Showing posts with label auction records. Show all posts
Showing posts with label auction records. Show all posts

Thursday, November 17, 2011

FRENCH PHOTOGRAPHY AUCTIONS SET NEW RECORDS






The market for fine photography has had a pretty spectacular week in France. Last Friday night at Christie's 100 photographs by the legendary Henri Cartier-Bresson hit the auction block, sold by the Henri Cartier-Bresson Foundation and netting a hefty €2 million ($2.8 million). Ninety-one lots sold, and a 1946 silver print of "Derrière la Gare Saint-Lazare" ("Behind the Saint-Lazare Train Station") achieved an artist's record when it soared to €433,000 ($590,455), more than doubling its high estimate of €180,000. This sale was followed the very next day by a sale of 51 Irving Penn photographs from a private French collection, which achieved a rare 100 percent sell-through rate and totaled €2.1 million ($2.9 million).

During the Cartier-Bresson sale, an anonymous telephone bidder won a five-way bidding war for "Derrière la Gare Saint-Lazare," which was one of the photographer's first silver prints. A 1999 print of "Alberto Giacometti à la Galerie Maeght, 1961" fetched the impressive price of €75,400 ($102,818), five times its low estimate of €15,000. An anonymous European collector purchased the photo, which shows the sculptor in blurred movement, looking very much like his "Walking Man" sculpture, which is in the foreground. A 1957 print of "Coronation of George VI, Trafalgar Square, London, 12 May 1937" sold for €70,600 ($96,273), and "Sringar, Kashmir, India, 1948" achieved the same price. Most of the buyers were European collectors, though an Asian buyer snapped up "Ubud, Bali, Indonesia, 1949" for €63,400 ($86,455). (The proceeds of the sale are go towards the Cartier-Bresson Foundation's move to a larger space in the Marais near the Pompidou Center.)

As for the Irving Penn sale, it may not have set any records, but it did mark the second-highest price ever for a Penn photo. The 1951 print, "Woman in Moroccan Palace (Lisa Fonssagrives-Penn)," sold for €361,000 ($492,273), surpassing its high estimate of €300,000. (Penn's auction record was set at Christie's New York in April 2008, when his 1948 photo "Cuzco Children" fetched $529,000. ) While all the Cartier-Bresson images except for the top lot sold for less than €100,000, two other Penn photographs reached six figures. A 1979 print of "Harlequin Dress (Lisa Fonssagrives-Penn") sold for €265,000 ($361,364) and "Poppy, Glowing Embers, New York, 1968" achieved a price of €193,000 ($263,182).

Tuesday, January 4, 2011

2010 Photography Auction Summary

The DLK Collection Blog is always on our daily "must read" list. In case you may have missed it, yesterday they posted a highly informative review of 2010's photography auctions. The results were quite astonishing:

"Across the photography auction market for the entire year, the total sale proceeds taken together were $136,948,680, up by more than 83% from last year's total of $74,612,997. These numbers were driven by both higher average selling prices and better sell through."


The article concludes: "Overall, in a year of stabilization and renewed growth, Christie's seems to have taken it to its competitors a bit. The house doubled its total sale proceeds for photography from the previous year, dramatically increased its average selling price per lot (even when diluted by a sale of lower priced photobooks), and took share from the market.


Looking forward, if the economic environment continues to slowly but steadily improve, I think we can expect that 2011 will be another solid year at auction. Big numbers are driven by the quality of material that is consigned and the overall confidence in the marketplace; 2010 had the landmark Penn, Avedon, and Polaroid sales (among others) and the beginnings of forward looking optimism. For 2011 to top 2010, we'll need to see more superlative material come out into the markets, particularly in the realm of photography that is classified as contemporary art, and we'll have to see a continued positive outlook from collectors."

Read the full post here.

Related: Thoughts on the Fall Auctions

             The Trumph of Photography

Sunday, November 21, 2010

Art Price Index 1: Photography 1985-2010

From the Financial Times:

"The mainstream of the photography market [central 80%] peaked in September 2008 then fell by 21% in the 18 months to March 2010. The top 10% of the market, where prices routinely climb steeply in good times, also peaked in September 2008, but by March 2010 this top sector had almost halved. All sectors of the market are now recovering fast and the long-term growth of 7% - 8% once again seems like a good bet."

More with charts here.

Related: Thoughts on the record fall auctions 

Tuesday, November 16, 2010

THOUGHTS ON THE RECORD FALL ART AUCTIONS

We reported on the numerous record-setting and exuberant sales in this Fall's art auctions on our Twitter feed, which scrolls on the right side of this page. Now that the dust has settled, the "experts" are trying to make sense of the extraordinary results.

The just-completed Contemporary sales totaled over $1 BILLION dollars in sales (with Andy Warhol accounting for over $200 million alone); the Impressionist/Modern sales about another half - BILLION; and almost as an afterthought a Qianlong-dynasty vase sold for $85.9 MILLION dollars.


The Fall photo auctions in New York brought in $16 million.



We are often asked, "what does the broader art market have to do with the photography market?". In our judgement, a lot. It wasn't long ago that the argument existed whether photography was "art" or not. At least we are beyond that phase!


Two observations:

Richard Prince’s “Marlboro Man" (Untitled, Cowboy), below, set a record for a photograph when it sold for $3,401,000 at Sotheby’s in New York in 2007. Prince’s “Cowboy” series consisted of old Marlboro cigarette print ads that he re-photographed. And the Marlboro man was based on a LIFE magazine cover of a photograph by Leonard McCombe of a real cowboy.







The $63.36 million realized on last Monday at Phillips, de Pury by Andy Warhol's “Men in Her Life?” was done in silk-screen technique: the dark black and white picture endlessly repeats a photographic image published in LIFE magazine on April 13, 1962.





The prices for the "masters" of photography are a fraction of the prices for the masters of art. 

Photography's impact, relevance, influence, and relationship to the broader fine art field is still in its infancy.