Saturday, April 6, 2013

Saturday At The AIPAD Show

 
 
Monroe Gallery, Booth #419
 
 
We have been pleased to welcome photographers Ashley Gilbertson, Brian Hamill, Elliot Landy, and John Loengard to our booth, along with Barbara Villet, widow of the late Gray Villet and Rosalind Withers, daughter of the late  Ernest C. Withers.
 
Bill Eppridge and Stephen Wilkes will be visiting our booth today and we hope you may be able to join us!
 
Saturday: 11 - 7
Sunday: 11 - 6
The Park Avenue Armory

Friday, April 5, 2013

Town & Country at the AIPAD show for a sampling of this week's favorite art





Via Town & Country

The Exhibitionist
Town & Country hits the Affordable Art Fair and the AIPAD show for a sampling of this week's favorite art 

Stephen Wilkes

The TIME photographer Stephen Wilkes rented a helicopter in the immediate aftermath of hurricane Sandy. This shot, “Hurricane Sandy, Seaside Heights, New Jersey, 2012,” captures the eerie beauty of the day as the storm abates. The Jet Star roller coaster, which floated away from its mooring in the floods, sits far offshore, an incongruous wreck that’s the only visible reminder of the recent devastation. ($25,000, at the Monroe booth.)
Courtesy of Monroe Gallery - Booth #419

Thursday, April 4, 2013

I Am A Man - Then, and Now

 


Demonstrators holds a sign and chant slogans outside of a Wendy's fast food restaurant, Thursday, April 4, 2013 in New York. New York City fast food workers plan a second job action day to press for higher wages.  (AP Photo/Mary Altaffer)

It's been 45 years since the Rev. Martin Luther King Jr. was assassinated during a sanitation strike in Memphis. Workers are still carrying on the civil rights leader's great struggle for economic justice today at waste facilities and fast food restaurants.

"Several pickets wore signs that said “I am a man” or “I am a woman,” echoing placards carried in Memphis in 1968."

Sanitation Workers assemble in front of Clayborn Temple for a solidarity march, Memphis, TN, March 28, 1968
 
 
Monroe Gallery of Photography is pleased to represent the Ernest C. Withers Collection. Please visit us in Booth #419 during the AIPAD Photography Show through April 7.
 


White House Photograper Eric Draper: "Front Row Seat"




Ground Zero, New York City, September 14, 2001


Via ABC News


Sunday Spotlight: Eric Draper

Monday, April 1, 2013

Survey of five-decade career of photographer Steve Schapiro on view at Kunsthalle Rostock




US photographer Steve Schapiro poses next to some of his works during a press conference at the Kunsthalle museum in Rostock, northeastern Germany. From March 23 to May 5, 2013, the museum presents around 150 photographs by Schapiro in the exhibition titled "Steve Schapiro - Then and Now - A Retrospective". AFP PHOTO / BERND WUESTNECK   

Via Artdaily.org


ROSTOCK.- Steve Schapiro is the photographer behind countless now-classic portraits of rock stars, film stars and politicians from the 1960s and 70s. He is also an accomplished documentary photographer who recorded many of the greatest political and social upheavals of our times. While working as a 'special photographer' for the film studios, he designed several iconic film posters, most notably for Midnight Cowboy, Taxi Driver and The Godfather Part III. His extraordinary access has been the hallmark of an illustrious career.

A retrospective of Schapiro's work opened at the Kunsthalle Rostock, Museum of Modern Art in Germany on March 24, 2013. The show, which is curated by Dr. Ulrick Ptak, presents 150 photographs, many of them recently published for the first time in Schapiro's critically acclaimed retrospective Steve Schapiro: Then and Now (Hatje Cantz). The exhibition and companion book look back at Schapiro's diverse half-century career spanning 1961 to 2011. They portray the celebrities and politicians who shaped a generation, as well as new and unseen documentary work focusing on the marginalized and unidentified people on the street.

Then and Now includes whimsical portraits of the stars: Robert De Niro in full Taxi Driver combat costume, posed in front of his cab with a Mohican and an improbably chirpy smile; Jack Nicholson, nose bandaged, tongue out at the camera on the set of Chinatown; and Marlon Brando, grinning with theatrical devilishness while being made up for The Godfather.

Also gathered are portraits that include artists René Magritte, Nico, and Andy Warhol; film directors Robert Altman, Woody Allen, Francis Ford Coppola, and Martin Scorcese; film stars Drew Barrymore, Mia Farrow, Jodie Foster, Dustin Hoffman, Sophia Loren, Paul Newman and Robert Redford; and musicians David Bowie, Ray Charles, Simon and Garfunkel, Diana Ross, Ringo Starr, Frank Sinatra, Barbara Streisand, and Ike and Tina Turner.

When Schapiro started shooting in the sixties, it was the golden age of photojournalism. Schapiro's extensive work in this genre include his depiction of migrant workers in Arkansas, drug addicts in East Harlem, freedom bus riders, the Selma March to Montgomery, Alabama with Martin Luther King, Jr., and presidential campaigns, most notably that of Robert F. Kennedy. Among his most striking works is a triptych that presents photographs Schapiro took in Memphis in 1968 the day after the assassination of Martin Luther King, Jr. while on assignment for Life. Schapiro was the only photographer to capture the ominous handprint of King's assassin on the wall above the bathtub in the boarding house bathroom from where the fatal shot was fired.

The thread that connects all of Schapiro's photographs is his humanistic approach to his work. Whether shooting a celebrity or an anonymous person he is searching for that iconic moment. In his essay in the book, curator and author Matthias Harder writes that Schapiro's work reflects "the spirit of the times. It is not only his famous individual photos and groups of works from his engagement with Hollywood that ensure him a firm place in the history of photography of the twentieth and twenty first centuries, but also the diversity of his subjects and the sovereign, continuing mastery of them over such a long period of time."

Born and raised in New York City, Steve Schapiro started taking photographs at age ten while at summer camp. He attended Amherst College and graduated from Bard College, and studied photography with the legendary W. Eugene Smith. As a budding photographer, he got an early break: an assignment from Life magazine. He has never stopped working since. His work has been published in prestigious magazines and on numerous covers around the world, including Life, Look, Vanity Fair, Paris Match, People, and Rolling Stone. Schapiro's photographs were included in the Metropolitan Museum of Art's 1968 exhibition Harlem On My Mind. His work can be found in the collections of the Smithsonian, The High Museum of Art, and the National Portrait Gallery. Schapiro's recent solo shows were in Los Angeles, Amsterdam, London and Paris. The Fotografiska Museum in Stockholm, Sweden presented a retrospective of his work in the spring of 2012. An exhibition of his work entitled Schapiro: Living America opened at the Center for Photography Lumiere Brothers, Moscow in the fall of 2012, and included 180 images.



Steve Schapiro's photographs will be on exhibit during the AIPAD Photography Show April 3 - 7, Monroe Gallery of Photography, Booth #419.


Friday, March 29, 2013

"a moving tribute to an excellent photographer that also speaks to the power of the medium itself"



Tim Hetherington takes cover as a US Black Hawk helicopter lands on a rooftop during 'Operation Rock Avalanche' in the Korengal Valley, Afghanistan on October 20, 2007. Photo: Balazs Gardi

Via The Verge

HBO documentary on the life and death of conflict photographer Tim Hetherington premieres next month

Conflict photographers have the opportunity to create powerful and enduring images that can live on to define a time period — the downside is that they typically have to put themselves in harm's way to do so. Tim Hetherington, one of the more famous conflict photographers in recent memory, was killed while covering the front lines of Libyan city Misrata in April of 2011; now, his story will be told by his friend and filmmaker Sebastian Junger in Which Way is the Front Line From Here: The Life and Time of Tim Hetherington. Junger previous worked with Hetherington on Restrepo, a documentary about the Afghanistan war that premiered just before Hetherington's death.
 
The documentary, which was shown at this year's Sundance Film Festival, will make its HBO debut on April 18th. Judging from the quick trailer HBO has just released, we're expecting the documentary to be a moving tribute to an excellent photographer that also speaks to the power of the medium itself. For more about the film and Hetherington's career, check out this profile from Outside.
 
 
 

Thursday, March 28, 2013

Webcast: Arnold Newman's Life and Work



Via The Harry Ransom Center

Marianne Fulton, writer, teacher, and former chief curator of the George Eastman House, discusses the work of photographer Arnold Newman on Thursday, March 28, at 7 p.m.
 
 
The program is in conjunction with the exhibition Arnold Newman: Masterclass, which runs through May 12. The exhibition explores the career of Newman (1918–2006), who created iconic portraits of some of the most influential innovators, celebrities, and cultural figures of the twentieth century. Newman's archive resides at the Ransom Center.
 
Fulton wrote the introduction for Arnold Newman: At Work (2013), published by the University of Texas Press and Ransom Center. Fulton has worked in the field of photography as a curator, editor, archivist, and writer for over 30 years. From 1975 to 2002, Fulton served in a variety of positions, including chief curator, acting director, and senior scholar, at the George Eastman House.
 
The book will be available for purchase at the event.