Thursday, March 3, 2011

ERIC SMITH: THE PATRIOT GUARD AND THE WESTBORO BAPTIST CHURCH


Patriot Guard with local children, Hudsonville, Michigan, 2006
Patriot Guard with local children, Hudsonville, Michigan, 2006


The recent Supreme Court ruling recalls the photojournalism of Eric Smith as he documented the Patriot Guard's protection of military families from the Westboro Baptist Church protesters:


Pasatiempo
The New Mexican's Weekly Magazine of Arts, Entrainment, and Culture

August 3, 2007
Elizabeth Cook-Romero I The New Mexican

Uncivil wars in Middle America



Patriot Guard, Hudsonville, Michigan, 2006
Patriot Guard, Hudsonville, Michigan, 2006


Photojournalist Eric Smith has gone in search of Middle America, which he defines as the people living in the nation’s small towns and the less-than-glamorous cities far from the coasts. “Middle America drives our economy, defines popular culture, and fights our wars,” Smith said during a recent phone interview from his home in Auburn Hills, Mich.

He insists that without the interest of people who live far from major urban centers, Britney Spears would have been quickly forgotten.

Smith isn’t an economist, and he admits that perhaps he’s wrong about the cultural impact of the spending power of small towns. But an Associated Press study has confirmed his belief about their importance to the Iraq war: half of U.S. troops killed in Iraq came from communities with fewer than 25,000 people. And one in five soldiers hails from a town with fewer than 5,000 residents, according to AP.

In Michigan’s towns Smith witnessed the funerals of U. S. soldiers killed in Iraq; the Rev. Fred Phelps and his congregation from the Westboro Baptist Church in Topeka, Kan., who picket the funerals of dead soldiers and hold signs with crude messages expressing their belief that U. S. troops die because an avenging God is angry with America’s tolerance of homosexuality; and thousands of men and women who roar into those towns on Harley-Davidson motorcycles to pay respect to their fallen heroes. The clash of beliefs Smith witnessed at those funerals spurred the photo project In America — The War and Patriotism.

Sidney and Michelle Monroe, owners of Monroe Gallery of Photography, saw Smith’s In America — War & Patriotism and Middle America images during a portfolio review sponsored by the Center for Photography, now known simply as Center. Smith is the first new artist the gallery has agreed to represent in several years, Michelle Monroe said. The Monroes felt his work builds on the humanist traditions of the gallery’s more established artists, such as Berenice Abbott and Gordon Parks. Two of Smith’s photographs are included in Speak Truth to Power, which runs through Sept. 23; more hang in an alcove in back of the main gallery.

While Smith’s Middle America captures moments most Americans will easily recognize as examples of our diversity — a woman installing a National Rifle Association display at the Lenawee County Fair in Adrian, Mich.; the white hearse at Rosa Parks’ funeral in Detroit — War & Patriotism may leave people feeling as if they are looking into a distorted mirror or a parallel universe.

“I started following an organization called the Patriot Guard Riders,” Smith said. “ They are all bikers; most are Vietnam veterans.” About three years ago members of the Patriot Guard Riders started showing up at military funerals to create a barrier between the families and friends of troops killed in Iraq and Afghanistan and members of the Westboro Baptist Church, who were picketing those funerals with signs that read “America is doomed” and “God hates fags.” Most American Christians might believe that God loves everyone, but Westboro’s Web site posts a 94- page manifesto that calls that belief “ the greatest lie ever told.”

At military funerals, members of the church have greeted mourners with sneers and hateful rhetoric, and that, Smith said, has touched a raw nerve in many Vietnam veterans.

For members of the Patriot Guard Riders, creating a barrier out of flags and their own bodies is cathartic, Smith said. “They do not want these kids treated as they were treated — spit on and harassed. For a lot of these guys, this is a response to the treatment they received more than 30 years ago.” In his photographs, Smith has captured moments when the spit and polish of military honor guards has found common ground with white-haired, bearded, leather-clad bikers.


Veteran with Patriot Guard Captian, Lake Orion, Michigan,2006
World War II Veteran with Patriot Guard Captian, Lake Orion, Michigan, 2006

Westboro Baptist Church members haven’t shown up at the recent military funerals Smith attended, but the Patriot Guard Riders keep coming. “They now claim 100,000 members nationally,” he said of the bikers. “They’ll do whatever the family wants them to do. They’ll form a flag line; they’ll join the procession to the grave. Sometimes they lead that procession.”
Many talk about parallels between the Iraq war and Vietnam: official lies led the nation into both wars, which quickly became quagmires, Smith said, but perhaps the deepest connection is visible during these funerals, as one generation offers another the respect it longed for but never received. “Almost all the funerals I have attended are in small¬town America,” Smith said. “Quite often, not just the Patriot Guard but half the town shows up.”

Smith took a picture at a funeral in a high- school gymnasium in Morley, Mich. “ The town’s so small that two towns had to come together to build a high school, but it was standing room only with 500 bikers lined up outside,” he said. “A lot of these kids were football players and popular. They are 18, 19, 20, or 21 — fresh out of high school — so the whole school shows up.”


Funeral for Iraq War Soldier, Morley, Michigan,2006
Funeral for Iraq War Soldier, Morley, Michigan,2006

Wednesday, March 2, 2011

THE TOP 10 PHOTO COLLECTORS



Cover March2011


The Top 10 Photo Collectors
ARTnews, March, 2011
by Milton Esterow


"It depends on who you talk to," a prominent curator of photography told me when I asked him to name the world's top ten photography collectors.


He was right. I asked 20 prominent dealers, auctioneers, collectors, museum directors, and curators. No one had the same list. A further survey produced a consensus, as well as comments on other major topics in the photography world.

"I have not seen anything like it," Sandra Phillips, curator of photography at the San Francisco Museum of Modern Art, told a reporter recently. She was talking about Pier 24, a 28,000-square-foot gallery that was created last year by Andrew Pilara, a San Francisco investment banker, in an old warehouse in San Francisco that displays the collection of the Pilara Foundation, which he established. Pilara is on the list of Top Ten.

Pier 24 houses about 2,000 photographs, including works by Diane Arbus, Garry Winogrand, Edward Burtynsky, Lee Friedlander, Robert Adams, Hiroshi Sugimoto, Dorothea Lange, Richard Misrach, and many others. Admission is free, and the space is open to the public Monday through Thursday by appointment only.

Pier 24 recently presented an exhibition of the collection of Randi and Bob Fisher, who are also on the Top Ten. Bob Fisher's parents founded Gap Inc. Among the artists in the show were Edward Weston, Robert Frank, Walker Evans, Paul Strand, Alfred Stieglitz, and Andreas Gursky. Other exhibitions are being planned for Pier 24.

Another topic being discussed is the increasingly global nature of the market, with great depth in France, England, Germany, Italy, Switzerland, Russia, the Middle East, and elsewhere.

Unlike the contemporary art market, there is less speculation and less buying for investment with photography, according to several observers. Collectors are mainly buying because they experience the works and want to live with them.

Other observers point out that more and more collectors of contemporary art are collecting photography, including Eli Broad, who is on the ARTnews list of Top Ten art collectors and has bought many works by Cindy Sherman and Jeff Wall, among others. "Is Eli a photo collector? No," said one curator. "Does he have a lot of photos? Yes."

A photography auctioneer said, "We see more and more clients of other departments—Impressionist, modern, contemporary, and American painting —becoming interested in buying photography, whereas 15 years ago they would not."

The Top Ten for photography also includes Thomas Walther, who has been collecting photography for more than 30 years. In 2001 the Museum of Modern Art acquired—it was a partial gift, partial purchase—328 works by most of the leading European and American photographers of the 1920s and '30s. The list included Man Ray, Edward Steichen, Stieglitz, Paul Strand, Manuel Bravo, Paul Outerbridge, Berenice Abbott, and many others.

In 2000 the Metropolitan Museum presented the exhibition "Other Pictures: Vernacular Photographs from the Thomas Walther Collection." Dating from the 1910s through the '60s, the photos were by anonymous amateurs and were discovered in flea markets, in shoeboxes, or in family albums.

"In the last ten years," Walther told me, "I have increasingly gone into the 19th century, with works by Gustave Le Gray, Linus Tripe, Henri Le Secq, Roger Fenton, Charles Marville, Francis Frith, William Fox Talbot, and many others."

Walther has acquired about 2,000 photographs.

"I pursue my collecting with the utmost passion," he said.

The Top Ten are listed in alphabetical order, and were selected based on how active they are rather than on the size or value of their collections.

Milton Esterow is editor and publisher of ARTnews



David Dechman
New York
WEALTH MANAGEMENT
20th century

Randi and Bob Fisher
San Francisco
APPAREL (GAP, INC.)
20th century; contemporary

Sondra Gilman and Celso Gonzalez-Falla
New York
INHERITANCE; REAL-ESTATE DEVELOPMENT
20th century; contemporary

Daniel Greenberg and Susan Steinhauser
Los Angeles
ELECTRONIC EQUIPMENT
20th century

Michael Jesselson
New York
WEALTH MANAGEMENT
20th century

Elton John
London; Atlanta
ENTERTAINMENT
20th century; contemporary

Andrew Pilara
San Francisco
INVESTMENT BANKING
20th century; contemporary

Lisa and John Pritzker
San Francisco
HOTELS AND INVESTMENTS
20th century; contemporary

Thomas Walther
Zurich
INHERITANCE (MACHINE-TOOL MANUFACTURING)
19th century; 20th century

Michael Wilson
London
FILM
19th century; 20th century


Related: LOEWS MAGAZINE: COLLECTING PHOTOGRAPHY - If you don't think photography is worth collecting, you're missing the big picture

Tuesday, March 1, 2011

THE AIPAD PHOTOGRAPHY SHOW MARCH 17 - 20



The AIPAD Photography Show New York

March 17 - 20, 2010 Park Avenue Armory at 67th Street
643 Park Avenue
New York, NY 10065-6122

Monroe Gallery of Photography is exhibiting at the 2011 AIPAD Photography Show. We are located in Booth #417, along the left side of the exhibition hall. We will be exhibiting specially selected work from the gallery's collection of 20th and 21st Century master photojournalists; and premiere the newest photograph from Stephen Wilkes' acclaimed "Day Into Night" series as well as exhibiting for the first-time photographs by White House Photographer for President George W. Bush Eric Draper. Draper documented the entire eight years of the Bush administration and was often the only photographer present to record historic moments.

Throughout the show we are honored that several of our photographers or their family members will be present in our booth, including Alyssa Adams, widow of the late Eddie Adams, Bill Eppridge, John Filo, Guy Gillette, members of  Irving Haberman's family, Brian Hamill, Barbara Villet, widow of Grey Villet, and Stephen Wilkes.

More than 70 of the world's leading fine art photography galleries will present a wide range of museum-quality work including contemporary, modern and 19th century photographs, as well as photo-based art, video and new media.

Gala Benefit Preview

For the John Szarkowski Fund, an endowment for photography acquisitions at The Museum of Modern Art, New York, is scheduled for Wednesday, March 16, 2011. Please purchase Gala Benefit tickets online at www.moma.org/aipad2011.


Show Hours
Thursday, March 17 11:00 a.m. to 7:00 p.m.
Friday, March 18 11:00 a.m. to 7:00 p.m.
Saturday, March 19 11:00 a.m. to 7:00 p.m.
Sunday, March 20 11:00 a.m. to 6:00 p.m.

Tickets are only available for purchase during Show hours.
Each ticket admits one person.
$40 for run-of-show

Includes exhibition access for Thursday, Friday, Saturday and Sunday, plus one show catalogue (as available). Does not include panel discussions.
$25 daily
Only includes exhibition access for Thursday, Friday, Saturday or Sunday

Special Events

$10 per session for Saturday panel discussions
Seating for panel discussions is limited and available on a first-come, first-served basis. Download the panel discussion program.

Monday, February 28, 2011

Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67

Bob Dylan and Suze Rotolo, New York, 1963
Don Hunstein: Bob Dylan and Suze Rotolo, New York, 1963

ArtsBeat - New York Times Blog

The New York Times
February 28, 2011, 1:16 pm
By William Grimes


Suze Rotolo, Muse and Girlfriend to Bob Dylan, Dies at 67


Suze Rotolo, who entered into a romantic relationship with Bob Dylan in the early 1960s as his career was just getting started and, in one of the signature images of the decades, walked with him arm-in-arm on the cover of his groundbreaking second album, “The Freewheelin’ Bob Dylan,” died on Thursday at her home in Manhattan. She was 67.


The cause was lung cancer, her husband, Enzo Bartoccioli, said on Monday.

Ms. Rotolo, whose nickname was pronounced su-zee, met Mr. Dylan in 1961 at a Riverside Church folk concert at which he was performing. She was 17; he was 20.

“Right from the start I couldn’t take my eyes off her,” Mr. Dylan wrote in his memoir, “Chronicles: Volume 1,” published in 2004. “She was the most erotic thing I’d ever seen. She was fair skinned and golden haired, full-blood Italian. The air was suddenly filled with banana leaves. We started talking and my head started to spin. Cupid’s arrow had whistled past my ears before, but this time it hit me in the heart and the weight of it dragged me overboard.”

In her own book, “A Freewheelin’ Time: A Memoir of Greenwich Village in the 60’s” (2008), Ms. Rotolo described Mr. Dylan as “oddly old-time looking, charming in a scraggly way.”

They began seeing each other and shared a walk-up apartment on West Fourth Street in Greenwich Village.


Suze Rotolo and Bob Dylan
Don Hunstein/Sony BMG Music Entertainment

Suze Rotolo and Bob Dylan in their apartment in 1963

The relationship, lasting four years, was rocky. She was the daughter of Italian Communists with her own ideas about life, art and politics that made it increasingly difficult for her to fulfill the role of helpmate and, as she put it in her memoir, “boyfriend’s ‘chick,’ a string on his guitar.”

Her social views, especially her commitment to the civil rights movement and her work for the Congress for Racial Equality, had a strong influence on Mr. Dylan’s writing, as did her interest in theater and the visual arts, which exposed him to ideas and artists outside the world of music.

When, to his distress, she went to Italy in 1962 to study art at the University of Perugia, her absence inspired the plaintive Dylan love songs “Don’t Think Twice, It’s All Right,” “Boots of Spanish Leather” and “Tomorrow Is a Long Time.” He later wrote a song highly critical of her family, “Ballad in Plain D.”

Ms. Rotolo spent most of her adult life avoiding discussions of her relationship with Mr. Dylan and pursuing a career as an artist, but she relented after Mr. Dylan published his autobiography. She appeared as an interview subject in “No Direction Home,” Martin Scorsese’s 2005 documentary about Mr. Dylan, and wrote “A Freewheelin’ Time” in large part to tell her side of the Dylan story and to portray herself as more complicated than a muse.

A fuller obituary will be posted at nytimes.comhttp://www.nytimes.com/pages/obituaries/index.html.

Iconic Monday: Is this the Best Wedding Photo Ever Taken?

John and Jacqueline Kennedy at their wedding reception, Newport, RI, 1953
Lisa Larsen: John and Jacqueline Kennedy at their wedding reception, Newport, RI, 1953


Via  I Like to Watch
Monday, February 28, 2011

The Blog of Writer and Editor David Schonauer

Last week I wrote about the engagement of Charles, the Prince of Wales, and Diana Spencer. To be more precise I wrote about a few pictures that captured that captivating event in 1981. For this Iconic Monday, we'll stay with love, or if not love with marriage. I have a nomination for the best wedding photo ever taken. It was taken on September 12, 1953, by Life magazine photographer Lisa Larsen, at the wedding of John F. Kennedy and Jacqueline Bouvier in Newport, Rhode Island.


Undoubted I am drawn to this picture because of the Kennedy glamour. Kennedy weddings are about as close as we Americans come to royal weddings; their nuptials have combined romance and history in varying amounts. This photo seems loaded with both: Though JFK was still nearly seven years away from being elected President of the United States, I believe I can see here, in the sparkling presence of bride and groom, the first glimmerings of Camelot. (Or maybe it's just me; this is what happens when you look at photographs too much: They start speaking to you, and you can't be sure whether they're being entirely trustworthy.)

At any rate, Life.com has the contact sheet with this frame and Larsen's outtakes. So you can judge for yourself what kind of photographic gifts she brought to the wedding. Feel free to offer up other great wedding photos to compare.

I think I also admire the picture because of the photographer, who packed a little glamour of her own. Larsen was born in Germany and came to New York at age 17 after graduating from college. She was fluent in French, English, German, and had some Danish and Russian. She worked as a photographer for Vogue, Parade, Glamour, Holiday, and other magazines before being hired by Life as a contract photographer in 1950.

She did all kinds of assignments, surviving a trip into the Himalayas, trekking into Outer Mongolia (she was the photographer to do so after a government-enforced ten-year ban). The great photographer and Life historian John Loengard once characterized her to me as the "glamour girl" of photojournalism because she was so adept at endearing herself to people--particularly people who were newsworthy. According to Loengard, the Soviet Premier Nikita Khrushchev once gave her a bouquet of peonies, and North Vietnamese President Ho Chi Minh said, "If I were a young man, I'd be in love with you." (Sort of makes you wonder if we might have found a better way to fight the Cold War, doesn't it?) She was fabulous looking, and warm, and she made the people she photographed look that way, too.

Larsen was diagnosed with breast cancer in 1957 and underwent surgery. She came back full of high spirit and ready to resume her career, but in fact she was not well. She died in March, 1959, 52 years ago, at age 34.

President Kennedy would die some four years later, a little more than ten years after Larsen took pictures at his wedding.

Saturday, February 26, 2011

83rd OSCARS, 2011

Sid Avery: Paul Newman and Joanne Woodward "admiring" their awards. His: 'Noscar' for not having received an Oscar (yet) and Hers; for "The Three Faces of Eve". Photo taken for the Saturday Evening Post in 1958



Related: Via NPR Picture Show - The 83rd Oscars are right around the corner and Life is looking back at some of the most iconic Academy moments through the years.

Friday, February 25, 2011

SHUTTLE DISCOVERY LAUNCHES INTO HISTORY; PRESIDENT JOHN F. KENNEDY'S SPACE SPEECH 49 YEARS AGO



 
AP/Chris OMeara


 
Discovery, the world's most traveled spaceship, thundered into orbit for the final time Thursday, heading toward the International Space Station on a journey that marks the beginning of the end of the shuttle era. Discovery is the oldest of NASA's three surviving space shuttles and the first to be decommissioned this year. Two missions remain, first by Atlantis and then Endeavour, to end the 30-year program.


It was Discovery's 39th launch and the 133rd shuttle mission overall. Discovery already has 143 million miles to its credit, beginning with its first flight in 1984. By the time this mission ends, the shuttle will have tacked on another 4.5 million miles. And it will have spent 363 days in space and circled Earth 5,800 times when it returns March 7. No other spacecraft has been launched so many times.


49 years ago, President John F. Kennedy laid out the ambitions for the United States Space Program.


John F. Kennedy, Houston, 1962
Bob Gomel: John F. Kennedy, Houston, September 12, 1962



On a very hot late summer's day, September 12, 1962, President Kennedy visited the Manned Spacecraft Center, Houston. After a brief tour, he delivered brief remarks about the rapid achievements made by the country's space exploration program in recent years and its plans for future projects.

President Kennedy then travelled to Rice University in Houston, Texas, and gave this speech outdoors in the football stadium. The President spoke in philosophical terms about the need to solve the mysteries of space, reaffirmed America's commitment to landing a man on the moon before the end of the 1960s and also defended the enormous expense of the space program.

"We choose to go to the moon. We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.


It is for these reasons that I regard the decision last year to shift our efforts in space from low to high gear as among the most important decisions that will be made during my incumbency in the office of the Presidency."

Text of speech here.

Thursday, February 24, 2011

RICHARD C. MILLER EXHIBIT ON ARTSLANT


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SANTA FE
THE WILD WEST TO 4 WOMEN




RICHARD C. MILLER: 1912 - 2010 A RETROSPECTIVE
Monroe Gallery of Photography
112 Don Gaspar , Santa Fe 87501
February 11, 2011 - April 24, 2011


Monroe Gallery of Photography is pleased to present a retrospective exhibition of photographs by Richard C. Miller, who passed away at age 98 on October 15, 2010. The exhibition opens on Friday, February 11, 5 - 7 PM. The exhibition continues through April 24. Born in 1912, Richard C. Miller's interest in photography grew from toying with his father's 3 1/4" x 4 1/4" folding roll-film camera. In 1935, Miller showed his photographs to Edward Steichen who praised and encouraged him to work in photography. Beginning in 1946, he would shoot celebrities for the Saturday Evening Post, Family Circle, Parents, American Weekly, Colliers, Life and Time.






From 1955 to 1962, Miller was on retainer at Globe Photos, covering the entertainment industry and more than seventy films. After this stint he returned to freelance and became friends with celebrities such as James Dean. Never one for self-promotion, Miller rarely exhibited his work; the work, he figured, should speak for itself. In the spring of 2009, Richard C. Miller's photographic career was given long overdue recognition with an exhibition at the Getty Museum.





In addition to his Hollywood photographs, the exhibition includes a trove of vintage pictures from the 1930s-50s of Los Angeles. When Miller documented the construction of the four-level freeway interchange in mid-20th century downtown Los Angeles, he was overwhelmed by its man-made beauty.


In 1946, Dick photographed a model: Norma Jeane Dougherty. He would later photograph her as Marilyn Monroe on the set of "Some Like It Hot". The exhibit also includes a selection of striking portraits including some of his best friends Edward Weston and Brett Weston.

The exhibit also includes a selection of striking portraits including some of his best friend Edward Weston and Brett Weston.

In addition to his Hollywood photographs, the exhibition includes a trove of vintage pictures from the 1930s-50s of Los Angeles. When Miller documented the construction of the four-level freeway interchange in mid-20th century downtown Los Angeles, he was overwhelmed by its man-made beauty.








Although he was shy, Miller was known for his warmth and eagerness to share his knowledge. A younger generation of photographers have worked to bring Miller recognition. "He was like 007 with a gun over his shoulder," family friend Michael Andrews told The Los Angeles Times in 2010. "The camera went everywhere. He must have climbed to the top of buildings, hiked up hills to get some of these perspectives."


Richard C. Miller passed away on October 15, 2010 at the age of 98.


(Images: Richard C. Miller, Marilyn Monroe,"Some Like it Hot"; Nude,1949 #2, Pigment Print, 20 x 24 inches; Freeway Construction, 4 Level, 1950, Pigment Print, 20 x 24 inches; Rock Hudson,1959, Pigment Print ,20 x 24 inches; Courtesy of Monroe Gallery of Photography)


Posted by Abhilasha Singh on 2/21

Wednesday, February 23, 2011

A WEEKEND OF FINE ART, FOOD, FASHION, AND HOMES BENEFITING ART PROGRAMS FOR SANTA FE'S YOUTH

 


A GREAT TIME FOR A CREATIVE CAUSE: Now in its 14th season, ARTfeast is heralded as one of the most inspired reasons for a getaway. The weekend of festivities celebrates the City Different’s world-class chefs and restaurants, an international array of vintners, original designer fashions and unique homes, along with nationally and regionally prominent artists represented by members of the Santa Fe Gallery Association. All of this fun and food helps young people develop the skills needed to creatively respond to life.

ARTsmart was founded in 1993 to address the lack of funding for art programs and supplies in Santa Fe public schools. In a city built on and sustained by the arts, ARTsmart is committed to funding the creative thinkers of tomorrow. Every year ARTsmart organizes ARTfeast as its major fundraiser. Contributions are made through ticket sales, event and program underwriters, donors, and the volunteerism of hundreds of businesses and educators.

Through 2010, ARTsmart distributed just under $835,000 to ARTsmart projects, public school programs, art related organizations and endowment funds. In 2010, $111,632 was distributed.


JOIN US FEBRUARY 25-27, 2011
Tickets, schedule of events and more information here.

Tuesday, February 22, 2011

A FOND FAREWELL TO THE CAMERA OBSCURA GALLERY AND BEST WISHES TO HAL GOULD

Hal Gould, Dir., Camera Obscura Gallery, 1988 © 2010 Kurt Edward Fishback




The Camera Obscura Gallery will be closing its doors at the end of April, 2011. The following is a schedule of the concluding events:

March 4-March 19:
We will hold a silent auction of selected works from the gallery collection in the upstairs galleries; in conjunction, paintings by Mollie Uhl Eaton will be on display in the downstairs galleries. Bids for the auction will close at 4:30 PM on March 19th. After March 4, you can go to the "auction" link on our website home page for a list of pieces included, registration details and updates.

Please join us for a special First Friday launch of the Auction on March 4 from 5 to 9PM

March 25-April 30:
Two retrospective exhibitions:
Hal D. Gould in Gallery 1 and the upstairs galleries, and Loretta Young-Gautier in Gallery 2. A reception for the artists will be held on Friday, March 25th from 5:30 to 8:30 PM.
Saturday, April 30
We will host an open house and final farewell to our friends, patrons and volunteers, from 2:30 to 5:30 PM.
The Camera Obscura Gallery has been a cornerstone of the photographic arts in Colorado. Read more history here.

"Owning The Camera Obscura Gallery has been a tremendous experience for 48 years. I'd like to close with a special thank you to all our valued patrons and friends for helping to make a dream come true. Good bye and happy trails."

Hal Gould