Monday, September 3, 2012

DNC Exhibit showcases photos of RFK


 Bill Eppridge, Senator Robert Kennedy at a rally in Sioux City, Iowa 1966
  ©Time Inc.


Via Charlotte Observer
 By Claire McNeill
cmcneill@charlotteobserver.com

Magazine photographer followed Kennedy during 1968 presidential campaign


Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy
Life magazine photographer Bill Eppridge shadowed Bobby Kennedy on the 1968 presidential campaign trail, witnessing everything from quiet moments to massive rallies.

On June 5, 1968, Eppridge took a famous photo of Kennedy lying on the floor of the Ambassador Hotel in Los Angeles, moments after he had been shot.

“There is not a day that goes by that I don’t think about that man,” Eppridge said.

Now, with politics on center stage in Charlotte, a special exhibit featuring nearly 40 of Eppridge’s photos of Kennedy will be on display.

The show, “One America, One American,” is sponsored by The Echo Foundation and The Charlotte Observer.

Housed in the Observer’s lobby, the exhibition is open to the public Sept. 4-Oct. 19, following The Echo Foundation’s 15th annual award gala opening Monday.

Eppridge, born in 1938 and still taking photographs, will attend the opening, as will Kennedy’s oldest daughter, Kathleen Kennedy Townsend, a former lieutenant governor of Maryland. Townsend will accept the foundation’s inaugural Family Legacy Award on behalf of the Kennedy family.

Former presidential candidate and retired Gen. Wesley Clark will deliver the night’s keynote address, “Courageous Leadership in Turbulent Times.”

Eppridge, a self-taught photographer and veteran of Life, National Geographic and Sports Illustrated, said the exhibit’s timing – coinciding with the Democratic National Convention – is “really special.”
“I think a lot of (delegates) don’t really know who he was or what he stood for or the importance of that man, and maybe this will get them thinking about where we’ve been or where we might be able to go,” he said.

Before Kennedy became a Democratic senator from New York, he was attorney general in the administration of his brother, John F. Kennedy, who was assassinated in 1963. Bobby Kennedy was an icon of the civil rights movement and took a strong stance against the war in Vietnam.
Eppridge said Bobby Kennedy’s importance lay in his honesty, popularity and dedication to getting troops home from Vietnam as soon as possible.

“I had quite unusual access to that man. I heard and saw and knew things that other people didn’t, and I realized that he was dead serious when he told us, ‘We are out of Vietnam on the day I take office,’ ” Eppridge said. “I don’t think anything was impossible to him.”

The Echo Foundation will also display the winning photographs from its international student photojournalism competition, which sought photography responding to the question, “What does democracy or tyranny; justice or injustice look like?”

From more than 500 entries from students across the globe, Tobin Jones, who attends the University of Westminster in the United Kingdom, was chosen as grand-prize winner.

Jones won the opportunity to travel to Charlotte during the convention and take photos alongside Eppridge for one day.

 Want to go?
The free public exhibit, “One America, One American,” is open 7 a.m. to 8 p.m. Monday-Friday and 9 a.m. to 6 p.m. Saturday and Sunday, Sept. 4-Oct. 19 in the Observer lobby, 600 S. Tryon St.   

Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy

Read more here: http://www.charlotteobserver.com/2012/09/02/3499126/exhibit-showcases-photographers.html#storylink=cpy

"labor Day and is dedicated to the social and economic achievements of American workers"





John Loengard: Ranch Foreman, Whistle Mills, Flagstaff, AZ, 1970
 
 
 

US Department of Labor: The History of Labor Day


Labor Day 2011

Labor Day 2010

Sunday, September 2, 2012

The Kennedys, By Mark Shaw



Via The Independant


"These photographs were taken in order to catch and reflect the mood, the feeling of a given moment. If the viewer receives from these pictures an understanding of the affection of the Kennedys for one another, their high spirits and enjoyment of life, the book will have fulfilled its purpose." So wrote the Life magazine photographer Mark Shaw in the original 1964 edition of The John F Kennedys: A Family Album.

But in this new expanded edition, Shaw's widow reveals that the publication was also a coping mechanism; that Shaw had become not only the Kennedy's unofficial family photographer but a close friend. It explains why the work of this pre-eminent fashion and portrait photographer never recovered from Kennedy's assassination, but also how he'd been able to get such fresh, candid shots; shots that, with their vigour, vitality and promise of fresh hope for America's future, were arguably instrumental in Kennedy's election successes. Shown right, Jackie on the beach in Hyannis Port, Massachusetts, with her daughter, Caroline.


Jacqueline Kennedy swinging Caroline in surf, Hyannis Port, 1959
 
 
 
GQ (Germany) Article and Slide Show

BBC: As a new book of images of The Kennedys by Mark Shaw is published in the UK, we talk to the editor Tony Nourmand about how images help the political campaign. Listen here.


Available from Reel Art Press $75

Fine art photographs available from Monroe Gallery of Photography

Saturday, September 1, 2012

News photographers gather in Perpignan for 24th Festival International of Photojournalism

 
 

 Employees fix a photograph by Italian Alex Majoli prior to the opening of the exhibition devoted to the work of the World Press awarded photographers as part of the International Photojournalism Festival of Perpignan "Visa pour l'image" on August 31, 2012 in Perpignan, southern France. Majoli won the first prize in the general news singles category for this photograph featuring protesters in Tahrir square reacting to a speech by the former Egyptian president Hosni Mubarak. The festival takes place from September 1 to 16. AFP PHOTO PHOTO / RAYMOND ROI Via artdaily.org

 PERPIGNAN.- VISA pour l’image is the premier International Festival of Photojournalism held in Perpignan, France. This festival is a unique event where you can join thousands of kindred spirits who share a love and passion for photography. View the greatest photojournalist work from around the world in exhibitions across the city. Experience the evening screenings in the dramatic open air medieval enclosure of the Campo Santo. Take part in symposiums and conferences and meet the foremost photo agencies and manufacturers of photographic related equipment.


Exhibitions
Exhibitions are open from September 1 to 16, 2012. They present stories or anthologies of a photographer's work, reporting on wars, nature, the environment, people, religious issues, and social phenomena, plus the great scourges of our time.

Screenings
Campo Santo is the venue for the evening screenings. The program includes a chronological review of the news stories from the previous year, reports and features on social issues, war, stories that have made the news and others that have been kept quiet.

Meetings
Perpignan is the place where professionals can discuss their problems, debating issues involved in producing and using pictures and the future of the profession. The symposium and "meet the photographer" sessions cover a wide range of questions.

Full program here.

Visa pour l'Image Perpignan 2012

Friday, August 31, 2012

Selections from People Get Ready: The Struggle For Human Rights



 
 
Cairo, Egypt — February 8, 2011
Yuri Kozyrev / NOOR for Time


"Beyond the revolutions in Egypt, Bahrain, Yemen and Libya, I also traveled to cover the protests in Moscow, Greece and Tunis. I came to the conclusion that each revolution must be assessed in its own context, because each had a distinctive impact. The drama of each revolution unfolded separately. Each had its own heroes, its own crises. Each, therefore, demands its own narrative. In the end, the differences between them may turn out to be more important than their similarities, however.  And the common thing about all these protests is the number of young people who really want to bring changes to their country. That’s what’s most incredible. We have a new generation of people who are sick and tired of what’s going on. Call it the Jasmine Revolution, the Arab Spring or the Facebook Revolution, there’s a powerful Sirocco blowing across the world, and young people realize there’s another life and they want to live differently." --Yuri Kozyrev

Previous Selections

People Get Ready: The Struggle For Human Rights exhibition continues through September 23, 2012

Thursday, August 30, 2012

"Their deaths represent the slipping away of a generation of war reporters that brought the reality of the conflict to the living rooms of America in unprecedented detail and horrifying close-up"




Browne's image of the Vietnamese Buddhist monk Thich Quang Duc, who set fire to himself in 1963, was published around the world. Photograph: Malcolm Browne/AP

"Nick, Eddie and Malcolm hold the first three places in the temple of the perfect photo. Nothing really comes close to the drama, the horror and downright importance of those images." David Hume Kennerly remembers Malcolm Browne via The Huffington Post.

Time LightBox: Malcolm Browne: The Story Behind The Burning Monk
The New York Times: Malcolm W. Browne, Pulitzer-Prize Winning Reporter, Dies at 81

The Guardian: Malcolm Browne obituary

Wall Street Journal: Burning-monk photographer Malcolm Browne dies

The Telegraph in Pictures: Malcolm Browne, Horst Fass and Roy Essoyan: the men who documented the Vietnam War  (slide show)

Washington Post: Death of Malcolm Browne represents slipping away of Vietnam War generation reporters
 

Monday, August 27, 2012

August 26, 1970: The Women's Strike for Equality





Women in Parade Down 5th Avenue on the 50th Anniversary of the Passage of the 19th Amendment, New York, 1970 -Photograph by John Olsen
Women in Parade Down 5th Avenue on the 50th Anniversary of the Passage of the 19th Amendment, New York, 1970 -Photograph by John Olsen


The Women’s Strike for Equality was a strike which took place in the United States on August 26, 1970. It celebrated the 50th anniversary of the passing of the Nineteenth Amendment, which effectively gave American women the right to vote. The rally was sponsored by the National Organization for Women (NOW). More than 20,000 women gathered for the protest in New York City and throughout the country

 At the march for Women’s Strike for Equality, the three preconditions for emancipation included child care, legal abortion and equal pay.

The Guardian: From the archive, 27 August 1970: US women find some advertising offensive, insulting and degrading



 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 




 
 
 

Happy Birthday Man Ray






Loomis Dean: Man Ray Holding Up "Lips" Print

Today is the birthday of avante-garde photographer and painter who came into this world as Emmanuel Radnitzky, and left as Man Ray. The renowned Surrealist and Dada figure would turn 122 if he were magically still alive today.  More

Friday, August 24, 2012

Selections from People Get Ready: The Struggle For Human Rights


© Bill Eppridge




Bill Eppridge received a call from his editors at Life magazine that Robert Shelton of the United Klans of America had consented to being photographed. He drove to Tuscaloosa, Alabama and Shelton allowed Eppridge to photograph him in his Imperial Wizard robes as he smoked a cigarette. Shelton drove him around town in a Cadillac that was equipped with police radios. Late in the afternoon, Shelton told Eppridge he knew a pilot and offered Eppridge a ride back to Birmingham in a small plane. Eppridge weighed his options - by the time he got to the airport, returned the rental car, checked his bags and re-packed his cameras, he thought it might take just as long driving back. He decided to drive and just kept going until he arrived in Birmingham a little over an hour later. Once back at his hotel, he went up to the room where the Life reporter was staying and knocked on the door. When it opened, the reporter's fave turned white and he said "You're dead!". "What are you talking about?" asked Eppridge. The reporter ten told him that he had received a phone call from Shelton telling him that Eppridge had been killed in a plane crash. Eppridge never found out if the crash was an accident, or if Shelton simply decided that he had revealed too much and wanted to get rid of the film and the photographer.


New York Times Obituary for Robert Shelton


Previous selections here.


Related: Echo Foundation presents Bill Eppridge exhibition.

Thursday, August 23, 2012

The Echo Foundation Presents Global Photojournalism Project; Bill Eppridge Exhibition



-Bill Eppridge Photographic Exhibit Highlighting the Legacy of Robert F. Kennedy

-International Photojournalism Student Competition Winners Announced


CHARLOTTE, N.C., Aug. 23, 2012 /PRNewswire/ -- Affirming the power of free speech and expression, The Echo Foundation celebrates powerful photojournalism with a two-part series that addresses justice, democracy and humanity. While honoring the work of a respected force in photojournalism, the foundation engages the next generation of emerging photographers.

Echo's election year series – "We the People. The Voices and Vision of Democracy." – proudly presents the extraordinary work of revered photographer Bill Eppridge and his exhibit entitled "One America, One American: Robert F. Kennedy Through the Lens of Bill Eppridge." Housed in The Charlotte Observer gallery, the exhibition is open to the public September 4October 19.

Eppridge, a veteran photojournalist, has worked for prominent publications including National Geographic, LIFE Magazine and Sports Illustrated. The exhibit contains nearly 40 intimate RFK photographs and reflections by Eppridge, who traveled the campaign trail with the senator in 1966-1968.


Installation photograph by Stephanie Ansaldo


To inspire students worldwide, Echo's international photojournalism competition invited students to submit original photography responding to the question, "What does democracy or tyranny; justice or injustice look like?" More than 500 entries from students representing 40 countries across the globe were submitted.

New York Times Senior Photographer Tyler Hicks judged the competition and awarded the grand prize to Tobin Jones, a graduate student at the University of Westminster in the United Kingdom, who submitted a photo taken in the Kibera slum of Nairobi, Kenya.

The student photojournalist describes his photo, titled "Religious Healing," as a priest in a Kenyan slum trying to exorcise a demon tormenting one of his parishioners. Jones says, "In Kibera, religion, as a money-making opportunity, has taken on a whole new dimension; often cheating people in the slum of their hard earned money."

Hicks explains, "Telling the story succinctly in a single image, this photograph speaks not only to injustice in Kibera, but also to a larger audience about the endemic poverty crisis in Africa."

Jones will travel to Charlotte during the Democratic National Convention where his winning photograph will be on display next to Eppridge's iconic pieces in the exhibit. In addition, Jones has the opportunity to photograph for one day alongside Eppridge during the convention.

A special opening ceremony of "One America, One American" takes place on September 3, as part of Echo's 15th Annual Award Gala. To purchase tickets, please visit www.echofoundation.org.


About The Echo Foundation
The Echo Foundation was founded in 1997 to carry on the message Nobel Peace Prize winner Elie Wiesel brought to Charlotte that year – a call to action for human dignity, justice and moral courage. Through comprehensive education programs, Echo equips individuals with moral and intellectual tools necessary to create positive change. For more information, please visit www.echofoundation.org.


Related posts:  History, Lived and Documented

   2011 Lucie Awards: Bill Eppridge is Honoree for Achivement in Photojournalism