"Breaking Bad's" creator, Vince Gilligan, talks about shooting the show in New Mexico, and exploring sights in the state

 

Ernst Haas: Route 66, Albuquerque, 1969

Via The New York Times
Sunday, August 11, 2013


"And in Albuquerque itself, what’s of interest?

I’ll admit that when you enter the city on either Interstate, 40 or 25 — they meet smack in the middle — Albuquerque doesn’t look, shall we say, particularly picturesque. It seems like lots of strip malls and chain restaurants. But it has a stealth charm. Once you get into the neighborhoods, you realize it possesses a great amount of culture and history and natural beauty surrounding it.

      

Central Avenue is a great drive. A part of Route 66, it’s still dotted with old neon motel signs like that great Ernst Haas photo. There’s a great art gallery called Mariposa Gallery and a restaurant we love called Zinc.

      

The Sandias, the mountains to the east, are omnipresent. Take the cable car up to a restaurant called High Finance, which is a good place to eat. It’s stark beauty up there; you can see for hundreds of miles."      

Stephen Wilkes' Day To Night Series Featured in Today's Newspapers

Via New York Daily News

Stunning! Timelapse photographs show city skylines in daytime and at night... all at the same time

Cities such as New York City and Shanghai get captured in unique images which show the glorious daylight and the glimmering night time lights.

CATERS NEWS
Wednesday, August 7, 2013, 7:21 AM

New York City’s Central Park during the day and at night.

Stephen Wilkes/Caters News Agency

 

These are the incredible images which show the world’s most iconic cityscapes by day and night — in just one picture.

The mesmerising images show the beautiful transition from day to night in some of the world’s most iconic cities from the Shanghai skyline to New York’s Central Park.

The unusual images were taken by photographer Stephen Wilkes who spent up to 15 hours and shot up to 1500 photos to create just one composite image.

 

Stephen Wilkes/Caters News Agency

Brooklyn’s Coney Island.

 

The collection entitled Day to Night features 15 images including works from Times Square, The Western Wall and The Capitol.

To create the images, Stephen, 55, from Connecticut, U.S.A., shoots across the entire landscape from sunrise to sunset — sometimes from locations that do not even have toilet facilities.

He then returns to his studio to blend around 50 of the best photographs to create one seamless image. Each piece takes around one month to edit.

Stephen Wilkes/Caters News Agency
Shanghai in day and night.

 

Stephen said he first came up with the idea of shooting multiple images across a landscape when taking the cast picture for Baz Lurman’s blockbuster Romeo and Juliet for Life Magazine, in 1996.
But it wasn’t until he was asked to shoot the High Line for New York Magazine that Stephen used this technique to show the passing of time.

Stephen said while he is fascinated by architecture, people and the cities of the world, what he really loves to shoot is history. And he has even shot Day and Night images of President Obama’s inauguration speech as well as New Year’s Eve in Times Square.

Stephen Wilkes/Caters News Agency
The Flatiron building in Manhattan.

 

There are currently 15 images in the collection but he is currently working on images from Chicago, and hope to add works from London and Paris in the near future.

Stephen wants to add as many images as possible to his collection.

He said: “I remember saying that New York was very active and busy at lunchtime and very spooky at night.

Stephen Wilkes/Caters News Agency

Capitol Hill shown in the day and at night.

 

“I like to say it’s a labour of love for you to stay 15 hours and shoot 1500 images where most of the time there is no bathroom.

“I am a street photographer by training and Day to Night is essentially all the things I love about photography; my son describes it as my symphony.

“The images are so layered; there are so many elements that I love about the medium: Street, history, people environment, narrative, and storytelling.

Stephen Wilkes/Caters News Agency

The Western Wall in Jerusalem.

 

“I’m drawn to cities that have not only fantastic architecture, but also fascinating street life.
“The human narrative is the subtext is in a lot of my photographs, so more you look at it, the more you are going to discover.

“There is a layered effect so you will discover something new whenever you view it.”

Related:

The Telegraph: Day-to-night in the city: Stephen Wilkes documents a day in one photograph

Stephen Wilkes DAY TO NIGHT  Feature On CBS News Sunday Morning Show

Huffington Post: Day To Night In The World's Most Iconic Cities

The Daily Mail: A day in the life of the city: Mesmerising photographs capture 24 hours in just one picture

Jeff Widener shares his experience in documenting a war-torn African nation after entering the country with a humanitarian visa

Via PetaPixel
Jeff Widener · Aug 02, 2013

My Journey to Angola

 

Africa started tugging on me again last year and when an opportunity to join an NGO to Angola surfaced, I quickly seized the opportunity. Non-government agencies like the Red Cross and Amnesty International offer a way for photojournalists to see parts of the world completely closed off to the average traveler. The Chicago based RISE International, a non profit organization that builds schools in Angola allowed me to join them in July to document their work. Full article and photographs here.

Jeff Widener is a Pulitzer Prize-nominated American photojournalist who’s best known for shooting the photo “Tank Man“. He has documented wars and social issues in over 100 countries, and was the first photojournalist to send digital photos from the South Pole. You can read our recent interview with him here.

Heroin and The Photo Essay

"Live Through This: Documenting One Woman’s Struggle with Heroin" photo essay is featured on today's TIME LightBox.  Tony Fouhse's powerful new book captures a young woman's recovery from addition, as well as an unconventional relationship between subject and documentary photographer. In the accompanying article, Paul Moakley notes:

"Photography has witnessed other, now-classic depictions of junkies, like Bill Eppridge’s “John and Karen, Two Lives Lost to Heroin,” published in LIFE in 1965, and Larry Clark’s landmark Tulsa (1971), in which the photographer’s portraits of his friends — and himself — formed a poignant picture of lost American youth."


Bill Eppridge's incredibly vivid and moving photo essay was published in Life Magazine in 1965:

Needle Park: Karen shooting up, New York City

©Bill Eppridge

"With "Needle Park," Bill gave us one of the most powerful and memorable photographic essays Life ever published, one still highly regarded today. The story was to run in two parts, the first focusing on an addicted couple to give the nation's narcotics problem a human face, the second to explain what was being done to treat it.

Research to find the ideal subjects for the story was almost as intense as the actual shooting. Weeks spent with the detectives of New York City's Narcotics Bureau were followed by months of "hanging out" in "Needle Park," on the street corners where connections were made, and in the fleabag hotels where the heroin was shot up. That the couple, Karen and John, were white was deliberate; it was not to be a race story.

Trust, between subject, photographer and magazine, was essential. It helped that Life had a reputation for being respectful and fair. Of Karen and John, writer Jim Mills found that "intellectually, they committed themselves very quickly, but the emotion okay came gradually over a period of weeks."

Bill and Jim earned that "okay" by living the addicts' life. Bill blended into the scenery, his presence often forgotten, his photographs taken with available light – he may have missed a few, but he probably gained much more. So convincing was Bill that he was picked up by the cops who thought that he had stolen his cameras and Life credentials. He also had some explaining to do to many of the magazine's readers who believed that the photographs were too real; they must have been faked.

The story complete, Bill, Jim and Life did what they could to find for Karen and John long-term care by a psychiatrist who specialized in drug addiction. The sensitivity that was necessary for Bill to photograph them assured that he would remain interested, but it isn't easy to keep track of addicts battling a devastating habit. And caring – about a subject, about your pictures – takes a toll.

In fact, Bill worries all the time: "They'll pay you for one day's worth of work," he says, "but it's usually about three. One to worry, one to shoot and then, one to recover."

-- Barbara Baker Burrows, The Digital Journalist

 

 

 

 

 

 

  

Article by James Mills and photos by Bill Eppridge for Life Magazine, February 26, 1965.

 

The Georgia O’Keeffe Museum invites anyone enthusiastic about photography and art to enter the Georgia O’Keeffe Museum Photography Contest

The Georgia O’Keeffe Museum Announces 2013 Photography Competition and Landscape Theme

Amateur and professional photographers invited to submit original landscape-themed photos for second annual photography competition. Winners to receive photo publication, cash awards, and more.

Santa Fe, New Mexico (via PRWEB) July 26, 2013

 

"The Georgia O’Keeffe Museum is excited to invite photographers to submit their favorite images of landscapes,” said Robert A. Kret, Georgia O’Keeffe Museum director."

 

The Georgia O’Keeffe Museum is pleased to announce the second annual photography competition for 2013. To celebrate O’Keeffe’s enduring artistic legacy, this year’s theme honors landscapes, one of O’Keeffe’s most iconic and beloved subjects. Both amateur and professional photographers—located regionally, nationally, and internationally—are encouraged to submit their original images for a chance to win prizes and to be recognized for their talents.

The subject of her most iconic and important works, Georgia O’Keeffe depicted landscape configurations throughout her life, as if doing so put her in closer touch with the identity of a particular place. Of her time in Texas, O’Keeffe wrote to a friend saying, “I love the plains more than ever it seems – and the SKY – … you have never seen SKY – it is wonderful.” And of the beloved landscape of her future home in New Mexico, O’Keeffe explained, “When I got to New Mexico that was mine. As soon as I saw it, that was my country. I’d never seen anything like it before, but it fitted to me exactly. It’s something that’s in the air, it’s different. The sky is different, the wind is different.”

"The Georgia O’Keeffe Museum is excited to invite photographers to submit their favorite images of landscapes,” said Robert A. Kret, Georgia O’Keeffe Museum director. “It is an honor to reward their talent and creativity as a tribute to our namesake, Georgia O'Keeffe."

First, second and third place winners will be awarded in the adult category for entrants aged 21 years and older. The photography competition will also include two student competitions, one for students 18-21 years of age and a second competition for students under 18 years old. The Museum will also announce 20 honorable mentions. Photos may be submitted any time between today and the final entry deadline on Thursday, November 14, 2013, the eve of Georgia O’Keeffe’s birthday. Entrants are encouraged to submit their photos before October 15, 2013 to take advantage of reduced early entry fees.

The theme of the Georgia O’Keeffe Museum’s 2012 first annual photography competition was “flowers.” A total of 930 entrants from 17 countries submitted a grand total of 3,380 images. The winning photograph, “Dancing Tulips,” was submitted by Joanna Stoga of Wroclaw Poland; the remaining winners hailed from New Mexico.

JUDGES FOR THE 2013 PHOTOGRAPHY COMPETITION
Adult group judges: Jolene Hanson, director and curator of G2 Gallery; Eddie Soloway, photographer; and Amy Silverman, photo editor of Outside Magazine.
Student contest judge: Sarah Zurick, education and family programs manager of the Georgia O’Keeffe Museum.

WHAT THE WINNERS WILL RECEIVE:
All winning images will be published in the winter/spring issue of O’Keeffe Magazine and on the Georgia O’Keeffe Museum website beginning January 6, 2014 through May 1, 2014. Winners will receive the following awards and prizes:
1st Place Award

$500 cash-prize; a Santa Fe Photographic Workshops Intensive; a book of exhibition paintings and photographs titled O'Keeffe and New Mexico: A Sense of Place which includes essays by Barbara Buhler Lynes and by the well-known writers Lesley Poling-Kempes and Frederick W. Turner; a copy of Georgia O'Keeffe in New Mexico: Architecture, Katsinam, and the Land, an exhibition catalogue which reveals the little-known breadth of Georgia O'Keeffe's interest in northern New Mexico and illuminates her keen sensitivity and deep respect for the Native American and Hispano cultures of the region; and a select item from the O’Keeffe Museum Shop.

2nd Place Award
$300 cash-prize; a book of exhibition paintings and photographs titled O'Keeffe and New Mexico: A Sense of Place which includes essays by Barbara Buhler Lynes and by the well-known writers Lesley Poling-Kempes and Frederick W. Turner; a copy of Georgia O'Keeffe in New Mexico: Architecture, Katsinam, and the Land, an exhibition catalogue which reveals the little-known breadth of Georgia O'Keeffe's interest in northern New Mexico and illuminates her keen sensitivity and deep respect for the Native American and Hispano cultures of the region; and a select item from the O’Keeffe Museum Shop.

3rd Place Award
$200 cash-prize; a book of exhibition paintings and photographs titled O'Keeffe and New Mexico: A Sense of Place which includes essays by Barbara Buhler Lynes and by the well-known writers Lesley Poling-Kempes and Frederick W. Turner; a copy of Georgia O'Keeffe in New Mexico: Architecture, Katsinam, and the Land, an exhibition catalogue which reveals the little-known breadth of Georgia O'Keeffe's interest in northern New Mexico and illuminates her keen sensitivity and deep respect for the Native American and Hispano cultures of the region; and a select item from the O’Keeffe Museum Shop.

Student Awards
$100 cash-prize; a book of exhibition paintings and photographs entitled O'Keeffe and New Mexico: A Sense of Place which includes essays by Barbara Buhler Lynes and by the well-known writers Lesley Poling-Kempes and Frederick W. Turner; a copy of Georgia O'Keeffe in New Mexico: Architecture, Katsinam, and the Land, an exhibition catalogue which reveals the little-known breadth of Georgia O'Keeffe's interest in northern New Mexico and illuminates her keen sensitivity and deep respect for the Native American and Hispano cultures of the region; and a select item from the O’Keeffe Museum Shop.

Honorable Mentions
Photo submissions will be posted to the Georgia O’Keeffe Museum website.
For More Information and for Contest Rules, Please Visit the Contest Website: http://www.okmphotocompetition.org

For press inquiries, contact:
Lisa Neal
JLH Media
575 635 5658
lisa(at)jlhmedia(dot)com
###

ABOUT GEORGIA O’KEEFFE MUSEUM:
The Georgia O'Keeffe Museum is dedicated to the artistic legacy of Georgia O'Keeffe, her life, American modernism, and public engagement. The Museum's collections, historic properties, exhibitions, Research Center, publications, and education programs contribute to scholarly discourse and inspire diverse audiences. Located in Santa Fe, NM, the Museum’s collections, exhibits, research center, publications and education programs contribute to scholarly discourse and serve diverse audiences. The largest single repository of the artist’s work in the world, it is the only museum in the world dedicated to an internationally known American woman artist and is the most visited art museum in New Mexico

Save The Dates! AIPAD April 10 - 14, 2014

 

World's leading photography art galleries to exhibit at The AIPAD Photography Show New York, April 10-13, 2014.

More than 80 leading photography art galleries will present a wide range of museum-quality work, including contemporary, modern and nineteenth-century photographs, as well as photo-based art, video, and new media, at the historic Park Avenue Armory in New York City's Upper East Side. For more information, visit www.aipad.com.

AIPAD Opening Night Gala :Wednesday, April 9, 2014 5:00 pm - 9:00 pm Tickets will be available for purchase in early 2014 AIPAD Panel Discussions: Saturday, April 12, 2014 Hear from leading curators, dealers, artists, critics, and journalists . Held in conjunction with the Show

Photographing war on the domestic front

Via The Annenberg Space for Photography

Nina Berman

Evidence and Fantasy: The War at Home

On Thursday, May 30th, 2013, Nina Berman was the featured speaker at The Annerberg Space's Iris Night lecture Series. The Iris Nights lecture series is a public program offered free of charge, by online reservation on a first-come, first-served basis. The series brings to life the most current exhibit with presentations by exhibit featured photographers and other notable experts and guest artists, and takes place from 6:30-8pm Thursday evenings at the Annenberg Space for Photography

Photographer, author and educator Nina Berman is known for her work photographing wounded American veterans including her 2006 “Marine Wedding” image. Presenting selections from work made since 9/11, she will explain her motivations and approaches to photographing war on the domestic front.

Click here for the full presentation.

Related:

NPR reviews "War/Photography": What do cameras and combat have in common? Neither seem to be going away

WAR/PHOTOGRAPHY Opens Veterans Day, Sunday, November 11, 2012 in Houston

 

"What do cameras and combat have in common? Neither seem to be going away"

Via NPR The Picture Show


What Do Cameras And Combat Have In Common?

"For me it's about the impact of war as it relates on a very basic human everyday life," says New York-based photographer Nina Berman, who has been photographing wounded veterans since 2003. Her image titled "Marine Wedding," made in 2006, captures a moment between Marine Sgt. Ty Ziegel and his bride on their wedding day. Ziegel was seriously wounded by a suicide car bomber in Iraq and spent 19 months in recovery.

"In that moment I saw a shellshocked couple," says Berman. "That is what war does. It disturbs, distresses and changes the normal lovely course of life."

The image itself has had a life of its own, garnering Berman a World Press Photo Award and launching Ziegel into the national spotlight to discuss the failures of veteran care.
Years later, Berman sees the image as less about the couple and more of a symbol of the impact of war.

"I think that people can be taken aback by how [Ziegel] looks," she says, "but there are a lot of people that look like him. He wasn't a freak, an anomaly; that's what this war has done. People who would have died are surviving. That is the reality."

Berman's voice shuddered as she spoke about Ziegel's passing late last year. She says she often wonders: What does it all amount to?

If you strip war of its historical and political context, it seems, what you are left with is simply to wonder: Why has war been a constant throughout human history?

To Do in NYC Wednesday: Photojournalists On War Conversation and Book Signing

 

"Photojournalists on War: The Untold Stories from Iraq [is] required reading for anyone interested in the way news is gathered and disseminated these days ... Kamber was another one of those eyes in Baghdad, so these conversations are remarkably candid -- confidences shared among friends that we're privileged to be listening in on." -- Vince Aletti, Photograph, July/August 2013

 

COINCIDING WITH PUBLICATION OF

MICHAEL KAMBER'S ACCLAIMED NEW BOOK ON THE IRAQ WAR

BROOKLYN BREWERY

WITH WAR CORRESPONDENTS AT THE BROOKLYN BREWERY

PRESENT:

PHOTOJOURNALISTS ON WAR:
THE UNTOLD STORIES BEHIND THE HEADLINES
A CONVERSATION WITH
STEVE HINDY AND MICHAEL KAMBER
WEDNESDAY, JULY 10, 7:30 - 10:00 P.M.

Brooklyn Brewery
79 N. 11th Street
Brooklyn, New York 11249
7:30 P.M. - 10:00 P.M.

Ticket includes admission and a free Brooklyn Brewery beer.
All proceeds from event benefit RISC
( Reporters Instructed in Saving Colleagues).
Ticket price is $15.00. To purchase a ticket, go here.
Copies of the book will be on sale and available for signing

With never-before-seen work from the world's top photographers, Michael Kamber's new book Photojournalists on War: The Untold Stories from Iraq (University of Texas Press) features a groundbreaking visual and oral history of America's nine-year conflict in the Middle East. Influenced by his own experience as a multimedia pioneer, Kamber set out to interview photojournalists from leading news organizations including Agence France-Presse, the Associated Press, the Guardian, the Los Angeles Times, Magnum, Newsweek, The New York Times, Paris Match, Reuters, Time, The Times of London, VII Photo Agency, and The Washington Post. In his book, he recounts their first-person, frontline reports of the war as it unfolded, including key moments such as the battle for Fallujah, the toppling of Saddam's statue, and the Haditha massacre. These hard-hitting accounts and photographs reveal the inside and untold stories behind the headlines in Iraq.

On July 10, Brooklyn Brewery founder and former AP foreign correspondent Steve Hindy will interview Kamber about his career and his mission to create the most comprehensive collection of rare eyewitness accounts of the Iraq War to date. Both men will reflect on the often shocking and sometimes heroic actions that journalists undertake in trying to cover the war, as they discuss the role of media and issues of censorship. The conversation will be followed by a book signing.


Photojournalists on War photographers are: Lynsey Addario * Christoph Bangert * Patrick Baz * Nina Berman * Ben Brody * Andrea Bruce * Guy Calaf * Patrick Chauvel * Alan Chin * Carolyn Cole * Jerome Delay * Marco Di Lauro * Ashley Gilbertson * Stanley Greene *Todd Heisler * Tyler Hicks * Eros Hoagland * Chris Hondros * Ed Kashi * Karim Ben Khelifa * Wathiq Khuzaie * Gary Knight * Yuri Kozyrev * Rita Leistner * Benjamin Lowy * Zoriah Miller * Khalid Mohammed * John Moore * Peter Nicholls * Farah Nosh * Gilles Peress * Scott Peterson * Lucian Read * Eugene Richards * Ahmad Al-Rubaye * João Silva * Stephanie Sinclair * Bruno Stevens * Peter van Agtmael

Michael Kamber has worked as a writer and photojournalist for 25 years. Since September, he has worked primarily as a conflict photographer, covering a dozen conflicts, including Afghanistan, Somalia, Liberia, Darfur, and the Congo. Kamber worked as The New York Times' chief photographer in Baghdad in 2007, the bloodiest year of the Iraq War. He also covered Iraq for the Times in 2003, 2004, 2008, 2009, 2010 and 2011. As one of the first journalists to routinely file photography, video and written articles from overseas, Kamber helped pioneer the use of multimedia. Photojournalists on War is the result of a five-year oral history project documenting the role of photojournalism and the Iraq War. Kamber is the founder of the Bronx Documentary Center, and is the recipient of the World Press Photo, and many other awards.

Steve Hindy is a former journalist and became interested in homebrewing while serving as a Beirut-based Middle East Correspondent for The Associated Press. He is a co-founder of The Brooklyn Brewery.

Publisher Website: http://utpress.utexas.edu/index.php/books/kampho

Author Website: http://www.kamberphoto.com

Bronx Documentary Center: http://www.bronxdoc.org


Media Contact for Michael Kamber:
Andrea Smith, andreasmith202@gmail.com; 646-220-5950

"The function and mission of photography is to explain man to man and man to himself"

Universal message … Garry Winogrand shot of Coney Island bathers, New York, 1952, from Edward Steichen's groundbreaking exhibition, The Family of Man. Photograph: Fraenkel Gallery/Garry Winogrand

 

Via The Guardian

 

 

Double exposure: photography's biggest ever show comes back to life

The Family of Man, a groundbreaking post-war exhibition seen by more than 10 million people, reopens in Luxembourg

 

Giovanna Dunmall

Friday 5 July 2013

 

In 1955, Edward Steichen changed the world of photography forever. When the visionary curator and photographer decided to mount an exhibition to promote world peace and equality after two world wars, he was breaking the mould. He gathered 503 photographs of people from around the world, taken by 273 different (often unknown) photographers, and grouped them by theme. That exhibition, The Family of Man, opened in January 1955 at New York's Museum of Modern Art, where the Luxembourg-born Steichen was director of photography from 1947 to 1961. It went on to tour the world and become the most successful photography exhibition of all time – more than 10 million people have seen it. It will go back on show this weekend in a castle in Luxembourg, after renovation work that has taken three years.

"Family of Man changed the way we view photographs today, and how we think about exhibitions," says Anke Reitz, conservator of The Family of Man in Luxembourg, where the collection has been since 1994. "It is a milestone in the history of photography." Steichen chose images grouped by themes intended to be so universal that anyone in any culture could identify with them: birth, fathers and sons, mothers and children, education, love, work, death and religion. The images were hung in particular formations, some dangling from wires overhead or attached to poles. The birth photos were arranged inside an intimate circular structure, while theatrical lighting created further drama and atmosphere. Steichen hung the photos without captions. "The exhibition was meant to be understood around the world without the need for words," says Reitz.

Alfred Eisenstaedt's image of a University of Michigan marching band drum major practising his high-kicking prance, followed by admirers in Ann Arbor, Michigan, 1950

 

 

Now, in its renovated setting in Luxembourg, The Family of Man is just as striking, dynamic and emotional as it must have been all those decades ago. The photographs are laid out precisely as in the original MoMA exhibition; only the lighting has been altered, for conservation reasons. Images of children playing and crying, men and women marrying, dreamily staring into space, dancing or fighting – including work by Dorothea Lange, Bill Brandt and Elliott Erwitt – are beautiful or intriguing. Others appear more as historic documents, such as the photo of crowds gathered in London for Princess Elizabeth and Prince Philip's wedding in 1947, or the image by Henri Cartier-Bresson of Gandhi lying in state in Delhi after his assassination in 1948.

American anthropology … Leon Levinstein, Couple in New York, 1952 Photograph: Howard Greenberg Gallery/Leon Levinstein

Sections of the show are now dated and gendered, and there is no doubt that the main worldview being expounded was white, western and male. One theme, "household and office work", shows only women cooking and cleaning, while the predominance of the nuclear family in many photographs, themes and arrangements feels reactionary and simplistic (as if the family could conquer all – even issues such as racism or social inequality).

For Reitz, such criticisms are founded, but are "part of the history of the exhibition". The Family of Man is very much a product of its time and its creator, she says. As a contemporary viewer, it is hard to appreciate quite what an impact this anthropological photographic survey must have had, nearrly 60 years ago, when viewed in places as culturally diverse as Indonesia, Russia, Japan, Italy and Laos. "For many people, it was like seeing the world for the first time," says Reitz. "A lot of them didn't have TVs or access to magazines."

A world revealed … Peruvian Flute Player, Pisac, Peru, 1954, by Eugene Harris

The Family of Man has stood the test of time because of how innovative Steichen was as a curator. He displayed photos without frames and blew them up into lifesize formats; he took images away from museum walls and into the centre of rooms where visitors could interact with them. Not long before dying, Steichen said: "The function and mission of photography is to explain man to man and man to himself." That is the reason The Family of Man continues to capture our imaginations.