Friday, August 10, 2012

Photography is "ripe for exploration"




Via Wall Street Journal

 Jocelyn Phillips' "Collect Contemporary Photography," to be released by Thames & Hudson in February—provides a load of tips on how to build a collection, covering topics such as how to buy, where to look and how to care for one.

Ms. Phillips, who heads Bonhams's photography department in London, calls building a photography collection "a journey of discovering tastes and interests." When starting out, she advises new collectors to see as much work as possible at exhibitions, fairs, auctions and galleries before making a purchase.

Through research, she says: "You will start to gain a sense of the kind of work that appeals to you." Also, this is the way to familiarize yourself with essential knowledge, such as the number of prints in an edition, historical influences, printing techniques, photographic styles, pricing, hanging and framing, Ms. Phillips adds.

Photography is still an affordable collectors' area, particularly if you look for emerging photo artists, she says, adding that the young market is "ripe for exploration."

Ms. Phillips confided it was hard to select 40 photo artists to profile for her book from a wealth of global talent. In the case of the famous Düsseldorf Art Academy of German artists who studied under Bernd and Hilla Becher, including Andreas Gursky, Thomas Struth, Thomas Ruff and Candida Höfer, she mentions them all briefly but chose Mr. Struth (best known for his large images of people in museums) for the profile. Personally, I would have chosen Mr. Gursky, who I find to be the greatest of them all—a revolutionary in his monumental views that, for example, look at today's world through mass images to make people and consumer goods look like ants in life's big picture.

Thursday, August 9, 2012

Selections from People Get Ready: The Struggle for Human Rights




Sam Mali at gravesites, South Africa, 1982
Grey Villet: Sam Mali at gravesites, South Africa, 1985



South Africa, 1985, during the darkest days of apartheid. Nelson Mandela still languished in a cell on Robben Island. The burning issue to Americans was “disinvestment” – were American companies propping up the racist regime by doing business there? And how to tell that story in pictures? We flailed about – and then discovered a 38-year-old black man who seemed to embody many of the contradictions at work in South Africa. By day Sam Mali had an enviable job as foreman of a General Motors plant in Port Elizabeth, supervising a crew that included whites; by night he was a kaffir, required to carry an ID card, banned from areas marked ‘whites only’. He was forced to live with other blacks in a squalid township without power or running water.

 Sam Mali was profoundly torn - between his livelihood, and “the struggle.” He felt compelled to attend the funerals of activists killed by the police – but risked his job and his life by doing so. It was an act of courage or madness to allow himself to be photographed for the entire world to see. Grey Villet's essay on Sam Mali was duly published. When I returned to South Africa a few months later, I was abruptly summoned to the state capitol in Pretoria. There I was confronted by the furious deputy foreign minister of the ruling racist government. Redfaced, he brandished a copy of LIFE – waving it in the air. “These are lies,” he shouted, “and you know they are!”--Chris Whipple



Related: American Nazi Party Demonstration, District of Columbia Stadium,

Tuesday, August 7, 2012

Photographer's Rights: NYPD's Backwards Policy on Photography at Occupy Wall Street


Via ACLU

By Naomi Gilens, Legal Administrative Assistant, ACLU Speech, Privacy and Technology Project at 12:32pm
The day after police evicted Occupy Wall Street protestors from Zuccotti Park last fall, I had some trouble deciphering exactly what had happened. Police had corralled journalists into a "press pen" removed from the park itself, and arrested at least ten people for attempting to take photos or video. When I visited Zuccotti during the following days and weeks to see for myself what was happening, I could only enter through a single access point, guarded by police officers who often filmed me as I walked in. Why could police arrest people for taking video footage of them, and then turn the cameras on those same people for engaging in lawful activity in a public space?

The answer, of course, is that they couldn't—not legally, at least. Under the First Amendment, Americans have the right to observe and record members of the police force in the public discharge of their duties. Conversely, the NYPD’s right to conduct photo and video surveillance on citizens engaging in lawful protest is limited, with very few exceptions, to circumstances in which “it reasonably appears that unlawful conduct is about to occur, is occurring, or has occurred.”

As a report released today by the New York Civil Liberties Union starkly illustrates, though, these rules bear little relation to what is actually happening. Police continue to subject photographers to harassment, injury, and arrest. In July, an activist (and friend of mine) found that videotaping police stop and frisks had landed him on a “Wanted”-style police poster featuring his full name, photograph, and home address. The following week, a photographer attempting to document an arrest was flung violently over a stone bench several times, pinned down by a knee on the back of his neck, and arrested.

Even as they mistreat photographers, police are continuing to subject these same citizens to illegal surveillance. When recordings are made for a purpose other than to record unlawful activity, police are supposed to avoid “close-ups of participants.” Yet peaceful marches are regularly lined with NYPD officers, cameras in hand, zooming in on individual faces. Even more egregiously, there has been at least one case this summer of police filming a protestor receiving medical treatment by EMTs.
From the earliest days of the occupation at Zuccotti Park, a police watchtower carried out round-the-clock surveillance of the protesters below. Almost a full year after the Occupy movement began, the watchtower remains, clearly communicating that “even if you’re not doing anything wrong, we’re watching.”

Under our laws and the Constitution, you have the right to film police without making yourself a target, and to engage in political speech and assembly without police surveillance (see the ACLU’s related resources here). Follow NYCLU’s Facebook and Twitter feeds to learn when they post a new Free Speech Threat Assessment report, and keep an eye out for upcoming reports by the Protest and Assembly Rights Project on the police response to Occupy movements in Boston, Charlotte, Oakland, and San Francisco.

Learn more about photographers' rights: Sign up for breaking news alerts, follow us on Twitter, and like us on Facebook.

Monday, August 6, 2012

Tracking Journalist Arrests at Occupy Protests Around the Country, Part Two



Via John Sterns

Since September 2011 83 people have been arrested in 12 cities around the United States while trying to report on Occupy Wall Street protests. This list is part two of that tracking effort and begins on May 1, 2012. For a quick list of arrests and a break down of their affiliation and occupation see this spreadsheet.

Full post here.


About Josh Sterns: "I have been tracking, confirming and verifying reports of journalist arrests at Occupy protests all over the country since September. Help me by sending tips and tweets to @jcstearns and tagging reports of press suppression and arrests with #journarrest"

Related: New York Times photographer arrested while covering arrest

Friday, August 3, 2012

SUMMER 2012



Ernst Haas: Long Island, New York, 1954

Things may slow down a bit here and on our Twitter feed as we take a few days to enjoy summer. Hope you are enjoying your summer!



Thursday, August 2, 2012

What could we possibly have to say to the readers of this blog?



We were a bit intimidated to have been asked to write a guest blog.....but here it is:

The Photoshop Insider Blog
Scott Kelby teaches Photoshop & Photography at KelbyTraining.com. He is Editor-in-Chief for Photoshop User magazine and hosts shows at KelbyTV.com.


It’s Guest Blog Wednesday featuring Sid and Michelle Monroe!

"We were flattered and honored when asked to write a guest blog – and, we were told, we could write about whatever we wanted. But, we wondered, why us? What could we possibly have to say to the readers of this blog?" Full post here.

Wednesday, August 1, 2012

CHICAGO TONIGHT: VIVIAN MAIER


Self-Portrait of Vivian Maier ©Vivian Maier/Maloof Collection

Via Chicago Tonight

"We begin a three-part series on the amazing story of Vivian Maier -- the Chicago nanny who took more than a hundred thousand photos during her lifetime but never showed them to anyone. Now that she's gone, her photos have been discovered, and some say she may rank among the top street photographers of the 20th century.

Jay Shefsky brings us Vivian Maier's remarkable story on Chicago Tonight at 7:00 pm.
Watch on Wednesday for part two, as we explore the meteoric rise of Vivian Maier’s popularity around the world. And tune in on Thursday for part three, to see how the mystery of Maier's life and work has inspired people to learn more about her."

Part 1 Video here.


Related:

Chicago History Museum: Vivian Maier's Chicago, 1601 N. Clark St. Chicago, IL 60614, opens September 8

Vivian Maier: Discovered

Appropriation Art and Fair Use in the Digital Age



Via Photo Eye



The REMIX Culture: Appropriation Art and Fair Use in the Digital Age

A  PANEL DISCUSSION
Wednesday, August 15, 2012
6:30-8p.m at Photo Eye Gallery
376 Garcia Street Santa Fe, NM
(505) 988 -5152

photo-eye Gallery is pleased to announce part three of our Summer Lecture Series presented in collaboration with New Mexico Lawyers for the Arts, a nonprofit organization dedicated to providing artists and arts organizations with pro bono legal assistances and educational programming.

As issues of appropriation and remixing increasingly flood our culture, copyright infringement lawsuits are on the rise. In the final part of our Art Law series, a range of experts from across the legal, business and creative realms of art (an attorney, a dealer, an arts consultant and an appropriation artist), will discuss the creative methods and ideas associated with appropriation in art today.

Using the facts from the high profile Cariou vs Prince appropriation case, the panel will discuss the importance of appropriation and forms of visual referencing in our culture, the differences between transformative works and infringement and whether current copyright laws provide sufficient protection while preserving an artist's freedom to reference the work of others.

All events are free and open to the public on a first come, first serve basis.



Panelists:

Benjamin Allison: a copyright and trademark lawyer at Sutin Thayer & Browne PC in Santa Fe, where his practice also includes commercial and art litigation. He has practiced law in New York City and clerked for U.S. Court of Appeals Judge Paul J. Kelly Jr. He teaches Art Law at Santa Fe Community College.

Craig Anderson: Works as an independent curator and art and museum advisor. He served as the Executive Director and Curator at Center for Contemporary Art in Santa Fe from 2010 to 2012. He has been watching closely the unfolding Prince v. Cariou case closely.

Sid Monroe: Sidney Monroe has been engaged in the fine-art and photography field for over 30 years. Previous to establishing Monroe Gallery of Photography with is wife and business partner Michelle, he was the Gallery Director for the flagship New York location of a leading national art gallery organization, and later a founding partner of an leading gallery of photography in New York City, SoHo Triad Fine Arts. His comments on photography have been published in numerous magazines and newspapers, and he has appeared on television programs throughout the world in conjunction with exhibitions and photography sales.

Monroe Gallery specializes in 20th and 21st Century photojournalist imagery. The gallery also represents a select group of contemporary and emerging photographers and exhibits nationally at prestigious Photography Fairs. Monroe Gallery was the recipient of the 2010 Alfred Eisenstaedt Award for Excellence in Photojournalism.

Casey Bock: Casey is a student and an artist. Casey received her Bachelor of Arts from University of New Mexico in Communication/Media Studies. She is Vice President of AAF Lobo Edge Advertising, UNM Art Student and artist. She currently works at UNM as an administrative assistance and at Sandia Prep as a marketing intern. Casey has also been following trends in appropriation art and has created appropriated works for school projects.

"You are the most popular, biggest photo blog out there"




"I care about the situation of human begins in the world and so I’m sometimes attracted to stories that I think are important socially that are particularly under covered. I think photography can inform people. I’m not saying it can change the world, but I think it can inform people and so that’s also something I will take into account."

A Conversation with Jim Estrin, New York Times Lens Blog via Burn magazine.

Tuesday, July 31, 2012

Selections from People Get Ready: The Struggle for Human Rights

  
Neil Leifer: American Nazi Party Demonstration, District of Columbia Stadium,
Washington, DC, October 1, 1961


 "Even as I look at this picture, 50 years later, It’s hard for me to believe that the American Nazi Party was marching in our nation’s capitol, right in front of D.C. Stadium. In the fall of 1961, the Redskins still didn’t have a single black player, and the Nazis were out front, picketing to keep them that way. It gave a Jewish photographer the creeps. -- Neil Leifer




Monroe Gallery of Photography, 112 Don Gaspar, is pleased to present "People Get Ready", a major exhibition of 55 dramatic photographs from significant human rights struggles in history. The exhibition continues through September 23.  We will be posting selected photographs from the exhibition here throughout the summer.