Thursday, October 3, 2013

BILL EPPRIDGE - 1938 - 2013 - AN AMERICAN TREASURE



 



Bill Eppridge, Santa Fe, 2009



 


 
Bill Eppridge was one of the most accomplished photojournalists of the Twentieth Century and  captured some of the most significant moments in American history: he covered wars, political campaigns, heroin addiction, the arrival of the Beatles in the United States, Vietnam, Woodstock, the summer and winter Olympics, and perhaps the most dramatic moment of his career - the assassination of Senator Robert Kennedy in Los Angeles. His most recent project was to record the disappearance of the American Family Farm and he was as passionate about this subject as he was any other.
 
It would be difficult to overstate the importance of Bill Eppridge's visual contribution to American History. A recent retrospective of his work at Monroe gallery was titled: “Bill Eppridge: An American Treasure”. He was indeed a treasure, and he is already missed.  --Sidney and Michelle Monroe


Bill Eppridge is a sobering reminder of the necessity of a common history to a civilized society.

 
 








Reposted from Bill Eppridge's good friend Dave Burnett.

It's hard to write or even to read the words about the passing of Bill Eppridge. A little older than I was, to me and my generation (the late sixty somethings) Bill was always one of those guys to whom we could point and realize that THIS GUY was the photo journalist you wanted to be. Tough, dedicated, a rare sense of humor, willing to share and guide (he once gave me one of the kindest beratings over some pictures I had in a round-up piece to which LIFE had assigned both of us..) it was never snarky, since he didn't need to be snarky about anything. Even when he was dealt a lousy hand with health issues, he kept motoring ahead, and was never, ever, without a Nikon of some sort to catch that inevitable fleeting moment. I only once got to share a fishing line with him, in Thomas Mangelsen's back yard. He kept trying to show me how to throw the line in so that some clueless fish might forget ...to reject me. I have a feeling that the 'fishing Bill' was a whole different side of him, and sorry I missed it. He and Adrienne were a great couple. The last time we hung with them was in NY when Bill, Melanie Burford and I judged the N Y Press photographers contest a year and a half ago. It was a blast to see what was, and wasn't acceptable to Bill. He had high standards for his craft, and was probably tougher on himself than anyone else. Bill had one of those great grins: it was somewhere between shit-eating and cat swallowing canary. In fact it might have even been canary swallows cat. It was as if there was always one more story to tell, and he'd just heard the punch line, and wanted to be the one to share it. I'm sorry we won't have him around to tell some of those stories. He was a master at it in all ways.



Mixing Metaphors: The Aesthetic, the Social and the Political in African American Art






Via The Tampa Bay Newspapers
October 1, 2013


 Mixing Metaphors: The Aesthetic, the Social and the Political in African American Art from the Bank of America Collection is the largest exhibition of African American art ever presented at the Museum of Fine Arts in St. Petersburg.

More than 90 paintings, prints, drawings, photographs, sculptures, and mixed-media works by 36 accomplished artists will be on view from Saturday, Oct. 5 to Sunday, Jan. 5, 2014.

"Photographers and TV cameramen brought the Civil Rights Movement into our homes, mobilizing action and change. Memphis-based Ernest C. Withers was called “the official photographer of the Civil Rights Movement.” Six images from his famous I Am A Man portfolio document pivotal moments in the life of Dr. Martin Luther King Jr. and the struggle as a whole. They are especially moving as we commemorate the 50th anniversary of the March on Washington and Dr. King’s “I Have a Dream’” speech."

More here.



Related Exhibition: Ernest C. Withers: A Life's Work

Wednesday, October 2, 2013

Listen Live: Ernest Withers Exhibition Discussion on The Morning Show


Michelle Monroe will be a guest on Julia Goldberg's acclaimed The Morning Show, Thursday, October 3, 2013. Tune in to KVSF 101.5, The Voice of Santa Fe, at 8:30 AM. Michelle Monroe will be discussing the exhibition "Ernest C. Withers: A Life's Work", and be sure to join us for the opening reception Friday, Oct. 4, from 5 - 7 PM.

Julia Goldberg is the former editor of the Santa Fe Reporter and is one of the most respected journalists in town. She’s brash, informed, honest, funny and opinionated and her two hours in the morning promise to be a wild ride!

Listen to KVSF live here.

Or listen later by podcast.



Comprehensive investigation of threats to press freedoms under the Obama administration




"The fact that the Committee to Protect Journalists felt compelled to investigate the U.S. government's treatment of the press is a remarkable statement here in the home of the First Amendment"

Via The Committe To Protect Journalists


The Committee to Protect Journalists will release its first comprehensive report on press freedom conditions in the United States. Leonard Downie Jr., former Washington Post executive editor and now the Weil Family Professor of Journalism at Arizona State University's Walter Cronkite School of Journalism and Mass Communication, is the author. The report will be released at the Newseum in Washington, D.C., on October 10.

WHAT: The Obama Administration and the Press in Post-9/11 America - a CPJ special report

WHEN: October 10, 2013 - 10:00 a.m. EDT

WHERE:

             Report: www.cpj.org
  • Press conference with Len Downie and Joel Simon: The Knight Studio at the Newseum (555 Pennsylvania Ave., N.W., Washington, DC 20001). Please use the Group Entrance on C Street.
  • The press conference will be live streamed on www.cpj.org

Tuesday, October 1, 2013

AUTOPHOTOGRAPHY in Santa Fe


 


Via Axel Contemporary

Autophotography
Self- Portraits by 84 New Mexico Photographers
Exhibition and Book

 
Opens in the Railyard (Farmers Market shade structure)
5-7 pm, Friday, October 4th
Booksigning at Photo-Eye. Friday, October 18th, 5-7 pm.
Photo-Eye is at 376 Garcia Street, Santa Fe
Exhibition continues through October 23rd.

 
Photographers are: V. Amore, Henry Aragoncillo, Laurie Archer, Phillip Augustin, Brad Bealmear, Jonathan Blaustein, Gay Block, Iscah Hunsden Carey, Matthew Chase-Daniel, Carola Clift, William Clift, Eric Cosineau, Guy Cross, Ungelbah Davilla, Antone Dolezal, Dianne Duenzl, Jennifer Esperanza, Steve Fitch, Patricia Galagan, Kirk Gittings, Lydia Gonzales, Sondra Goodwin, Meggan Gould, Lauren Greenwald, James Hart, Sol Hill, Megan Jacobs, Jen Judge, David Michael Kennedy, Lisa Law, Willis F. Lee, Louis Leray, Patti Levey, Tamara Lichtenstein, Herbert Lotz, Jessamyn Lovell, Richard Lowenberg, Helen Maringer, Gabriella Marks, Elliot McDowell, Nick Merrick, Philip Metcalf, Lia Moldovan, Duane Monczewski, Delilah Montoya, Sarah Moore, Jonathan Morse, Joseph Mougel, Teresa Neptune, Nic Nicosia, Clay Peres, Jane Phillips, Daniel Quat, Dave Reichert, Meridel Rubenstein, Janet Russek, Kate Russell, Ward Russell, Tara Raye Russo, Key Sanders, Celia Luz Santos, Suzanne Sbarge, David Schienbaum, Jennifer Schlesinger Hanson, Andrea Senutovitch, Frances Seward, Laura Shields, Brandon Soder, Catie Soldan, Nancy Sutor, Anne Staveley, Sharon Stewart, Jamey Stillings, Dianne Stromberg, Jim Stone, Martin Stupich, Carrie Tafoya, Laurie Tumer, Lisa Tyrrell, Marion Wasserman, Melanie West, Will Wilson, Baron Wolman, Francesca Yorke, Joan Zalenski, and Zoe Zimmerman.
 
 
 
 
Related events on Oct 4: Ernest C. Withers: A Life's Work

Friday, September 27, 2013

Sports photography legend Neil Leifer talks about life’s work at retrospective show



Via The Baltimore Sun

Famed photographer Neil Leifer – whose iconic photography is currently on exhibit at the  Sports Legends Museum, – will tell you without hesitation, which of his many photographs is his favorite picture taken during his illustrious career. And it’s not one you might expect.



 
 
 
The 54-picture photography exhibit “Images We Remember-The World of Neil Leifer continues through October 2014 at Sports Legends Museum. The museum will host a Behind the Lens event with Leifer September 28, where he will discuss his photography career, the transition to producing directing films and answer audience questions.

Ernest Withers: A Life's Work Exhibit Opens Oct. 4, 2013


Sanitation Workers assemble in front of Clayborn Temple for a solidarity march, Memphis, TN, March 28, 1968

Ernest C. Withers: Sanitation Workers assemble in front of Clayborn Temple for a solidarity march, Memphis, TN, March 28, 1968 ©The Withers Trust



Santa Fe--Monroe Gallery of Photography, 112 Don Gaspar, is pleased to present "Ernest Withers: A Life's Work". The exhibition opens with a public reception on Friday, October 4, from 5 - 7 PM with very special guest Rosalind Withers, Ernest's daughter and President/Board Chairman of the Withers Collection Trust. The exhibition continues through November 24, 2013.

Ernest C. Withers was, in his own words, 'a news photographer', 'recording events that were taking place.' Momentous events were occurring and he recorded them for newspapers and magazines across the country, covering dramatic civil rights stories, Memphis as the epicenter of the musical life of the nation, and the plethora of outstanding African American players that gave rise to Negro League baseball. His life's work is an encompassing and moving chronicle of the great American crusade of the second half of the Twentieth Century.

Ernest C. Withers' interest in photography began in his eighth grade year at a Memphis school. More than seventy years later, he continued to maintain a studio on Beale Street - once the Memphis epicenter of the musical life of the nation. After graduation from high school in 1941, Withers joined the army. He attended the Army School of Photography and later operated a freelance business photographing white soldiers stationed in Saipan. Withers died October 15, 2007, following complications from a stroke.

With his photographs appearing in Life, Time, Newsweek, Jet, and the Defender, among many others, Withers' more than 50 years of images validates the message emblazoned on his business card: PICTURES TELL THE STORY. (More)

Related: Monroe Gallery of Photography at the DC Fine Art Photography Fair Oct 4-6.

Saturday, September 21, 2013

Monroe Gallery of Photography at the DC Fine Art Photography Fair


DC Fine Art Photography Fair - Washington, DC



Monroe Gallery of Photography is pleased to be a returning exhibitor for the second Annual  DC Fine Art Photography Fair. The Fair takes place on Saturday and Sunday, October 5 and 6. The show will be held at the West Hall Conference Center, George Washington University's MOUNT VERNON CAMPUS, conveniently located at 2100 Foxhall Rd, NW, Washington, DC. [Whitehaven Parkway Entrance].

The Second Annual DC Fine Art Photography Fair will feature 18 of the best fine art photography galleries from across the United States, each representing the masters of photography, from classic 19th- and 20th-century photographs to cutting-edge contemporary images. 

Monroe Gallery will be exhibiting a special collection of significant 20th and 21st Century Photojournalism, featuring important civil rights photographs, selections from the acclaimed 1963 exhibition, a rare vintage portrait of Robert Capa taken on board a ship prior to the Normandy landing, Stephen Wilkes' stunning large format print of Hurricane Sandy, Seaside Heights, NJ, 2012, and much much, more.

Fair Hours:

FRIDAY, OCTOBER 4: Evening Preview by Invitation of the Exhibitors
SATURDAY, OCTOBER 5: 12noon to 7pm
SUNDAY, OCTOBER 6: 11am to 5pm

A Saturday morning panel discussion, “On Collecting Photography: Advice from the Experts,” will be held from 11am to 12noon in the West Hall Conference Center Black Box Theater.

All Saturday and Sunday events are FREE and open to the public. We look forward to seeing you!

Friday, September 13, 2013

Nina Berman Presents "Fractured:The Shale Play" at Photoville 2013



Via Photoville

PHOTOVILLE will return Brooklyn Bridge Park from September 19–29 on the Uplands of Pier 5
 
The rush to drill down and explode the ground in pursuit of energy is transforming the natural landscape in rural America. Photographing this kind of industrial activity presents a paradox. The visual spectacle is alluring, yet the effects are toxic and polluting. This form of natural gas drilling, also called fracking, is steeped in controversy and unknowns. In these images, all made in rural Pennsylvania, I sought to capture the strange beckoning and fear where the landscapes shifts from natural to industrial, where what appears as rays of sunshine are actually methane flares; where pitch dark dirt roads, end in a burst of artificial light. In this unsettling environment, I include portraits of individuals who are trapped amid this altered, contaminated landscape.



Related Programming:

Artist Talk: Nina Berman, Fracking the Marcellus Shale

2:50 – 3:50pm | Saturday 9/28

Nina Berman is a documentary photographer, author and educator, whose photographs and videos have been exhibited at more than 90 venues including the Whitney Museum of American Art, the Museum of Fine Arts Houston, the Portland Art Museum, Dublin Contemporary and the Museum for Modern Art, (MMK) Frankfurt. She’s received awards from the New York Foundation for the Arts, (NYFA), the Open Society Foundation, World Press Photo and Hasselblad. She is the author of two monographs: Purple Hearts – Back from Iraq, and Homeland, which examine the aftermath of war and the militarization of American life. She lives in New York City, is an associate professor at Columbia University and is a member of the Amsterdam based NOOR photo collective.