Showing posts with label sports. Show all posts
Showing posts with label sports. Show all posts

Sunday, August 4, 2024

Joe McNally: Photographing the Olympian, Part One

Via Joe McNally

August 2, 2024

 

black and white screen shot of Joe McNally blog article with Gaile Devers thigh and muscle on her arm with long fingenails


In 1996, I photographed the US Olympic team–in the nude. It was controversial back then. Now, not so much. But I ended up on the Today Show, Good Morning America and all sorts of news outlets, with commentators and pundits breathlessly exclaiming to me about the audacity of it. Some loved it, others were offended. Which was ok by me, ’cause it meant somebody actually looked at the pictures.

At the time, Gail Devers was the fastest woman in the world. She overcame Graves’ disease to become one of the most decorated female athletes of all time. I went to Los Angeles to photograph her and used a studio located in a hangar at Santa Monica Airport.

She made it plain she would not do a full nude, so you get creative. I was after unadorned body parts as well. Genius that I am, I wanted to photograph her legs. They were the engine, right? So I made this picture. Nice enough.

black and white photograph of Gaile Deevers' muscles in her thighs



We were running down on time and starting to pack up. I was happy with the photo. But then I asked, “Is there any other physical attribute you can think of that is responsible for your success as a sprinter?” She replied, “Well, I’m pretty strong.” And did this.


black and white photograph of Gail Devers making a muscle on her arm, with her long fingernails



We grabbed a couple of v-flats, put a black one behind her and filled in the cloudy daylight with a bit of bounced light from another large white board, right there on the tarmac outside the hangar. Shot it in about five minutes. It won first place in the Portrait Division at the World Press Awards that year.

You never know. Always ask the question, otherwise, it can be a long plane ride home.

Saturday, July 27, 2024

Sports! On and Off the Field with Joe McNally

 Via Adorama


Photographer, Director, Author, Storyteller: Joe McNally

Take a trip around the track or up and down the field with Joe McNally. In the studio or on the playing field, he has photographed sports and athletes in an incredible variety of ways, from stylized action in a controlled environment, where everything is orchestrated to create impact, to the unpredictable hurly-burly of competition. Under discussion will be camera work, Olympic prep and action, studio and location portraiture, concept-driven images of sports stars, and imaginative solutions to create vibrant, compelling images illuminating the obsession to be the best that possesses every high-level competitor. A lively discussion with Seth Miranda, aka Last Witness, precedes a live demo in the Adorama presentation space. 

Joe McNally is an internationally acclaimed, award-winning photographer and filmmaker whose prolific career includes assignments in 70 countries. McNally won the first Alfred Eisenstaedt Award for Journalistic Impact for a LIFE coverage titled, “The Panorama of War.” McNally has been honored numerous times by Communication Arts, PDN, Graphis, American Photo, POY, and The World Press Photo Foundation. McNally is masterful at lighting and is known for his large-scale production work, in addition to his vast storytelling experience which stems from assignment work for legendary publications such as LIFE and National Geographic. His work is regularly cited in social media surveys as a source of inspiration and industry leadership.




Monday, December 7, 2009

NEIL LEIFER BOOK SIGNING EVENT DRAWS BIG TURNOUT IN SANTA FE

We started to write about this weekend's special book signing by Neil Leifer of his recent book, "Guts and Glory: the Golden Age of American Football". But another blogger did a better post. See below.


What’s Wrong With This Picture?

Copyright M.G. Bralley



These are Michelle and Sidney Monroe. They own the Monroe Gallery of Photography at 112 Don Gaspar, in Santa Fe.

It features post World War II photojournalism; mostly from the age of the weekly photo magazine; the LIFE and LOOK era.

Visiting the gallery and its 10 to 12 exhibitions each year chronicle recent history through the lenses of some of the most prominent photojournalist of the last 65 years.

So what’s wrong with this picture?

As is my practice, those who make it to my blog roll, right, do so only after having had a post written about them. These are the sites I read and recommend to my readers.

In this case, Sidney started it.

In the background of the host of this site, Blogger, there is a section that indicates people who regularly follow your work. Monroe Gallery of Photography is one such follower.

He also is a good editor of the art and photographic scene. He has his twitter site on his blogspot and it is worth following.

I was first introduced to Monroe’s through a University Art Studio class visit in 2002.

The gallery had moved from lower Manhattan after the 9/11 attacks on the World Trade Center. Though blocks away, their gallery was within what Sidney called “the zone,” the area that was without power for months following the attacks.

The Monroes knew Santa Fe and moved after 20 years.




The Monroes backgrounds as art curators stem from their work: Sidney is the economics end the business, who says he is not photographically inclined, he was the retail manager for the Metropolitan Museum of Art, Michelle worked at Cooper-Hewitt, National Design Museum, Smithsonian Institution.







Senior Life magazine photojournalist Alfred Eisenstaedt turned to the Monroes to assemble his first exhibition and then to represent the sale of his work, above.

Over the years the Monroes came to know many of the photojournalists of the 20th and now 21st century whom they would go on to represent.




The gallery is a continuously changing museum of history.





This weekend they brought in Neil Leifer, left, the renowned photojournalist, possibly best known for his years of work at Sport Illustrated, for a book signing event.

I always knew I was not a sports photographer by simply looking at Leifer’s work.

Leifer’s biography is about a young man with great eye, timing, and a true understanding of sports.




One of his favorite subjects was Muhammad Ali, me too. I shot Ali, above, while he was banned from fighting.




Saturday afternoon I went to the book signing and ran into one of the biggest sports fans in New Mexico, Governor Bill Richardson. He owns a print of the photo of Ali taunting Sonny Liston after knocking him out in their rematch. The print was a birthday gift from political friends and staff according to New Mexico Department of Cultural Affairs Secretary Stuart Ashman, who was also present.

Richardson dominated the conversation, yet no one seemed to have any complaint because the Governor drew out stories about historic sporting events.




Leifer turned the tables when he challenged Richardson to identify some of the men in the photo of President John Kennedy and Vice President Lyndon Johnson during an opening game at a Washington Senators' baseball game. For the ultimate sports and political fan, Richardson was unable to aid Leifer in trying to identify the unknown people in the Presidential box.

I recognized some, but they were the major political figures of the day from Capitol Hill. Leifer believes the unknown men to have been Baseball Commission officials.

The early 1960s is a long time ago. I was still playing little league. Richardson was already playing school ball. The Governor bought a copy of Leifer's book, Ballet In The Dirt: The Golden Age Of Baseball.




As much as I appreciate Leifer’s work, I can’t afford an original, a book or two, yes. However, Liefer asked that I send a picture of him with the Governor, so he has an MGB original.

About  M.G. Bralley

I am a retired law enforcement officer who has a life long interest in photography and journalism. I focus mainly on issues of local politics, though I will step off into state, national and international issues. I have a history of watching government closely with a particular eye on process. I look carefully for the unusual, quirky and any exceptions that are granted which cause unfair treatment amongst citizens or businesses. I view governmental activity first through a constitutional lens. Then I assess adherence to process, the rule of law and the rules that govern them. I look for and attempt to expose hypocrisies and inconsistencies. I also look for laws that do not forward the ideals of human rights. I will rail at bad, unenforceable, unconstitutional laws and those who create and attempt to enforce them. Original photographs, photographic and video services are available upon request.

Thursday, December 3, 2009

NEIL LEIFER SPECIAL HOLIDAY BOOK SIGNING DECEMBER 4 AND 5




Santa Fe--Monroe Gallery of Photography, 112 Don Gaspar, is pleased to host a special exhibition and book signing celebrating Neil Leifer's most recent book, "Guts and Glory: The Golden Age of American Football”. The exhibition opens with a reception for the photographer on Friday, December 4, 5 - 7 PM, and Neil Leifer will sign books that evening and again on Saturday, December 5 from 1 to 3.

Leifer will also sign his earlier books, "The Best of Leifer"; "Portraits", and Baseball: Ballet in the Dirt". Supplies are limited.

Published by Taschen, "Guts and Glory" contains the best of sports photographer Neil Leifer's 10,000 rolls of football pictures, including hundreds of previously unpublished images. It is a glorious oversize-volume format that weighs 7 pounds, with red-and-white silk cloth overboards and is a limited edition of 1500 numbered and signed copies. Neil Leifer became a professional photographer while still in his teens. In 1958, he took the picture that remains one of his most famous to this day - Alan Ameche's game-winning "Sudden Death" in a game to this day called "The Greatest Ever Played," Beginning in 1960 as a freelancer, his pictures began regularly appearing in every major national magazine, including the Saturday Evening Post, Look, LIFE, Newsweek, Time and, most often, Sports Illustrated. By 1990, his photographs had appeared on more than 200 covers.

Neil Leifer is responsible for photographing many of the images we hold in our minds of the iconic figures of sports history. His unforgettable photograph of Muhammad Ali standing over a fallen Sonny Liston in 1965 has been called perhaps the greatest in sports history.

Gallery hours are 10 to 6 Monday through Saturday, 10 to 5 Sunday. Admission is free. For further information,  please call: 505.992.0800; E-mail: info@monroegallery.com