Showing posts with label Elvis Presley. Show all posts
Showing posts with label Elvis Presley. Show all posts

Saturday, January 18, 2020

Bill Ray shot some of the most iconic celebrity images of the 20th Century



It is with great sadness that we announce the death of famed LIFE magazine photographer Bill Ray.

Via the NY Post
By Isabel Vincent
January 18, 2020



Marilyn Monroe singing "Happy Birthday” to President John F. Kennedy at 
Madison Square Garden in May 1962



When Private Elvis Presley shipped out of the Brooklyn Navy Yard on his way to his military tour of duty in West Germany in September 1958, the US Army’s brass band played “Hound Dog” to honor the King of Rock and Roll.

“And the captains and the majors helped him with his bags!” said Bill Ray, the former LIFE Magazine photographer who captured the moment.

Ray, who died earlier this month at his home on the Upper West Side, shot some of the most iconic celebrity images of the 20th century.

There is his photograph of a sultry Marilyn Monroe in a shimmering, nude-colored dress, its plunging bare back accentuating her curves as she sang a breathy rendition of “Happy Birthday” to President John F. Kennedy at Madison Square Garden in May 1962. Three months after Ray shot the picture on stage from behind the movie star, the troubled sex symbol would be dead of an overdose. Kennedy was assassinated a year after that, and the famous dress, designed by Hollywood costume designer Jean Louis, sold at auction a few years ago for nearly $5 million.

Ray, who worked for LIFE in Los Angeles, Paris and Beverly Hills, shot The Beatles when they first arrived in Los Angeles in 1964, partied with Roman Polanski and his wife Sharon Tate a year before the pregnant actress was brutally murdered by Charles Manson in 1969. He was a regular presence on hundreds of Hollywood movie sets, photographing Elizabeth Taylor, Brigitte Bardot and Natalie Wood, among others.

“Steve McQueen once told me that he had to have sex five times a day,” said Ray about the “Bullitt” star at a 2009 presentation of his greatest work at the Coffee House Club in midtown, where he had been a member for more than 50 years. “I was too stunned to ask Steve what happens if you don’t.”

William Ray was born in Shelby, Nebraska, a windswept village of 626 about two hours west of Omaha. Ray was the youngest of four children of a prosperous lumber merchant and his artist wife. He developed such a passion for photography that by the time he was 11, he was already a member of the Omaha Camera Club and had his own professional darkroom at home. He got his first staff job as a 17-year-old at the Lincoln Star Journal newspaper.

“The city editor had a smoke and hired me on the spot,” he said.

After a photographic workshop in Hannibal, Missouri, where he impressed the faculty with a series of photographs about the local barbershop, Ray was hired by LIFE magazine and sent to New York in 1957.

“I wanted to live in New York City since I saw Fred [Astaire] dance with Ginger [Rogers] in Central Park,” he said.

For years, Ray and Marlys Ray, his wife of nearly 62 years, lived in a sprawling apartment across from Central Park where he was a regular on the tennis courts and an avid bird watcher. On January 8, the couple took a long walk in the park, feeding a few cardinals along the way, “and, best of all, saw the rising nearly full moon with a kiss (one of our silly rituals),” said Marlys Ray, a partner in her husband’s photo business.

“It was his best day in a long time.”

Ray died hours later of a heart attack. He was 83.


Wednesday, November 26, 2014

LIFE’s Moments: Monroe Gallery celebrates the work of Bill Ray


 Andy Warhol with Polaroid Camera, NY, 1980
Bill Ray: Andy Warhol with Polaroid Camera, NY, 1980

 
Via The Santa Fe Reporter
LIFE’s Moments
Monroe Gallery celebrates the work of Bill Ray
November 25, 2014
By Enrique Limón

Be it as a staffer for LIFE or a would-be one for National Geographic, documenting the likes of Marilyn Monroe singing “Happy Birthday” to President Kennedy or riding along with the Hells Angels, New York-based Bill Ray is part of the elite who shone during the 1960s and ’70s with their impeccable timing and groundbreaking approach to photojournalism. On Friday, Monroe Gallery of Photography polishes off his archive and presents a comprehensive retrospective on his stunning works, several of which resonate particularly now, thanks to a poignant mix of nostalgia, superb, often on the fly technique and the current obsession with all things celebrity culture.

 “It was very busy and hectic as you would expect, but that was the norm,” Marlys, Ray’s wife of 56 years, tells SFR over the phone during what ended up being her first interview. Bill was off delivering prints to the lab.

“I made the best of it,” she continues, alluding to her husband’s busy schedule. “When he was in Vietnam in 1965, he wired and said, ‘I’m finished with the assignment and I can come home, or I can meet you somewhere,’ so I decided to rendezvous in Cairo…so you see, you always make the best of it.”

  Bill and Marlys’ love story would develop alongside his globetrotting work. More trips, accolades and encounters with the personalities of the time would follow. Ray’s roster includes iconic images of  Elvis Presley, Natalie Wood, Ella Fitzgerald and Andy Warhol, whom Marlys met.

“He was very, very quiet, patient and did exactly what Bill asked him to do,” she says of the pop artist. “It was a very successful take, and I think that double portrait of Warhol is a very nice touch.”

Reflecting on the impact of Ray’s images and the long legacy of those pictured in them, Marlys says, “They just keep going and people love them.” Back from his errands, the photographer would later email SFR singing his wife’s praises.

“Did she tell you I picked her up on a park bench in Minneapolis in 1956? Luckiest day on my life.”

-Enrique Limón

Bill Ray 5-7 pm Friday, Nov. 28 Monroe Gallery of Photography 112 Don Gaspar Ave., 992-0800
Exhibition continues through January 18, 2015

Monday, August 8, 2011

Vanity Fair: The Elvis Kiss Mystery—Solved!

 
Photograph © Alfred Wertheimer, all rights reserved


WEB EXCLUSIVE August 8, 20
Culture

The Elvis Kiss Mystery—Solved!

In the summer of 1956, a 21-year-old Elvis Presley, already inciting libidinous mayhem from Kansas City to Jacksonville, impishly touched tongues with a young woman in Richmond, Virginia. Photographer Alfred Wertheimer snapped the shutter just at the moment of contact. The result: “The Kiss,” one of the most storied photos in Elvis lore and “the sexiest picture ever taken in the whole world,” according to Diane Keaton, who owns a print. Yet for five decades, no one, not even Wertheimer, knew the identity of Presley’s date—until now.

Read the full article on VF.com here.

Tuesday, April 26, 2011

Elvis Presley and Muhammad Ali Photographs Tell Stories of Two American Icons


Andrew Berg, 12, of Souderton, Pa., views photographs of Muhammad Ali by Neil Leifer, right, and an anonymous photographer, left, at the James A. Michener Museum in Doylestown, Pa. Two American superstars have crossed paths in suburban Philadelphia at the museum, where a pair of photography exhibits called American Icons offers a peek into the lives of Elvis Presley and Muhammad Ali. AP Photo/Matt Rourke.

Via artdaily.org

By: Kathy Matheson, Associated Press


DOYLESTOWN, PA (AP).- In a culture saturated with celebrity magazines, paparazzi and red carpets, it's hard to imagine capturing an image of a young Elvis Presley alone on the sidewalk in New York. Or a picture of Muhammad Ali at play with neighborhood kids in a parking lot.

No screaming fans, no camera flashes, no entourages.

These unguarded moments are among dozens featured in "Ali and Elvis: American Icons," a pair of photography exhibits sharing gallery space through May 15 at the James A. Michener Museum in Doylestown, Pa., about 25 miles north of Philadelphia. This is the first time the exhibits have been displayed together.

The Smithsonian-curated "Elvis at 21" show offers a glimpse into Presley's life just as his star begins to rise. Needing publicity photos, Presley's record company hired photographer Alfred Wertheimer in 1956 to shadow the rock-n-roll prince who would become The King.

Wertheimer had extraordinary access, said Smithsonian project director Marquette Folley.

"After this year, 1956, no one can ever get this close again," Folley said. "The walls go up."

The images of Ali, taken by multiple photographers, chronicle his years from teen boxer to his reign as The Greatest to a beloved figure battling Parkinson's disease. They were first displayed at a Hofstra University symposium on Ali in 2008.

Putting the exhibits together was simply an effort to take a broader look at the concepts of fame and the making of icons, said Brian Peterson, chief curator at the Michener Museum.

Certainly the two superstars had similarities. Both sons of the South, Presley and Ali enjoyed worldwide popularity but also alarmed some people with their swagger and attitude — Elvis with his thrusting pelvis and use of African-American rhythms in his music, Ali with his braggadocio and conversion to Islam.

Wertheimer's 56 images — most enlarged to 3-by-4-foot prints — capture Presley's electrifying stage persona but also his more intimate moments: standing in solitude in front of New York's Warwick Hotel; sprawling on a couch reading fan mail; and interacting with his family.

Wertheimer also chronicles one summer week that found the American idol rehearsing alone at a piano for an appearance on Steve Allen's show in New York, kissing a giddy fan backstage in Richmond, Va., and splashing in his swimming pool at home in Memphis, Tenn.

"I was basically putting Elvis under my microscope," Wertheimer, now 81, told The Associated Press. "He permitted closeness."

The bulk of "Muhammad Ali: The Making of an Icon" features shots of the heavyweight champ in and around the ring: training in Miami; absorbing blows from George Foreman in Zaire; and looming over a floored Sonny Liston in Neil Leifer's famous frame from 1965.

But the exhibit starts with less familiar and more personal images from when Ali was known as Cassius Clay — shadowboxing with his family, preening in front of a mirror and riding a bike with adoring local children. It ends with pictures of Ali the celebrity and humanitarian, lighting the Olympic torch in Atlanta and receiving the Presidential Medal of Freedom.

Curator Hava Gurevich said the power of the 50-image show lies in its combination of fine art, documentary and news photography.

"It's like a kaleidoscopic view of Muhammad Ali's life," Gurevich said.

Peterson, the Michener curator, said he didn't find out until after booking them that Presley and Ali had actually crossed paths. Elvis visited Ali's training camp in Pennsylvania's Pocono Mountains and gave him a rhinestone cape; Ali gave The King an autographed pair of gold boxing gloves.

"I can't say it was part of our grand plan," Peterson said. "(But) it made us feel we were kind of on the right track."

The next stop for "Elvis at 21" is the William J. Clinton museum in Little Rock, Ark. The next stop for "Muhammad Ali: The Making of an Icon" is the Historic City Hall Arts & Cultural Center in Lake Charles, La.

Copyright 2011 The Associated Press