Stephen Wilkes among group of nature photographers joining forces to protect the environment

 

Via CNN

December 2, 2021

Stephen Wilkes - Serengeti Day to Night. For his project "Day to Night," Stephen Wilkes creates images of landscapes photographed from a fixed camera angle for up to 30 hours. Blending these images into a single photograph can take months. Pictured, is Serengeti National Park, Tanzania.   ©,Stephen Wilkes

View slide show here

The final moments before the death of the last male northern white rhino, a 66-year-old elephant swimming in the ocean, and renowned primatologist Jane Goodall searching for chimpanzees in Tanzania in the early 1960s; these are all moments captured in a collection of powerful photographs that have been donated to raise funds for conservation projects.

Works by 100 photographers from around the world will be sold until the end of the year by Vital Impacts, a non-profit that provides financial support to community-orientated conservation organizations and amplifies the work of photographers who are raising awareness of their efforts. Contributing is a who's who of nature photography, including Paul Nicklen, Ami Vitale, Jimmy Chin, Chris Burkard, Nick Brandt, Beth Moon, Stephen Wilkes and Goodall herself.

"Each image has a really profound story behind it," said Vitale, an award-winning photographer and co-founder of Vital Impacts. "I worked really hard when I was curating this to make sure that these photographers are diverse, but the one thing they all share is this commitment to the planet. They're using their art to help conservation."

'An inspiration to the world'

Goodall's photograph of herself, sitting with a telescope on a high peak in Gombe, Tanzania, was taken around 1962 using a camera that she fastened to a tree branch. "I was pretty proud of myself. I love that picture," said Goodall in a video message for Vital Impacts. All the proceeds from her self-portrait will go to supporting her Roots & Shoots program, which educates young people and empowers them to care for the world.

Jane Goodall's "Self Portrait," from the early 1960s, in Tanzania. Credit: ©,Jane Goodall

"It's breathtaking work," said Vitale, who only found out that Goodall was a photographer after reaching out to her about supporting the program. "She's been such an inspiration to the world. This one woman has had such an impact for the betterment of the planet."

Vital Impacts has tried to make the print sale carbon neutral by planting trees for every print that is made. Sixty per cent of profits from the sale will be divided between four groups involved in wildlife or habitat protection: Big Life Foundation, Great Plains Foundation's Project Ranger, Jane Goodall Institute's Roots & Shoots program, and SeaLegacy. The remaining 40% will go to the photographers to help them continue their work.

'Our shared life raft'

Vitale was a conflict photographer for a decade before becoming a wildlife photographer. She hopes that people will be "inspired by all of this work" and that the photographs make people "fall in love" with our "magnificent planet."

"The planet is our shared life raft and we've poked some holes in it, but it's not too late," added Vitale. "We can all do little acts that can have profound impacts. That's kind of why I named it 'Vital Impacts,' because I think very often we are all so disconnected and don't realize how we are interconnected. Everything we do impacts one another and shapes this world."

One of her photographs in the print sale, "Goodbye Sudan," shows Sudan, the last male northern white rhino, being comforted by one of his keepers, Joseph Wachira, at the Ol Pejeta Conservancy in northern Kenya moments before the rhino's death in March 2018. Now, two females are all that remains of this species.

.

"Goodbye Sudan" by Ami Vitale shows the moments before the death of the last male northern white rhino in 2018. Credit:© Ami Vitale

"It's such an important story to me because it made me realize that watching these animals go extinct is actually like watching our own demise in slow motion, knowing that it's going to impact humanity," said Vitale.

"It's so deeply interwoven. That's what led me down this path and now I really try to find these stories which show us a way forward, where people are learning how to coexist and protect wildlife and the habitats that we all share."

Hunt for the ‘Blood Diamond of Batteries’ Impedes Green Energy Push; with photographs and video by Ashley Gilbertson.

 

Via The New York Times

November 29, 2021

The New York Times continued coverage of the dangerous mining conditions that plague Congo, home to the world’s largest supply of cobalt, a key ingredient in electric cars, featuring photographs and video by Ashley Gilbertson.

Full story at this link.

Simone Leluault, one of the heroines of Tony Vaccaro's iconic Kiss of Liberation, has died

 Via New in 24

November 26, 2021

Tony Vaccaro’s famous “Kiss of Liberation”. The young woman seen in the background on the left is Simone Leluault, who died Wednesday, November 24, 2021 © Tony Vaccaro

She embodied Freedom and rediscovered joy. France saved by the Allies and delivered from the Nazis. Simone Leluault passed away on Wednesday November 24, 2021, at the age of 95.

She was one of the dancers of the famous Kiss of Liberation. An image taken by the American war photographer Tony Vaccaro, on August 15, 1944, during the liberation of the small village of Saint-Briac, located near Dinard, in Brittany.

Printed in five million copies

The photo was selected by General Eisenhower as a symbol of American action in Europe during World War II. It was printed in five million copies and distributed throughout the world.

“This photo is almost an accident”

“Oh, you know, this photo is almost an accident,” Tony Vaccaro told us during one of his trips to France 70 years later.

A happy accident dated August 15, 1944. That day, Saint-Briac, liberated by General Patton’s 83rd Infantry Division, was won over by popular jubilation. On the Place du Center, we take out the accordion, a party is improvised. A circle is formed. A man has to go get a woman and the two people have to kiss each other on a mat in the center of the circle. Then it’s the woman’s turn to choose a man and take him to the center mat.

I was in the square, across the street. And there, I recognize this American soldier, my friend Gene Constanzo, crouching and kissing a little girl in the middle of a group of young girls dancing around him

Tony Vaccaro

The power of an image

The GI's crosses the square at full stride. He guessed the strength of the scene. The tenderness and joy carried by this image. The Kiss of Liberation is in the box. Forever.

The next day, I went by jeep to the surroundings of Rennes. I needed a studio and chemicals to develop my photos. The negatives were perfect!

We never knew who the kissed little girl was at the heart of the photo. Tony Vaccaro, on the other hand, has kept in touch all his life with the two young women, in the background. Sisters Marie-Thérèse and Simone Crochu.

70 years later, in front of the famous enlarged photo on the pediment of the town hall of Saint-Briac, the former American war reporter and Simone Leluault faced the crowd, in the presence of John Kerry, then head of American diplomacy, during the inauguration of the “Tony Vaccaro Square”.

Wounded by a shard

Simone had publicly remembered the summer of 1944 when she almost lost her life. She was on a train that had been targeted by an English plane. Wounded by a shard, the 18-year-old young woman had been miraculously saved by a bundle of artichokes that she held against her. “And it wasn’t a leg injury that was going to stop him dancing a few weeks later,” John Kerry had teased from the podium. Simone had answered him with a big smile. That same smile forever imprinted in the history books.

Exhibition: Tony Vaccaro at 99 - November 26, 2021 through January 16, 2022

Tony Vaccaro at Monroe Gallery of Photography

 Via Pasatiempo, The Santa Fe New Mexican

November 26, 2020

Tony Vaccaro, The Fashion Train, NYC (1960), archival pigment print

Photographer Tony Vaccaro, the subject of a 2016 documentary by HBO Films, fought on the front lines during World War II as a combat infantryman in the 83rd Infantry Division. All the while he was documenting his first-hand experience with his camera.

After the war, Vaccaro distinguished himself as a photographer, capturing a spectrum of events and personalities, such as artist Georgia O’Keeffe, architect Frank Lloyd Wright, and activist Coretta Scott King. His work appeared in numerous publications, including Harper’s Bazaar, Town and Country, and Newsweek.

Vaccaro, who’s about to turn 99, survived the Battle of Normandy and, more recently, a bout of COVID-19. He appears via live remote for his 99th Birthday Exhibition during a 5 p.m. reception on Friday, Nov. 26. The exhibit continues through Jan. 16. Masks and proof of vaccination required for the reception.

Monroe Gallery of Photography, 112 Don Gaspar Ave., 505-992-0800, monroegallery.com

Monroe Gallery of Photography: Tony Vaccaro 99th Birthday Exhibition

Via L'Oeil de la Photographie

November 25, 2021

In what has become an annual tradition, Monroe Gallery of Photography presents a special exhibition celebrating the birthday of renowned photographer Tony Vaccaro – this year honoring his 99th birthday – on December 20.

The exhibit of over 40 photographs spans Tony’s 80-year career and features several never-before-exhibited photographs. Nearing age 99, Tony Vaccaro is one of the few people alive who can claim to have survived the Battle of Normandy and COVID-19.

As the world has endured nearly two years of the Covid-19 pandemic, the work of Tony Vaccaro serves as an antidote to man’s inhumanity; by focusing on the splendor of life, Tony replaced the images of horror embedded in his eyes from war’. Full post with slide show.

 

TONY VACCARO AT 99

 

In what has become an annual tradition, Monroe Gallery of Photography is honored to present a special exhibition celebrating the birthday of renowned photographer Tony Vaccaro – this year honoring his 99th birthday on December 20. The exhibit of over 40 photographs spans Tony’s 80-year career and features several never-before-exhibited photographs. The exhibit opens Friday, November 26, and continues through January 16, 2022. Nearing age 99, Tony Vaccaro is one of the few people alive who can claim to have survived the Battle of Normandy and COVID-19.

As the world has endured nearly two years of the Covid-19 pandemic, the work of Tony Vaccaro serves as an antidote to man’s inhumanity; by focusing on the splendor of life, Tony replaced the images of horror embedded in his eyes from war.

Born in Greensburg, Pennsylvania on December 20, 1922, Tony Vaccaro spent the first years of his life in the village of Bonefro, Italy after his family left America under threat from the Mafia. His mother died during childbirth a few years before tuberculosis claimed his father, and by age 5 he was an orphan in Italy, raised by an uncaring aunt and enduring beatings from an uncle. By World War II he was an American G.I., drafted into the war heading toward Omaha Beach, six days after the first landings at Normandy. Denied access to the Signal Corps, Tony was determined to photograph the war, and had his portable 35mm Argus C-3 with him from the start. For the next 272 days he photographed his personal witness to the brutality of war.

After the war, Tony remained in Germany to photograph the rebuilding of the country for Stars And Stripes magazine. Returning to the US in 1950, Tony started his career as a commercial photographer, eventually working for virtually every major publication: Look, Life, Harper’s Bazaar, Town and Country, Newsweek, and many more. Tony went on to become one the most sought after photographers of his day.

UNDERFIRE: The Untold Story of Tony Vaccaro (trailer). from Cargo Film & Releasing on Vimeo.

Underfire: The Untold Story of PFC Tony Vaccaro is available from Apple and Amazon

 

New York Times story about Cobalt Gallery with images by Gallery photographer Ashley Gilbertson

 

Via The New York Times

November 20, 2021

The quest for Congo’s cobalt, which is vital for electric vehicles and the worldwide push against climate change, is caught in an international cycle of exploitation, greed and gamesmanship. Photographs by Ashley Gilbertson.

The New York Times published a feature story about the extraction of Cobalt in the Congo that Gallery photographer Ashley Gilbertson has been working on since late 2019

Monroe Gallery of Photography was honored to donate a print by Gabriela E. Campos to Christus St. Vincent's Hospital

 

On Friday, Nov. 19, Monroe Gallery of Photography was honored to donate a print by Gabriela E. Campos to Christus St. Vincent's Hospital.

"A nursing station in the Frost 19 unit, Christus St. Vincent Regional Medical Center, Santa Fe, NM, December, 2020" was taken during a surge in Covid-10 cases, and was part of a series that resulted in a first place New Mexico Press Association award. View the full essay here in the Santa Fe New Mexican.

Photographer Ashley Gilbertson in the HBO Documentary "Four Hours at the Capitol"

 VIA HBO

On Demand - Available until November 25, 2021

Photographer Ashley Gilbertson, who captured the iconic image of Officer Goodman on January 6, recounts his observations in the documentary. Three of Gilbertson's photographs from that day were in the Monroe Gallery exhibit "Present Tense". 

 

Four Hours At The Capitol - Watch the HBO Original Documentary | HBO

Four Hours at the Capitol is an immersive chronicle of the insurrection at the U.S. Capitol on January 6, 2021, when thousands of American citizens from across the country gathered in Washington D.C. to protest the results of the 2020 presidential election, many with the intent of disrupting the certification of Joe Biden’s presidency. The documentary film is executive produced by Dan Reed (HBO’s Leaving Neverland, Three Days of Terror: The Charlie Hebdo Attacks, Terror at the Mall) and directed by Jamie Roberts.

‌‌Tightly focused on the facts of the day itself, the documentary features never-before-seen footage and vivid first-hand accounts from lawmakers, staffers, police officers, protesters, and rioters who stormed the Capitol building where the electoral votes were being counted. The film details how the violence quickly escalated, leaving Capitol security forces outnumbered and overwhelmed, and highlights the high-stakes standoff between police and rioters. Four Hours at the Capitol presents an unfiltered look at the insurrection, standing both as an intimate recollection as well as a stark reminder of the wider ramifications of the events of that unprecedented day, which ended with the deaths of five people and more than 140 police officers injured.

Three of Gilbertson's photographs from that day were in the Monroe Gallery exhibit "Present Tense". 

Gallery Photographers Margaret Bourke-White and Alfred Eisenstaedt Included in “Masters of Photography" Exhibit

 

Via The San Diego Union Tribune

November 14, 2021

"Finally opening one year after its scheduled debut, the San Diego Museum of Art’s new photography exhibition will display some of the medium’s most recognizable and influential names, including Ansel Adams, Dorothea Lange, Aaron Siskind and Alfred Eisenstaedt.

“Things as They Are: City, Society and Conflict” covers everything from a chilling shot of Nazi minister of propaganda Joseph Goebbels by Alfred Eisenstaedt in 1933. Two of Bourke-White’s prints are on view in the “Things as They Are: City, Society and Conflict” section. One is a 1951 image of the U.S. Navy aircraft carrier Boxer, stationed in San Diego, the other is of the Buchenwald concentration camp liberation in 1945. "