WAR/PHOTOGRAPHY Opens Veterans Day, Sunday, November 11, in Houston

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath
Museum of Fine Arts, Houston  

Admission on opening day is free to all visitors, in recognition of Veterans Day; admission remains free to active-duty military and veterans through the run of the exhibition

WAR/PHOTOGRAPHY travels nationally to Annenberg Space for Photography, Los Angeles; Corcoran Gallery of Art, Washington, DC; and Brooklyn Museum through February 2014

Houston—September 2012—On November 11, 2012, the Museum of Fine Arts, Houston, debuts an unprecedented exhibition exploring the experience of war through the eyes of photographers. WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath features nearly 500 objects, including photographs, books, magazines, albums and photographic equipment. The photographs were made by more than 280 photographers, from 28 nations, who have covered conflict on six continents over 165 years, from the Mexican-American War of 1846 through present-day conflicts.

Read more here.



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NY Daily News: War photography exhibit debuts in Houston museum


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Houston Chronicle: "It's a subject that has deep impact, and because most of us don't experience war first-hand, photographs are our collective memory of it"
 

The New York Times: "Battlefield Images, Taking No Prisoners"


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MFAH debuts unprecedented exhibit of war photography

Time LightBox: "War/Photography, on view from Nov. 11 to Feb. 3, is a magnificent, wide-ranging exhibition at the Museum of Fine Arts, Houston"

The flag on Iwo Jima: 100 years of a legendary AP photographer

Via AP
Sunday, October 9, 2011 at 10:22am

U.S. Marines of the 28th Regiment of the Fifth Division raise the American flag atop Mt. Suribachi, Iwo Jima, in this photo taken on Feb. 23, 1945. (AP Photo/Joe Rosenthal) © 2011 AP


The man who photographed five Marines and a Navy corpsman lifting the American flag over the summit of Mt. Suribachi on Iwo Jima, creating the most memorable image of the fight that was World War II, was born exactly 100 years ago — on Oct. 9, 1911.


In an oral history for the AP Corporate Archives in 1997, Joe Rosenthal recalls leaving his native Washington, D.C. and heading to San Francisco in 1929 seeking any kind of work — and he found it as an office boy at the Newspaper Enterprise Association.

AP photographer Joe Rosenthal, who landed with the invading U.S. Marines on Iwo Jima on Feb. 19, 1945. (AP Photos) © 2011 AP“They showed me the front end and the back end of a camera, and encouraged me, and it wasn’t very long before I was off shooting,” he recalled. His first assignment was to photograph rhododendrons in Golden Gate Park.


When the Japanese attacked Pearl Harbor, Rosenthal was a photographer at the AP bureau in San Francisco. After the Army declined to take him into service due to his bad eyesight, he joined the United States Maritime Service. In March 1944, he went to the Pacific for AP, landing alongside the Marines and Infantry divisions as they fought to retake New Guinea, Guam, Angaur and Peleliu.


Apart from surviving, his chief aim during these assaults was the protection of his camera.


On Feb. 23, 1945, Rosenthal had been on Iwo Jima for four days. Progress up the mountain had been measured in inches. There was no pathway, only chewed up ground. Caves had to be dynamited to subdue the enemy before troops could proceed.


As he reached the brow of the hill, he recalled, “I swung my Graphic around, close up to my face, and held it, watching through the finder, to see when I could estimate what’s the peak of the picture.”


A full week elapsed before he saw what the finder had seen. “Hey, there’s a good shot,” was his modest appraisal.

Valerie Komor

What he was not muted about was his respect for the effort it took to get to Suribachi in the first place. “I see what had to be gone through before those Marines, with that flag, or with any flag, got up to the top of that mountain.”


Joe Rosenthal died in Novato, Calif., on Aug. 20, 2006. He was 94.


IN HIS OWN WORDS

Watch these video clips of Rosenthal describing his experiences with Iwo Jima, and with his famous shot.

• How he got to the top of Mount Suribachi on Iwo Jima, and what he found when he got there.
• The Marines’ preparations for the flag-raising and his emotional response to the image.
• Details about the shot itself, including the camera, the technical expertise required and Marines’ response to the moment.

Valerie Komor is the director of the AP Corporate Archives.


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