Booth #113 View our exhibition here
Bands of Jan. 6 rioters roamed the Capitol in a menacing hunt for Congressional adversaries of President Trump. Some were thwarted by a Capitol Police officer, Eugene Goodman, who—after being chased up a stairwell—diverted them from a hallway where senators and staff members were scurrying to safety. Throughout the tense encounter, Officer Goodman never drew his gun. (January 6, 2021/Ashley Gilbertson for The New York Times)
View selected photographs by Ashley Gilbertson during the Photography Show presented by AIPAD May 20-22 in the Monroe Gallery of Photography booth #113, Center 415, NYC.
May 9, 2022
Jeff Widener: In the heart of current events
Best known for his photograph of the man facing the tank during the 1989 Tiananmen uprising in Beijing, “Tank Man”, – an image that made the front page of many newspapers and magazines at the time and made him a finalist for the 1990 Pulitzer Prize – Jeff Widener is a highly respected photojournalist who has received many awards for his work (Columbia University’s DART Award, Harry Chapin Media Award, Casey Medal for Meritorious Journalism, France’s Scoop Award, etc.)…
Widener grew up in Southern California where he attended Reseda High School, Los Angeles Pierce College and Moorpark College, majoring in photojournalism. In 1974, he was awarded the Kodak Scholastic National Photography Scholarship, competing against 8,000 students from across the United States. The award included a study tour of East Africa.
In 1978, Widener began his career as a newspaper photographer in California and later moved to Nevada and then Indiana. At age 25, he accepted a position with United Press International in Brussels. His first assignment abroad was the Solidarity riots in Poland.
Over the years, he has covered assignments in more than 100 countries involving civil unrest and wars to social issues. He was the first photojournalist to file digital images of the South Pole. In 1987, he was hired as the Associated Press Picture Editor for Southeast Asia, where he covered major stories in the region from the Gulf War to the Olympics. Other assignments included East Timor, Afghanistan, Cambodia, Burma, Syria, Jordan, India, Laos, Vietnam, Pakistan and many others.
Your first photographic click ?
Jeff Widener : I still have the photograph. It was taken in 1967 of my grandfather walking to our house in Canoga Park, California. The camera was a Kodak Flashfun Hawkeye camera gifted by my parents at age 10.
The man of images who inspires you?
Jeff Widener : Josef Koudelka, Eliott Erwitt, W. Eugene Smith, Larry Burrows.
The image you would have liked to make?
Jeff Widener : I aleady made it … “Tank Man”.
The one you regret you didn’t made ?
Jeff Widener : More images of the Tiananmen Square uprising. I suffered a head injury the night of the massacre and I was sick with the flu. I was also just too scared.
The one that moved you the most?
Jeff Widener : Ruth Orkin’s An American Girl In Italy 1951. A fantastic street photography image.
And the one that made you angry?
Jeff Widener : I never took a photo that made me angry but during an Air Vietnam crash in Bangkok in the 1980’s, I witnessed a group of Thai photgraphers asking a rescue worker to hold up a severed leg of a passenger for a picture. I myself could not stomach documenting the moment.
If among your images you had to choose only one ?
Jeff Widener : Tank Man because that image will always validate that I was on this planet.
A key image in your personal pantheon?
Jeff Widener : I have to return to “Tank Man”.
The quality needed to be a good photographer?
Jeff Widener : It’s not about quality so much as having the ability to feel an emotional response from your surroundings and being able to anticipate the decisive moment before it happens.
The secret of the perfect image, if it exists?
Jeff Widener : A perfect image is one that instantly tells a story and lingers for weeks or years in your . Brain. It might remind you of a song, a past lover or period in your life. Ruth Orkin’s An American Girl in Italy 1951 is a classic example.
The person you would dream of photographing?
Jeff Widener : I have already photographed just about every head of state, member of royalty and celebrities but if I ever could have documented one group, it would have been The Beatles in their prime with total complete access. The dynamis and coverage of the world reaction would have been phenomenal.
An essential photo book?
Jeff Widener : Josef Koudelka’s ‘Exile’.
The camera of your beginnings?
Jeff Widener : Nikon FTN, Nikon F2.
The one you use today?
Jeff Widener : Leica M7, Leica R8, Nikon D810.
Your favorite drug?
Jeff Widener : Approval.
The best way to disconnect for you?
Jeff Widener : Some of my favorite moments have been nights sitting alone in a third world guest house without any electrical power. It’s times like that while sitting in the dark where one gets lost in self reflection. Then when things get depressing, you step outside and are greeted by swaying palm trees and a night sky filled with stars. It’s times like that when I really feel alive.
Your greatest quality
Jeff Widener : Forgiveness
An image to illustrate a new banknote?
Jeff Widener : Charles Lindbergh.
The job you would not have liked to do?
Jeff Widener : Food photography.
Your greatest extravagance as a photographer?
Jeff Widener : Cost is no object on self assigned stories.
The values you wish to share through your images?
Jeff Widener : I value honesty. Journalism is a noble profession that is neutral and unbiased. Any deviation is a sacrilege to the profession.
The city, country or culture you dream of discovering?
Jeff Widener : North Pole. I have been to South Pole. After covering assignments in over 100 countries, I have found that most cultures pretty much have the same desires especially when it comes to family.
The place you never get tired of?
Jeff Widener : Waking up.
Your biggest regret?
Jeff Widener : Too many to list.
Instagram, Tik Tok or snapchat?
Jeff Widener : Instagram.
Color or B&W?
Jeff Widener : Depends on the what is needed. But I am partial to Tri-X 400.
Daylight or artificial light?
Jeff Widener : Whatever is needed but I prefer natural.
The most photogenic city according to you ?
Jeff Widener : New York City. A blind monkey could find a picture.
If God existed would you ask him to pose for you, or would you opt for a selfie with him?
Jeff Widener : Neither. I would just thank him.
The image that represents for you the current state of the world?
Jeff Widener : Burning shopping malls.
What is missing in today’s world?
Jeff Widener : Sanity.
And if everything was to be remade?
Jeff Widener : I would want to remember everything.