"a celebration of the LIFE magazine photographer who famously shadowed an unknown act in the US on February 1964, The Beatles"



 Screaming Girls, JFK Airport, NY, Febraury 7, 1964.

Copyright Bill Eppridge

“Ladies and Gentlemen The Beatles!”

The Santa Fe Reporter

April 22, 2014

By Enrique Limón

 

Hot off the heels of When Cool Was King, Monroe Gallery of Photography unveils their latest, Bill Eppridge: 1964, a celebration of the LIFE magazine photographer who famously shadowed an unknown act in the US on February 1964, The Beatles.

 

Eppridge was at John F Kennedy airport on assignment for the mag. After consulting with John Lennon, Ringo Starr gave the OK to Eppridge to shadow the group for the next few days and exposed American masses to the British sensation.

 

“Bill never set pictures up; he liked to find pictures and make pictures that way,” Eppridge’s widow Adrienne Aurichio tells SFR.

 

Eppridge’s assignment was just to capture the Fab Four’s arrival. “But nobody expected what happened out there,” she says of the group of rabid fans, some 3,000 strong. 

 

“Bill was somebody who actually did a lot of photo essays,” Aurichio continues. “He liked to do stories in-depth, which is why he stayed with The Beatles for six days.” 

 

The photographer’s gumption paid off and resulted in iconic shots like the group hanging out inside their room at the Plaza Hotel, practicing for their career-making debut on The Ed Sullivan Show and later performing at Carnegie Hall.

 

Those shots are now immortalized in the book The Beatles: Six Days that Changed the World, which Aurichio edited before her husband’s untimely death in October of last year.

 

Aurichio presents and signs the book at the art opening this Friday.

 

“When he saw things happening, he would just follow the story,” she says of her late husband’s approach. “He would try and tell the story as if he were describing it to you and you as a writer would write it. He wanted to show you the story in his pictures, so he would methodically go about it.”

 

Bill Eppridge: 1964

5-7 pm Friday, April 25

Monroe Gallery of Photography

112 Don Gaspar Ave.,

992-08

BRIAN HAMILL: "has contributed to some of the most memorable images taken during the 60’s and 70’s"

Brian Hamill: Robert De Niro and Joe Pesci, Brooklyn, 1979


Via The Impossible Cool


Ansel Adams was once quoted as saying “A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.” A man this could not ring truer for is photographer Brian Hamill. A New York City native that has seen it all,

The image above of De Niro and Pesci first caught my eye from Brian’s catalog of work, but as you start to dig, the faces that shaped our world in the 1960’s and 70’s begin to emerge from behind his lens.

Recently I sat down with him at my local coffee spot, Minerva Cafe, to hear a few stories and to provide a link between images on this site and the eye behind them. After the break is our conversation along with a few photos you might recognize. Enjoy. (Full post here)

Brian Hamill

Visit Monroe Gallery of Photography (Booth #419) during the AIPAD Photography Show March 28 - April 1 to view some of Brian Hamill's photographs.

Related: Brian Hamill Remembers John Lennon

John Lennon, Rooftop of The Dakota, 1975

JOHN LENNON: 9 October 1940 – 8 December 1980

Bill Eppridge: John Lennon on the train to D.C. February 10, 1964

The official John Lennon website

THE ALBUQUERQUE JOURNAL: REMEMBERING LENNON

By Kate Mcgraw


(C)The Albuquerque Journal
Friday, October 22, 2010


Remembering Lennon
Hamill’s works with the iconic star are shown at Monroe Gallery

Brian Hamill: John Lennon, The Dakota, New York, 1975

John Lennon would have been 70 years old on Oct. 9. For those whose college days came alive to the Beatles' music, that's an almost unbelievable statistic. One advantage of dying young — Lennon was only 40 when he was murdered on Dec. 8, 1980 — is that the victim remains forever young in memory.

Brian Hamill, for instance, is a longtime celebrity photographer who's aging, like the rest of us, but who has indelible memories of the three intimate sessions he had with Lennon in the '70s. Fortunately, his memories are on film. Many of the photographs from those sessions are being shown in an exhibit opening today at Monroe Gallery of Photography on Don Gaspar.

Brian Hamill: John Lennon, The Dakota, 1975

Hamill has written movingly abut his memories of Lennon in a blog on the Monroe website.

"... I will always remember John Lennon as a quick-witted, vulnerable, stand-up, soft-spoken but unafraid guy," Hamill wrote. "In my short time hanging with him, he spoke only the truth. I only spent time with him twice. I photographed him three times. They were all as memorable in my brain and in my heart as the awful day when he got murdered by a two-bit swine. On Dec. 8, 1980, I was sitting in a rocking chair of my living room at my country house in Rhinecliff, N.Y., holding my 3-week-old infant daughter Cara in my arms. Just the two of us were there, listening to music together on the radio, me with the goofy faces and smiles and the baby talk, when suddenly the music was interrupted by a bulletin stating that John Lennon had been murdered. Projectile tears instantly shot out of my eyes onto my beautiful daughter. I had never cried like that. They were such immediate, forceful tears. I will never forget the combination, a one-two punch on the chin, of celebrating the wonderful joy of fatherhood one moment that was completely shattered in a split-second moment by that painful, horrible news bulletin. John Lennon, dead!? Nooooooooooo!... for my generation, for many generations, he was a major musical force and a phenomenal creative icon of the 20th century who influenced the world. No doubt about that. Everybody knows."

Brian Hamill: John Lennon, Madison Square Garden, New York, 1972

Brian Hamill has moved among the famous for most of his career, and this exhibit shows that, according to Sid Monroe, gallery director. Monroe Gallery specializes in classic black and white photography with an emphasis on humanist and photojournalist imagery. The gallery features work by more than 50 renowned photographers and also represents a select group of contemporary and emerging photographers.

Hamill was born in Brooklyn, NY and studied photography at the Rochester Institute of Technology. In the late 1960s, he began a career as a photojournalist covering the rock 'n' roll scene as well as the boxing world. He also worked as an assistant to several top fashion photographers. In the early 1970s he traveled to Northern Ireland to photograph the troubles there, and widened his scope into unit still photographer jobs on movie sets. Since then, he has worked as a unit still photographer on more than 75 movies, including 26 Woody Allen films, resulting in a coffee table photo book titled "Woody Allen At Work: The Photographs of Brian Hamill" (Harry N. Abrams, 1995).

The redoubtable director is in fact quoted marveling at Hamill's ubiquitousness: "His currency is knowledge, information, connections, street smarts. There's not a person he doesn't know or he doesn't have the skinny on or know about, not a restaurant, not a broad — it's really quite astonishing."

Hamill's work also has appeared in other books, publications and exhibitions, including a one-man show at the Academy of Motion Picture Arts and Sciences in 1995. In 2005 he had solo exhibitions in New York City, Los Angeles and Austin with his images of John Lennon, Muhammad Ali, Mick Jagger, Robert DeNiro from "Raging Bull" and Woody Allen from "Manhattan." In addition to his movie work, Hamill has an extensive file of photographs that includes the "Troubles In Northern Ireland — 1972," rock 'n' roll, boxing, travel photographs from around the world, and a collection of nudes from the 1970s to the present that he plans to include in a forthcoming book.

He still mourns the gentle music man he met in those Lennon sessions not long before the singer-songwriter's tragic death. "John Lennon never got to fully mature as a man," Hamill writes. "The dude was only 40 years old! He never really got to bring his full genius to all of us, although he certainly brought us some real genius. He never got to share more of that fun and laughter and wackiness with Yoko that we all were lucky enough to glimpse in a small way, and you certainly know a lot more of that was on their horizon. He never got to spend a lot of quality time with his nice sons. Yet he gave us all so much. Those John Lennon tears of mine will never fully dry. He will be missed forever."

Brian Hamill: John Lennon, The Dakota, New York, 1975

Opening Reception and Special Film Festival Exhibit For Brian Hamill
Friday, Oct. 22  5 - 7 PM
Exhibit continues through Nov. 21.


Related: LENNONYC at The Santa Fe Film Festival Saturday, Oct. 23. Ticket info here.
Brian Hamill will introduce the film and take part in a panel discussion afterwards.

MONROE GALLERY OF PHOTOGRAPHY
112 Don Gaspar
Santa Fe, NM 87501
505.992.0800
505.992.0810 (fax)
info@monroegallery.com
http://www.monroegallery.com/

SPECIAL FILM FESTIVAL EXHIBIT FOR BRIAN HAMILL

Brian Hamill: Diane Keaton and Woody Allen, 59th Street Bridge, New York, 1978, "Manhattan"

Santa Fe--Monroe Gallery of Photography, 112 Don Gaspar, is pleased to welcome Brian Hamill for a very special exhibit in conjunction with the Santa Fe Film Festival, which takes place October 22 - 24. There will be a public reception with Brian Hamill on Friday, October 22, 5-7 PM at Monroe Gallery of Photography.

On exhibit will be a selection of Hamill's photographs from the sets of  movies, including Raging Bull, Annie Hall, and Manhattan. Additionally, an exclusive series of intimate photographs of John Lennon will be on exhibit, coinciding with the anniversary of what would have been John Lennon's 70th birthday and the screening of LENNONNYC at the Santa Fe Film Festival October 23. (Brian Hamill will introduce the film.)

Brian Hamill: Robert DiNiro,"Raging Bull", 1979

Additionally, Monroe Gallery has curated an exclusive exhibit of photographs from the sets of classic movies for the festival venue, Center for Contemporary Arts.

Steve Shapiro: Homage, The Godfather

Brian Hamill was born in Brooklyn, NY and studied photography at the Rochester Institute of Technology. In the late 1960s, Hamill began a career as a photojournalist covering the Rock & Roll scene as well as the boxing world. He also worked as an assistant to several top fashion photographers. In the early 1970s he traveled to Northern Ireland to photograph the troubles there, and widened his scope into unit still photographer jobs on movie sets. Since then he has worked as a unit still photographer on over seventy-five movies including twenty-six Woody Allen films, resulting in the much acclaimed coffee table photo book entitled “Woody Allen At Work: The Photographs of Brian Hamill". Hamill’s work has also appeared in numerous other books, publications and exhibitions including a one-man show at the Academy of Motion Picture Arts and Sciences in 1995.

Steve Schapiro: Robert DiNiro, Taxi Driver, 1975 (Enlarged Contact Sheet)

More about the Santa Fe Film Festival here.

SANTA FE FILM FESTIVAL AND MONROE GALLERY ON RADIO STATION KBAC

This week radio station KBAC ("Radio Free Santa Fe")  is broadcasting information and interviews relating to the Santa Fe Film Festival.

Tune in Tuesday at 1 PM to listen as Sid and Michelle Monroe discuss the Monroe Gallery's collection of film-related photography, including stills and publicity photography from Hollywood's classic movies; and Brian Hamill's photographs of Raging Bull, Annie Hall, and Manhattan, and John Lennon.

Listen live here.

The much-talked about  film "LENNONYC" will be shown on Saturday, October 23 at the festival.

LENNONYC


"In 1971, John Lennon arrived in New York City and felt reborn: at last living in the country that had dominated his artistic imagination, Lennon and his new bride Yoko Ono found in the city the perfect blend of music, politics, culture, and lifestyle. But those heady first years eventually gave way to a dark period in which both Lennon’s musical career and his personal life almost ran aground—until once again New York City came to his rescue. Using remarkable, rarely seen footage and interviews with many who were close to John, filmmaker Michael Epstein has created a moving, revealing portrait of the music legend’s New York years, detailing not only his triumphs but also some hard times over which he so beautifully recovered in the final years of his tragically curtailed life."

Monroe Gallery will welcome Brian Hamill with a special reception and exhibition on Friday, October 22, 5 - 7 PM. On exhibit will be a selection of Hamill's photographs from the sets of movies, including Raging Bull, Annie Hall, and Manhattan. Additionally, an exclusive series of intimate photographs of John Lennon will be on exhibit, coinciding with the anniversary of what would have been John Lennon's 70th birthday and the screening of LENNONNYC at the Santa Fe Film Festival October 23. (Brian Hamill will introduce the film.)


Related: Making Movies

Hollywood USA

HAPPY BIRTHDAY JOHN LENNON

Bill Eppridge: John Lennon, The Plaza, New York City, February, 1964

Previous: Brian Hamill Remembers John Lennon

Happy 70th Birthday John Lennon (With LENNONNYC film information)

BRIAN HAMILL REMEMBERS JOHN LENNON

John Lennon: The Dakota Rooftop, February 24, 1975

In our previous post, we wrote about what would have been John Lennon's 70th birthday October 9, and the new film, LENNONNYC.

Photographer Brian Hamill photographed John Lennon on three occasions. Like many of his generation, Brian has profound memories of John's influence on his life and the times. Here, he shares some of his thoughts on the anniversary of John's 70th birthday.

 JOHN LENNON

There are three crucially important events that happened in my life where I can remember clearly who I was with and what I was doing when they happened. The whole world was a witness to all three of them. They were all defining moments in our global history. Unfortunately, they all involved the death of good people.

The assassination of JFK on 11/22/1963.
The assassination of John Lennon on 12/8/1980.
The assassination of more than 2,752 people at the World Trade Center buildings on 9/11/2001.

If you were alive with a working memory during all three you will probably feel as I do and remember most of the sad details. I can also throw in, with the same importance and feeling of “coming together” in our grief afterward, the assassination of Martin Luther King and Bobby Kennedy too. It is very sad to have to remember and celebrate great people in this way, but because of this unique time in our troubled history, a big part of me does exactly that--that’s just the way it goes.

I am not going to give you any new perspective or cultural insight into John Lennon, although I will say that for my generation, for many generations, he was a major musical force and a phenomenal creative icon of the 20th century who influenced the world. No doubt about that. Everybody knows.


But I will always remember John Lennon as a quick-witted, vulnerable, stand-up, soft-spoken but unafraid guy. In my short time hanging with him, he spoke only the truth. I only spent time with him twice. I photographed him three times. They were all as memorable in my brain and in my heart as the awful day when he got murdered by a two-bit swine.  On  the night of 12/8/80, I was sitting in a rocking chair of my living room at my country house in Rhinecliff, NY, holding my three week old infant daughter Cara in my arms, just the two of us were there, listening to music together on the radio, me with the goofy faces and smiles and the baby talk, when suddenly the music was interrupted by a bulletin stating that John Lennon had been murdered. Projectile tears instantly shot out of my eyes onto my beautiful daughter. I had never cried like that. They were such immediate, forceful tears. I will never forget the combination, a one-two punch on the chin, of celebrating the wonderful joy of fatherhood one moment that was completely shattered in a split second moment by that painful, horrible news bulletin. John Lennon, dead!? Nooooooooooo!

John Lennon never got to fully mature as a man. The dude was only forty years old! He never really got to bring his full genius to all of us. Although, he certainly brought us some real genius. He never got to share more of that fun and laughter and wackiness with Yoko that we all were lucky enough to glimpse in a small way, and you certainly know a lot more of that was on their horizon. He never got to spend a lot of quality time with his nice sons. Yet he gave us all so much. Those John Lennon tears of mine will never fully dry.

He will be missed forever.

IMAGINE?

John Lennon: Madison Square Garden, New York, August 30, 1972

More photographs by Brian Hamill here.

Join us Friday, October 22 5 - 7 as we welcome Brian with a reception in conjuction with the Santa Fe Film Festival

HAPPY 70th BIRTHDAY JOHN LENNON

October 9, 2010 would have been John Lennon's 70th Birthday.

Brian Hamill: John Lennon, New York

Across the world, special events will recognize what would have been John Lennon's 70th birthday, October 9th, 2010. In New York's Central Park, home of the John Lennon "Imagine" memorial, a free, public screening of the American Masters film “LENNONYC” will be held on October 9th, 2010.

The screening, which will be first-come, first served, will take place at Rumsey Playfield in Central Park (best reached by entering the park at 69th Street and Fifth Avenue). The screening, which will take place rain or shine, will include picnic style seating so viewers are encouraged to bring blankets. People interested in attending should visit www.thirteen.org/lennon for more information. The screening will start at 7:00 p.m. and doors open at 6:00 p.m. People are encouraged to line up early given there will be limited seating.

The Santa Fe Film Festival has announced a screening of LENNONNYC during the 11th edition of the film festival (October 22-24) at the Center for Contemporary Arts (CCA). Tickets for all Santa Fe Film Festival films go on sale October 8 here.  The film will air nationally on PBS on November 22 at 9pm.

Brian Hamill: John Lennon, The Dakota, New York

In conjunction with the Santa Fe Film Festival, Monroe Gallery of Photography is honored to welcome Brian Hamill to Santa Fe for a very special exhibition of his intimate photographs of John Lennon; as well as his photographs from the sets of classic movies. Brian Hamill will join us Friday, October 22, from 5-7 pm for a public reception. (The photographs are on exhibit now)

Brian Hamill was born in Brooklyn, NY and studied photography at the Rochester Institute of Technology. In the late 1960s, Hamill began a career as a photojournalist covering the Rock & Roll scene as well as the boxing world. He also worked as an assistant to several top fashion photographers.

In the early 1970s he traveled to Northern Ireland to photograph the troubles there, and widened his scope into unit still photographer jobs on movie sets. Since then he has worked as a unit still photographer on over seventy-five movies including twenty-six Woody Allen films, resulting in the much acclaimed coffee table photo book entitled “Woody Allen At Work: The Photographs of Brian Hamill” (Harry N. Abrams, 1995).

Hamill’s work has also appeared in numerous other books, publications and exhibitions including a one-man show at the Academy of Motion Picture Arts and Sciences in 1995.

See Brian Hamill's photographs here.

Related: Other John Lennon photographs here, and Beatles photographs here.