Showing posts with label Ellis Island. Show all posts
Showing posts with label Ellis Island. Show all posts

Monday, August 9, 2010

The Philadelphia Inquirer Review: Stephen Wilkes' evocative photographs of Ellis Island at James A. Michener Art Museum



Art: Stephen Wilkes' evocative photographs of Ellis Island at James A. Michener Art Museum


Sunday, August 8, 2010
By Edward Sozanski

©The Phildelphia Inquirer


"Isolation Ward, Curved Corridor, Island 3, Ellis Island," is one of the 28 images on view at the Michener, made by Stephen Wilkes between 1998 and 2003, long after the facility had closed



Ellis Island figures in so many American family histories that any artist who addresses the last century's great wave of European immigration plugs into a ready-made constituency.


So it is with the 28 striking color images, now on display at Doylestown's Michener Art Museum, that New York photographer Stephen Wilkes made at the immigrant gateway between 1998 and 2003.

Wilkes worked not in the vast arrivals hall where the intrepid newcomers were processed but in the sprawling 29-building hospital complex. Here passengers who were either ill or pregnant were cared for until they healed, gave birth, or, in a tiny fraction of cases, died or were denied entry into the country and sent home.

Ellis Island closed in 1954, so by the time Wilkes arrived 44 years later the hospital buildings were in an advanced state of decrepitude. (Most have since been stabilized, to prevent further deterioration.)

Wilkes says he was struck so powerfully by the spirit of the place that he became obsessed, returning many times over five years to enrich his portfolio. Rather than being depressed by the physical decay, he was inspired by a residual spirit of humanity: "Mainly, I saw life."

The scenes he captured are of a type that will be familiar to anyone who has visited Philadelphia's Eastern State Penitentiary - empty rooms, peeling paint, drifts of dead leaves, vines insinuating themselves everywhere.

Occasional resonant artifacts such as shoes and an abandoned suitcase humanize these melancholy interiors; the most poignant image, though, is a reflection of the Statue of Liberty in a mirror.

Yet objects and symbols energize Wilkes' pictures less than the mellow, honey-colored light that floods many views. He photographed only with available light, which intensifies the romantic aura of the hospital complex that so enchanted him.

These lush, large-format prints function as canvases onto which viewers can project meditations about what their own forebears might have experienced.

Did they walk these deserted corridors, did they know firsthand the tuberculosis, measles, or isolation wards, could they see the Statue of Liberty from their window, were they consumed by anxiety about whether they would escape the hospital into America proper?

By contrast, Lewis Hine's black-and-white photographs made during Ellis Island's heyday, from 1905 to the mid-1920s, show a more benign, even hopeful immigrant situation.

The Michener has placed 15 of these documentary photos at the core of the exhibition, separate from Wilkes' pictures, which wrap around them in counterpoint.

A prominent social activist remembered for photographing blue-collar workers and egregiously exploited child laborers, Hine introduces us to immigrants such as an "Italian Madonna" whose child gazes at her beatifically.

The "Madonna" and a portrait of a soulful Armenian Jew typify Hine's tendency to gild reality with a softening glaze of sentimentality. Instead of the tumult and bureaucratic bustle of Ellis Island, Hine shows us individuals apparently chosen as exotic, representative types.

"Ellis Island: Ghosts of Freedom" is a curatorial construct that juxtaposes "then" against "now." Yet the pairing works because each photographer has created a historical document about the renewal of lives and the importance of remembrance.


The exhibition continues through October 10. See the full Ellis Island collection here. Monroe Gallery of Photography will host Stephen Wilkes in October for a special presentation, exhibition, and book signing of Ellis Island: Ghosts of Freedom. Watch this blog for more details.

Monday, June 21, 2010

STEPHEN WILKES - ELLIS ISLAND: GHOSTS OF FREEDOM

June 26 through October 10, 2010


Stephen Wilkes: Corridor #9, Ellis Island


Fred Beans Gallery - James A. Michener Art Museum

It's hard to imagine a place that says more about the American experience than Ellis Island. For twelve million people, Ellis Island was the doorway to a new life. The hopes and dreams of several generations of immigrants began and sometimes ended there, and there are few American families who can't trace their heritage back to someone whose first footsteps on American soil happened at Ellis Island. For five years, renowned photographer Stephen Wilkes had free reign of the island's hospital complex. Neglected for nearly fifty years, the buildings were in an extreme state of disrepair: lead paint peeled from the ceilings and walls, vines and trees grew through the floorboards of once cramped wards. In these long-abandoned spaces, Wilkes discovered an unyielding solitude, yet also found undeniable evidence of life, not only in the implicit remembrances of the people who resided there, but in the radiant, beckoning light in which these scenes were captured.

Organized by the Michener Art Museum with the cooperation the George Eastman House, Rochester, and ClampArt Gallery, New York, this exhibition presents a selection of Wilkes's evocative contemporary images of Ellis Island as well as a group of vintage prints from the Eastman House collection by the legendary photographer Lewis Hine (1874-1940), who began documenting the immigrant experience around 1904 and produced a major body of work focusing specifically on Ellis Island.

View the full collection of Stephen Wilkes' Ellis Island photographs here.



James A. Michener Art Museum

138 South Pine Street
Doylestown, PA
Tuesday through Friday: 10 am to 4:30 pm

Saturday: 10 am to 5 pm
Sunday: 12 pm to 5 pm
More information
Map here

Wednesday, April 7, 2010

SAVE ELLIS ISLAND FOUNDATION NEEDS HELP

Funds Sought to Continue Restoration at Ellis Island; abandoned buildings on the southern side of Ellis Island immortalized in Stephen Wilkes' photographs.


Corridor #9, Ellis Island

An article by Robin Pogrebin in today's New York Times reports that "Save Ellis Island, a nonprofit charged with restoring that historic immigrant gateway to America, may not be able to save itself. The group has run out of money."

"We’re not able to keep it going a whole lot longer,” its president, Judith R. McAlpin, said in an interview. She added that the group, which recently posted an “urgent appeal” for donations on its Web site (www.saveellisisland.org/site/PageServer), needs to raise about $500,000 in the next few weeks if it is to survive. If it does not, Save Ellis Island will have to return $512,000 in grants that it has already received to restore 30 buildings and repurpose them for public benefit, Ms. McAlpin said, and work on current projects will be suspended."

"Ellis Island, which closed as an immigrant-processing center in 1954, has remained a serious concern for preservationists in the years since the main building was restored and opened as the Ellis Island Immigration Museum in 1990. Most of the remaining buildings — many on the island’s south side — have remained unused and in disrepair"

Read the full article here.

In 1998 Stephen Wilkes started a personal project photographing the south side of Ellis Island: the ruined landscape of the infectious disease and phychiatric hospital wings, where children and adults alike were detained before they could enter America. Through his photographs and video work, Wilkes  inspired and helped secure an initial $6 million in funding towards the restoration for the south side of the island.

Stephen Wilkes created a remarkable collection of large format color cibachrome photographs of the abandoned buildings on the southern side of Ellis Island. Photographed over five years (1998 - 2003), the collection was published in 2006 in the monograph "Ellis Island: Ghosts of Freedom".  Wilkes' photographs capture the haunting beauty of the century old buildings and are a rich visual tapestry evoking the ghosts of the millions of immigrants who passed through these halls on their first stop in America.

The World Monuments Fund put the island on its watch list of threatened sites in 1996 and 2006. The National Trust for Historic Preservation included Ellis Island on its list of America’s 11 Most Endangered Historic Places twice in the 1990s.

We urge all to help save this landmark gateway to America. Please go to Save Ellis Island today.









“We’re not able to keep it going a whole lot longer,” its president, Judith R. McAlpin, said in an interview. She added that the group, which recently posted an “urgent appeal” for donations on its Web site (www.saveellisisland.org/site/PageServer), needs to raise about $500,000 in the next few weeks if it is to survive. If it does not, Save Ellis Island will have to return $512,000 in grants that it has already received to restore 30 buildings and repurpose them for public benefit, Ms. McAlpin said, and work on current projects will be suspended.



Save Ellis Island has been hurt not only by the decline in donations caused by the economic downturn, but also by major spending cuts from New Jersey, one of its longtime benefactors.



Ellis Island, which closed as an immigrant-processing center in 1954, has remained a serious concern for preservationists in the years since the main building was restored and opened as the Ellis Island Immigration Museum in 1990. Most of the remaining buildings — many on the island’s south side — have remained unused and in disrepair.



The World Monuments Fund put the island on its watch list of threatened sites in 1996 and 2006. The National Trust for Historic Preservation included Ellis Island on its list of America’s 11 Most Endangered Historic Places twice in the 1990s.



“Save Ellis Island has done a very good job of marshalling us,” said Richard Moe, the president of the National Trust, who serves on the Ellis Island group’s board. “We need an organization that’s solely focused on Ellis Island because this is such a significant historical site.”



Save Ellis Island says that it has to conduct a large-scale fund-raising drive if it hopes to cover the $350 million still needed for the renovations, but that it has been unable to get approval from the National Park Service, which oversees the island and the nearby Statue of Liberty.



“We’re lacking a public commitment to the campaign” from the Park Service, Ms. McAlpin said.



David Luchsinger, the Park Service’s superintendent of the Statue of Liberty National Monument and Ellis Island, said the agency had been waiting for a feasibility study and strategic plan from Save Ellis Island. “We’ve been very supportive of them, trying to help them out in any way we can; we would like them to continue to be around,” Mr. Luchsinger said.



But Ms. McAlpin said that her organization believed that it could not complete a feasibility study without knowing if it could count on federal support. In recent years the United States Department of the Interior has contributed to the rehabilitation of Ellis Island, but no funds were appropriated for the island for the 2011 fiscal year.



Save Ellis Island said it had hoped to support its efforts with financing from a for-profit partner, which might, for example, hold conventions on the island. But the Park Service said certain agreements had to be in place before that move would be considered. This decision, Ms. McAlpin said, left Save Ellis Island more dependent on public funds and private contributions.



Mr. Luchsinger said the Park Service would continue to maintain and improve the island with whatever money is made available. “We’re going to continue to try to do our part as best we can, given the allocations,” he said. “Whether Save Ellis Island is here or not, that is our obligation.”



Save Ellis Island was established by a group of New York preservationists in 1999 to serve as a nonprofit partner for the Park Service, with the goal of rehabilitating the buildings. In 2007 the organization completed the restoration of the Ferry Building, a long hall built in Art Deco style by the federal Public Works Administration, which served as the departure point for immigrants who had passed their health and legal inspections. The Laundry/Hospital Outbuilding — which still holds machinery that washed, sterilized and dried the bedding of immigrant patients — is about 70 percent complete, Ms. McAlpin said.



“If we can’t save Ellis Island, I’d be pretty discouraged,” said Peg Breen, the president of the New York Landmarks Conservancy, an advocacy group, who also serves on the island organization’s board. “There is a great story of America at its best out there. It would be a shame for this country if the south side of Ellis Island never happens.”



Save Ellis Island, which has an annual operating budget of $1.2 million, cut its staff to four from seven last Thursday; at its peak the organization had about 12 full-time staff members.



Most of Ellis Island’s 27.5 acres fall under New Jersey’s jurisdiction; the state fought New York and won sovereignty in a 1998 Supreme Court ruling after Christine Todd Whitman, the governor of New Jersey at the time, made Ellis Island a personal cause. In 2000 she announced the plan for the island’s redevelopment, to be overseen by Save Ellis Island and financed with private and public contributions.



“As New Jerseyans, we take great pride in our history,” she said at a news conference. “But we must also take care of our history so that future generations can share our pride and visit these landmarks of our national journey.”



New Jersey has contributed as much as $650,000 a year toward Save Ellis Island’s general operating funds, Ms. McAlpin said, but that figure dropped to zero for its 2011 budget, and the state is under no obligation to support Ellis Island.



New York State, which retains minority control of the island, has not given any funds, Ms. McAlpin said. Senator Kirsten Gillibrand, Democrat of New York, said through a spokesman that she was working with senators from New Jersey to encourage Ken Salazar, the interior secretary, “and the interior appropriations subcommittee to secure the funding Ellis Island needs to continue operations and for much-needed upgrades to the park’s infrastructure.”



Still, the lack of government support is one of several problems that are making it increasingly difficult for Save Ellis Island to stay afloat.



“It just makes me unspeakably sad,” Ms. McAlpin said. “This perfect storm of elements have come together and brought us to a stop.”

Friday, December 4, 2009

Stephen Wilkes’ Ellis Island Exhibit at Steuben Glass Gallery

Stephen Wilkes’ Ellis Island Exhibit at Steuben Glass Gallery


All rights reserved © Bernstein & Andriulli


Steuben Glass has made functional and fine art glass products for over 100 years in New York. Their involvement in the arts has lead them to collaborate with artists such as Isamu Noguchi, Miro, and Georgia O’Keefe. The Madison Avenue flagship store houses an expansive gallery that is now showing the work of Stephen Wilkes.

For five years, Wilkes photographed the hospital complex on Ellis Island where immigrants with questionable health and contagious diseases were kept. Some eventually joined their families across the Hudson River, while others perished before they could reach their new life.

Wilkes’ photographs are of abandoned rooms with peeling paint and empty hallways overtaken by plant growth. Since his time on the island, the hospital buildings have been renovated and the signs of the past have been removed. Visit the exhibit Ellis Island: Ghosts of Freedom to get an eye-opening look into what was once the gateway to America, captured in time.

Stephen Wilkes, Ellis Island: Ghosts of Freedom

The Steuben Gallery

667 Madison Avenue

New York, NY 10065

Showing now until January 4th, 2009



Robert Nachman, Creative Director of Steuben Glass, talks about the impact of Stephen Wilkes’ work, the importance of history, and more.




Hospital extension, women’s ward

How did you first learn about Stephen Wilkes?

I first saw Wilkes’ work at Photo LA several years ago when he just started to do the Ellis Island photos and I’ve always been a personal fan of it.

What is it about Wilkes’ work that you think resonates with viewers?

I think just on a visceral level, it’s the beauty of the colors and forms… so on one hand you have the beauty of the imagery, the colors, the forms, the textures, and the light – it’s so gorgeous. But you also have this wonderful evocative equality of the history [of Ellis Island] which we all sort of know. I have family that went through Ellis Island, so knowing what that place was and seeing what it looks like now, it brings up all this emotion of this important place that’s been lost in time.




Psychiatric Hospital, wall study with light switch

How has the response been to the show?

For the people that aren’t familiar with it, there’s a two part unveiling for them where they first look at the pictures, and then when they realize what it is they are completely taken aback. For those who are familiar with it or have read the sign, they are also taken aback by the experience itself. I think that the size of the images are breathtaking and people have a strong reaction to it.

Also, everyone has their favorites which is true of most exhibits. Even though there’s a range of shots – exterior, interiors, one is just a wall – there are still wonderful details. For example, there’s this one room with a tiny mirror hanging above the sink and the Statue of Liberty is reflected in it (Tuberculosis Ward, Statue Liberty, Island 3). And then when they see it everyone goes “oh my god!” and there’s this wonderful process of discovery.




L to R: Tuberculosis ward, Isolation ward

What is the lasting impression that you think the show leaves?

I think the most memorable image by far is the cover of the book, the light is so beautiful and with the foliage it looks jewel-encrusted. The whole show evokes the imagination of a place lost in time, like Miss Haversham’s house crawling in vines in Great Expectations or when the kids return to Narnia and find everything in ruins, but the amazing part is that Ellis Island is actually real. It’s just a wonderful emotive experience that you go through when you explore the show. If you have been out to Ellis Island since the renovation, to see these images of complete dilapidation and then to learn how it has been brought back to life again, there is so much that future generations can learn.

Definitely. Ellis Island remains a living monument in American history. Stephen Wilkes’ photographs takes viewers on a journey through a past that will never be seen again. Thank you for your time Robert.
-Helen Shih


Ellis Island: Ghosts of Freedom is now on view at Steuben Gallery on 667 Madison Avenue, New York, NY until January 4th. View more work by Stephen Wilkes.





A vine covered corridor, the cover of the book (Corridor #9)




Nurse’s quarters




The Autoclave


Window Study, Isolation ward



































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