Friday, June 8, 2012

EDDIE ADAMS DAY: June 9, 2012




NEW KENSINGTON, PA  - The Pennsylvania hometown of the great photojournalist Eddie Adams has proclaimed June 9, 2012, to be "Eddie Adams Day." The celebration in New Kensington includes includes a gallery opening, a screening of the documentary "An Unlikely Weapon," and a gala dinner with speaker and Pulitzer Prize winner John Filo.



Thursday, June 7, 2012

June 5, 1968: “How many people died because of that assassination?"

Via Conneticut Magazine


When the gunshots that mortally wounded Sen. Robert F. Kennedy rang out in a California hotel that fateful night 44 years ago, Life magazine photographer Bill Eppridge was right behind the Democratic presidential candidate. Eppridge didn’t panic or run; instead he did what he had risked his life to do in Vietnam—he took pictures and recorded history.

“I was about 12 feet behind [Kennedy] and I heard the shots start,” Eppridge says in the living room of the New Milford home he shares with his wife, Adrienne. In his 70s, Eppridge has dark hair and a deep, penetrating stare. When he talks about his days with Kennedy he speaks slowly and deliberately, as if he’s reliving each moment.

The assassination took place at the Ambassador Hotel in Los Angeles shortly after midnight on June 5, 1968. The shots were fired by 24-year-old Palestinian immigrant Sirhan Sirhan, and Eppridge himself was nearly hit by a stray bullet.

“One man [Paul Schrade], who was about four or five feet in front of me, standing directly in line with me and Sirhan, took a bullet in the head,” he says. Immediately, Eppridge began taking pictures. “One of the first thoughts that came to my mind was that JFK, when he had been shot, there were no still photographic records made of that. I thought now you’ve changed your job, you’re a historian.”

Among the photographs Eppridge took that night is the haunting image of a fallen Kennedy being cradled in the arms of Juan Romero, an Ambassador Hotel busboy who had shaken hands with the candidate just moments before. That powerful picture captured by Eppridge has become one of the enduring images of the assassination.
It was just that day that Kennedy had agreed to let Eppridge be a part of his immediate entourage for the night. Eppridge says that after making his speech, Kennedy left the hotel’s Embassy Room ballroom the same way he came into it—through the kitchen, despite the repeated protests of his lone bodyguard, William Barry. (It was only after the shooting that the Secret Service began protecting presidential candidates.)
“Barry knew the ropes and he knew that you don’t go out of a room the same way you came in,” Eppridge explains.

He had photographed Kennedy two years earlier and on the campaign trail they’d become friends, but at first Eppridge could not take time to grieve for his fallen friend. “After Frank Mankiewicz [Kennedy’s press secretary] announced that Bobby was gone, I went back to New York and met the plane there when they brought him in, photographed the funeral at St. Patrick’s, took that train ride to Washington, and then I cried,” he says.

If Kennedy hadn’t been murdered, Eppridge believes that history would have taken a vastly different course. “I don’t think people realize the significance of that assassination and what would have happened had he not been shot,” Eppridge says. He believes Kennedy would have became president instead of Republican Richard Nixon and would have ended the Vietnam War immediately—saving the lives of more than 20,000 American soldiers and tens of thousands of North and South Vietnamese soldiers and civilians.

“How many people died because of that assassination?” Eppridge asks. “That’s stuck with me, it bothers me.”

In addition to the tragic end of the Kennedy campaign, Eppridge covered many iconic moments in the 1960s for Life magazine, including the Beatles’ arrival in America in 1964 and the Woodstock music festival in 1969. In 2008, he compiled his photographs and wrote about his time with Kennedy in the book A Time It Was: Bobby Kennedy in the Sixties.

Eppridge doesn’t subscribe to any of the many conspiracy theories surrounding the assassination, especially that there was a second gunman and more than eight shots fired that night.

“Somebody had supposedly taped 16 gunshots; there were not [16 shots],” he says. “I counted the number of shots and there were eight. So all this stuff about there being somebody else there shooting—no, there wasn’t.”

Besides security being light around the candidate, the campaign was very open, making Kennedy an easy target. Also, Sirhan is on record saying that he hated Kennedy because of his support of Israel.

“One plus one equals two sometimes,” Eppridge says. “I really think it was just one wacko, and a number of guys who were on that campaign have also said that, but you know, you can always be wrong. Always.”

Monday, June 4, 2012

This Day in History, June 4, 1989: Tiananmen Square







New York Times: Shanghai Market’s Echo of Tiananmen Date Sets Off Censors

New York Times Lens Blog: Behind the Scenes: A New Angle on History

Via ABC News: "China's internet censors have blocked words and phrases associated with yesterday's anniversary of the Tiananmen Square massacre.

Key phrases relating to yesterday's date and expressions like "never forget" have been blocked by China's internet censors."

Via The Guardian: Chinese censors act to silence Tiananmen anniversary talk

Via BBC News: "China has detained political activists and placed others under increased surveillance in cities around the country to prevent them from marking the anniversary of the massacre in Tiananmen Square on Monday."

Via VR Zone: In yet another crackdown on free speech, China has banned searches for terms relating to the 1989 Tiananmen Square massacre, where hundreds of pro-democracy protesters were killed by government forces.

Forthcoming Exhibition: "People Get Ready: The Struggle For Human Rights"

"If you have the nerve to walk into the halls of Congress and show them the obscenity that is a child that must wash herself with poison every day, they will call you a child pornographer. They will call the police."



Obscenity: I Know It When I See It

   

Sunday, June 3, 2012

Coney Island's endless summer

To create this image, the photographer spent 15 hours suspended in a crane 150 feet above the Coney Island boardwalk.

To create this image, the photographer spent 15 hours suspended in a crane 150 feet above the Coney Island boardwalk

Via Fortune Magazine

New York City's No. 1 destination for thrill-seekers is in the middle of a high-dollar facelift.

By Anne VanderMey, reporter


FORTUNE -- In 1938, at the height of Coney Island's popularity, Fortune reported that the "narrow strip of land, about 800 to 1,000 feet in width and two and a quarter miles long," was valued at about $22 million, or $337 million in today's dollars. But the strip is probably worth more than that: New York City expects the boardwalk to generate $14 billion in the next three decades.

By the numbers:
11 million: Number of visitors to Coney Island last summer. Of those, 640,000 went to Luna Park and Scream Zone for the 26 rides -- the highest amusement park attendance since 1964. Two new rides will open this summer.

$4.5 million: Sale price of the Eldorado Auto Skooters building, purchased this spring by Thor Equities. Thor now owns about seven acres of land in Coney Island, and plans to develop some of its properties into ritzy hotels.

90 mph: Top speed of the Sling Shot, Luna Park's fastest ride. The first roller coaster in the U.S. made its debut in Coney Island in 1884. It cost 5¢ to ride and topped out at 6 mph. The Sling Shot costs $20 a pop.

Source: New York City Economic Development Corp.
This story is from the June 11, 2012 issue of Fortune.



Related: Stephen Wilkes: Day To Night exhibition extened through June 24

Saturday, June 2, 2012

IT WAS 40 YEARS AGO...Live Facebook chat with Pulitzer Prize Photojounalist Nick Ut Monday at 2 Eastern

In this June 8, 1972 file photo, crying children, including 9-year-old Kim Phuc, center, run down Route 1 near Trang Bang, Vietnam after an aerial napalm attack on suspected Viet Cong hiding places as South Vietnamese forces from the 25th Division walk behind them. A South Vietnamese plane accidentally dropped its flaming napalm on South Vietnamese troops and civilians. From left, the children are Phan Thanh Tam, younger brother of Kim Phuc, who lost an eye, Phan Thanh Phouc, youngest brother of Kim Phuc, Kim Phuc, and Kim's cousins Ho Van Bon, and Ho Thi Ting. (AP Photo/Nick Ut)

When photographer Nick Ut snapped the Pulitzer-winning image of Kim Phuc, neither knew what the next 40 years had in store. On Monday, June 4, the AP  will be hosting a live Facebook chat with Nick at 2 p.m. EDT. Start asking your questions now on the AP Facebook page, and Nick may respond during the chat.


Friday, June 1, 2012

PEOPLE GET READY

 A lone man stops a column of tanks near Tiananmen Square, 1989 Beijing, China
This recent headline:

"23 years after Tiananmen, China is still paying: The annual crackdown on commemorations of the June 4 anniversary of the brutal suppression of student-led demonstrations based in Tiananmen Square in 1989 Beijing is under way."

reminds us that the right to freedom of expression also requires consistent defense.

Monroe Gallery of Photography, 112 Don Gaspar, is pleased to announce "People Get Ready: The Struggle For Human Rights", a major exhibition of  dramatic photographs from significant human rights struggles in history. The exhibition opens with a public reception Friday, July 6, 5 - 7 PM, and continues through September 23, 2012

The belief that everyone, by virtue of her or his humanity, is entitled to certain human rights is fairly new. Its roots, however, lie in earlier traditions and documents of many cultures; however, it took the catalyst of World War II to propel human rights onto the global stage and into the global conscience. 

Yet, every day we still see images of people struggling for their freedom; their right to live without fear, their right to speak and their right to worship the god of their choice. In the past several months, we have watched as citizens in Egypt and Libya took to the streets to air their politics and struggle for freedom; and here in the United States, the Occupy Wall Street movement championed the cause of economic and social rights. The struggle around the world is unrelenting. Dedicated photojournalists have been, and continue to be, there to bring the voices and the images of the people as they rise to fight for basic human rights. (According to the Committee To Protect Journalists, 19 journalists have been killed in 2012 and 179 are currently in jail world-wide.)

Photographers in this exhibition illustrate the power of photography to inform, persuade, enlighten and enrich the viewer's life. Many of the photographs featured in this exhibition not only moved the public at the time of their publication, and continue to have an impact today, but set social and political changes in motion, transforming the way we live and think.

Many global human rights movements are documented in the exhibition, including: Civil Rights in America, Women's Rights, Democracy rights, People's rights, Worker's rights, Gay rights, and other causes. Also included are stark photographs of stalwart defenders of the-then status quo, from segregationists to proponents of sexism.

Photographers in the exhibition include: Eddie Adams, Nina Berman, Margart Bourke-White, Bill Eppridge, Ashley Gilbertson, Yuri Kozyrev, Ken Regan, Steve Schapiro, Paul Schutzer, Grey Villet, Jeff Widener, and numerous other renowned photojournalists.



Thursday, May 31, 2012

AP’s ‘napalm girl’ photo is savior, curse for survivor of attack in Vietnam 40 years ago


 Villagers Fleeing a Napalm Strike, Village of Trang Bang, Vietnam, June 8, 1972<br>© 2004 The Associated Press
Nick Ut: Villagers Fleeing a Napalm Strike, Village of Trang Bang, Vietnam,
June 8, 1972 © 2004 The Associated

Via The Washington Post

By Associated Press, Updated: Thursday, May 31, 2012


"TRANG BANG, Vietnam — In the picture, the girl will always be 9 years old and wailing “Too hot! Too hot!” as she runs down the road away from her burning Vietnamese village.

She will always be naked after blobs of sticky napalm melted through her clothes and layers of skin like jellied lava.

She will always be a victim without a name.

It only took a second for Associated Press photographer Huynh Cong “Nick” Ut to snap the iconic black-and-white image 40 years ago. It communicated the horrors of the Vietnam War in a way words could never describe, helping to end one of America’s darkest eras.

Full article here

Tuesday, May 29, 2012

REVIEW SANTA FE 2012







Review Santa Fe, May 31 - June 3, 2012

All events take place at the home of the CENTER offices, IHM Retreat Center, 50 Mt. Carmel Rd, Santa Fe, 87505.

PORTFOLIO VIEWING - FRI, JUNE 1, 5:00-8:00PM

CENTER is pleased to present Portfolio Viewing, a photographic walk through the Review Santa Fe 100 portfolios. Attendees can view contemporary photography and engage in dialogue with the artists as well as the extended photographic community.

EXHIBITS & TOURS - FRI, JUNE 1, 6:00-8:00PM
SAT, JUNE 2, 12:00-2:00PM & 3:00-5:00PM

CENTER will offer docent led tours of the art exhibitions held in conjunction with Review Santa Fe. Tours of the following exhibitions are free and open to the public.
· The Curve special indoor/outdoor exhibition of the 2012 Choice Award winners
· Review Santa Fe Alumni Exhibit
· UNM Graduate Students Exhibit
· Spooky Little Landscapes, an installation in a haunted hallway of the historic monastery.
· Special guest Billy Hunt’s Scream Portraits with the Scream-o-Tron 3000 - a volume based camera.
· Special guest Axle Contemporary, an innovative vehicle for arts distribution.

PHOTOGRAPHIC PANEL DISCUSSION - SUN, JUNE 3, 10:30AM-12:30PM
Join us for a panel discussion on Photography’s Cultural Impact moderated by the Museums Curator of Photography, Katherine Ware, DCA, at the New Mexico Museum of Art. Panelists include: Keith Jenkins, Senior Multimedia Producer, NPR; Verna Curtis, Curator of Photography, Library of Congress; Denise Wolff, Editor, Book Program, Aperture; and Kathleen Hennessy, Exhibit Director, PhotoPhilanthropy.

Full event schedule here.