Monday, January 3, 2022
January 1, 2022 Lead Editorial in The New York Times Features Nina Berman Photograph
Wednesday, December 15, 2021
NY Times Year In Pictures Includes Ashley Gilbertson's January 6 Insurrection Photographs
December 15, 2021
While many people, fearing the virus, continued to stay close to home, photographers traveled the world, documenting turmoil and triumphs.
"For Ashley Gilbertson, this photograph captured the intensity of the moment when a single man stood firm against a massive mob overrunning the United States Capitol."
"As they turned a corner, the mob paused. A lone policeman was shouting at them to stop and turn back. Men in QAnon shirts shouted back, and another waved a Confederate flag in front of the officer. He drew his baton to fight them back, but it fell to the ground in the chaos. He unclipped the holster of his pistol and put his hand on the grip, and I put a rioter between me and him as a shield. But the officer never drew his sidearm.
His name, I would later learn, was Eugene Goodman. He acted as a diversion to draw rioters away from the Senate chamber. There weren’t many moments that we can be proud of as a nation from Jan. 6, 2021, but this is one of them."
Monday, December 6, 2021
"BRINK", the new book by David Butow, featured in the Washington Post
December 6, 2021
“Brink” will go down as an essential photographic document of a most unusual time in U.S. politics." (paywall)
Photographs from the new book were featured in the exhibition "Present Tense", June 4 - September 8, 2021 at Monroe Gallery of Photography
Tuesday, November 16, 2021
Photographer Ashley Gilbertson in the HBO Documentary "Four Hours at the Capitol"
On Demand - Available until November 25, 2021
Photographer Ashley Gilbertson, who captured the iconic image of Officer Goodman on January 6, recounts his observations in the documentary. Three of Gilbertson's photographs from that day were in the Monroe Gallery exhibit "Present Tense".
Four Hours At The Capitol - Watch the HBO Original Documentary | HBO
Four Hours at the Capitol is an immersive chronicle of the insurrection at the U.S. Capitol on January 6, 2021, when thousands of American citizens from across the country gathered in Washington D.C. to protest the results of the 2020 presidential election, many with the intent of disrupting the certification of Joe Biden’s presidency. The documentary film is executive produced by Dan Reed (HBO’s Leaving Neverland, Three Days of Terror: The Charlie Hebdo Attacks, Terror at the Mall) and directed by Jamie Roberts.
Friday, June 18, 2021
Present Tense at Monroe Gallery of Photography
Via Pasatiempo, The Santa Fe New Mexican
June 18, 2021
Michael Abatemarco
Staff Writer
Photography is among the most essential messaging tools for documenting the extraordinary political, social, and economic events of contemporary times. The group exhibition Present Tense, Monroe Gallery of Photography features images that were all taken in the past few years and that underscore the upheaval and intimate and public dramas occurring in the social spheres as captured by a new wave of independent photojournalists. Images include the 2017 white supremacist tiki-torch rally at the University of Virginia, the protests at the Standing Rock Indian Reservation, the January 6 storming of the United States Capitol, the protests that followed the police killings of Michael Brown and George Floyd. Photographers include Ryan Vizzions, David Butow, Ashley Gilbertson, Sanjay Suchak, and Gabriela Campos. The exhibition is currently on view and runs through Aug. 22.
Monroe Gallery of Photography, 112 Don Gaspar Ave., 505-992-0800, monroegallery.com
Thursday, June 17, 2021
Present Tense (Photography Show)
Present Tense (Photography Show)
Monroe Gallery of Photography
Fri, Jun 18 - Aug 22, 2021
FULL DESCRIPTION
A significant exhibition documenting recent extraordinary political, social, and economic events, including the COVID-19 Pandemic.
For 20 years, Monroe Gallery of Photography has presented visual moments indispensable to an understanding of 20th- and 21st-century societal and political change. PRESENT TENSE, however, is entirely unique in the Gallery’s history: its first multi-photojournalist presentation of age- and perception-changing news events of just the last few years, as well as a celebration of the new wave of independent photojournalists who are battling both real situational danger and gathering selective public denial of journalism broadly.
Depicting moments both momentous and intimate, but all radiating with meaning, PRESENT TENSE was conceived as a collective way of briefly pausing the roil and rush of virtual imagery we are all subject to—a storm of constantly flickering perceptions—and recognize, through painstakingly curated photographs, that we are living in an epoch-changing history in terms of societal understanding, betterment, and, ultimately, survivability.
Monroe Gallery of Photography
112 Don Gaspar Ave. Santa Fe NM 87501
505-992-0800
Watch a brief video introduction to the exhibit on YouTube here.
Sunday, June 13, 2021
TENSE MOMENTS: Photography exhibit looks at current news events that have impacted the era
Sunday, June 13, 2021
By Kathaleen Roberts
In a time ravaged by a pandemic, an insurrection and police killings of Black citizens, Monroe Gallery of Photography will show a series capturing it all.
For 20 years, the gallery has hung mainly historic photographs by such legends as Margaret Bourke-White, Harry Benson and Tony Vaccaro, although it has long included current work in its group shows. Past exhibits have paired Black Lives Matter images with photographs of the 1964 Selma March.
Opening June 18, “Present Tense” marks Monroe’s first multi-journalist exhibition of current news events during this epoch-changing era. It was time to pause the rush of virtual imagery with its storm of constantly flickering perceptions, gallery co-owner Michelle Monroe said.
Ashley Gilbertson. A mixture of tear gas discharged by police and fire extinguisher residue discharged by pro-Trump extremists hangs in the air of the Rotunda as the crowd milled about, Jan. 6, 2021. (Courtesy of Monroe Gallery of Photography)
“This is a first,” she said. “It seems obvious to us that we are living in a completely unique history. The question of survivability is upon us. We wanted people to stand before this moment and stay with it.”
David Butow’s print of National Guardsmen sprawled across the U.S. Capitol floor after the Jan. 6 insurrection coincidentally captured the New Mexico statue of Po’Pay, the leader of the 1680 Pueblo Revolt.
During the pandemic, Butow also shot an image of a masked couple walking the Hoboken, New Jersey boardwalk with an ominous Manhattan skyline in the background.
David Butow. With the skyline of lower Manhattan in the background, a couple strolls the boardwalk in Hoboken, New Jersey, during the COVID-19 pandemic, April 18, 2020. (Courtesy of Monroe Gallery of Photography)
The hazy light in Ashley Gilbertson’s image of the Capitol Rotunda reveals a chilling truth.
“Ashley said the air inside was filled with teargas, bear spray and the fire extinguishers they had carried in,” co-owner Sidney Monroe said.
Gilbertson’s shot of Capitol Police Officer Eugene Goodman frames him in a doorway beneath the raised hands of insurrectionists.
“To the left of him you can see the stairway that he led them through away from the Senate,” Michelle Monroe said. “It recalls the man standing in front of the tanks at Tiananmen Square” in 1989.
Ryan Vizzions. The Nation’s Capitol, Washington, D.C., Jan. 13, 2021. (Courtesy of Monroe Gallery of Photography)
Gilbertson also captured the sense of desperation and despair in his photo of a food line in New York’s Chinatown during the pandemic.
Ryan Vizzions’ photo of the U.S. Capitol through its new fencing encapsulates the story of the insurrection’s aftermath. The photographer also shot an image of the late Civil Rights leader Sen. John Lewis marching in Atlanta.
Sanjay Suchak. The Graduate, Robert E. Lee Monument, Richmond, Virginia, June 8, 2020. (Courtesy of Monroe Gallery of Photography)
Sanjay Suchak’s eerie photo of Charlottesville marchers at the University of Virginia Rotunda appears almost reverent until you realize they are white supremacists. Suchak also produced a compelling image of a college graduate giving a triumphant Black Power salute in front of a graffiti-scrawled Robert E. Lee statue in Richmond, Virginia.
Sanjay Suchak. White Supremacists march at the Rotunda, Charlottesville, Virginia, Aug. 11, 2017. (Courtesy of Monroe Gallery of Photography)
New Mexico photographer Gabriela Campos shot a scene closer to home when she photographed an Ohkay Owingeh dancer atop the empty platform where a statue of Don Juan de Oñate once stood in Rio Arriba County. She also cemented a picture of COVID-19 exhaustion in her portrait of a trio of masked nurses at Santa Fe’s St. Vincent Regional Medical Center.
“The impact and urgency of some of these photographs were immediately iconic,” Sidney Monroe said. “Sometimes it takes decades. We don’t need to wait a decade to look back.”
If you go
WHAT: “Present Tense”
WHERE: Monroe Gallery of Photography, 112 Don Gaspar Ave., Santa Fe
WHEN: 10 a.m. to 5 p.m. daily June 18 through Aug. 22
HOW MUCH: Free at 505-992-0800, monroegallery.com