Showing posts with label Industrial photography. Show all posts
Showing posts with label Industrial photography. Show all posts

Sunday, February 1, 2026

New Exhibit: Margaret Bourke-White Photojournalist

 Via Monroe Gallery

February 1, 2026


line of victims of the Louisville flood wait in line at Red Cross relief center besides a billboard sign that reads "World's Highest Standard of Living...There's No Way Like The American Way"
Margaret Bourke-White/©Life Picture Collection

Monroe Gallery of Photography, 112 Don Gaspar, is pleased to announce an exhibition of important photographs by Margaret Bourke-White. The exhibition dates are February 6 – April 25, 2026. (No opening reception)

Margaret Bourke-White was a pioneer for women and an icon in American photography. As a founding member of LIFE (she photographed the first cover), she became a world-famous symbol of globe-trotting photojournalism. And that she did it in a male world made her success even more spectacular. Her photos have proven to have a timeless appeal, continuing to influence viewers’ opinions not only about the subjects photographed, but also about the artist behind the camera and the times in which she lived.

Margaret Bourke White was one of the most famous and most successful photographers of her time. Her combination of intelligence, talent, ambition, and flexibility made her an ideal contributor to the new journalism that developed during the thirties. She was a woman, doing a man's job, in a man's world, from the foundries of Cleveland to the battlefields in World War II. She had a deep-rooted belief in an artist’s duty to change the world. Known to her Life colleagues as “Maggie the Indestructible,” Bourke-White documented some of the most pivotal moments of the 20th century and changed the face of photography, dramatically altering the influence of photojournalism by using a new technique, the photographic essay. Not only did she document many of the most significant events of the 20th century, she also put a human face to the tragedies and the injustices of the powerful. She showed that photographers could be brave, could influence public opinion, and could be strong women.


View the exhibition here.





Saturday, June 13, 2015

Happy Birthday Margaret Bourke-White


Margaret Bourke-White working atop the Chrysler Building, NY 1934, Oscar Graubner


by Oscar Graubner

Margaret Bourke-White was born on June 14, 1904, in New York City, and graduated from Cornell University in 1927. Choosing photography as a profession, she immediately began her dramatic career by experimenting with industrial subjects.
 
  

 
The exhibition continues through June 28, 2015.
 
 

Thursday, April 23, 2015

Trailblazer: Monroe Gallery tips artistic hat to Margaret Bourke-White









Pick-MAIN
©Time Inc. Courtesy Monroe Gallery
Image result for santa fe reporter


Via The Santa Fe Reporter
April 22, 2015
As a symbol for globetrotting photojournalism, Margaret Bourke-White’s brand in the field is still felt today. Born on June 14, 1904, in New York City, she soon would become a beacon for editorial photography, focusing on subjects both live and inanimate, and securing the first cover image for LIFE magazine—an iconic study of the dams in the Columbia River basin.


“There is so much to talk about Margaret Bourke-White,” Monroe Gallery of Photography’s Michelle Monroe muses. “Her vision directed LIFE. It was her global look at why things mattered; why the Russian Revolution was going to affect ours; why man’s industry and this sort of race toward that conclusion mattered; why humans in India who were trying to gain independence from Britain mattered to America. It was a really sophisticated worldview for that time.”

Monroe continues, “America was largely illiterate in 1936, and this woman met [LIFE editor] Henry Luce and was the first person hired for his magazine, which is also extraordinary—because she’s a girl,” she says, with a playfully scandalized tone.
The Don Gaspar gallery showcases 54 of Bourke-White’s emblematic images, starting this Friday and going through June 28.

Before her death of Parkinson’s disease in 1971, Bourke-White managed to stamp her unique perspective on historic events like Gandhi’s release from prison in 1946, the ripple of the South African labor exploitation during the 1950s and the liberation of German concentration camps by General Patton.

The breadth of Bourke-White’s oeuvre as well as her approach, Monroe stresses, far surpasses whatever labels one might want to stick on her based on gender.

“I try not to talk about ‘female artists’ or ‘female gallerists’ because that puts us in a kind of margin,” Monroe says. “You have to think that in 1936, it was extraordinary that this woman was hired as the first journalist in what would become Henry Luce’s magnum opus.”




Margaret Bourke-White
5-7 pm Friday, April 24
Monroe Gallery of Photography
112 Don Gaspar Ave., 
505 992 0800