Here are the details, book now for next year!
DLWS is heading to what seems like Joe's 2nd home for a great week of fun and killer photography. We have the SouthWest as our subject with vast landscapes and old spanish style architecture. As a special treat, we'll be shooting at the old, historic and infamous prison one morning and one evening. And you just never know what other special surprises we have in store. We're been planning this one for some time so we are really excited for to smack some chilies and see that romantic sunset. We're staying at the very romantic, pictursque Bishop's Lodge where we've secured a killer rate for our participants. We can easily see this becoming one of our favorite locales!
Much of what professional photographers are called on to do is done on location, including scouting a location, using existing and artificial light creatively, and dealing with physical space. The Digital Landscape Workshop, designed for experienced photographers who want to become more proficient in the use of light in the field, is about learning how to size up a location and find the best angles and light for the assignment. "We look at the use of natural and artificial light, including reflectors and large strobes as well as small flashes, to photograph both exterior and interior portraits, large and small spaces, street scenes, and people in all types of situations and locales. Emphasis is placed on how to “write” with light and how to use lighting techniques to shape the mood and color of a photograph. We explore color temperature, ways of working with natural light and strobe, and how to mix the two effectively."
Joe discusses lighting issues that arise in the field when using small, on-camera speedlights as well as the issues of huge productions involving larger studio strobes. He also covers gaining access to locations, methods for covering magazine assignments, and blending a variety of techniques and approaches. Working in the studio and on location, we photograph specific assignments with critiques the following morning. Also discussed is the simple fact that where you put the camera is much more important than where you put the light. It all goes together—a point of view at the lens, and command of the language of light to articulate that point of view. By the end of the week, participants have confidence in their ability to use light and lighting systems in a variety of conditions.
By sheer coincidence, Joe's photographs "A Great Day in Jazz" and a 2006 portrait of Tony Bennett are featured in the current Art of Sound exhibition.
Joe has two best-selling photography books out now, The Moment it Clicks and The Hot Shoe Diaries.
Joe McNally, an internationally acclaimed photographer and photojournalist, was LIFE magazine’s staff photographer from 1994 to 1998. His best-known series is “Faces of Ground Zero: Portraits of the Heroes of September 11th.”
Joe is a 25-year contributor to National Geographic. As part of the World Expo 2005, he created a photo diary of the New York City Opera’s historic first tour to Japan. Joe’s work has won numerous awards and appeared in a variety of publications, including The New York Times Magazine, National Geographic, Newsweek, ESPN The Magazine, Men’s Journal, LIFE, and Fast Company. His advertising and marketing clients include Nikon, Sony, Lands’ End, MetLife, Lifetime, AGA Marketing, Wildlife Conservation Society, American Ballet Theatre, and FedEx.