International Photography Hall of Fame Induction & 50th Anniversary Celebration Honors Ernst Haas

Via The International Photography Hall of Fame

IPHF announced its 2016 class of Photography Hall of Fame inductees. Eight photographers and photography industry visionaries who embody the spirit, artistry and innovation of modern photography have been selected for induction:

• Ken Burns, documentary filmmaker
• Ernst Haas, 20^th century professional photographer
• Steve Jobs, former Apple Inc. chairman and CEO and technology pioneer
• John Knoll, co-creator of Adobe Photoshop
• Thomas Knoll, co-creator of Adobe Photoshop
• Annie Leibovitz, portrait photographer
• Graham Nash, creator of fine art digital printing, photographer and musician
• Sebastião Salgado, documentary photographer and photojournalist

Inductees were selected by a nominating committee made up of IPHF representatives and distinguished leaders in the photography industry. To be eligible, inductees must have made a notable contribution to the art or science of photography, having a significant impact on the photography industry and/or history of photography.

“As we look ahead to the next 50 years of the IPHF, we are honored to continue to recognize and celebrate photographers and industry professionals that have made significant contributions to the profession, helping to shape and define modern photography,” said Patty Wente, executive director of the IPHF. “This year’s inductees represent the perfect combination of innovation and artistry; bridging photography’s pioneering past with its fantastic future.”

The Induction and 50^th Anniversary Celebration Event for the 2016 inductees will take place on October 28, 2016 – additional details will be announced soon


Ernst HaasErnst Haas (1921-1986) is acclaimed as one of the most celebrated and influential photographers of the 20th Century, and considered one of the pioneers of color photography. In the 1950's he began experimenting with Kodachrome color film and went on to become one of the premier color photographers of the decade. In 1953, Life featured his groundbreaking 24-page color photo essay on New York City, the first time such a large color photo feature was published in the magazine. In 1962, a retrospective of his work was the first color photography exhibition held at New York's Museum of Modern Art (MoMA). Throughout his career, Haas traveled extensively, photographing for Life, Vogue and Look, to name a few of many influential publications. Haas has continued to be the subject of museum exhibitions and publications such as "Ernst Haas, Color Photography" (1989), "Ernst Haas in Black and White"(1992) and "Color Correction" (2011).

Monroe Gallery of Photography At Art Aspen August 4 - 7

August 4-7, 2016
Aspen Ice Garden
Opening Night, Aug. 4

Art Aspen Press Release CHICAGO (July 28, 2016) – The seventh edition of Art Aspen will showcase the very best in modern and contemporary art with artwork presented by galleries from around the country. Located at the Aspen Ice Garden from August 4-7, guests will find a myriad of works from 1950-present, displayed in an intimate, boutique-style setting with the spectacular Ajax Mountain as the backdrop. While planning a visit to Art Aspen, attendees should add these “must-do’s” to their list:

A Spectacular Opening Night Preview: Art Aspen will kick-off on Thursday, August 4 with an exciting Opening Night Preview that art lovers will not want to miss. Guests will have the opportunity to be among the first to explore and acquire the amazing works from established and emerging artists. Patrons, collectors and curators, FIRST LOOK and VIP Preview ticketholders have the opportunity to speak with the gallery owners and artists as well as acquire artwork before the fair opens to the general public. The Opening Night Preview is open to First Look Black Card ticket holders 5-6:30pm and opens to VIP Preview ticketholders from 6:30-9pm. Tickets are available at art-aspen.com/tickets or at the door.

Exhibiting Works from Renowned Galleries: The art world will converge at Art Aspen with amazing galleries displaying the works of renowned and up-and-coming artists from throughout the country. Pieces from artists such as Pablo Picasso, Lino Tagliapietra, Howard Schatz, Bernar Venet, Catherine Howe, and many more, will be on display. Art Aspen’s 2016 line-up includes: Addison Rowe Fine Art (Santa Fe, NM), ART|BASTION (Miami, FL), Axiom Contemporary (Santa Monica. CA), Bonner David Galleries (Scottsdale, AZ), Casterline|Goodman Gallery (Aspen, CO), Charon Kransen Arts (New York, NY), Christopher Martin Gallery (Aspen, CO + Dallas, TX + Santa Fe, NM), Duane Reed Gallery (St. Louis, MO), Evan Lurie Gallery (Carmel, IN), Galerie Maximillian (Aspen, CO), Gallery M (Denver CO), Gerald Peters Gallery (Santa Fe, NM), The Hue (Miami Beach, FL), IKON Ltd. Contemporary Art (Santa Monica, CA), Monroe Gallery of Photography (Santa Fe, NM), Opera Gallery (Aspen, CO; Miami, FL; New York, NY;), Tansey Contemporary (Santa Fe, NM), ten|Contemporary (Grass Valley, CA), Timothy Yarger Fine Art (Beverly Hills, CA), Walter Wickiser Gallery (New York, NY), William Shearburn Gallery (St Louis, MO), Yares Art Projects (New York, NY + Palm Springs, CA + Santa Fe, NM)and Zener Schon Contemporary Art (Mill Valley, CA).

More information here.

Winning The White House: From Press Prints To Selfies

WINNING THE WHITE HOUSE FROM PRESS PRINTS TO SELFIES

Via ICP

NEW YORK, NY AND SOUTHAMPTON, NY – From official portraits and campaign ads to selfies and televised debates, images play an essential role in every presidential campaign. Now, Winning the White House: From Press Prints to Selfies—a new thought-provoking special exhibition presented by International Center of Photography opening at the Southampton Arts Center on August 6th—explores the complex relationship between candidates’ representations in visual media and their carefully created and tightly controlled campaign images.

Organized by ICP’s Assistant Curators Susan Carlson and Claartje van Dijk, Winning the White House: From Press Prints to Selfies features works by Cornell Capa, Grey Villet, Elliott Erwitt, Bill Eppridge, Chris Buck, Stephen Crowley, Ken Light, Mark Peterson, Antoni Muntadas and Marshall Reese, and others as well as campaign ephemera, posters, and video materials created for candidates from John F. Kennedy and Richard Nixon to Hillary Clinton and Donald Trump.

“Since the time of Abraham Lincoln through the present day, presidential candidates have used photographic imagery in their campaigns to impact public opinion,” says Claartje van Dijk, Assistant Curator of ICP. “While staged and curated press prints have historically been the tools of choice for candidates to reach and perform for their electorate, the delivery method has shifted from print publications to broadcast to computer and mobile phone screens—and the imagery has become more personal, more immediate and seemingly more off-the-cuff. With Winning the White House we examine that evolution and put it side to side with the screened selection of campaign images.”

“While professional press photographers continue to cover every campaign stop for major media outlets like their predecessors, they are now joined by thousands of amateur photographers,” adds Susan Carlson, Assistant Curator of ICP and van Dijk’s co-curator for Winning the White House. “With the rise of smart-phone technology and the rapid rate at which images are released on social media, the 2016 campaigns are seeing an even greater demand for visual content. This provides us with a timely opportunity to explore photography’s significant role in elections.”

The Southampton Arts Center is located at 25 Jobs Lane, with gallery hours Thursday-Sunday from 12-6pm. Admission is free and open to the public. For programming and other information, please visit us at http://www.icp.org or http://southamptonartscenter.org.  The exhibition was made possible by ICP Trustee Renee Harbers-Liddell and Chris Liddell.

Southampton Arts Center

25 Jobs Lane
Southampton, NY 11968 United States + Google Map

NEIL LEIFER: RELENTLESS

Neil Leifer

Muhammad Ali Training, Fifth Street Gym, Miami, October, 1970

Monroe Gallery of Photography, 112 Don Gaspar, Santa Fe, NM, in conjunction with the Briscoe Center for American History, is pleased to host a special exhibition and book signing celebrating Neil Leifer's most recent book, "Relentless”. The exhibition opens with a reception and book signing with the photographer on Friday, July 29, 5 – 7:30 PM.

Neil Leifer is the best-known sports photographer of the past half century.  Now, in Relentless, a collaborative publication of the Dolph Briscoe Center and the University of Texas Press, Leifer takes us behind the scenes of some fifty of his most iconic pictures. Starting with his shot of Baltimore Colt Alan Ameche scoring the game-winning touchdown against the New York Giants during sudden death overtime in the 1958 NFL Championship game at Yankee Stadium—taken on Leifer’s sixteenth birthday—he tells enthralling, often hilarious stories of getting to the right place at the right time to capture many of the legendary athletes of the twentieth century, including Mickey Mantle, Arthur Ashe, Willie Mays, Sugar Ray Robinson, Joe Namath, and Arnold Palmer, as well as shooting presidential and celebrity portraits and covering a variety of subjects for Time. Recapping both an incredibly successful career and the transformation of photojournalism since the era of the great photo magazines, Relentless effectively chronicles fifty years of American popular culture

Relentless:  400 pages with 276 black & white and color photos, $45, is available from the Gallery.

Neil Leifer's photograph are included in the exhibition: Who Shot Sports: A Photographic History, 1843 to the Present at the Brooklyn Museum through January 8, 2017.

Neil Leifer: 1963 World Series Final Game - Sandy Koufax celebrating with Maury Wills, Dodger Stadium, Los Angeles, CA

Journalists Detained, Arrested Covering Protests

Police in riot gear block a street as hundreds of marchers take to the streets to protest against the recent fatal shootings of black men by police Friday, July 8, 2016, in Phoenix.
(AP Photo by Ross D. Franklin

Poynter: Police arrest reporters covering Black Lives Matter protests

CNN: TV reporter arrested covering Black Lives Matter protest

TVNZ: Police arrest black reporters on live TV during Black Lives Matter protest

Democrat and Chronicle:   Two 13WHAM reporters were detained about 12:45 a.m. by police officers. Officers took the handcuffs off the reporters and released them minutes later. Mayor Lovely Warren apologized to the reporters

The Independent: Black Lives Matter protest: Video of activist being arrested while talking to reporters in Rochester goes viral



The Louisiana National Lawyers Guild, which is providing legal support to protesters, set up an online fund-raiser aimed at raising money to bail out protesters arrested in Baton Rouge.

On Saturday, as protests continued, a reporter from the Baton Rouge television station WAFB was detained by police officers. In a statement to BuzzFeed, WAFB confirmed one of its journalists had been arrested and said it was unclear whether police had charged the reporter with any crimes.


Later Saturday, New Orleans public radio station WWNO confirmed on Twitter that one of its reporters had been arrested on assignment in Baton Rouge:


Black Lives Matter protests are not an unfamiliar sight for many American cities, but they gained new prominence this week after two Black men were killed by police officers.
Philando Castile, a 32-year-old Black man in St. Paul, Minnesota, was shot several times while his girlfriend recorded the whole incident on Facebook Live. Alton Sterling, a 37-year-old Black man, was shot to death by officers in an incident that became widely known after a cellphone video of the encounter began circulating widely.
At a rally Thursday night, a gunman killed five police officers and injured seven others as they were trying to protect a protest in Dallas.
Correction: A previous version of this story incorrectly referred to the White House. We apologize for the error. Thanks to Mozes Zarate for pointing out the mistake.

Brooklyn Museum: Who Shot Sports: A Photographic History, 1843 to the Present

George Silk

Kathy Flicker's perfect 10 point dive at Princeton University's Dillon Gym Pool

©Time Inc.

Via The Brooklyn Museum

July 15, 2016–January 8, 2017
Morris A. and Meyer Schapiro Wing, 4th Floor

Who Shot Sports: A Photographic History, 1843 to the Present is one of the first museum exhibitions to put sports photographers in the forefront and is the most comprehensive presentation of sports photography ever organized. It encompasses approximately 230 works—from daguerreotypes and salted paper prints to digital images—that capture the universal appeal of sports, highlighting unforgettable moments of drama and excitement from around the globe.

The 170 photographers represented in Who Shot Sports include Richard Avedon, Al Bello, David Burnett, Rich Clarkson, Georges Demeny, John Dominis, Dr. Harold Edgerton, Rineke Dijkstra, Brian Finke, Toni Frissell, Ken Geiger, LeRoy Grannis, David Guttenfelder, Ernst Haas, Charles "Teenie" Harris, Walter Iooss, Jr., Heinz Kleutmeier, Stanley Kubrick, Jacques Henri Lartigue, Neil Leifer, Étienne-Jules Marey, Bob Martin, Martin Munkacsi, Edward Muybridge, Catherine Opie, Leni Reifenstahl, Robert Riger, Alexander Rodchenko, Howard Schatz, Flip Schulke, George Silk, Barton Silverman,  Andy Warhol, and Stephen Wilkes.

"Today, it is the photographers who give sports its indelible image," says Gail Buckland, who returns as guest curator after the 2009 exhibition Who Shot Rock & Roll: A Photographic History, 1955 to the Present. "Seeing athletic greatness, we both recognize our personal physical limitations and delight in bodies and minds taken to new heights. To play and to watch sports is to be in the moment. Still photographers are masters of moments."

Who Shot Sports: A Photographic History, 1843 to the Present is organized by guest curator Gail Buckland. The Brooklyn presentation is coordinated by Lisa Small, Curator of Exhibitions, Brooklyn Museum.
A companion book of the same title, published by Alfred A. Knopf, accompanies the exhibition.

Monroe Gallery of Photography, in conjunction with the Briscoe Center for American History, is pleased to host a special exhibition and book signing celebrating Neil Leifer's most recent book, "Relentless”. The exhibition opens with a reception and book signing with the photographer on Friday, July 29, 5 – 7:30 PM.

JULY 4, 2016

Eric Smith: County Fair Queen, Adrian, Michigan, July Fourth, 2007

From the exhibition "The American Family Album", a selection of 50 photographs that represents a collective American Family Album: an offbeat and absorbing portrait of the American experience. Unusual, timeless, irrational; these anonymous memories of America are not what we expect.

EXHIBITION: THE AMERICAN FAMILY ALBUM

Steve Schapiro: Supermarket Protest, New Jersey, 1963

THE AMERICAN FAMILY ALBUM
Wanderlust and encounters of the American family in pictures.
July 1 through September 18, 2016

A selection of 50 photographs that represents a collective American Family Album: an offbeat and absorbing portrait of the American experience. Unusual, timeless, irrational; these anonymous memories of America are not what we expect. The images are an elusive vision of a country without limits and challenge us to reinterpret the impact, value, and status of photographs we encounter in our daily lives. There may be no Pulitzer Prize-winning pictures in the exhibition, but the photographs are nonetheless glorious in their innocence.

Guy Gillette: Racers, West Heartland, Connecticut, 1953

Although family photo albums have only been in existence for over one hundred years, now they are virtually obsolete, often replaced by an overload of digital images scattered across our many devices.  Concurrently, smaller and more advanced cameras helped contribute to the success of picture magazines and led to more photographs in newspapers. Photographers documented the major events of our collective history, with a particular emphasis on “big events” and newsworthy happenings. But these photographers also photographed the lives of average folks and their everyday unique American experiences. Professional photographers explored the American landscape in the hopes of finding average individuals in everyday settings and creating pictures that illustrate the idiosyncrasies of people, objects, and places discovered on the journey. During the heyday of magazine photography, the wanderlust of the American family often provided a narrative that comprised the American experience.

“The mission of photography is to explain man to man and man to himself. And that is no mean function. Man is the most complicated thing on earth and also as naïve as a tender plant.” – Edward Steichen

View the exhibition here.

JUNE 12: LOVING DAY

Grey Villet: Richard and Mildred Loving. 1965

Via The LA Times
June 10, 2016

"Forty-nine years ago on June 12, the Supreme Court struck down laws in 16 states that banned mixed-race marriages. The decision in Loving vs. Virginia overturned the conviction of Richard and Mildred Loving, an interracial couple from Caroline County, Va., who had been arrested, jailed and banned from their home state for violating its Racial Integrity Act.

It also ushered in a new era in the American family.

For 12 years, Ken Tanabe, a Japanese-Belgian freelance graphic designer living in New York, has been working to educate Americans about what he sees as one of the most significant civil rights cases through Loving Day, the unofficial holiday that cities across the country are slowly adapting to celebrate the lives of the fast-growing multiracial population.

Now Tanabe, whose organization has tracked and sponsored many of the dozens of dance and music festivals, film screenings, picnics and forums taking place across the country in June to commemorate Loving vs. Virginia, has launched a campaign to get the holiday recognized by the federal government." Read the full LA Times article here.

Grey Villet: Mildred and Richard Loving, King and Queen County, Virginia in April 1965

Grey Villet took over 2,400 frames of the Lovings for Life in 1965 but the magazine did not run the story until March 18, 1966, when the Virginia Supreme Court of Appeals upheld the lower court ruling and the Lovings’ case headed to the U.S. Supreme Court. The tone of the piece, as well as the selected images, was cool and neutral; the three published images that include both Mildred and Richard are extremely chaste and do not capture the emotional bond between them as so many of Villet’s other images do. Life, like many other media outlets, did not want to address the topic of interracial sex directly for fear of offending popular opinion.

White House petition to establish Loving Day as a holiday.

CBS News "Sunday Morning" Almanac: June 12th,1967, 49 years ago today ... a day of triumph for a basic human right

International Center of Photography: The Loving Story: Photographs by Grey Villet

HBO Documentary The Loving Story

Feature in production: LOVING

Muhammad Ali, Titan of Boxing and the 20th Century, Dies at 74

Bob Gomel: Cassius Clay, Miami, 1964

The New York Times:  Muhammad Ali, Titan of Boxing and the 20th Century, Dies at 74

Neil Leifer:  Muhammad Ali Knocks Out Sonny Liston, Lewiston, Maine, May 25, 1965                                

A look back at selected Muhammad Ali posts from our blog:

Sonny Liston landed on canvas below Muhammad Ali’s feet on May 25, 1965, and Neil Leifer snapped a photo

On Friday, March 6, 1964, Cassius Clay became Muhammad Ali

Cassius Clay couldn’t sleep in Miami Beach after beating Sonny Liston there in the legendary 1964 bout

March 8: Today In History: 'The Fight Of The Century'

Steve Schapiro: Muhammad Ali (Cassius Clay - Monopoly), Louisville, Kentucky, 1963

Visit our Pop-Up Tribute exhibition now on view in the gallery.
Neil Leifer will be signing copies of his new book Relentless: The Stories behind the Photographs 

 in the gallery July 29, 2016
Pre-orders available