Showing posts with label journalism. Show all posts
Showing posts with label journalism. Show all posts

Tuesday, September 9, 2014

Live-Stream tonight: After James Foley- Covering Conflict When Journalists Are Targets







Via Columbia School of Journalism


Tuesday, Sep. 9, 2014, 7:00pm
         
Dean Steve Coll leads a panel to discuss the current risks, rewards, and inner workings of conflict reporting in the aftermath of reporters James Foley and Steven Sotloff's tragic murders.


Speakers include Reuters columnist and former New York Times reporter David Rohde, held captive for seven months by the Taliban before he escaped; New York Times foreign correspondent Rukmini Callimachi, previously the West Africa bureau chief for The Associated Press; Phil Balboni, GlobalPost CEO and co-founder, who spent two years fighting for Foley's release; Nicole Tung, a freelance conflict photographer and Foley friend who first discovered him missing; and Joel Simon, executive director of the Committee to Protect Journalists. This event is sponsored by Columbia Journalism School, the Dart Center for Journalism and Trauma, the Committee to Protect Journalists and the Overseas Press Club of America.


Seating will be on a first-come, first-served basis. This event will be live streamed.

Sunday, February 2, 2014

Killing The Messenger: The Deadly Cost of News









February 2, 2014 – North American broadcast premiere on Al Jazeera America – America Presents – 9:00pm Eastern/6:00pm Western.

About the Film

Murder is the leading cause of work related deaths for journalists as censorship increases worldwide. In addition to those who have been killed, dozens have been attacked, kidnapped, or forced into exile in connection with their coverage of crime and corruption.
Journalists reporting from Mexico, Russia and Iraq tell their own stories of kidnapping, intimidation, and beatings. They’ve experienced the loss of colleagues in the field and have been close to death themselves. Their stories are heartfelt, captivating, engaging and at moments – unbelievable.
In December 2006, the UN Security Council unanimously passed landmark Resolution 1738 which demanded greater safety for journalists in conflict areas and called for an end to impunity for their killers. Since the UN resolution was passed, over 300 news media workers have been killed, while more have been imprisoned or have simply disappeared while on the job. Countless others have been intimidated into self-censorship or have gone into exile. If no story is worth a life, then why is murder the number one cause of journalists’ deaths worldwide?

Friday, December 6, 2013

A Mushroom Cloud and the Twin Towers: the role of images in contemporary consciousness

 

Via CCA

Sunday, December 8, 2pm
LIVING ROOM
$5 Dollar Suggested Donation


 
How do images become placeholders for historic moments? What happens in the brain when images are no longer pictures, but rather icons loaded with emotion or politics? How is meaning-making changing as our world is increasingly flooded with images? This multi-media discussion event features short presentations by a panel of artists, journalists, and visual critics followed by a lively conversation about the ways that images (or the lack thereof) shape perception. Panelists include Nina Elder, Claudia X. Valdes, Dr. Khristaan Villela and others.


505.982.1338 CONTACT@CCASANTAFE.ORG This email address is being protected from spambots. You need JavaScript enabled to view it.
1050 Old Pecos Trail Santa Fe

Wednesday, November 20, 2013

A Day in the LIFE

Wingo calls the period surrounding Kennedy’s assassination a national “state of shock.” - Enrique Limón


Fifty years after JFK’s assassination, Hal Wingo looks back
By Enrique Limón
Via The Santa Fe Reporter



Former senior editor of LIFE magazine, Hal Wingo remembers the afternoon of Nov. 22, 1963 vividly. He was working as a reporter in the publication’s Big Apple headquarters and was walking back from lunch.

Wingo recalls how the Time & Life Building, one of the four original structures in Rockefeller Center, was one of few tall buildings on the block. Its neighbors were all “itty-bitty” two to three story-tall buildings filled mostly with electronic retailers selling radios and black and white TV’s.

“I was walking back up Sixth Avenue and I noticed all these people standing in front of the windows of these shops,” Wingo says. “I got up close and I saw they were all watching this broadcast saying the president had been shot.”

He then set “the world speed record from 47th to 50th Street,” and upon arriving at his workplace, was immediately dispatched to Washington DC.

“When Dick and I talk about these things, I’ve always said that every person with a memory that reaches back that far can stand up and tell us exactly where they were and exactly how they heard that the president had been killed.” He pauses and takes a sip of coffee. “Our story is no different, it’s just that we were closer to it, but everyone shared the experience.”

Dick is Wingo’s colleague Richard Stolley, who at the time served as the magazine’s Los Angeles bureau chief. Stolley was alerted of the news via AP Teletype and not an hour later  was on a plane to Dallas working on a tip that a local businessman by the name “Za-proo-dur” had captured that precise moment of the president’s motorcade on film.

In a swift move and amongst cutthroat competition, Stolley secured the 26-second clip he calls “the most famous home movie in American history” for $50,000.

“He’s the man,” Wingo gushes. “There’s no getting around that’s the most important thing LIFE ever published.”

The pair, who later teamed up to launch People magazine, and who, by a twist of unrelated events moved to Santa Fe, join forces on Friday for a presentation at the Lensic titled From Zapruder to Taskim Square: Media and Culture in the 21st Century.

The intention, Wingo says, is “to turn this—from just a total reflection—to thinking about where are we now and where do we go from here, in terms of events in the future and how they get handled, reported and treated by the media.”

A week later, Stolley is set to sign copies of LIFE: The Day Kennedy Died at Monroe Gallery.

“We’re in that pivotal sphere, I think, in terms of everything being different,” Wingo says. “We live in a world dominated by Julian Assange and Snowden. There are no secrets; it’s just a different world—a totally different world.”

With today’s ever-competing 24-hour news channels and sharing at the push of a button, Wingo notes how  the information panorama has changed dramatically since the faithful Texas afternoon.

“People stayed glued to their TV sets all weekend and never once saw a single picture of what happened, because it was in the Zapruder film only and that came out in LIFE magazine on Monday.”

At the time, Wingo says, the move to pull an already printed product and replace it with a revised one was nothing short of Herculean.

“You gotta remember, the assassination occurred on a Friday,” he says. “The magazine had closed on the Wednesday before that. We were done; it was on trucks being sent out around the country.”

So, the issue featuring Heisman Trophy-winner Roger Staubach was pulled and replaced over the weekend.  Short on time, the magazine published the film’s stills in black and white.

“What you see in that issue of LIFE are grainy, black and white frames and you think, ‘Really?’ but that’s it, that’s the record,” Wingo says.

Accidentally, the move created the need for instant information in the pre-Internet age. “It was the first time that had ever happened and from that day forward, the reading public expected that if something big happened, you’d get it in LIFE next Monday.”

He chuckles, “We put enormous pressure on ourselves in the process. It was a tuning point, both for what were doing, and I think, in many ways, for the way that people in the country looked at the events of our time.”

In what now would be considered the definition of an atypical media move, the magazine withheld publishing the infamous frame 313—which shows the exact moment the president’s crown is blown away—out of respect  to the family and the American people.

“Can you imagine that happening today? Number one, if anybody got killed in any kind of public setting like that, there’d be 10,000 of these things,” Wingo says, picking up his cell phone. “Frankly, if we’d had those back then, we wouldn’t have as many conspiracy theories as we have today, because there’d be much more evidence. But back then, there was only one record.”

As a matter of perspective, Wingo considers the presidential assassination “more personal” in the American fiber than the terrorist attacks of Sept. 11.

“9/11 was beyond imagination in its horror,” he reflects. “But not personal in the way that losing this one person who so many people admired and attached great hope to.”


FROM ZAPRUDER TO TASKIM SQUARE   7 pm Friday, Nov. 22. Free.
988-7050
LIFE: THE DAY KENNEDY DIED SIGNING  5-7 pm Friday, Nov. 29. Free.
Monroe Gallery of Photography
112 Don Gaspar Ave., 992-0800
Related:

Tuesday, November 12, 2013

Jeremy Scahill with Tom Engelhardt



Via The Lannan Foundation

Jeremy Scahill’s new book and film Dirty Wars: The World is a Battlefield, is an investigation into the U.S. government’s covert wars which he suggests are drawing the nation deeper into conflict across the globe, setting the world stage for destabilization and blowback. The October 30, 2012 talk was followed by a conversation with Tom Engelhardt.

This event was part of the Lannan In Pursuit of Cultural Freedom series.

Click here for audio and video.

Audio player only.

Saturday, November 2, 2013

Sunday: Dick Stolley tells the story of the Zapruder film

As Jacqueline Kennedy crawls away from her fatally wounded husband, Secret Service Agent Clint Hill jumps onto the back of President Kennedy's limousine, in a frame from Abraham Zapruder's amateur movie of the assassination.
As Jacqueline Kennedy crawls away from her fatally wounded husband, Secret Service Agent Clint Hill jumps onto the back of President Kennedy's limousine, in a frame from Abraham Zapruder's amateur movie of the assassination. (The Sixth Foor Museum: Zapruder (1967); WFAA TV Collection)

(Via CBS News) - "It was the single most dramatic moment of my 70 years of journalism," Dick Stolley, former editor of LIFE magazine, says of his first time watching the film of President John F. Kennedy's assassination.

Sunday on "Face the Nation," we'll talk to Stolley, who helped the magazine purchase the 26 second film, as well as the granddaughter of the man who captured the most famous home movie in American history.

As offers poured in to purchase the film, Alexandra Zapruder says her grandfather feared his footage would be used distastefully. When Zapruder did hand over film to Stolley and his colleagues at LIFE, the contract mandated that the film be used "consonant with good taste and dignity."

We hope you'll join us Sunday for this special interview. Local listings here.



On the 6:25 from Grand Central to Stamford, CT, November 22, 1963
On the 6:25 from Grand Central to Stamford, CT, November 22, 1963
Carl Mydans  ©Time Inc.


Monroe Gallery of Photography, 112 Don Gaspar, is pleased to announce "The LIFE Photographers”, an exhibition concurrent with the publication of the new book "LIFE: The Day Kennedy Died, 50 Years Later LIFE Remembers the Man & the Moment". The exhibition opens with a public reception and book signing by renowned LIFE editor Richard Stolley on November 29, and will continue through January 24, 2014. The famous Zapruder film first appeared in LIFE, after being acquired by Richard B. Stolley. At the time, Stolley also interviewed Dallas police, Kennedy administration officials, members of the Oswald family, and workers at Jack Ruby's bar.

LIFE magazine photographers had unparalleled access to John and Jacqueline Kennedy, from even before they were married. Fifty years ago on November 22, 1963, in Dallas's Dealey Plaza, John Fitzgerald Kennedy, the 35th President of the United States, was assassinated while traveling in a motorcade with his wife, Jacqueline. LIFE magazine, the weekly pictorial chronicle of events in America and throughout the world, was quickly on the scene. The exhibition features a special selection of well-known historical Kennedy photographs and several seldom-seen rare images of the now-famous Kennedy mystique that was "Camelot".

LIFE published an astonishing number of the most memorable photographs ever made, and the exhibition also includes many of these photographs from defining moments of the 20th century. The preeminent LIFE photographers set the standard for presenting us with poignant images that seem to lift right off the page and vividly reflect our society’s mindset at the time.

The exhibition of more than 50 photographs also includes iconic images from World War II, and, of course, Alfred Eisenstaedt's sailor kissing the nurse on VJ Day; powerful photographs from the American South during the Civil Rights movement; memorable images of Sophia Loren, Marilyn Monroe, the Beatles and many more indelible photographs.



Related: EXCERPTS FROM AN EVENING OF PHOTOJOURNALISM

Wednesday, October 2, 2013

Comprehensive investigation of threats to press freedoms under the Obama administration




"The fact that the Committee to Protect Journalists felt compelled to investigate the U.S. government's treatment of the press is a remarkable statement here in the home of the First Amendment"

Via The Committe To Protect Journalists


The Committee to Protect Journalists will release its first comprehensive report on press freedom conditions in the United States. Leonard Downie Jr., former Washington Post executive editor and now the Weil Family Professor of Journalism at Arizona State University's Walter Cronkite School of Journalism and Mass Communication, is the author. The report will be released at the Newseum in Washington, D.C., on October 10.

WHAT: The Obama Administration and the Press in Post-9/11 America - a CPJ special report

WHEN: October 10, 2013 - 10:00 a.m. EDT

WHERE:

             Report: www.cpj.org
  • Press conference with Len Downie and Joel Simon: The Knight Studio at the Newseum (555 Pennsylvania Ave., N.W., Washington, DC 20001). Please use the Group Entrance on C Street.
  • The press conference will be live streamed on www.cpj.org

Thursday, February 21, 2013

A day to raise awareness of the risks faced by journalists and photojournalists in war zones on a daily basis



A Day Without News?

An awareness campaign to highlight the risks faced by journalists covering major international news is set to launch on the anniversary of the deaths of American war correspondent Marie Colvin and photographer Remi Ochlik, killed in the Syrian city of Homs last year.

 

The idea for A Day Without News? arose within the journalism and media industry, by those that too often find themselves targeted by belligerents whilst reporting critical news to the world and that have lost too many friends who did not survive their last assignment.

On August 15, 2012, at United Nations headquarters, in New York City, a panel discussion, “The Cost of Truth,” was held to introduce that year’s winners of the World Press Photo Awards, the largest and most prestigious annual photojournalism prizes. Several hundred were in attendance.

Speakers included photographers Lynsey Addario and Michael Kamber; photo agency representatives Stephen Mayes and Aidan Sullivan; David Marshall, representative of the New York Office of the High Commissioner for Human Rights (OHCHR); and Maarten Koets, deputy managing director of World Press Photo.

The panel discussed the alarming increase in the number of injuries, kidnappings and deaths of journalists – who seem not only to be more often the direct target of perpetrators, but also more vulnerable to such attacks due to advanced technology. Aidan posed the question whether there is a better way to legally protect journalists and make the world aware of the critical importance to do so. Despite the fact that it is officially a war crime to target journalists, there has been little respect for or enforcement of the international human rights laws when applied to journalists. And it doesn’t seem that the public recognizes the risk in governments failing to do so.

That night, over drinks at photographer Steve Pyke’s New York bar, Kingston Hall, Aidan recalled a conversation he had had recently with the director general of the ICRC, Yves Daccord, about raising awareness of the dangers faced by journalists in conflict, starting from within the journalism and media community. Photographer Lynsey Addario, who was abducted in Libya in 2011, immediately warmed to the idea. She also mentioned that such an effort might help remind people of the recent losses of journalists such as Colvin, Hetherington, Hondros, and Ochlik. Also on hand that day was Vanity Fair’s David Friend, who would coin the phrase, “A Day Without News?”.

Register your support here.

Find out more here.


 

Wednesday, December 5, 2012

New report, to be released on December 11: Global jailing of journalists reaches record-high


Global jailing of journalists reaches record-high
Via Committee to Protect Journalists

New York, December 5, 2012-- The threat of imprisonment has become a reality for a record number of journalists in 2012, the Committee to Protect Journalist found in its annual prison census. The report, to be released on December 11, records and analyzes the imprisonment of journalists globally, underlining the ongoing crackdown against critical reporting.

A breakdown of the charges, regions, mediums and the number of freelance journalists imprisoned will be available. CPJ's census, first published in 1990, is a snapshot of those incarcerated at midnight on December 1, 2012. It does not include the many journalists imprisoned and released throughout the year.


WHAT: 2012 Imprisoned Journalists, a CPJ yearly census
WHEN: December 11, 2012 - 12:01 a.m. EST / 4: 01 a.m. GMT
WHERE: WWW.CPJ.ORG


Advance copies of the report are available upon request and interviews may be arranged prior to launch date. The report will be published in Arabic, English, French, Russian, Turkish and Spanish.

Thursday, November 15, 2012

“I’m tracking these journalist arrests because I’m concerned about the state of the First Amendment, and our willingness as a public and a democracy to defend it.”




Via freepress.net

Why I Won't Stop Tracking Journalist Arrests


One year ago today I published a blog post entitled “Why I'm Tracking Journalist Arrests at Occupy Protests.” The next day, police raided New York City’s Zuccotti Park, where they arrested 12 journalists and blocked many others from documenting the raid.

Police had previously detained or arrested 13 journalists in the two months since the Occupy Wall Street movement began. By the end of 2011, that number grew to 60, and it now stands at roughly 100.

When I began tracking these arrests, it was an effort to bear witness, to make sure each of these stories was documented. But over the past year it has become much more than that. Through this work I have developed an incredible community of journalists, lawyers, press freedom advocates, organizers and a whole range of people who felt riled up and got involved. This network of friends and allies has been instrumental in tracking these arrests — sending tips, spreading the word, helping with research and supporting one another.

In working with people across the U.S. to chronicle journalist arrests, and in many cases advocate on behalf of journalists who’ve been detained, I’ve come to understand that expanding this community is critical to protecting the First Amendment. As journalism grows more networked and participatory, we need a system for supporting press freedom that builds on those same principles.

Traditionally, press freedom has been protected by institutions, like media companies, whose business interests depended on it. These companies had the legal resources and the clout to push back on First Amendment violations. But the arrests of the past year have illustrated the dwindling influence of these stakeholders and the need for new ways of defending press freedom.

With a few notable exceptions in New York and the Bay Area, commercial media didn’t weigh in on the journalist arrests. Those that did intervene tended to be newsrooms whose journalists were arrested or otherwise harassed. First Amendment groups, journalists’ professional organizations and local press associations have fought admirably, but they, like so many nonprofits, are stretched thin.
While some of the arrests I documented were relatively short detainments, other reporters were held for days and suffered rough treatment during and after their arrests. Some charges were dropped right away, but other journalists are just now being acquitted, almost a year after their arrests. A number of journalists are still waiting to hear the outcome of their cases while police drag out the process.
The arrests received some national attention, but most people are still unaware of how extensive the problem is and no one is tracking the impact of these year-long legal battles on the journalists themselves. In a piece for the Columbia Journalism Review last February, Carla Murphy (who herself had been arrested and is still facing charges) examined how arrests chill speech, especially for independent journalists.

While journalists rarely discuss this openly, many of these arrests were traumatic experiences, especially for those who were detained for extensive periods. Most of the research on post-traumatic stress disorder in journalists focuses on war correspondents, but I have heard from journalists arrested this past year who are struggling with similar symptoms. And I’ve talked with a number of journalists who approach their work very differently than they did before their arrests. These arrests are not just about our universal rights, but also about people’s individual lives.

A year ago I wrote “I’m tracking these journalist arrests because I’m concerned about the state of the First Amendment, and our willingness as a public and a democracy to defend it.” That worry continues today.

We need commercial media institutions to continue fighting to protect the First Amendment. We need strong nonprofit advocates to support citizen and independent journalists. We need journalists to stand up for each other on city streets and in the halls of power. But more than anything, we need to understand that we all have a stake in the First Amendment — and a role to play in defending it.
That’s why I’m going to continue tracking journalist arrests — to bear witness, to broaden the community of concern and to use the tools of media making to empower more people as advocates of our shared First Amendment rights.

Timeline: One Year in the Debate Over Press Freedom
Sept. 17, 2011: Occupy Wall Street begins in New York City

Sept. 24, 2011: John Farley of WNET/Thirteen is the first journalist arrested while covering Occupy Wall Street.

Oct. 1, 2011: The Occupy Wall Street movement crosses the Brooklyn Bridge, leading to mass arrests, including the arrests of three journalists.

Nov. 15–17, 2011: The New York Police Department raids Zuccotti Park right before the two-month anniversary of Occupy Wall Street. Twelve journalists are arrested, with two more arrested on the actual anniversary two days later.

Nov. 18, 2011: The NYPD admits to arresting journalists with NYPD press credentials.

Nov. 21, 2011: New York media demand a meeting with NYPD Commissioner Raymond Kelly and Deputy Commissioner Paul Browne about abuses of press covering Occupy Wall Street.

Nov. 23, 2011: The NYPD issues a formal memo ordering officers to avoid “unreasonably interfer[ing]” with journalists. (Ten days later the NYPD arrest another journalist.)

Dec. 1, 2011: Forty-thousand people send letters and call their mayors, asking them to defend press freedom in their cities.

Dec. 8, 2011: The Committee to Protect Journalists releases its 2011 global census of journalist imprisonment, and finds that “the number of journalists imprisoned worldwide shot up more than 20 percent to its highest level since the mid-1990s.”

Dec. 9, 2011: Rep. Jerrold Nadler of New York calls on the Justice Department to investigate the NYPD’s raid on Zuccotti Park and its treatment of protesters and journalists.

Dec. 12, 2011: The NYPD arrests nine independent journalists, livestreamers and photographers at the Winter Garden in New York City. Video also reveals officers blocking a New York Times photographer as he tries to cover the arrests.

Dec. 13, 2011: A series of “Who is a Journalist?” posts appear here, here and here.

Jan. 3, 2012: The NYPD raid the Brooklyn studio of Globalrevolution.tv, one of the central livestreaming groups covering Occupy Wall Street, and arrest six citizen journalists.

Jan. 18, 2012: The SOPA Internet Blackout spreads across the Web in protest of a piracy bill with broad First Amendment implications.

Jan. 25, 2012: Reporters Without Borders releases its yearly press freedom ranking. The U.S. plummets 27 spots to 47th in the world.

Jan. 28, 2012: Oakland police detain or arrest nine journalists when Occupy Oakland attempts to take over an empty building.

Feb. 2, 2012: Some cities respond to journalist arrests with apologies and police reprimands. Documentarian Josh Fox is arrested while trying to film a public hearing in the U.S. House of Representatives.

Feb. 9, 2012: Sixteen-thousand people send letters of support to journalists who have been arrested.
March 3, 2012: Bay Area journalists and press organizations meet with Oakland Mayor Jean Quan about ongoing press suppression and arrests in the city.

April 30, 2012: A coalition of elected officials and members of the press file a civil rights lawsuit against the NPYD seeking redress for police misconduct during Occupy Wall Street protests. The National Press Photographers Association joins the lawsuit later in the year.

May 3, 2012: On World Press Freedom Day, a coalition of press freedom and digital rights groups send a joint letter to Attorney General Eric Holder calling on the Justice Department to protect all people’s “right to record.”

May 14, 2012: The Justice Department releases a lengthy memo providing guidance to police departments and asserting that people’s right to record is protected under the First Amendment.
May 20, 2012: Four journalists are arrested while covering the NATO summit in Chicago. Other journalists and livestreamers complain about being targeted and harassed by police.

June 8, 2012: NYPD Deputy Commissioner Paul Browne tries to rewrite history and denies the NYPD arrested journalists the department had earlier admitted to arresting.

July 25, 2012: Researchers at NYU and Fordham law schools release an eight-month study which finds the NYPD “consistently violated basic rights” by using aggressive force and obstructing press freedom.

July 31, 2012: Twitter bans journalist Guy Adams for revealing an NBC executive’s work email address during the opening ceremonies of the Olympics. (Adams was later reinstated.)

Aug. 27–Sept. 6, 2012: The Democratic and Republican conventions included a significant police and security detail, but there are relatively few incidents of press suppression.

Sept. 15–17, 2012: Eight journalist arrests occur on the one-year anniversary of Occupy Wall Street. This leads to another set of letters from the Society for Professional Journalists, the National Press Photographers Association and 13 other media organizations.


Related: NYC Sued for Systematic Civil Rights Violations During Occupy Protests
     
             Here we go again: Occupy Wall Street Arrests Photographers

Suppressing Protest: Human Rights Violations in the U.S. Response to Occupy Wall Street
 

Monday, August 6, 2012

Tracking Journalist Arrests at Occupy Protests Around the Country, Part Two



Via John Sterns

Since September 2011 83 people have been arrested in 12 cities around the United States while trying to report on Occupy Wall Street protests. This list is part two of that tracking effort and begins on May 1, 2012. For a quick list of arrests and a break down of their affiliation and occupation see this spreadsheet.

Full post here.


About Josh Sterns: "I have been tracking, confirming and verifying reports of journalist arrests at Occupy protests all over the country since September. Help me by sending tips and tweets to @jcstearns and tagging reports of press suppression and arrests with #journarrest"

Related: New York Times photographer arrested while covering arrest

Friday, July 27, 2012

"It is a dangerous time to be a journalist"




In case you missed this yesterday:

Committe to Protect Journalists' Deputy Director Robert Mahoney testified before the Tom Lantos Human Rights Commission in Washington on Wednesday, highlighting global attacks on press freedom and, in particular, assaults on the press in Honduras, Russia, and Turkey.

Mahoney's testimony highlighted the overwhelming number of local journalists "who are targeted and censored, whether with violence or intimidation or by the use of laws meant to punish and silence critical information." He also referred to CPJ's work in documenting journalist attacks, imprisonments, and murder around the world.

The hearing included testimonies by Michael Posner, U.S. Assistant Secretary for the Bureau of Democracy, Human Rights, and Labor, and Vladimir Kara-Murza, the Washington Bureau Chief of Russian Television International, among other witnesses. The commission was founded to inform, advocate, and develop U.S. congressional strategies that recognized the human rights values stated in the Universal Declaration of Human Rights.

Below is Mahoney's full testimony, which can also be viewed on the commission's page:

(Meanwhile, two reports were independanty released that found evidence the  New York Police Department 'consistently violated basic rights' during Occupy protests:

"Obstruction of press freedoms and independent legal monitoring, including arrests of at least 10 journalists, and multiple cases of preventing journalists from reporting on protests or barring and evicting them from specific sites.")


Testimony before Tom Lantos Human Rights Commission Hearing
Worldwide threats to media freedom

By Robert Mahoney
Deputy Director
Committee to Protect Journalists


It is a dangerous time to be a journalist. Over the past five years, the Committee to Protect Journalists has seen an unprecedented diversification in the range of attacks and challenges faced by journalists in many countries around the world. Violence and repression have morphed into impunity and exile. Meanwhile, sophisticated online censorship tactics are coupled with punitive laws that suppress the reporting and dissemination of news and fact-based commentary.
An unwelcome development in the past year is the surge of press freedom violations and attacks on journalists covering conflict and political unrest. CPJ has documented this phenomenon particularly in the Middle East and North Africa. Libya was among the deadliest places for journalists in 2011. CPJ research shows that at least 16 journalists have been killed since November 2011 while covering the Syrian conflict, at least nine in circumstances that raise questions about government culpability. More than half of those killed are citizen journalists, who play a key role in covering the conflict and whose footage is used by international news organizations.
As clearly shown in the case of Syria, the use of technology, which has been transforming the ways that information is gathered and disseminated, means journalism itself is changing, giving more people the ability to participate. Consequently, CPJ has also seen that many of the journalists under attack are freelancers and online journalists, who are responsible for their own preparation, equipment, and safety. Anti-state charges and "terrorist" labels have become commonplace and are used to intimidate, detain, and imprison journalists. Media blackouts and limited access to war and conflict zones have become routine, along with the uninvestigated killings of journalists.
Regardless of the medium or circumstance, one thing is certain: It is overwhelmingly local journalists working on local stories who are targeted and censored, whether with violence or intimidation or by the use of laws meant to punish and silence critical information.
Since 1981, it has been our mandate to take action when journalists are censored, harassed, threatened, jailed, kidnapped, or killed for their work, without regard to political ideology. In doing so, we document cases, publish in-depth reports, conduct high-level advocacy, and provide individual moral and material support. CPJ's work is based on its research, characterized primarily by the following areas, which provide a global snapshot of obstructions to a free press worldwide.

Killings
On average, more than 30 journalists are murdered every year, and the murderers go unpunished in nearly nine of 10 cases. Among the countries leading in journalist killings that evade justice are established democracies where the rule of law should function yet a culture of impunity prevails. The absence of justice in journalist murders deters the rest of the press from critical reporting and leaves the public with a shallow understanding of their world. Journalists reporting on corruption, organized crime, conflict, and politics are the most targeted for exposing vital truths.
The reality is that the combat/crossfire casualties have long been a relatively small subset of all journalists killed (about 1 in 6 cases). The leading causing of death is targeted murder.
These murders do not take place in a vacuum. They occur in societies experiencing war and conflict, although many of them--like Russia, Colombia, and the Philippines--have democratic forms of government.
The generalized violence and the breakdown of law and order provide the backdrop for criminal, militant, sectarian, and paramilitary forces to carry out these killings. Most journalists killed in conflict zones are not covering war--they are local journalists covering local issues like human rights and corruption. In about a third of the cases, according to CPJ research, government links are suspected, thus reinforcing the cycle of impunity.

Imprisonment
In 2011, the number of journalists imprisoned for their work reached a 15-year peak. Their continued imprisonment sends the same silencing message as the murder of journalists. CPJ research points to a general trend: Where journalists are being silenced through imprisonment, they are often not being assassinated, but the result is the same--the perpetuation of fear leading to self-censorship or to exile, particularly in countries where it is clear that the rule of law barely exists.
Despite the release of 70 journalists with CPJ assistance in 2011, our research shows that the number of journalists in jail has remained persistently high. To put it starkly, 81 journalists were in jail around the world at the end of 2000. By the end of 2001, that number shot up to 118. Today, there are 179, most held on state security charges. Abusive use of national security was the single greatest charge invoked to justify journalist imprisonments in 2011, followed by violation of censorship rules. The vast majority of those jailed were local journalists held by their own governments. Sixty-five journalists, or over a third of those included in the CPJ census, were being held without any publicly disclosed charge.
Iran, consistently among the world's leading jailers of journalists, maintains a revolving prison door with furloughs and new arrests; subjects prisoners to inhumane treatment; and targets their legal counsel. A relentless crackdown on the press has led 68 journalists to flee Iran since 2009, CPJ research shows.

Exiled
Journalists facing imprisonment and other threats for their work are being forced into exile worldwide, with more than 450 fleeing their countries in the past five years, CPJ research shows.
In the past year, more than a quarter of the 57 journalists who fled their homes came from East Africa, reinforcing a trend from previous years, CPJ researchshows. This has resulted in a journalist refugee crisis in East Africa that has drastically affected the region's ability to maintain media institutions that provide reliable, vital information. After enduring violence and threats, these journalists fled abroad, only to land in a state of prolonged uncertainty as governments and the U.N. refugee agency process their cases.
During the past five years, the greatest number of journalists fled violence in Somalia, where six journalists have been killedin 2012 and no journalist murdershave been prosecuted since 1992. Eritrea and Ethiopia, East Africa's worst jailers of journalists, also lost many to exile. Journalists also sought refuge from targeted attacks and threats in conflict-ridden Syria and Pakistan.
CPJ's annual survey of journalists in exile counts those who fled due to work-related persecution in the past 12 months and provides an overview of the past five years. Dozens of journalists seeking asylum without the legal right to work nor access to basic services live in desperate, insecure, and impoverished conditions, CPJ research shows.

Online Censorship & Surveillance
As journalists increasingly use social media to report breaking news and the number of people with Internet access explodes worldwide, governments are employing sophisticated new tactics to suppress information, according to CPJ's 2011 special report "The 10 Tools of Online Oppressors."
CPJ's assessment of the prevailing strategies for online oppression and the leading countries utilizing such tactics shows that traditional mechanisms of repression have evolved into pervasive digital censorship. The tools utilized include state-supported emails designed to take over journalists' personal computers in China, the shutting down of anti-censorship technology in Iran, monopolistic control of the Net in Ethiopia, as well as synchronized cyberattacks in Belarus.
The techniques go well beyond Web censorship. The Internet is being used to spy on writers and sabotage independent news sites where press freedom is most threatened. The aim is not only to censor but also to block or disrupt the reporting process and the dissemination of news and information.

The digital offensive is often coupled with physical intimidation of online journalists. Recent developments in Honduras, Russia, and Turkey, which we shall focus on below, demonstrate the broad range of repression, coerced censorship, impunity, and outright violence faced by journalists today.

Honduras
The Honduran press continues to suffer from the violent fallout of the 2009 coup that ousted President Manuel Zelaya. Due to political and drug-related violence as well as widespread impunity, Honduras, a nation of 7.5 million people, is one of the most dangerous countries in the region for journalists, CPJ research shows. It is also important to note that Honduras is one of the world's most violent countries. A 2011 United Nations report found that it has the world's highest per capita homicide rate, with 82.1 murders per every 100,000 inhabitants.
At least 14 journalists have been killed since President Porfirio Lobo took office in January 2010. The systematic failure of Honduran authorities to investigate these crimes has frustrated any attempt to solve the murders, CPJ said in a letter sent to President Lobo in December 2011.
A 2010 CPJ special report, "Journalist murders spotlight Honduran government failures," found that the government has been slow and negligent in pursuing journalists' killers. As a result, many journalists fear the murders have been conducted with the tacit approval, or even outright complicity, of police, armed forces, or other authorities.
The climate is so intimidating that reporters told CPJ that they don't dare probe deeply into crucial issues like drug trafficking or government corruption. Many print reporters have removed their bylines from their stories. Tiempo, a San Pedro Sula-based daily newspaper that consistently criticizes the government, has shut down its investigative unit due to safety concerns. Some reporters claim the only safe way to tell the truth about Honduras is to write a novel.
Besides damaging the country's democracy, the June 2009 military-backed coup that ousted leftist former President Zelaya fractured the national press corps into opposing camps. Journalists in favor of the coup or who work for media outlets that supported Zelaya's ouster are known in Spanish as "golpistas" or "coup-backers," while those who opposed it have been pigeon-holed as "resistencia," or part of the political resistance. Local journalists state that when "resistance" journalists are attacked or killed, the news receives scant attention or comment from pro-coup media--which includes most of the country's major television, radio, and print outlets.
By contrast, the May 15 killing of Ángel Alfredo Villatoro, a prominent radio host and close friend of President Lobo, was headline news for days.
If the Honduran government is to be treated as a responsible international partner, it must move immediately and aggressively to correct these failures. It must assign disinterested and trained investigators to these cases; investigations must be transparent and free of conflicts of interest.
President Lobo and top officials in his government must begin to speak out, in a forceful and timely way, against anti-press violence. His government must respect its obligations to the Organization of American States and enforce orders of protection for journalists.
The international community must demand that the Honduran government immediately undertake these meaningful, measurable, and lasting steps.

Emblematic Honduras Case
NAHÚM PALACIOS ARTEAGA
TV Channel 5
March 14, 2010, in Tocoa, Honduras
Hit men lay in wait at the home of Palacios, 34, a well-known anchor for Channel 5, the main TV station in the Tocoa area, according to news reports and CPJ interviews. Palacios arrived at about 10 p.m. with a cousin in the backseat of a double cabin 4-by-4 pickup, and his girlfriend, a doctor, in the passenger seat. Neighbors told local reporters that a few shots were initially fired, apparently by a lookout, followed by a fusillade of gunfire as other assailants joined in. Palacios died at the scene. Dr. Yorleny Sánchez, badly injured, died two weeks later. Palacios' cousin was not injured, local press reports said.
Several work-related motives emerged in a July 2010 CPJ investigation. Palacios had opposed the 2009 military-backed coup that ousted President Manuel Zelaya, and he had turned the TV station into an openly opposition channel, his colleagues said. Military personnel appeared at his house and detained him and his family for several hours in June 2009. That episode, along with other threats from the military, was strong enough that the Inter-American Commission on Human Rights issued an order to the government of Honduras to protect Palacios. According to the commission, it was one of more than 400 such orders issued for journalists and activists in Honduras in 2009 and 2010.
The Honduran government was required by an international treaty to follow the directives, but it appeared to have ignored most of them. The government asserted that it never received an order in the Palacios case, although the Inter-American Commission noted that it had a signed receipt from the Honduran Supreme Court.
In the months before his slaying, Palacios campaigned on behalf of a group of several thousand peasants who had been demanding vast tracts of land they said rightfully belonged to them. They claimed that a few large landowners, in violation of agrarian reform laws, had greatly underpaid them for land many years earlier. Some of the land was retaken by the peasants--simply stolen, according to the landowners--and there were occasional armed encounters. Peasant activists said some of their leaders had been abducted and disappeared, or singled out and killed.
Aside from the wide belief that Palacios' killing was politically inspired, some CPJ sources said he could have angered a local drug gang with a recent news story about a cartel-linked kidnapping. Sources also said that Palacios, like other Tocoa journalists, had been accused of extorting money from sources. Palacios' father, José Heriberto Palacios, denied that his son could have been dishonest. "They killed him because he was honest and was not corrupt," he told CPJ.
The case was marked by a series of investigative failures. Almost three months after Palacios was gunned down, a team of investigators came to his grave in his hometown of Rigores, dug up his body, and at the graveside, in the open, conducted an autopsy. The coroner never examined the body after the murder; it had gone straight from the murder scene to the funeral home.
Investigators also started asking news photographers if they had any pictures of the crime scene because police had no photographs of their own. The prosecutor in charge of the case, Arody Reyes, conceded to CPJ that although the gunmen had lain in wait for hours at Palacios' house, police had not been able to retrieve any evidence from the scene.
Reyes said the exhumation and autopsy were suddenly important because the Honduran government had enlisted the help of the U.S. Federal Bureau of Investigation. Local investigators, Reyes said, needed to show their U.S. counterparts something.

Russia
As Russia enters into a third term of government under President Vladimir Putin, a convergence of violence, impunity, and constraining legislation severely limits the space for public debate, dissent, and press freedom in Russia.
Impunity in attacks on the press remains high in Russia, CPJ research shows. Despite high-level promises of justice, including by former President Dmitry Medvedev, Russian investigators have yet to apprehend those responsible for vicious attacks. A CPJ delegation met with Aleksandr Bastrykin, chairman of Russia's Investigative Committee (a body responsible for probing serious crimes), to discuss this record of impunity in September 2010. Most recently, Bastrykin made headlines for threatening the life of a journalist and subsequently apologizing. He remains in charge of the country's chief investigative body.
Failure to prosecute the masterminds perpetuates impunity, even in cases where significant initial progress is made. The heart of the problem is a lack of political will and an apparent link between political power and criminality.
With 16 unsolved murder cases, Russia's rating is stagnant in CPJ's Impunity Index, a list of countries where journalist's murderers evade justice. The most recent victim was Gadzhimurad Kamalov, founder of the independent Dagestani weekly Chernovik, who was gunned down while leaving work in December 2011. The newspaper had received frequent threats for its coverage of government corruption, human rights abuses, and Islamic radicalism.
Authorities have made modest progress in some cases: Several suspects have been indicted in the 2006 killing of Anna Politkovskaya, but authorities have yet to bring the case to trial or identify the mastermind. "The impunity the masterminds enjoy--this is the main part of the mechanism, which breeds new murders," said Sergey Sokolov, deputy editor of Politkovskaya's newspaper, Novaya Gazeta.
Russia's parliament moved quickly this month to pass a new Internet bill that will create a blacklist of websites. The law is one in a recent slate of repressive measures, all rushed through the State Duma, aimed at reining in dissent. The steps call into question President Putin's commitment to democracy.
A key pending bill would re-criminalize defamation, while two other ones--just approved by the parliament's upper house--impose limits and labels on NGOs and enable the government to block websites. These bills follow the introduction last month of excessive fines for unauthorized protests.
The Internet statute Duma Bill 89417 is one of several provisions that would create a blacklist of websites which all Russians Internet service providers (ISPs) would have to block and refuse to host. Internet technologists had warned that 436-FZ was too broad, and would require individual comments and home pages to be marked with age-appropriate ratings in the style of American movies.
The defamation bill is a step backward for Russia. In November, parliament voted to decriminalize libel and insult in a move widely perceived as part of then-President Dmitry Medvedev's liberalization policies. According to the independent news agency Regnum, the new bill allows for imprisonment of up to five years, and a fine for moral damages up to 500,000 rubles (US$15,300) for those found guilty of defamation. The restrictive NGO bill requires that organizations receiving money from international sources carry the label "foreign agents"--a particularly negative term in a society where the Kremlin sustains and nourishes deep suspicion of foreigners. At the time of this writing, all three bills were awaiting President Putin's signature.
To stem the escalation of media repression and counter impunity, U.S. legislators should immediately consider an expansion of the "Magnitsky Bill"--which would place Russians connected with human rights abuses on a blacklist, denying them U.S. visas and freezing their assets--to include officials implicated in the murders of journalists.
The United States and the international community should continue to engage with Russian leaders on press freedom and hold authorities publicly accountable for crimes against those who expose misdeeds, as journalists regularly do.

Emblematic Russia Case
NATALYA ESTEMIROVA
Novaya Gazeta, Kavkazsky Uzel
July 15, 2009, in between Grozny and Gazi-Yurt, Russia
Four men forced Estemirova, 50, into a white Lada sedan in Grozny, the capital of Chechnya, as she was leaving her apartment for work, Reuters reported. Witnesses said the journalist shouted that she was being kidnapped as the car sped from the scene, according to press reports. Later the same day, her body was found in the neighboring region of Ingushetia, according to international news reports. She was shot in the head and the chest; no belongings were reported missing.
Estemirova was a frequent contributor to the independent Moscow newspaper Novaya Gazeta and the Caucasus news website Kavkazsky Uzel. She was also an advocate for the Moscow-based human rights group Memorial and a consultant for the New York-based international rights group Human Rights Watch (HRW). She was the fifth Novaya Gazetajournalist killed since 2000. Estemirova's colleagues told CPJ that her relentless reporting on human rights violations committed by federal and regional authorities in Chechnya put her at odds with regional officials.
Three years after Estemirova was abducted and found murdered, her killers walk free. The investigation into the July 15, 2009, killing started off on the right track only to get derailed, her colleagues at Novaya Gazeta and Memorial told CPJ. At a July 2011 press conference i in Moscow, they presented the results of their independent investigation, which revealed numerous apparent flaws in the official inquiry.
At the time of the murder, Estemirova was investigating the possible involvement of Chechen police officers in the July 7, 2009, public execution of Rizvan Albekov in the village of Akhkinchu-Borzoi. She was the first journalist reporting on the case. The Investigative Committee initially focused on the story as the likeliest reason Estemirova was murdered, colleagues said. In their report, "Two Years After the Killing of Natalya Estemirova: Investigation on the Wrong Track," Novaya Gazeta, Memorial, and the International Federation for Human Rights found that lead investigator Igor Sobol had sought information from the local prosecutor's office about Albekov's killing and local police abuses.
But investigators inexplicably stopped pursuing the lead in early 2010. The current inquiry, the report's authors said, has focused on Alkhazur Bashayev, a rebel leader whom Chechen authorities say was killed in a 2009 special operation. Bashayev was allegedly angered by Estemirova's investigation into accusations that he and other separatists were recruiting young men in a Chechen village. But the report by Estemirova's colleagues raised dozens of questions about the official theory.
How could the car allegedly used to kidnap Estemirova contain no sign of a struggle? How was the unsophisticated suspect able to falsify the police identity card that Chechen police claim to have found in the Bashayev home, along with the murder weapon? What happened to the genetic material collected from under Estemirova's fingernails that likely contained the DNA of her killers? The material, the report said, showed that Estemirova struggled with at least three attackers, one of whom was a woman. But investigators ordered only one type of DNA testing, which could neither categorically confirm nor disprove the involvement of Bashayev. In the process of testing, the report's authors said, the DNA samples were depleted, making further testing nearly impossible. It is possible, however, to compare the completed test results against other potential suspects--such as the police officers implicated in the Albekov execution. Why hasn't this been done?
The Investigative Committee did not respond in detail to the report, instead issuing a statement that said the findings "are not based on facts but are simply the subjective opinion of persons who do not possess the necessary competence, do not have information, and do not have access to all of the materials of the criminal case." The Investigative Committee did not explain what it found concerning the possible link to Estemirova's reporting on the extrajudicial killing of Chechen resident Albekov. The committee did not respond to CPJ's written request for comment on the Estemirova investigation. In July, CPJ learned through a source at the Investigative Committee that the Estemirova case was being transferred from lead investigator Igor Sobol--who had been in charge of the probe since the beginning--to another, yet to be named, investigator, due to Sobol's "heavy workload." In Russia's context, this translates into burying the case for good.

Turkey
A critical journalist in Turkey these days needs a lawyer on standby. The press is laboring under a creaking judicial system and a panoply of antiquated and vague legislation that officials and politicians of every stripe find irresistible as a weapon against muckraking reporters and critical commentators.
The extent of journalist imprisonments has been disputed by the Turkish government, which asserts that independent assessments have been exaggerated. CPJ is currently carrying out exhaustive research on individual cases, legislation, and online censorship, all of which are choking press freedom in Turkey. Our research thus far indicates that there are dozens of journalists imprisoned in direct relation to their work. A report with our findings and assessment will be published in the fall of 2012.
After several years of legal and constitutional reform prompted by Turkey's application for European Union membership, moves to lighten the dead hand of the law on journalists are running out of steam. The United States seems wary of calling out Turkey on its human rights and press freedom record. Turkey, a NATO member and crucial U.S. ally in the region, is a progressive, secular democracy and a model of free speech compared with its neighbors Iran, Iraq, and Syria. But for journalists, particularly Kurdish and leftist ones, progress in freedom of expression has not kept pace with political and economic advances.
Journalists and press groups estimate there were up to 5,000 criminal cases open against reporters at the end of 2011. The cases involve charges such as criminal defamation, influencing the outcome of a trial, and spreading terrorist propaganda. The bulk of these cases have not resulted in convictions historically, but the endless court proceedings and legal costs have had a severe chilling effect, according to reporters, media analysts, and lawyers interviewed by CPJ throughout 2011. Prosecutions have intensified since authorities in 2007 first detailed the "Ergenekon" conspiracy, an alleged ultra-nationalist military plot to overthrow the government.

Emblematic Turkey Case
AHMET ŞIK
Freelance
Imprisoned: March 2011-March 2012
Şık, a prominent reporter who had written for the dailies Cumhuriyet and Radikaland the weekly Nokta, was charged with aiding the Ergenekon conspiracy, an alleged nationalist military plot to overthrow the government.
Şık, co-author of a 2010 book on Ergenekon, had been known throughout his career for his critical writings about the "deep state," the purported secular, nationalist forces operating within the army, security agencies, and government ministries. Before being arrested, Şık was writing a new book with the working title, The Imam's Army, which was to allege the existence of a shadowy organization operating within police and other government agencies and said to be populated by members of the Sufi Muslim religious community known as Fettullah Gülen.
A draft of the new book was deleted from the computers of his publishing house and that of a colleague during police raids, Hürriyet Daily News reported. The interrogations of Şık focused almost exclusively on the unfinished book, according to the paper. The government's indictment, which appeared months after the arrest, focused on Şık's journalistic activities, especially in regard to the book, the local press freedom group Bia said.
"Criticizing the government and drawing attention to the dangerous network of people in the police and judiciary who are members of the Gülen community is enough in today's Turkey to become an Ergenekon suspect," Şık told CPJ. Amid international outcry, authorities granted temporary release to Şık in March 2012. However, the charges against him remain and he can be rearrested upon conviction.
In a disturbing development, Special Authority Public Chief Prosecutor Muammer Akkaş launched a new investigation against Şık shortly after his release. The new investigation accused Şık of allegedly "threatening and identifying judges and prosecutors as targets for terror organizations" in his statement to journalists upon his release from prison, the independent news portal Bianet reported. Şık had told the press that day: "Incomplete justice is not going to bring justice and democracy. About 100 journalists are still in prison. The police officers, prosecutors, and judges who plotted and carried out this complot will go to prison. Justice will come when they enter this prison," according to news reports.
In July, an Istanbul prosecutor demanded that Şık serve up to seven years in prison for "insulting" and "threatening" state officials, the Dogan News Agency reported.


Monday, February 27, 2012

Freedom of the Press? Or Espionage?



Via The New York Times:


"America, a place where the people’s right to know is viewed as superseding the government’s right to hide its business."

"Jake Tapper, the White House correspondent for ABC News, pointed out that the administration had lauded brave reporting in distant lands more than once and then asked, “How does that square with the fact that this administration has been so aggressively trying to stop aggressive journalism in the United States by using the Espionage Act to take whistle-blowers to court?”

He then suggested that the administration seemed to believe that “the truth should come out abroad; it shouldn’t come out here.”


Related: Freedom of the Press

Thursday, December 8, 2011

"We firmly believe and we maintain that nothing can be more powerful than the truth”

 

Reporters Without Borders - Le Monde Prize for Press Freedom

Published on Thursday 8 December 2011



2011 Press Freedom Prize awarded to Syrian cartoonist Ali Ferzat and Burma’s Weekly Eleven News.
With the support of TV5MONDE, Reporters Without Borders and Le Monde are pleased to award the 2011 Press Freedom Prize to two symbols of courage, Syrian newspaper cartoonist Ali Ferzat and the Burmese newspaper Weekly Eleven News . The award ceremony was held today at the Le Monde auditorium in Paris.

“This year we are honouring a courageous journalist who has been the victim of brutal repression by an obsolete government,” Reporters Without Borders secretary-general Jean-François Julliard said. “Ali Ferzat fully deserves this award. His cartoons target the abuses of a desperate regime with its back to the wall and encourage Syrians to demand their rights and to express themselves freely.

“We are also honouring a newspaper that has never bowed to Burma’s censors. Weekly Eleven News has always stood up to the military junta, using extraordinary ingenuity to slip through the censorship net and inform the Burmese public. Its editors and reporters have taken considerable risks and deserve our encouragement. At a time when Burmese political life and society seem to be showing signs of opening up, Weekly Eleven News has more than ever a key role to play.”

Ferzat was chosen as 2011 Journalist of the Year because of the quality of his cartoons and his commitment to defending media freedom. Original and rebellious, his non-conformist attitude and creativity earned him powerful enemies such as Iraq’s Saddam Hussein, who threatened to have him killed after an exhibition of his cartoons in Paris in 1989. He was banned from visiting Jordan, Iraq and Libya for years.

Al-Domari, the satirical newspaper Ferzat launched in 2000, was the first independent publication since the Baath Party takeover. The authorities forced it to close three years later. Since this spring, the street protests and ensuing crackdown have been at the centre of his work. For denouncing the corruption and abuses of Bashar Al-Assad’s rule, he was attacked in August by masked gunmen, who broke his hands as a warning.

“I would have liked to have been with you this evening to take part in this beautiful event,” Ferzat said in a letter read out by the French cartoonist Plantu. “I dedicate this award to the martyrs, to those who have been injured and to those who struggle for freedom. May thanks be given to all those who have turned the Arab Spring into a victory over darkness and repression.”

Presenting the 2011 Media of the Year prize to Weekly Eleven News, the writer and journalist Jean Rolin, winner of the Albert Londres Prize in 1988, paid tribute to Reporters Without Borders’ local correspondents and to all journalists working on the ground in difficult parts of the world.

Burma is one of the world’s most repressive countries for the media, and the staff at Weekly Eleven News often risk prison by daring to run stories on subjects that the authorities regard as sensitive. In August, it paid a high price for defying government orders not to cover the flooding in the northern city of Mandalay. Several of its journalists were arrested and it was forbidden to publish for several weeks.

“At Weekly Eleven News, we firmly believe and we maintain that nothing can be more powerful than the truth,” the newspaper’s spokesman said. “We are honoured to receive this award, but we are also very sad when we think of all the Burmese journalists who are still in prison. We must never forget the sacrifices that some have made so that change come to Burma.”

The American photojournalist Stanley Greene, founder of Noor Agency was the guest of honour this year. He paid tribute to his fellow photographers who died this year, especially Tim Hetherington, Chris Hondros and Lucas Dolega.

The Reporters Without Borders Prize has been awarded every year since 1992 to a journalist and a news media in different parts of the world that have made a significant contribution to the defence and promotion of press freedom. The prize winners are selected by an international jury of journalists and human rights activists.

Le Monde decided to become a partner in the prize this year. The newspaper’s publisher, Erik Izraelewicz, explains : “From Sidi Bouzid to Sanaa, from Rangoon to Benghazi, from Damascus to Cairo, there has been no shortage of major developments in 2011. The international media have covered them without forgetting that local journalists, often at risk to their lives, have for years been combating the constant violations of media freedom in these places. For 20 years, the Reporters Without Borders Prize for Press Freedom has been reminding the public that their struggle is also our struggle. Le Monde is pleased to join Reporters Without Borders in this undertaking.”

Press Freedom Prize received the support of TV5MONDE. Marie-Christine Saragosse, director general, added: “This is a logical involvement for a French-language TV station whose universal values are transmitted every day in the 200 countries where we are present. TV5MONDE has decided to participate in this prize and thereby join with those who constantly strive to bear witness, often at the cost of their freedom or their lives, to a world in rebellion and to the realities of war.”

Saturday, November 12, 2011

"We Are Journalists"

I have known what I wanted to do since I was 17. Since then, I have been shot at by the police, I have run from them so that they wouldn’t confiscate my cameras. I have been punched, spit on, yelled at and threatened while doing my job. I love what I do and think I have never worked a day in my life. I am distrustful of authority. I loathe being referred to as a papparazi. I can count on one hand the number of celebrities I have photographed. I hate taking pictures of people like that. My job has taken me to Central America, the Middle East, and all over the United States. Since most of America does not like to go to places like Mississippi post-Hurricane Katrina (or even the bad neighborhoods in their own city), I choose to go for them, so that they might see the condition of their fellow man. People always talk of the sacrifices that journalists make. It isn’t a sacrifice; it is a choice. I chose this path in life, and still choose it, for better or worse. I believe that my camera is a powerful tool to combat injustice. Some of my pictures, in a small way, helped shut down a reform school where children were being abused. I will be proud of that for the rest of my life. I am now 30. I hope I am still doing this in some capacity when I am 60. Hopefully by that time I can afford to move out of my garage apartment.
I am a newspaper photojournalist.



We just discovered a great new Tumblr blog, "We Are Journalists". Happy to recommend.

"I have known what I wanted to do since I was 17. Since then, I have been shot at by the police, I have run from them so that they wouldn’t confiscate my cameras. I have been punched, spit on, yelled at and threatened while doing my job. I love what I do and think I have never worked a day in my life. I am distrustful of authority. I loathe being referred to as a papparazi. I can count on one hand the number of celebrities I have photographed. I hate taking pictures of people like that. My job has taken me to Central America, the Middle East, and all over the United States. Since most of America does not like to go to places like Mississippi post-Hurricane Katrina (or even the bad neighborhoods in their own city), I choose to go for them, so that they might see the condition of their fellow man. People always talk of the sacrifices that journalists make. It isn’t a sacrifice; it is a choice. I chose this path in life, and still choose it, for better or worse. I believe that my camera is a powerful tool to combat injustice. Some of my pictures, in a small way, helped shut down a reform school where children were being abused. I will be proud of that for the rest of my life. I am now 30. I hope I am still doing this in some capacity when I am 60. Hopefully by that time I can afford to move out of my garage apartment.

I am a newspaper photojournalist."

Sunday, October 30, 2011

REFLECTION: A tribute to a journalist - John Neary


Via The Santa Fe New Mexican
Sunday, October30, 2011


People choose their careers for a variety of reasons. I chose mine because I wanted to be around people like John Neary. My career in journalism was dawning as his was ending. In so many words, he warned me: "I assume you know what you're in for, but just in case you don't ...." John Neary, who died Oct. 21, was like that, a vintage blend of Irish pessimism and Irish humor. He would have chided me for redundancy there.

I ignored his warnings. Why would I not pursue a profession that employed people like John Neary? Listening to him reminisce was like listening to a character from Jack London or Robert Louis Stevenson recall a perilous ocean voyage. The stories he told, the way he spoke of the perils, the low pay and the SOBs in charge, the more you wanted to head out on a voyage of your own. He had a writer's genius for spinning irresistible stories out of the grimmest adventures.

John wrote and edited stories for Life magazine before moving to Santa Fe in the 1970s. At least one of the books that celebrate the achievements of Life recalls him fondly. His work for Life endures in anthologies of the best of the magazine. After he left Life, he wrote a couple of books and numerous articles for magazines and Time Life Books. What I remember about him from that period are his descriptions of going back to New York every summer to work as a substitute for vacationing editors at Time Life. Hearing him chronicle the miseries of New York City in the dog days of summer and the thankless editorial chores worthy of a modern day Bartleby the Scrivener only made me yearn for that very life. He could not help but make journalism sound romantic. When he turned from journalism to blacksmithing, it was as if he were transferring his power of expression from one tool to another. Just as the typewriter had been, the forge was a precision instrument in his hands.

When I began thinking seriously of returning to Santa Fe to live, John was again full of dire warnings, about drought and wildfire and about how Santa Fe had changed for the worse. John was the opposite of lace-curtain Irish, and, to him, Santa Fe had become a bit lacey. He talked about hiding out in the Tesuque barrens and refusing to come any closer to the Plaza than the flea market. If Cassandra had been a 6-foot 4-inch Irishman, her name would have been Neary.

He was right about journalism, at least about the world of journalism he knew and I came to know. It was doomed. The newspaper where he started out, the Washington Star, is long gone, as are three of four papers where I worked. The fourth is in bankruptcy. If I possessed John's story-telling skill, I would write about getting stiffed for the last $9,000 I earned while bankruptcy court awarded the bosses millions in bonus money. If I were John, perhaps, I could tell the story in a way that might entice some green youngster to still want to be a journalist, to still want a taste of the bygone grandeur that John Neary represented.

Former Los Angeles Times reporter Frank Clifford lives in Santa Fe.

Saturday, April 23, 2011

Editor and Writer David Schonauer on the Risky History of the War Photographer

David Schonauer
David Schonauer
Former editor-in-chief, American Photo magazine


Via The Huffington Post
Hetherington, Hondros, and the Risky History of the War Photographer



To the list of photographers who have died while covering war and conflict, we must now add the names of Tim Hetherington and Chris Hondros, killed in Misurata, Libya on Wednesday. They join the likes of Ken Oosterbroek, a member of the so-called Bang Bang Club of photojournalists immortalized now in a new movie. Oosterbroek was killed in 1994 while covering the violence in South Africa during the final days of apartheid. They join Olivier Rebbot, killed in El Salvador in 1981 while on assignment for Newsweek. Rebbot was a model for the photographer played by Nick Nolte in the 1983 film Under Fire. They join Robert Capa, killed near Thai Binh, Vietnam in 1954, who was the model for all who would follow in his profession. If the war photographer has come to be seen as a romantic figure, we have the Hemingwayesque Capa to thank.


It was Capa, famed for covering the D-Day landing on Omaha Beach, who said, "If your pictures aren't good enough, you're not close enough," and the photographers who followed him into Vietnam took his advice. Vietnam was a particular deadly place for photographers, who jumped aboard helicopters alongside soldiers to fly into firefights. The names of the dead -- Larry Burrows, Gilles Caron, Henri Huet, Robert Ellison, Dickie Chapelle, Charles Eggleston, and Oliver Noonan among them -- have become legend. The haunting 1997 book Requiem memorialized these journalists -- 135 photographers from different nations known to have died in Vietnam. In the book's introduction, David Halberstam described why their job was so dangerous:

"War correspondents always know who is real and who is not. A war zone is not a good setting for the inauthentic of spirit and heart. We who were print people and who dealt only in words and not in images always knew that the photographers were the brave ones, and in that war... they held a special place in our esteem. We deferred to them, reporter to photographer, in that venue as we did in few others."

They were real because they had to be real; they could not, as we print people could, arrive a little late for the action, be briefed, and then, through the skilled use of interviews and journalism, re-create a scene with stunning accuracy, writing a marvelous you-are-there story that reeked of intimacy even though, in truth, we had missed it all. We could miss the fighting and still do our jobs. They could not. There was only one way for them to achieve intimacy: by being eyewitnesses.

I knew Tim Hetherington and Chris Hondros, but not especially well -- in the case of Chris, we went out for beers on a couple of occasions and spoke on the telephone a few times when he wrote a story for the photography magazine I edited. (He was a fine writer, too; urgent, clear, and caring.) My acquaintance with Tim was very brief -- I interviewed him last November, over coffee at a hotel lobby in New York, about his book Infidel, which had just come out. In similar ways, Chris and Tim impressed me, immediately and lastingly, as superior people -- humble, humorous, dedicated, and very intelligent. Real, as Halberstam put it.

Halberstam noted that the Vietnam War began "in an era of black-and-white photography and ended in one of color videotape beamed by satellite to television stations all over the world." The world of photography has changed just as radically in the past ten years. On 9/11, when photographers raced to downtown Manhattan to document the devastating scenes there, most carried film cameras. At the time, the first professional-quality 35mm SLRs were just coming onto the market. News organizations and photo agencies anticipated America's reaction to the terrorist attacks and retooled, almost overnight. When American troops went to war in Afghanistan a few weeks later, photojournalists covered the story with digital cameras and satellite uplinks, ramping up the speed with which they could deliver pictures. Later in the decade, as the Internet took hold and the old-media world imploded, photographers began doubling as videographers and writers. (Underscoring the evolution, last year the Associated Press dropped its time-honored byline, "Associated Press Writer," with the more ambiguous "Associated Press.")

Tim Hetherington thrived in this new journalistic landscape. A skilled filmmaker as well as a photographer, he could tell a story through a number of media platforms. In his Oscar-nominated film Restrepo, and in his small but powerful photo book Infidel, he told the story of a U.S. combat unit in Afghanistan's Korengal Valley, never veering far from the everyday reality of the soldiers' lives. "Symbols or representations of soldiers are often claimed by the far left and far right to mean a certain thing," he told me, "and we do these men an injustice by not digesting fully their reality."



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An image from Hetherington's book Infidel



It's a dangerous job they do, and like others who do dangerous jobs they learn how to cope as best they can. A correspondent friend of mine who traveled with Chris Hondros on several stories in Iraq later told me that the photographer had taught him a valuable lesson about working in a combat area: to sleep when sleep was possible, in the lulls between action and danger. Chris, a recipient of the Robert Capa Gold Medal, a prestigious award for the highest level of war photography, knew what he was doing and why. And he no doubt understood the implications of another of Capa's famous comments: speaking of his work on D-Day, Capa said, "The war correspondent has his stake, his life, in his own hands and he can put it on this horse or that horse, or he can put it back in his pocket at the very last minute. I am a gambler. I decided to go in with Company E in the first wave."


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